Hello everyone. I'll start right away, without long introductions. This article consists of two parts: theoretical, where I reflect on the nature of creativity, and practical, where I comment on the creation of specific compositions. So, let's go!
https://preview.redd.it/u4hu6zu5capa1.png?width=1067&format=png&auto=webp&s=b87db53431ee31620ba4f5c620e1d0f359b9bfef
Music is an amazing kind of creativity. A song done in a few minutes can take off and earn an author a lot of popularity and a ton of money.

Roy Orbison and his partner Bill Deese sat at Orbison's house trying to compose a song. In search of a melody, they played whatever came to mind. Roy Orbison's wife, Claudette, looked into the room and told her husband that she was going to the city to shop. Roy asked if she needed money, and then Deese got into the conversation with the remark: “Pretty woman never needs any money!". Then Orbison began humming the phrase "Pretty woman walking down the street", and Bill Deese began to beat the rhythm with his fist on the table. He vividly imagined a certain woman in a yellow skirt and red shoes, her heels clicking on the sidewalk. When Claudette returned with her shopping, the song was ready. In a television interview, Orbison said that it took as long to write the song as it sounds.

Neither cinema, nor literature, nor painting can boast such a big difference between costs and results. What's the secret? And why are some compositions successful and others not? I will not delay with the answer: in my opinion, the reason for this lies in the melodies.
If you write brilliant lyrics, make a professional arrangement in a high-quality studio with the best masters, achieve crystal clear sound, draw a great cover, shoot a video for a lot of money and invest properly in advertising, but you will not have a good melody, all this will turn out wasted. Melodies that catch, swing, evoke emotions will be interesting, but just a set of notes, even a pleasant one, will not lead to anything special.
I don’t know why different people’s brains respond in the same way to certain sets of sounds, but we can take advantage of this. We need to learn how to find these sounds.
​
https://preview.redd.it/crhxjrj7capa1.png?width=700&format=png&auto=webp&s=494c3557056d0273abf087088ac351ed26b47d3b
When creating music, there are principles that are characteristic of creativity in general. In my understanding, creativity is the creation of new connections between elements. Elements can be anything: things, words, ideas. For example, let's take two elements: a table and a glass. Let's create a connection: the glass is on the table. This is trite, but this is creativity. Let's try the other way around: the table is on a glass. Already more interesting. A table inside a glass, a glass inside a table, a glass made of wood, a table made of glass - as you can see, there can be many options, and I think you have already noticed an important detail: most of these connections are complete nonsense. But among the nonsense, you can find something interesting. For example, a table where you can pour water - at least this is a little less nonsense than previous examples)
So in everything that concerns creativity: the majority of creations are uninteresting and useless, and the task of the creator is to find worthy ones among them.
The Russian poet Mayakovsky has a wonderful poem. In the original, of course, there is a rhyme that makes the poem ten times better, but the pure meaning is also worth attention.

Poetry is the same mining of radium. In gram production, in years of work. You exhaust a single word for the sake of Thousands of tons of verbal ore. But how sizzling these words are burning Next to the decay of the raw word. These words set in motion Thousands of years of millions of hearts.

The creation process as a whole consists of three stages:

1. Accumulation of elements. In order to have something to create connections between, we need to find something new. The process of cognition, akin to creativity, is engaged in this. They are closely linked: recognition of something is impossible without creation, and creation leads to the recognition of something new.
2. Generation of new links. As a rule, the subconscious is involved in this process. It does it quickly, easily, and much better than consciousness. Try, for example, deliberately creating new connections between the same table and glass, and you will see that this process is slow and stressful. But if you somehow convince the subconscious to do this (for example, trying to do it consciously for a while), new connections will pour in. This is inspiration.
3. Selection. Probably the most important stage at which it is necessary, focusing on your feelings, to choose the best and throw out the rest. One of the biggest challenges at this stage is not distinguishing the good from the best and stopping work before greater results can be achieved. For example, a musician composes a melody, he really likes it, because it turns out to be better than everything that he has composed before, but he does not notice that the melody is still not good enough to use it in his work.

