Bad bunny diles lyrics

Anyone think that Yellow Angel has the most powerful lyrics in the SF catalog?

2023.03.22 14:41 ClaireFarronLR Anyone think that Yellow Angel has the most powerful lyrics in the SF catalog?

"I want to know myself so bad it hurtsI am a shelf holding unread words
I've said goodbye so many times in my lifeI'm surprised it's still so hard for meTo see that I should start living my lifeOr I will die unfulfilled and empty "

every time i hear those lyrics i almost tear up and think about my unfilled life, it makes me really wanna start living, inspire me to do something new in life instead of wasting my life .There's got to be more than this right?I don't want to just exist. Have they ever played this song live??
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2023.03.22 14:40 47uw1mdmdg Bad Bunny hit with $40M lawsuit by ex-girlfriend Carliz De La Cruz Hernández amid Kendall Jenner dating rumors

Bad Bunny hit with $40M lawsuit by ex-girlfriend Carliz De La Cruz Hernández amid Kendall Jenner dating rumors submitted by 47uw1mdmdg to ShakyStuff [link] [comments]


2023.03.22 14:39 47uw1mdmdg Bad Bunny’s Ex-Girlfriend Files $40 Million Lawsuit Against the Rapper

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2023.03.22 14:03 JTMoney33 Frank (unplugged)

Just realized the lyrics are different between the album version..
So is he saying "we messed up so badly... Or we mixed up so badly" ?
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2023.03.22 14:03 AlexMikkelsen Making music