Eliezer S. Yudkowsky "Harry Potter and the Methods of Rationality":

"Unfortunately for Mr. Malfoy, he is still new to the art of creativity, and so he has committed a classic error of Ravenclaw." ... "Mr. Malfoy is new to the business of having ideas, and so when he has one, he becomes proud of himself for having it. He has not yet had enough ideas to unflinchingly discard those that are beautiful in some aspects and impractical in others; he has not yet acquired confidence in his own ability to think of better ideas as he requires them. What we are seeing here is not Mr. Malfoy's best idea, I fear, but rather his only idea."

Now let's move on from the principles of creativity in general to creating melodies. In the case of melodies, elements are notes: their duration, pitch, and the intervals between them. And their combination is the creation of connections. Our task is to generate a large number of melodies, and then select those that cause an emotional reaction, catch. You can just hum or play an instrument. Do not forget that at first the process will be very difficult, and the result will be disgusting. Soon, the subconscious mind may figure out what you want from it (or maybe not - try it next time), and it will start working on its own. This is the optimal state for work.
Another important aspect of working with the subconscious is worth mentioning. The degree of effectiveness of his work and control over him depends on the degree of mental stress. If you are relaxed, then control and efficiency are maximized - you can easily start and stop the necessary processes, there is even an opportunity to hear melodies right in your head and control them there. If you are tense, depressed, then the situation will be the opposite. Therefore, it is advisable to bring yourself as relaxed as possible before starting creative work.
This can be done either with the help of external things that cause relaxation (environment, music, smells), or with the help of the skills of conscious relaxation (concentration on breathing, biofeedback therapy). This is a separate, no less interesting topic, but now we are talking about something else. Unless it is absolutely not worth using nicotine, alcohol or worse for relaxation - the minus is more than the plus.
When the melody is ready, you can create a composition on its basis, and here you will find all the same creativity, all the same enumeration of options - not only notes, but also chords, instruments, effects, features of the genre in which you compose. All this is also important, but not as important as the melodies, and in this article I will not go deep into this topic. As developing any skill, composing music takes time and effort, and it is worth remembering that the fundamental difference between someone who has achieved something and someone who has not achieved anything is that the first one started and did not quit.
https://preview.redd.it/4irwlegdcapa1.png?width=540&format=png&auto=webp&s=d3978e8bae2228541f833176c64929d96695bdae
On this philosophizing, we can end and go to examples.
***
There are special programs for working with music, and they are called DAW (Digital Audio Workstation). There are a great variety of them: there are paid ones, there are also free ones. Those who work with them constantly argue about which one is better, but here the principle applies: the best workstation is the one in which you personally feel comfortable working. At one time I played with FL Studio, with Reaper, but now I mainly work in Cakewalk by Bandlab (formerly Sonar). Unlike the previous two, it is free and at the same time relatively full-featured (although not very popular). An interesting detail: when creating what I will talk about next, I used exclusively free programs, plugins and other intellectual property. You can judge for yourself how much this is enough to create music.
Here is the final result:
https://www.reddit.com/useAlexMikkelsen/comments/11yi6gy/alex_mikkelsen_hello_world_ep_2021/?utm_source=share&utm_medium=web2x&context=3
So, after a long break in creativity, I decided to write something and remembered that Bandlab has another free DAW that you can work with right in the browser. There it is.
Bandlab
There are a lot of instruments and sounds here, it is easy to learn, so it can be useful for beginners.
Remembering my brilliant theory about composing melodies, I began to strum whatever was right on the keyboard. I am not very good at playing the piano, but nevertheless, after several approaches and many attempts, I composed the main melody for the synthesizer. Added bass and drums. It worked out well. Then, trying to keep up with the style of this melody, I composed the intro. And then the bridge after the main melody. Added a few more instruments. And so, little by little, the following picture came together.
Road (former Blizzard)
It may look menacing, but the project is actually not that difficult. Complex arrangements can have several dozen tracks.
I've heard the expression that music is a combination of the familiar and the unexpected. Following this principle, I tried to make sure that in each measure (rectangle) there was something new - the introduction of a new instrument or a new melody, or, on the contrary, silence.
And this is how the so-called piano roll looks like in this program, where the work with notes takes place. Here you can add, move, stretch and perform other manipulations within the law of your country.
Piano roll
Let's go further. And then I decided to do something cosmic, and, torturing the keyboard, knocked out a few notes from it. I set the tempo down, took a stringy synthesizer as an instrument, and it turned out to be ambient.
Home
As you can see, everything is even simpler here, but the composition does not get any worse from this. The cherry on top was an apparently Pink Floyd-inspired guitar solo. Also played on the keyboard, but in separate fragments, and adjusted to the rhythm.
As you can see, I like to copy melodies and scatter them on different instruments playing at the same time. Here it played a cruel joke on me, and by copying the synthesizer melody to the bass track in the beat before the solo, I got a peculiar, albeit dirty sound. It would be much better to have one note on the bass here, not two. But I don't think anyone really cares.
https://preview.redd.it/846jw1sqgapa1.png?width=500&format=png&auto=webp&s=d0d77e2f9a01115c7af9ea866bcbe6298a0b0798
After creating this track, I got the crazy idea that it would be cool to publish this. But two compositions seemed to me a little, so I took out old records from the stash and finalized them. They are made in Cakewalk and look like this.
Hello World
Rainy
Yes, my narration looks like:
https://preview.redd.it/db61l7zycapa1.png?width=1026&format=png&auto=webp&s=0d40ff8c6084464ad4a98ba8a40cdce90318f016
But, as I said, creating an arrangement is the same often not very interesting enumeration of options, the result of which you see in the screenshots.
Let's say the arrangement is ready, and the nastiest part of the job comes - mixing. This is when a sound engineer adjusts the volume, pan (left / right), frequencies and effects for each individual track so that they sound organic and do not interfere with each other. I set up old projects right in the program, and saved two new ones as separate tracks and loaded them into Cakewalk. True, when saving to the recording, some kind of digital crackle appeared, which can be heard in some parts of the Road and Home tracks, but I suggest considering this as an artistic technique.
Mixing of Road
I must say that the mixing turned out pretty badly, and at the middle frequencies I have a mess, but I think that all this is compensated by great melodies).
https://preview.redd.it/3wteachcgapa1.png?width=500&format=png&auto=webp&s=4973a5fbd3e0d711818d538cfbf8077410d0be13
The next stage is mastering. This is the preparation of the final recording for publication. Here, the volume adjustment, equalizer and so on also come into play, but this is now applied not to individual tracks, but to the track as a whole. Modern tracks are very loud and very compressed (this is when the loudest moments of the recording and the quietest ones are brought closer to the same average loudness value). The so-called "loudness war" led to this result. Once the producers discovered that the louder the recording, the brighter and more interesting it seems to the listener, and began to compete with each other in twisting the sliders. Thanks to this, the volume of the published music has been steadily growing over the past half century, and we will not be left out either). In addition, the recordings from one release should have the same volume so that the listener does not have to turn the knob at the beginning of each new track.
My mastering skills are even worse than mixing, but here the same Bandlab came to the rescue. The service provides free (which is important) mastering services in automatic mode: you upload a track to the site, and the program tries to put it in order. And, interestingly, she is good at it, although for professionals this approach will cause severe mental and maybe physical suffering.
https://preview.redd.it/iipn7p76dapa1.png?width=399&format=png&auto=webp&s=13efbbb86764cb76361b10e40aee08fe4f7e7205
I'll tell you a secret: individual people, professionals, should be engaged in mixing and mastering, since this is a painstaking and thankless process that can cause a lot of problems for a novice artist. It is a known fact that Billie Eilish recorded her debut album with her brother literally in the bedroom on not the most expensive equipment, and highly paid specialists in the studio were engaged in the subsequent processing. But this does not threaten us yet.
So, the tracks are ready, and they are even almost of the same volume (I messed up here too, obviously choosing different mixing styles for different tracks (see the picture above). Now you need to share them with others, and then collect praise, wait for letters from labels, fend off fans ...
The current time is such that even a schoolboy can send his music to all possible stores, and then collect money for listening (royalties). For this, there are special services - aggregators, which either for a fee or for a percentage of the proceeds send masterpieces to all sorts of itunes and spotifies. I decided that such a scale is not required specifically for this release - tracks in this genre have not achieved great popularity, and it will take too long to wait for the release on the platforms.
The first thing I did was upload my four-track mini-album to Soundcloud. I found some commercial licensed photos on free stock photo stocks and designed the album page and cover with them.
I also decided to make a video with my tracks and put it on Youtube. As a video editor, I used a not very convenient, but free Shotcut. The video featured the album cover on a black background and the song title underneath. Remembering that the standard Microsoft fonts are not very free for commercial use (you never know), I tried hard and found a suitable one on Google Fonts. On the one hand, the resulting picture looks quite stylish, but on the other hand, it is very cheap and creates some kind of tragic feeling. But that is what it is.
https://preview.redd.it/v0ez6df8dapa1.png?width=807&format=png&auto=webp&s=d63397f06e93263a3b1158d5f75382ebbcd62e4c
I saved the result at 720p, but, interestingly, YouTube itself added 1080p from somewhere else, apparently so that you can enjoy a black screen in HD format.
I also made my own Coub for each song, suitable for the style, and also published it, but there is no particular activity there.
I must say that I do not count on any particular popularity of these four compositions. Yes, in my opinion, there are good tunes (and this is the most important thing), but this is not the kind of music that hits the charts. What I have composed is the first steps, acquaintance. That is why the mini-album is called Hello World.
Actually, that's it. Thanks for your attention!