Making music
Hello everyone. I'll start right away, without long introductions. This post consists of two parts: theoretical, where I reflect on the nature of creativity, and practical, where I comment on the creation of specific compositions. So, let's go!
Music is an amazing kind of creativity. A song done in a few minutes can take off and earn an author a lot of popularity and a ton of money.
Roy Orbison and his partner Bill Deese sat at Orbison's house trying to compose a song. In search of a melody, they played whatever came to mind. Roy Orbison's wife, Claudette, looked into the room and told her husband that she was going to the city to shop. Roy asked if she needed money, and then Deese got into the conversation with the remark: “Pretty woman never needs any money!". Then Orbison began humming the phrase "Pretty woman walking down the street", and Bill Deese began to beat the rhythm with his fist on the table. He vividly imagined a certain woman in a yellow skirt and red shoes, her heels clicking on the sidewalk. When Claudette returned with her shopping, the song was ready. In a television interview, Orbison said that it took as long to write the song as it sounds.
Neither cinema, nor literature, nor painting can boast such a big difference between costs and results. What's the secret? And why are some compositions successful and others not? I will not delay with the answer: in my opinion, the reason for this lies in the melodies.
If you write brilliant lyrics, make a professional arrangement in a high-quality studio with the best masters, achieve crystal clear sound, draw a great cover, shoot a video for a lot of money and invest properly in advertising, but you will not have a good melody, all this will turn out wasted. Melodies that catch, swing, evoke emotions will be interesting, but just a set of notes, even a pleasant one, will not lead to anything special.
I don’t know why different people’s brains respond in the same way to certain sets of sounds, but we can take advantage of this. We need to learn how to find these sounds.
https://preview.redd.it/crhxjrj7capa1.png?width=700&format=png&auto=webp&s=494c3557056d0273abf087088ac351ed26b47d3b
When creating music, there are principles that are characteristic of creativity in general. In my understanding, creativity is the creation of new connections between elements. Elements can be anything: things, words, ideas. For example, let's take two elements: a table and a glass. Let's create a connection: the glass is on the table. This is trite, but this is creativity. Let's try the other way around: the table is on a glass. Already more interesting. A table inside a glass, a glass inside a table, a glass made of wood, a table made of glass - as you can see, there can be many options, and I think you have already noticed an important detail: most of these connections are complete nonsense. But among the nonsense, you can find something interesting. For example, a table where you can pour water - at least this is a little less nonsense than previous examples)
So in everything that concerns creativity: the majority of creations are uninteresting and useless, and the task of the creator is to find worthy ones among them.
The Russian poet Mayakovsky has a wonderful poem. In the original, of course, there is a rhyme that makes the poem ten times better, but the pure meaning is also worth attention.
Poetry is the same mining of radium.
In gram production, in years of work.
You exhaust a single word for the sake of
Thousands of tons of verbal ore.
But how sizzling these words are burning
Next to the decay of the raw word.
These words set in motion
Thousands of years of millions of hearts.
The creation process as a whole consists of three stages:
  1. Accumulation of elements. In order to have something to create connections between, we need to find something new. The process of cognition, akin to creativity, is engaged in this. They are closely linked: recognition of something is impossible without creation, and creation leads to the recognition of something new.
  2. Generation of new links. As a rule, the subconscious is involved in this process. It does it quickly, easily, and much better than consciousness. Try, for example, deliberately creating new connections between the same table and glass, and you will see that this process is slow and stressful. But if you somehow convince the subconscious to do this (for example, trying to do it consciously for a while), new connections will pour in. This is inspiration.
  3. Selection. Probably the most important stage at which it is necessary, focusing on your feelings, to choose the best and throw out the rest. One of the biggest challenges at this stage is not distinguishing the good from the best and stopping work before greater results can be achieved. For example, a musician composes a melody, he really likes it, because it turns out to be better than everything that he has composed before, but he does not notice that the melody is still not good enough to use it in his work.
Eliezer S. Yudkowsky "Harry Potter and the Methods of Rationality":
"Unfortunately for Mr. Malfoy, he is still new to the art of creativity, and so he has committed a classic error of Ravenclaw."..."Mr. Malfoy is new to the business of having ideas, and so when he has one, he becomes proud of himself for having it. He has not yet had enough ideas to unflinchingly discard those that are beautiful in some aspects and impractical in others; he has not yet acquired confidence in his own ability to think of better ideas as he requires them. What we are seeing here is not Mr. Malfoy's best idea, I fear, but rather his only idea."
Now let's move on from the principles of creativity in general to creating melodies. In the case of melodies, elements are notes: their duration, pitch, and the intervals between them. And their combination is the creation of connections. Our task is to generate a large number of melodies, and then select those that cause an emotional reaction, catch. You can just hum or play an instrument. Do not forget that at first the process will be very difficult, and the result will be disgusting. Soon, the subconscious mind may figure out what you want from it (or maybe not - try it next time), and it will start working on its own. This is the optimal state for work.
Another important aspect of working with the subconscious is worth mentioning. The degree of effectiveness of his work and control over him depends on the degree of mental stress. If you are relaxed, then control and efficiency are maximized - you can easily start and stop the necessary processes, there is even an opportunity to hear melodies right in your head and control them there. If you are tense, depressed, then the situation will be the opposite. Therefore, it is advisable to bring yourself as relaxed as possible before starting creative work.
This can be done either with the help of external things that cause relaxation (environment, music, smells), or with the help of the skills of conscious relaxation (concentration on breathing, biofeedback therapy). This is a separate, no less interesting topic, but now we are talking about something else. Unless it is absolutely not worth using nicotine, alcohol or worse for relaxation - the minus is more than the plus.
When the melody is ready, you can create a composition on its basis, and here you will find all the same creativity, all the same enumeration of options - not only notes, but also chords, instruments, effects, features of the genre in which you compose. All this is also important, but not as important as the melodies, and in this article I will not go deep into this topic. As developing any skill, composing music takes time and effort, and it is worth remembering that the fundamental difference between someone who has achieved something and someone who has not achieved anything is that the first one started and did not quit.
https://preview.redd.it/4irwlegdcapa1.png?width=540&format=png&auto=webp&s=d3978e8bae2228541f833176c64929d96695bdae
On this philosophizing, we can end and go to examples.
***
There are special programs for working with music, and they are called DAW (Digital Audio Workstation). There are a great variety of them: there are paid ones, there are also free ones. Those who work with them constantly argue about which one is better, but here the principle applies: the best workstation is the one in which you personally feel comfortable working. At one time I played with FL Studio, with Reaper, but now I mainly work in Cakewalk by Bandlab (formerly Sonar). Unlike the previous two, it is free and at the same time relatively full-featured (although not very popular). An interesting detail: when creating what I will talk about next, I used exclusively free programs, plugins and other intellectual property. You can judge for yourself how much this is enough to create music.
Here is the final result:
https://www.reddit.com/useAlexMikkelsen/comments/11yi6gy/alex_mikkelsen_hello_world_ep_2021/?utm_source=share&utm_medium=web2x&context=3
So, after a long break in creativity, I decided to write something and remembered that Bandlab has another free DAW that you can work with right in the browser. There it is.
Bandlab
There are a lot of instruments and sounds here, it is easy to learn, so it can be useful for beginners.
Remembering my brilliant theory about composing melodies, I began to strum whatever was right on the keyboard. I am not very good at playing the piano, but nevertheless, after several approaches and many attempts, I composed the main melody for the synthesizer. Added bass and drums. It worked out well. Then, trying to keep up with the style of this melody, I composed the intro. And then the bridge after the main melody. Added a few more instruments. And so, little by little, the following picture came together.
Road (former Blizzard)
It may look menacing, but the project is actually not that difficult. Complex arrangements can have several dozen tracks.
I've heard the expression that music is a combination of the familiar and the unexpected. Following this principle, I tried to make sure that in each measure (rectangle) there was something new - the introduction of a new instrument or a new melody, or, on the contrary, silence.
And this is how the so-called piano roll looks like in this program, where the work with notes takes place. Here you can add, move, stretch and perform other manipulations within the law of your country.
Piano roll
Let's go further. And then I decided to do something cosmic, and, torturing the keyboard, knocked out a few notes from it. I set the tempo down, took a stringy synthesizer as an instrument, and it turned out to be ambient.
Home
As you can see, everything is even simpler here, but the composition does not get any worse from this. The cherry on top was an apparently Pink Floyd-inspired guitar solo. Also played on the keyboard, but in separate fragments, and adjusted to the rhythm.
As you can see, I like to copy melodies and scatter them on different instruments playing at the same time. Here it played a cruel joke on me, and by copying the synthesizer melody to the bass track in the beat before the solo, I got a peculiar, albeit dirty sound. It would be much better to have one note on the bass here, not two. But I don't think anyone really cares.
https://preview.redd.it/846jw1sqgapa1.png?width=500&format=png&auto=webp&s=d0d77e2f9a01115c7af9ea866bcbe6298a0b0798
After creating this track, I got the crazy idea that it would be cool to publish this. But two compositions seemed to me a little, so I took out old records from the stash and finalized them. They are made in Cakewalk and look like this.
Hello World
Rainy
Yes, my narration looks like:
https://preview.redd.it/db61l7zycapa1.png?width=1026&format=png&auto=webp&s=0d40ff8c6084464ad4a98ba8a40cdce90318f016
But, as I said, creating an arrangement is the same often not very interesting enumeration of options, the result of which you see in the screenshots.
Let's say the arrangement is ready, and the nastiest part of the job comes - mixing. This is when a sound engineer adjusts the volume, pan (left / right), frequencies and effects for each individual track so that they sound organic and do not interfere with each other. I set up old projects right in the program, and saved two new ones as separate tracks and loaded them into Cakewalk. True, when saving to the recording, some kind of digital crackle appeared, which can be heard in some parts of the Road and Home tracks, but I suggest considering this as an artistic technique.
Mixing of Road
I must say that the mixing turned out pretty badly, and at the middle frequencies I have a mess, but I think that all this is compensated by great melodies).
https://preview.redd.it/3wteachcgapa1.png?width=500&format=png&auto=webp&s=4973a5fbd3e0d711818d538cfbf8077410d0be13
The next stage is mastering. This is the preparation of the final recording for publication. Here, the volume adjustment, equalizer and so on also come into play, but this is now applied not to individual tracks, but to the track as a whole. Modern tracks are very loud and very compressed (this is when the loudest moments of the recording and the quietest ones are brought closer to the same average loudness value). The so-called "loudness war" led to this result. Once the producers discovered that the louder the recording, the brighter and more interesting it seems to the listener, and began to compete with each other in twisting the sliders. Thanks to this, the volume of the published music has been steadily growing over the past half century, and we will not be left out either). In addition, the recordings from one release should have the same volume so that the listener does not have to turn the knob at the beginning of each new track.
My mastering skills are even worse than mixing, but here the same Bandlab came to the rescue. The service provides free (which is important) mastering services in automatic mode: you upload a track to the site, and the program tries to put it in order. And, interestingly, she is good at it, although for professionals this approach will cause severe mental and maybe physical suffering.
https://preview.redd.it/iipn7p76dapa1.png?width=399&format=png&auto=webp&s=13efbbb86764cb76361b10e40aee08fe4f7e7205
I'll tell you a secret: individual people, professionals, should be engaged in mixing and mastering, since this is a painstaking and thankless process that can cause a lot of problems for a novice artist. It is a known fact that Billie Eilish recorded her debut album with her brother literally in the bedroom on not the most expensive equipment, and highly paid specialists in the studio were engaged in the subsequent processing. But this does not threaten us yet.
So, the tracks are ready, and they are even almost of the same volume (I messed up here too, obviously choosing different mixing styles for different tracks (see the picture above). Now you need to share them with others, and then collect praise, wait for letters from labels, fend off fans ...
The current time is such that even a schoolboy can send his music to all possible stores, and then collect money for listening (royalties). For this, there are special services - aggregators, which either for a fee or for a percentage of the proceeds send masterpieces to all sorts of itunes and spotifies. I decided that such a scale is not required specifically for this release - tracks in this genre have not achieved great popularity, and it will take too long to wait for the release on the platforms.
The first thing I did was upload my four-track mini-album to Soundcloud. I found some commercial licensed photos on free stock photo stocks and designed the album page and cover with them.
I also decided to make a video with my tracks and put it on Youtube. As a video editor, I used a not very convenient, but free Shotcut. The video featured the album cover on a black background and the song title underneath. Remembering that the standard Microsoft fonts are not very free for commercial use (you never know), I tried hard and found a suitable one on Google Fonts. On the one hand, the resulting picture looks quite stylish, but on the other hand, it is very cheap and creates some kind of tragic feeling. But that is what it is.
https://preview.redd.it/v0ez6df8dapa1.png?width=807&format=png&auto=webp&s=d63397f06e93263a3b1158d5f75382ebbcd62e4c
I saved the result at 720p, but, interestingly, YouTube itself added 1080p from somewhere else, apparently so that you can enjoy a black screen in HD format.
I also made my own Coub for each song, suitable for the style, and also published it, but there is no particular activity there.
I must say that I do not count on any particular popularity of these four compositions. Yes, in my opinion, there are good tunes (and this is the most important thing), but this is not the kind of music that hits the charts. What I have composed is the first steps, acquaintance. That is why the mini-album is called Hello World.
Actually, that's it. Thanks for your attention!
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2023.03.22 14:00 Timely-Detective753 What songs do you find incredibly impactful?

What song lyrics always hit you hard? In a good way or bad way.
I always feel huge waves of emotion and hurt when I hear Landslide by Fleetwood Mac.
Hearing Nicks sing: “Oh, mirror in the sky what is love Can the child with in my heart rise above Can I sail through the changing ocean tides Can I handle the seasons of my life?”
It will almost always bring me close to tears and well up. I very much relate to the lyrics and they speak to my deepest fears. It also provides me reassurance, that I’ve managed to go from being a child, teen, man, husband and now father. Not without problems, but I’ve allowed my life experience to bring me to the place I am at today. It’s not perfect and yes I’m broken but I always will be…. And that’s not my fault…. It just is….. I just keep setting sail and learning the tides….. I’m still trying to take care of the child in my heart…… he’s a very hurt boy who doesn’t feel loved or cared for no matter how much I try to tell him he’s worthy and that I love him.
Sorry sappy shit but I had to get it out of me today after listening to that song.
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2023.03.22 13:56 Timely-Detective753 Impactful Song Lyrics

What song lyrics always hit you hard? In a good way or bad way.
I always feel huge waves of emotion and hurt when I hear Landslide by Fleetwood Mac.
Hearing Nicks sing: “Oh, mirror in the sky what is love Can the child with in my heart rise above Can I sail through the changing ocean tides Can I handle the seasons of my life?”
It will almost always bring me close to tears and well up. I very much relate to the lyrics and they speak to my deepest fears. It also provides me reassurance, that I’ve managed to go from being a child, teen, man, husband and now father. Not without problems, but I’ve allowed my life experience to bring me to the place I am at today. It’s not perfect and yes I’m broken but I always will be…. And that’s not my fault…. It just is….. I just keep setting sail and learning the tides….. I’m still trying to take care of the child in my heart…… he’s a very hurt boy who doesn’t feel loved or cared for no matter how much I try to tell him he’s worthy and that I love him.
Sorry sappy shit but I had to get it out of me today after listening to that song.
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2023.03.22 13:22 ethereal3xp Bad Bunny’s former girlfriend sues seeking $40M over voice recording

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2023.03.22 12:48 young_and-menace MJ fans, let’s be honest. Is thriller truly Michael’s best album?

Many believe thriller is Michael’s best album because not only is it his best album sale wise, but is it truly his best lyrically?
Me personally I think that thriller isn’t Michael’s best, but it isn’t his worst.
Can I get some backup here?
(coming from a BAD lover)
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2023.03.22 12:35 Historical_Ship_6537 Feeling like a buzzkill in the band and being frustrated