Hello everybody.
Today I wanted to share few ideas how to install a moza r9 wheel base, a cheap wish handbrake, moza shifter and a moza SRP pedals. Everything gonna be attached to playseat challange.
I decided to make this post because plenty of peoples told me that I supposed to change my rig. I spent around 50 euros to upgrade it and to be honest I'm pretty happy how it's work. So there's all story below, step by step how I made it. I hope it's gonna be helpful.
​

1. So first thing I done was drilling. The playseat base didn't have the right holes drilled, so I took the dimensions of the hole spacing from the instructions, measured everything so that it was perfectly in the middle and drilled 4 holes. In fact, moza r9 is very solid even on two screws.

1
https://preview.redd.it/r1850qb38apa1.jpg?width=4640&format=pjpg&auto=webp&s=b68a7150667aea78264ef432556c8b868b721500
2 Successfully installed the wheel base to the playseat base. Unfortunately, the whole thing was wobbly, even though the screw for adjusting the angle of the playseat base was tightened very tight. I found the mount not very solid. I decided to remove the front metal frame together with the base, previously setting the angle of the base. I decided that after installing moza I would not be adjusting anything, so I took the whole thing to a nearby welder. The cost of the service is 15 euros, the whole thing lasted about 10 minutes.
2
as you can see playseat base is welded together to the frame (pipe).

1. After this step whole thing become a way more solid.

I used to have a g920 before so I had a handbrake before. Anyway, here's how it's mounted. Its a piece of metal bracket I made in work before. Its a 4mm piece of stainless steel with drilled holes. A green marks show you a moza wheel base screws. Red marks- bracket holding screws and on the top of the pic a 4 bolts holding a handbrake.
Picture was mad from below.
3
https://preview.redd.it/jimh7o86aapa1.jpg?width=2610&format=pjpg&auto=webp&s=0a93438e4a59cb8b5d4f08e5d149b51db8d4264a
Below a few measurement, they are not perfect. Note that with the width I wrote 40-45 mm, it's because mine was 50 mm and interfered with the screws from the moza (marked in green), so it will be better to make it a little smaller
3
https://preview.redd.it/t57tphsqbapa1.png?width=858&format=png&auto=webp&s=b663cff2e4fcc5c9239ee7e053cfb104c573a670

1. Now just a bit about shifter mount. Again I was lucky enough I was able to weld it back in old work. I made it especially for a g920 shifter, but now its gonna work with moza handbrake/shifter clamp. Few pictures below. Im not gonna give any measurement there, it was made from materials from work, propably hard to get something similar in any shop. At this stage I didnt got my moza shifter yet, but I'm 100% sure its gonna work well.