We've been playing for a few months as a band, nothing professional or with a contract, but we were kinda clear from the start that we didn't just want to play cover forever, our first goal was to be able to build a set list and later on play in front of people.
We've been playing covers for the last 3 months and were slowly bringing up the idea of moving to original. I have like 4 songs that are pretty advanced, with tabs and every part written (but drums) so I was happy that we were finally moving forward. They don't have any songs on their side, that's ok. I sent them the audio and tabs along with another song. We rehearse 2:30 hours a week, a lot of time spent talking, setting up, covers, and maybe 10 mins of original but they didn't really understand the structure of the song so "rework it again, and by the way our time is up we have to leave the studio"
For the last 4 weeks, I've been sending them tabs again "dumbed" down (meaning I removed small licks here and there and kept it as simple as possible) same results, they have trouble understanding the songs. At this point i'm getting frustrated because as much as I put myself in question again, thinking maybe the song is wrong and I fucked up, changing tabs, dumbing it down even more, writing lyrics and bass part (because they are not coming up with anything), changing part, timing, I really don't know what i'm doing wrong.
I'm getting kinda annoyed and i'm like...80% sure that the fact they are not understanding the songs is because they spend 0 min listening or working on it outside of rehearsal. It's a simple freaking intro - verse - chorus - verse - chorus song. I don't have a degree in music theory but I know that it's not a song with fucked up rhythm, wrong choice of notes... at this point it's pretty much just bars of power chord. I'm also not an asshole that doesn't want to change anything, i'm open to any new idea but they don't suggest anything.
I kinda didn't say anything but the last two times I snapped and told them pretty much to move their asses if they want to do something with the band (of course I didn't say it that bad, but that I was getting frustrated that I was putting in the work I felt like they weren't even bothering opening up the audio files I sent them, which I realised was the case later on ) They said I was right and that from now on they were gonna focus more. I'm also frustrated because i'm literally laying it out for them and doing the work, i'm writing full songs with all part pre written, open to any change, they apparently like the songs as they told me, but there isn't any response from them.
Anyway to keep it short there's a lot of little stuff that happens that just proves they aren't doing anything outside the 2 hours of rehearse, and I feel like if nobody says anything and is a buzz killer nothing is gonna move forward, I know they also wanna create their own songs and play gig, but at the same time I feel like a dick because we aren't pro, there isn't money on the line or a contract. I'm seriously doubting my ability and i'm getting frustrated as well as feeling like a dick. I don't wanna leave this band because they are friends but I can't find the line between getting things moving and being a controlling freak. I know they all have schedule and a job (as I do) but I still somehow find time to work on the band, while they don't (?)
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2023.03.22 11:59 KimmieBotGPT Who made those??

Who made those?? submitted by KimmieBotGPT to CoopAndPabloArtHouse [link] [comments]


2023.03.22 11:35 GeometryDash_Gamer TD Rewatch Thoughts and Commentary: THE GRAND FINALE! (Part 2)

Then last but not least, here are all my various rankings of different facets of the show. Starting off with my episode rankings, and then team and canon ship rankings (in general and season-by-season), and lastly my final character rankings and tier lists (both in general and season-by-season). Though if you haven’t seen my part 1 post yet, I advise you go see it (you can find it via this link)

Episodes

Deplorable: Z (0.00 - 0.99 Points)
#145: “Sundae Muddy Sundae” (AS) - 0.15
#144: “You Regatta Be Kidding Me” (AS) - 0.20
#143: "The Aftermath: II: Forgive and Forgwen" (TDA) - 0.40
Loathsome: F- (1.00 - 1.99 Points)
#142: “Three Zones and a Baby” (PI) - 1.15
#141: “Lies, Cries and One Big Prize” (PI) - 1.40
#140: “Can’t Help Falling in Louvre” (WT) - 1.70
Painful: F (2.00 - 2.99 Points)
#139: “Sky Fall” (PI) - 2.20
#138: “The Final Wreckening” (AS) - 2.35
#137: “Zeek and Ye Shall Find” (AS) - 2.70
Infuriating: F+ (3.00 - 3.99 Points)
#136: "The Chefshank Redemption" (TDA) - 3.30
#135: "2008: A Space Owen"(TDA) - 3.40
Lousy (Red): D- (4.00 - 4.99 Points)
#134: “Mo Monkey Mo Problems” (PI) - 4.30
#133: “Saving Private Leechball” (AS) - 4.45
#132: “Search and Do Not Destroy” (TDI) - 4.80
Cringe: D (5.00 - 5.99 Points)
#131: “Phobia Factor” (TDI) - 5.05
#130: “A Blast from the Past” (PI) - 5.20
#129: "The Princess Pride" (TDA) - 5.80
Weak: D+ (6.00 - 6.99 Points)
#128: "3:10 to Crazytown" (TDA) - 6.10
#127: "Top Dog" (TDA) - 6.50
#126: “The Obstakill Course” (AS) - 6.55
#125: “Evil Dread” (AS) - 6.70
Lackluster: C- (7.00 - 7.99 Points)
#124: Haute Camp-ture (TDI) - 7.05
#123: “The Very Last Episode, Really!” (TDI) - 7.25
#122: "The Aftermath IV: Who Wants to Pick a Millionaire?” (TDA) - 7.40
#121: “Anything Yukon Do, I Can Do Better” (WT) - 7.70
#120: “Brazilian Pain Forest” (RR) - 7.85
Borderline: C (8.00 - 8.99 Points)
#119: “This is the Pits!” (PI) - 8.10
#118: "Rock 'n Rule" (TDA) - 8.15
#117: “Hawaiian Punch” (WT) - 8.30
#116: "The Aftermath I: Trent’s Descent" (TDA) - 8.50
#115: “Darjeel with It” (RR) - 8.65
#114: "Beach Blanket Bogus" (TDA) - 8.80
#113: “Walk Like an Egyptian Part 2” (WT) - 8.95
Neutral: C (9.00 Points)
Average: C (9.01 - 10.00 Points)
#112: “African Lying Society-Safari” (WT) - 9.05
#111: “Heroes vs. Villains” (AS) - 9.10
#110: “No Pain, No Game” (TDI) - 9.40
#109: “A Million Ways to Lose a Million Dollars” (RR) - 9.60
#108: “The Bold and the Booty-ful” (AS) - 9.85
#107: “That’s Off the Chain” (TDI) - 9.95
Decent: C+ (10.01 - 11.00 Points)
#106: “Jamaica Me Sweat” (WT) - 10.20
#105: “A Mine is a Terrible Thing to Waste” (ROTI) - 10.25
#104: “Slap Slap Revolution” (WT) - 10.40
#103: “Moon Madness” (AS) - 10.45
#102: “So, Uh, This is my Team” (PI) - 10.60
#101: “I Love You, I Love You Knots” (PI) - 10.75
#100: “The Sucky Outdoors” (TDI) - 10.80
#99: "Masters of Disasters" (TDA) - 10.90
#98: "No One Eggspects the Spanish Opposition" (AS) - 10.95
Fine: B- (11.01 - 12.00 Points)
#97: “Suckers Punched” (AS) - 11.05
#96: "Dial M for Merger" (TDA) - 11.10
#95: “Hawaiian Honeyruin” (RR) - 11.35
#94: “Food Fright” (AS) - 11.40
#93: “Down and Outback” (RR) - 11.55
#92: “Greece’s Pieces” (WT) - 11.60
#91: “Paintball Deer Hunter” (TDI) - 11.80
Dope: B (12.01 - 13.00 Points)
#90: "One Million Bucks B.C." (TDA) - 12.02
#89: “Picnic at Hanging Dork” (WT) - 12.10
#88: “I Love You Grease Pig” (PI) - 12.15
#87: “None Down, Eighteen to Go Part 1” (RR) - 12.20
#86: “Super Happy Crazy Fun Time in Japan” (WT) - 12.25
#85: “Finders Creepers” (ROTI) - 12.30
#84: “Niagara Brawls” (WT) - 12.35
#83: “If You Can’t Take the Heat” (TDI) - 12.40
#82: “Hide and Be Sneaky” (TDI) - 12.45
#81: “None Down, Eighteen to Go Part 2” (RR) - 12.50
#80: “The Big Sleep” (TDI) - 12.60
#79: “How Deep is Your Love” (RR) - 12.65
#78: “Pahk’d with Talent” (PI) - 12.70
#77: “Awww, Drumheller” (WT) - 12.80
#76: “X-treme Torture” (TDI) - 12.90
#75: “Not So Happy Campers Part 2” (TDI) - 12.95
#74: “The Am-AH-zon Race” (WT) - 13.00
Solid: B+ (13.01 - 14.00 Points)
#73: "Million Dollar Babies" (TDA) - 13.05
#72: “Total Drama Drama Drama Drama Island” (TDI) - 13.15
#71: “Wawanakwa Gone Wild” (TDI) - 13.20
#70: “Mediterranean Homesick Blues” (RR) - 13.25
#69: “Chinese Fakeout” (WT) - 13.30
#68: “Walk Like an Egyptian, Part 1” (WT) - 13.35
#67: “The Ex-Files” (WT) - 13.40
#66: “French is an Eiffel Language” (RR) - 13.45
#65: "Full Metal Drama" (TDA) - 13.50
#64: “Hello and Dubai” (RR) - 13.55
#63: “Bjorken Telephone” (RR) - 13.60
#62: “Rapa Phooey” (WT) - 13.65
#61: “Hurl and Go Seek” (PI) - 13.70
#60: “Aftermath I: Bridgette Over Troubled Water” (WT) - 13.71
#59: “Truth or Laser Shark” (ROTI) - 13.75
#58: “Not Quite Famous” (TDI) - 13.80
#57: “Grand Chef Auto” (ROTI) - 13.85
#56: “Backstabbers Ahoy!” (ROTI) - 13.88
#55: "The Aftermath III: O-wen or Loose" (TDA) - 13.90
#54: “Bigger! Badder! Brutal-er!” (ROTI) - 13.92
#53: “Not So Happy Campers Part 1” (TDI) - 13.95
#52: "Ocean's Eight - Or Nine" (TDA) - 14.00
Awesome: A- (14.01 - 15.00 Points)
#51: “Aftermath II: Revenge of the Telethon” (WT) - 14.10
#50: “Twinning isn’t Everything” (PI) - 14.15
#49: “Camp Castaways” (TDI) - 14.20
#48: "Alien Resurr-eggtion" (TDA) - 14.40
#47: “Broadway, Baby!” (WT) - 14.45
#46: "Celebrity Manhunt's TDA Reunion Show" (TDA) - 14.55
#45: “Ice Ice Baby” (ROTI) - 14.60
#44: “Riot on Set” (TDA) - 14.63
#43: “I See London” (WT) - 14.70
#42: “Lord of the Ring Toss” (RR) - 14.75
#41: “Brunch of Disgustingness” (TDI) - 14.80
#40: “Shawshank Ridonction” (RR) - 14.85
#39: "Runaway Model" (ROTI) - 14.90
Fantastic: A (15.01 - 16.00 Points)
#38: “Dude Buggies” (RR) - 15.05
#37: "Mutiny on the Soundstage" (TDA) - 15.20
#36: “Aftermath IV: Hawaiian Style” (WT) - 15.30
#35: “Who Can You Trust” (TDI) - 15.40
#34: “A Ticket, a Casket, I’m Gonna Blow a Gasket” (RR) - 15.45
#33: "Crouching Courtney, Hidden Owen" (TDA) - 15.60
#32: “My Way or Zimbabwe” (RR) - 15.65
#31: “Scarlett Fever” (PI) - 15.70
#30: “Newf Kids on the Rock (WT) - 15.75
#29: “Monster Cash” (TDA) - 15.80
#28: “Dodgebrawl” (TDI) - 15.85
#27: “Are We There Yeti?” (TDI) - 15.87
#26: “Got Venom” (RR) - 15.95
Extraordinary: A+ (16.01 - 17.00 Points)
#25: “Last Tango in Buenos Aires” (RR) - 16.05
#24: “Up the Creek” (TDI) - 16.10
#23: "The Sand Witch Project” (TDA) - 16.15
#22: “Ca Noodling” (RR) - 16.25
#21: “Eat, Puke, and Be Wary” (ROTI) - 16.40
#20: “Sweden Sour” (WT) - 16.45
#19: “Basic Straining” (TDI) - 16.50
#18: “One Flu Over the Cuckoos” (TDA) - 16.55
#17: “Maori or Less” (RR) - 16.60
#16: “El Bunny Supremo” (RR) - 16.65
#15: “I Triple Dog Dare You” (TDI) - 16.70
#14: “Little Bull on the Prairie” (RR) - 16.75
#13: “The Enchanted Franken-Forest” (ROTI) - 16.80
#12: “Trial by Tri-Armed Triathlon” (TDI) - 16.85
#11: “Aftermath III: Aftermath Aftermayhem” (WT) - 16.90
Legendary: S (17.01 - 18.00)
#10: “Get a Clue" (TDA) - 17.05
#9: “The Treasure Island of Dr. McLean” (ROTI) - 16.10
#8: "Super Hero-Id" (TDA) - 17.25
#7: “I Love Ridonc and Roll” (RR) - 17.30
#6: “New Beijinging” (RR) - 17.35
#5: “Planes, Trains, and Hot Air Mobiles” (WT) - 17.45
#4: “Hook, Line, and Screamer” (TDI) - 17.50
#3: “Bahamarama (RR) - 17.65
#2: “Brain vs. Brawn: The Ultimate Showdown” (ROTI) - 17.70
#1: “Up, Up, and Away in my Pitiful Balloon” (ROTI) - 17.80