4
it's mounted straight to frame pipe, it's really solid, shifter never moved to me.
4
https://preview.redd.it/4ts6pwurcapa1.jpg?width=4640&format=pjpg&auto=webp&s=719873e2ade2458efb3fdc326a4141f459ba270f
4
https://preview.redd.it/la2flmzscapa1.jpg?width=2610&format=pjpg&auto=webp&s=7237dca765dc714cf5695bdf9f1cbb5ba6e9b423

1. I left the pedals for last. They could not be mounted directly on the playseat frame because the brake would hang in the air and it would be easy to damage it. I needed something to put the brakes on, I know it could just be wood, but I wanted something that would be thinner and at the same time durable. I went to local fabricator. I previously measured that I needed a piece of metal measuring 370mm x 370mm. Fabricator charged 20 euros for this service. It lasted 5 minutes. When I came back home I took grinder and floppy disc to remove sharp edges. I also had to drill few holes on it. At the end I painted everything black.

So again, I marked everything to not make you confused. Red marks, holes to install SRP pedals Green marks- you may laugh or not, but they are for cable ties.
​
plate with holes
​
pedals attached to plate
​
https://preview.redd.it/nmopr8o4fapa1.jpg?width=4640&format=pjpg&auto=webp&s=58b093b445e5c5db930bfe331416061f6dce3210
https://preview.redd.it/izomy9o4fapa1.jpg?width=2610&format=pjpg&auto=webp&s=91af9c80f22ccc24a1058843729037010e4176fc
YES, for real its cable tied, and its work pefect, it doesn't move at all. So far I dont think to change it, in worst case I'm just gonna use metal cable ties, they are a way more stronger.
metal cable ties

1. Well, thats pretty much it for now. I know many of you may hate it because its still foldable, unsteady cheap seat, but in my case I really can't have anything bigger because I'm only renting a small apartment. There is one more think I may have to do, connect everything and do a cable menagment, I already bought a USB hub,I propably will install it under or on site of moza wheel base.

https://preview.redd.it/8qod39o5gapa1.jpg?width=2584&format=pjpg&auto=webp&s=a84b57c427a97eb872829c91201af8e684b0ac62
But I'll think about it later, when Im gonna get my shifter.
If you read that, thanks very much, I really appreciate it. If it was halpfull, I'm happy to hear that.
Have a good day lads. Maybe we will meet each other on any assetto servers soon

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Phase 0) Digital Economics 101

The Digital Economics 101 module will open 1 week prior to the cohort start date.This is an onboarding module that will get you up to speed so we can get straight into the material.This will be required to finish before the start date.
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• Gain a deep understanding of all of the pieces in the digital economy.
• Learn about the future of media and code — the front-end and backend of the internet — so you can focus your efforts.
• Understand digital leverage, distribution, no-code tools, and digital assets so you can take part in the mental & financial wealth transfer.

Phase 1) Creating A Meaningful Niche

Every day I hear people going on and on about trying to find their niche.I also hear people talking about how they don’t know how to combine what they love talking about with what will sell.You already have the answer. You just don’t have the clarity.
​

• Develop a long-term strategy to create your own niche — meaning you don’t have to worry about your “competition” playing status games.
• Discover your life’s work, curiosities, and obsessions. I see too many people that are uncertain about this for years.
• Cultivate and turn your vision, goals, and values into a brand that attracts an audience you love interacting with (and that will buy from you, and only you).

Phase 2) Content Strategy

There is one thing that separates those who make it in the digital economy and those who don’t.It’s the quality, articulation, and perceived originality of their content.The content you post has to make sense to the people you attract.Everyone has a different voice and tone that they resonate with. That they are congruent with and trust.It has to change their thought patterns or behavior — that’s what makes you memorable.That’s what separates you from the sea of people posting surface-level copy-cat style posts.Example and putting my money where my mouth is:
​

• Become an expert-level speaker or writer on the topics you care about.
• Never run out of content ideas for your posts or promotions (without using content templates — that’s how you stay a commodity).
• Create posts, blogs, tweets, images, and videos that resonate with other’s on a deep level. People will actually ask you how you got so good at what you do.
• Separate yourself from the ocean of B-tier creators that struggle to sell their products, services, andhave their ideas stick in the head of their audience.
• Implement our Epistemic Research Method — which is just a fancy way of saying scientific research method… but it’s for researching your mind to craft brilliant content and product ideas.