Teams

#13: Pimâpotew Kinosewak (PI)
#12: Killer Grips (TDA)
#11: Wâneyihtam Muskwak (PI)
#10: Heroic Hamsters (AS)
#9: Team Victory (WT)
#8: Villainous Vultures (AS)
#7: Team Amazon (WT)
#6: Killer Bass (TDI)
#5: Screaming Gophers (TDI)
#4: Toxic Rats (ROTI)
#3: Screaming Gaffers (TDA)
#2: Mutant Maggots (ROTI)
#1: Team Chris (WT)

Canon ships (season-by-season)

Worst (Z)
#33: Gwent (TDA)
#32: MacBrody (RR)
Terrible (F)
#31: Skave (PI)
#30: Ozzy (WT)
#29: Zoke (AS)
#28: Derrie (RR)
#27: Gwuncan (AS)
Bad (D)
#26: Coderra (WT)
#25: Gwent (TDI)
#24: Gwuncan (WT)
Neutral (C)
#23: Lyler (TDI)
#22: Scottney (AS)
#21: Lesharold (TDI)
Good (B)
#20: Duncney (TDA)
#19: Gidgette (TDA)
#18: Crimsennui (RR)
#17: Lesharold (TDA)
#16: Lesharold (WT)
#15: Gidgette (WT)
#14: Anne Marito (ROTI)
#13: Lyler (WT)
Excellent (A)
#12: Ozzy (TDI)
#11: Ryphanie (RR)
#10: Zoke (ROTI)
#9: Gidgette (TDI)
#8: Duncney (WT)
#7: Samkota (ROTI)
#6: Aleheather (AS)
Best (S)
#5: Ozzy (TDA)
#4: Nemma (RR)
#3: Duncney (TDI)
#2: Aleheather (WT)
#1: Shawsmine (PI)

Canon ships (general)

NOTP (Z)
#20: Macbrody
Terrible (F)
#19: Skave
#18: Derrie
Bad (D)
#17: Gwent
#16: Coderra
#15: Gwuncan
Neutral (C)
#14: Zoke
#13: Scottney
Good (B)
#12: Crimsennui
#11: Lesharold
#10: Anne Marito
#9: Lyler
Excellent (A)
#8: Ryphanie
#7: Ozzy
#6: Gidgette
#5: Samkota
#4: Duncney
OTP (S)
#3: Nemma
#2: Aleheather
#1: Shawsmine
Now for what y’all have been waiting for

Character rankings (season-by-season)

Deplorable: Z (0.00 - 0.99 Points)
#147: Chris (PI) - 0.01
#146: Amy (PI) - 0.24
#145: Chris (WT) - 0.35
#144: Ezekiel (WT) - 0.67
#143: MacArthur (RR) - 0.96
Loathsome: F- (1.00 - 1.99 Points)
#142: Chris (TDI) - 1.21
#141: Chef (PI) - 1.30
#140: Mal (AS) - 1.81
#139: Leonard (PI) - 1.95
Painful: F (2.00 - 2.99 Points)
#138: Kelly (RR) - 2.25
#137: Chef (WT) - 2.54
#136: Chris (AS) - 2.88
#135: Mike (AS) - 2.91
Infuriating: F+ (3.00 - 3.99 Points)
#134: Taylor (RR) - 3.31
#133: Sadie (TDI) - 3.55
#132: Katie (TDI) - 3.60
#131: Sugar (PI) - 3.72
Lousy (Red): D- (4.00 - 4.99 Points)
#130: Tammy (RR) - 4.30
#129: Sierra (AS) - 4.82
#128: Justin (TDA) - 4.94
Cringe: D (5.00 - 5.99 Points)
#127: Staci (ROTI) -
#126: Dave (PI) - 5.39
#125: Leonard (RR) - 5.57
#124: Beth (TDA) - 5.61
#123: Jo (AS) - 5.83 (6.24)
Weak: D+ (6.00 - 6.99 Points)
#122: Sierra (WT) - 6.22
#121: Carrie (RR) - 6.32
#120: Jay (RR) - 6.50
#119: Eva (TDI) - 6.59
#118: Trent (TDA) - 6.82
#117: Devin (RR) - 6.91
#116: Mickey (RR) - 6.92
Lackluster: C- (7.00 - 7.99 Points)
#115: Izzy (WT) - 7.00
#114: Leshawna (WT) - 7.19
#113: Chris (ROTI) - 7.50
#112: Sam (AS) - 7.77
#111: Heather (TDI) - 7.86
Borderline: C (8.00 - 8.99 Points)
#110: Beardo (PI) - 8.25
#109: Mary (RR) - 8.33
#108: Duncan (AS) - 8.40
#107: Chef (TDA) - 8.82
#106: Miles (RR) - 8.95
Neutral: C (9.00 Points)
Average: C (9.01 - 10.00 Points)
#105: Courtney (AS) - 9.09
#104: Chris (TDA) - 9.21
#103: Ellody (RR) - 9.25
#102: Justin (TDI) - 9.28
#101: Laurie (RR) - 9.47
#100: Cameron (AS) - 9.51
#99: Rodney (PI) - 9.75
Decent: C+ (10.01 - 11.00 Points)
#98: Chef (AS) - 10.08
#97: Tom (RR) - 10.34
#96: Beth (TDI) - 10.43
#95: Jen (RR) - 10.52
#94: DJ (WT) - 10.65
#93: Owen (TDA) - 10.69
#92: Ella (PI) - 10.72
#91: Sanders (RR) - 10.75
Fine: B- (11.01 - 12.00 Points)
#90: Bridgette (TDA) - 11.23
#89: Geoff (TDA) - 11.45
#88: Tyler (TDI) - 11.49
#87: Sky (PI) - 11.57
#86: Trent (TDI) - 11.65
#85: Topher (PI) - 11.72
#84: Scott (AS) - 11.73
#82: Zoey (AS) - 11.82
#83: DJ (TDI) - 11.86 (11.75)
Dope: B (12.01 - 13.00 Points)
#81: Ezekiel (TDI) - 12.01
#80: Scarlett (PI) - 12.23
#79: Noah (TDI) - 12.31
#78: Bridgette (TDI) - 12.49
#77: Pete (RR) - 12.59
#76: Gerry (RR) - 12.66
#75: Chef (TDI) - 12.72
#74: Mike (ROTI) - 12.76
#73: Gwen (WT) - 12.87
#72: Anne Maria (ROTI) - 12.93
#71: Blaineley (WT) - 12.96
Solid: B+ (13.01 - 14.00 Points)
#70: Josee (RR) - 13.01
#69: Crimson (RR) - 13.32
#68: Jacques (RR) - 13.37
#67: Dawn (ROTI) - 13.39
#66: Leshawna (TDA) - 13.40
#65: Gwen (AS) - 13.50
#64: Tyler (WT) - 13.63
#63: Harold (WT) - 13.67
#62: Max (PI) - 13.78
#61: Owen (TDI) - 13.89
#60: Stephanie (RR) - 13.90
#59: Jo (ROTI) - 13.97
#58: B (ROTI) - 13.98
Awesome: A- (14.01 - 15.00 Points)
#57: Lorenzo (RR) - 14.03
#56: Izzy (TDI) - 14.07
#55: Chet (RR) - 14.13
#54: Bridgette (WT) - 14.16
#53: DJ (TDA) - 14.17
#52: Duncan (TDA) - 14.27
#51: Sammy (PI) - 14.35
#50: Cody (WT) - 14.45
#49: Ennui (RR) - 14.47
#48: Gwen (TDA) - 14.57
#47: Lightning (ROTI) - 14.61
#46: Don (RR) - 14.68
#45: Geoff (TDI) - 14.80
#44: Sam (ROTI) - 14.87
#43: Lindsay (AS) - 14.95
Fantastic: A (15.01 - 16.00 Points)
#42: Owen (WT) - 15.09
#41: Lightning (AS) - 15.10
#40: Courtney (TDA) - 15.29
#39: Heather (AS) - 15.31
#38: Leshawna (TDI) - 15.35
#37: Geoff (WT) - 15.50
#36: Alejandro (AS) - 15.54
#35: Heather (TDA) - 15.59
#34: Rock (RR) - 15.64
#33: Cody (TDI) - 15.78
#32: Noah (RR) - 15.85
#31: Courtney (WT) - 15.90
#30: Jasmine (PI) - 15.94
Extraordinary: A+ (16.01 - 17.00 Points)
#29: Noah (WT) - 16.11
#28: Lindsay (TDI) - 16.29
#27: Chef (ROTI) - 16.34
#26: Ryan (RR) - 16.37
#25: Courtney (TDI) - 16.42
#24: Lindsay (WT) - 16.50
#23: Scott (ROTI) - 16.51
#22: Dakota (ROTI) - 16.62 (16.95)
#21: Lindsay (TDA) - 16.70
#20: Brody (RR) - 16.80
#19: Junior (RR) - 16.92
#18: Brick (ROTI) - 16.95 (16.77 - 16.97)
#17: Harold (TDI) - 16.98
#16: Owen (RR) - 16.99 (16.97 - 17.00)
Legendary: S (17.01 - 18.00)
#15: Geoff (RR) - 17.10
#14: Dwayne (RR) - 17.28
#13: Duncan (WT) - 17.31
#12: Emma (RR) - 17.36 (17.51)
#11: Izzy (TDA) - 17.42
#10: Alejandro (WT) - 17.45 (17.55)
#9: Heather (WT) - 17.47 (17.57)
#8: Duncan (TDI) - 17.62 (17.61)
#7: Spud (RR) - 17.63
#6: Cameron (ROTI) - 17.67
#5: Gwen (TDI) - 17.74
#4: Zoey (ROTI) - 17.85
#3: Harold (TDA) - 17.93
#2: Kitty (RR) - 17.95
#1: Shawn (PI) - 17.96
Cameos
#20: Chris (RR) - 0.10
#19: Ezekiel (AS 2.0) - 1.45
#18: Anne Maria (RR) - 7.20
#17: Blaineley (RR) - 7.21
#16: Ezekiel (AS 1.0) - 7.60
#15: Jose (AS) - 8.20
#14: Owen (AS) - 8.70
#13: Ezekiel (ROTI 2.0) - 9.20
#12: DJ (ROTI) - 9.85
#11: Ezekiel (ROTI 3.0) - 10.10
#10: Ezekiel (ROTI 1.0) - 10.40
#9: Gwen (ROTI) - 10.25
#8: Bridgette (ROTI) - 10.60
#7: Izzy (AS) - 11.40
#6: Owen (ROTI) - 14.85
#5: Everyone (ROTI) - 15.20
#4: Lindsay (ROTI) - 15.80
#3: Izzy (ROTI) - 16.30
#2: Heather (ROTI) - 17.20
#1: Duncan (ROTI) - 17.25

Character rankings (general)