Phase 3) Crafting Your Offer

Most people are sitting on a goldmine of skills, experience, and knowledge (that they can use to help people 1-2 steps behind them).That is what people pay for.Considering 95% of the market are beginners… if you are good at something, you can help them get to your level (no matter how “basic” you think the information is).Do you not watch basic content all day anyway? People don’t want new information, they want to be reminded of what works.
​

• Use our Minimum Viable Offer strategy to start monetizing immediately (and have something to improve over time, rather than procrastinating until it’s perfect).
• Have a strategy for reducing the time you spend working over time (as you build leverage and improve your offer).
• Know how to create your own customers from the audience you are building, instead of “finding” the right customer for your offer.
• Take the guesswork out of building coaching, consulting, or digital product offers.

Phase 4) Marketing Strategy

You aren’t making money because you aren’t promoting yourself or your offer.That is literally the only way to make money. Have something desirable and consistently put it in front of peoples’ faces.In Phase 4, I will show you how to systemize, automate, and be consistent with simple promotions.You will be able to make money without having the chance of forgetting to do it (or letting fear of failure get in the way).
​

• Learn to sell on social media, in your writing, and across different platforms.
• Have consistent sales coming in while focusing on your meaningful message (no need to sound salesy all the time).
• Learn advanced automation strategies that you can implement at your own pace, especially once you validate your offer.

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What You Get

Phase 0) Digital Economics 101

The Digital Economics 101 module will open 1 week prior to the cohort start date.This is an onboarding module that will get you up to speed so we can get straight into the material.This will be required to finish before the start date.
​

• Gain a deep understanding of all of the pieces in the digital economy.
• Learn about the future of media and code — the front-end and backend of the internet — so you can focus your efforts.
• Understand digital leverage, distribution, no-code tools, and digital assets so you can take part in the mental & financial wealth transfer.

Phase 1) Creating A Meaningful Niche

Every day I hear people going on and on about trying to find their niche.I also hear people talking about how they don’t know how to combine what they love talking about with what will sell.You already have the answer. You just don’t have the clarity.
​

• Develop a long-term strategy to create your own niche — meaning you don’t have to worry about your “competition” playing status games.
• Discover your life’s work, curiosities, and obsessions. I see too many people that are uncertain about this for years.
• Cultivate and turn your vision, goals, and values into a brand that attracts an audience you love interacting with (and that will buy from you, and only you).

Phase 2) Content Strategy

There is one thing that separates those who make it in the digital economy and those who don’t.It’s the quality, articulation, and perceived originality of their content.The content you post has to make sense to the people you attract.Everyone has a different voice and tone that they resonate with. That they are congruent with and trust.It has to change their thought patterns or behavior — that’s what makes you memorable.That’s what separates you from the sea of people posting surface-level copy-cat style posts.Example and putting my money where my mouth is:
​

• Become an expert-level speaker or writer on the topics you care about.
• Never run out of content ideas for your posts or promotions (without using content templates — that’s how you stay a commodity).
• Create posts, blogs, tweets, images, and videos that resonate with other’s on a deep level. People will actually ask you how you got so good at what you do.
• Separate yourself from the ocean of B-tier creators that struggle to sell their products, services, andhave their ideas stick in the head of their audience.
• Implement our Epistemic Research Method — which is just a fancy way of saying scientific research method… but it’s for researching your mind to craft brilliant content and product ideas.

Phase 3) Crafting Your Offer

Most people are sitting on a goldmine of skills, experience, and knowledge (that they can use to help people 1-2 steps behind them).That is what people pay for.Considering 95% of the market are beginners… if you are good at something, you can help them get to your level (no matter how “basic” you think the information is).Do you not watch basic content all day anyway? People don’t want new information, they want to be reminded of what works.
​

• Use our Minimum Viable Offer strategy to start monetizing immediately (and have something to improve over time, rather than procrastinating until it’s perfect).
• Have a strategy for reducing the time you spend working over time (as you build leverage and improve your offer).
• Know how to create your own customers from the audience you are building, instead of “finding” the right customer for your offer.
• Take the guesswork out of building coaching, consulting, or digital product offers.

Phase 4) Marketing Strategy

You aren’t making money because you aren’t promoting yourself or your offer.That is literally the only way to make money. Have something desirable and consistently put it in front of peoples’ faces.In Phase 4, I will show you how to systemize, automate, and be consistent with simple promotions.You will be able to make money without having the chance of forgetting to do it (or letting fear of failure get in the way).
​

• Learn to sell on social media, in your writing, and across different platforms.
• Have consistent sales coming in while focusing on your meaningful message (no need to sound salesy all the time).
• Learn advanced automation strategies that you can implement at your own pace, especially once you validate your offer.

Bonus) The Creator Command Center

The Creator Command Center is a Notion template that houses all of the systems.This is how you will manage your brand, content, offer creation, marketing strategy, and systemized promotions for consistent sales.

Bonus) Live Product Build & Launch

In the first Digital Economics Cohort, I built out my course The 2 Hour Writer.I have videos showing how I build it with the strategies in phase 3 and 4.There is a bonus module that shows how I had an $85,000 launch that resulted in my first $100K month.I did this to prove the strategies inside Digital Economics work if you stick to the plan.And, this past Black Friday, I blew my that monthly high out of the water in 4 days.That’s the power of these strategies if you stay consistent with your life’s work.

WEF Limousine Service
If you’re attending the Forum, you’ll want to arrive in style – and there’s no better way to do that than with our limo service. Our S class limousine is the epitome of luxury and sophistication, and it’s the perfect way to make a grand entrance at the Forum. We can pick you up from either Zurich Airport or St. Moritz Airport, and we’ll make sure you get to your destination in Davos safely and on time. Our drivers are all highly experienced professionals, and they know the roads around Davos like the back of their hand.

So whether you’re headed to a meeting at the Congress Centre or hitting the slopes at Jakobshorn, we’ll get you there in style. If you’re looking for a first-class travel experience, look no further than our limo service. And, our competitive rates mean you can afford to travel in style without breaking the bank.
Whether you’re attending the Forum as a VIP or simply want to enjoy the luxury of being driven around in one of the world’s finest automobiles, our Davos limo service is sure to exceed your expectations. We understand that when you’re attending a high-profile event like the World Economic Forum, getting there on time is of the utmost importance. That’s why our team of professional drivers are dedicated to getting you to your destination safely and on schedule. We’ll work with you to create a custom travel itinerary that takes into account all of your needs and preferences, so you can sit back, relax, and enjoy the ride. If you’re looking for a first-class travel experience at the World Economic Forum, look no further than our Davos limo service.
The WEF Limousine Service is a top-of-the-line transportation service that offers its clients a luxurious, comfortable, and safe ride to and from the airport. Some of the features that make this service so great are listed below:

• A team of professional and courteous chauffeurs who are always on time
• A fleet of clean and well-maintained vehicles that are regularly serviced
• Comfortable seating for up to 4 passengers
• Plenty of leg room and luggage space
• In-vehicle WiFi and entertainment systems
• A complimentary bottle of water and snacks

In order to make a reservation for the Limousine Service, please fill out the form on our website. You will need to provide your contact information, as well as the date and time of your event. We will then send you a confirmation email with further instructions. We are proud to offer our professional limousine services for this prestigious event, so that guests can arrive and depart from their chosen destination with ease in a luxurious vehicle. Our chauffeurs are experienced professionals who provide safe transportation accompanied by top-notch hospitality and service. If you’re attending the World Economic Forum in Davos, let us help you make your travel plans worry-free!
There are many benefits to using a limousine service, especially for a large event like the World Economic Forum. A limo can help you avoid traffic and parking headaches, and it can make sure you arrive at your destination on time and in style. A professional driver can also provide local insights and recommendations on the best places to eat, drink, and sightsee. And if you’re traveling with a group, a limo can be a more comfortable and convenient option than taking multiple taxis or renting cars. So whether you’re attending the World Economic Forum or just looking to make your next night out a little more special, consider booking a limousine from Us. We offer competitive rates and outstanding service, so you can relax and enjoy the ride. Contact us today to book your transfer to Davos. We’ll take care of all the details, so you can relax and enjoy your ride.