Deplorable: Z (0.00 - 0.99 Points)
#88: Chris - 0.21
#87: Amy - 0.24
#86: MacArthur - 0.96
Loathsome: F- (1.00 - 1.99 Points)
#85: Mal - 1.81
#84: Ezekiel - 1.92
Painful: F (2.00 - 2.99 Points)
#83: Kelly - 2.25
#82: Leonard - 2.93
Infuriating: F+ (3.00 - 3.99 Points)
#81: Sadie - 3.17
#80: Katie - 3.19
#79: Taylor - 3.31
#78: Sugar - 3.72
Lousy (Red): D- (4.00 - 4.99 Points)
#77: Tammy - 4.30
#76: Justin - 4.96
Cringe: D (5.00 - 5.99 Points)
#75: Staci - 5.15
#74: Dave - 5.39
#73: Sierra - 5.73
#72: Beth - 5.88
Weak: D+ (6.00 - 6.99 Points)
#71: Carrie - 6.32
#70: Mike - 6.47
#69: Jay - 6.50
#68: Devin - 6.91
#67: Mickey - 6.92
Lackluster: C- (7.00 - 7.99 Points)
#66: Beardo - 7.20
#65: Chef - 7.52
#64: Eva - 7.70
Borderline: C (8.00 - 8.99 Points)
#63: Mary - 8.33
#62: Trent - 8.67
#61: Miles - 8.95
Neutral: C (9.00 Points)
Average: C (9.01 - 10.00 Points)
#60: Ellody - 9.25
#59: Laurie - 9.47
#58: Rodney - 9.75
Decent: C+ (10.01 - 11.00 Points)
#57: Tom - 10.34
#56: Jen - 10.52
#55: Ella - 10.72
#54: Sanders - 10.75
Fine: B- (11.01 - 12.00 Points)
#53: Jo - 11.06
#52: Sky - 11.57
#51: Topher - 11.72
Dope: B (12.01 - 13.00 Points)
#50: Scarlett - 12.23
#49: Sam - 12.24
#48: DJ - 12.52
#47: Pete - 12.59
#46: Gerry - 12.66
#45: Bridgette - 12.92
#44: Anne Maria - 12.93
#43: Blaineley - 12.96
Solid: B+ (13.01 - 14.00 Points)
#42: Josee - 13.01
#41: Crimson - 13.32
#40: Leshawna - 13.20
#39: Jacques - 13.37
#38: Dawn - 13.39
#37: Tyler - 13.27
#36: Max - 13.78
#35: Stephanie - 13.90
#34: B - 13.98
Awesome: A- (14.01 - 15.00 Points)
#33: Lorenzo - 14.03
#32: Chet - 14.13
#31: Sammy - 14.35
#30: Courtney - 14.38
#29: Scott - 14.39
#28: Ennui - 14.47
#27: Don - 14.68
#26: Lightning - 14.72
#25: Cody - 14.82
Fantastic: A (15.01 - 16.00 Points)
#24: Owen - 15.11
#23: Izzy - 15.31
#22: Noah - 15.47
#21: Rock - 15.64
#20: Heather - 15.74
#19: Jasmine - 15.94
Extraordinary: A+ (16.01 - 17.00 Points)
#18: Ryan - 16.37
#17: Geoff - 16.39
#16: Cameron - 16.61
#15: Dakota - 16.62
#14: Lindsay - 16.70
#13: Brody - 16.80
#12: Junior - 16.92
#11: Brick - 16.95
Legendary: S (17.01 - 18.00)
#10: Gwen - 17.11
#9: Dwayne - 17.28
#8: Duncan - 17.32
#7: Emma - 17.36
#6: Alejandro - 17.48
#5: Spud - 17.63
#4: Zoey - 17.69
#3: Harold - 17.94
#2: Kitty - 17.95
#1: Shawn - 17.96
Other characters aside from the main 87 + Mal
#17: Fang - 2.83
#16: Jose - 3.40
#15: DJ’s Mom - 6.60
#14: Intern in Glamouriffic’s template - 7.30
#13: Brittany - 8.05
#12: Leshaniqua - 8.10
#11: Scruffy - 9.45
#10: Mr. Coconut - 9.80
#9: Josh - 10.20
#8: Bruno - 10.25
#7: Chester - 10.64
#6: Svetlana - 10.90
#5: Sasquatchanakwa - 11.10
#4: Molotov - 11.11
#3: Manitoba - 11.62
#2: Vito - 12.00
#1: Loki - 14.59
And then as a bonus, here’s a link to my entire Google Sheets I used to assemble each ranking chart. I’m too lazy to explain every facet of how I calculated things, or how it works. But if any of you are actually curious and comment more specifically, I can answer
https://docs.google.com/spreadsheets/d/1aEr5JBcy4EVq_7rZEhVzhP5nimYT6O4vSkF-u313EaU/edit?usp=sharing

Outro + what I might do in the future👀

With that all being said, this completely concludes my super long rewatch series. Once again, thank you to all who actually followed this series at any point! With that being said, I figured I should briefly talk about what I have planned in the future. Well for starters, I still have to continue my poll series. And now that I’ve completed this series, stating my opinions should be even easier now. Also, the new seasons are coming up soon. So I may or may not add onto this series once the episodes air, whether it be doing full-on episode by episode reviews, or just going by the slightly more efficient commentary style I did where I go through a few episodes per post. On top of this, I’ve also recently watched a couple of fanseasons on YT, that being Disventure Camp and Adventure Camp. And I think I have something planned for that
But for now, this is Geo, for the last time in this series, signing off✌️
submitted by GeometryDash_Gamer to Totaldrama [link] [comments]


2023.03.22 11:06 ColonelWKurtz Episode 611 “Butt Naked or Bounce”

The JBP begins this episode discussing Spring Break in Miami (14:22) as well as the current beef between Bad Bunny & Devin Booker (19:48). Rudolph Isley is suing his brother Ron over the rights to ‘The Isley Brothers’ trademark (29:20), Larsa Pippen & Donald Trump find themselves in the news again (47:09), and Joe gives his recap of the Hulu documentary on Jared from Subway. SPOILER ALERT A busy week in TV land as the gang discusses Amazon Prime’s new show ‘Swarm’ as well as other finales like ‘Your Honor’ (1:05:30). Also, the guys talk about their current health (1:26:38), Part of the Show (2:03:00), + MORE!
Sleeper Picks:
Joe Mac Ayres - “If You’re Feeling Lost”
Ice Money Man (feat. Babyface Ray) - “Drums”
Parks Jay Royale (feat. Styles P & DJ Crypt) - “End Game”
Ish Alex Vaughn (feat. Ari Lennox) - “Demon Time (Remix)”
Melyssa Kilo Kish - “Elegance”
Spotify Apple Google
submitted by ColonelWKurtz to JoeBuddenPodcasts [link] [comments]


2023.03.22 10:38 MrsDarcy94000 Self conscious about my special interests as a woman

Today I have a preliminary appointment before my autism assessment. Because I’m very stressed about it (I was misdiagnosed before) I started compiling evidence. I tried listing my special interests but I don’t have a big one. I have like 4 or 5 and sometimes I’m more interested in one or the others and I don’t know absolutely everything about them. I’m scared they will ask me to prove I know everything about them. They’re also very « girly »: I only listen to Taylor swift and know the lyrics and meaning of every songs, I bake and research recipes multiple times a week, and I embroider (the other one is true crime - I listen to it all day long). Is it bad ?
submitted by MrsDarcy94000 to autism [link] [comments]


2023.03.22 09:57 m83midnighter Episode 611 "Butt Naked or Bounce"

Apple Google Soundcloud Spotify
The JBP begins this episode discussing Spring Break in Miami (14:22) as well as the current beef between Bad Bunny & Devin Booker (19:48). Rudolph Isley is suing his brother Ron over the rights to ‘The Isley Brothers’ trademark (29:20), Larsa Pippen & Donald Trump find themselves in the news again (47:09), and Joe gives his recap of the Hulu documentary on Jared from Subway. **SPOILER ALERT** A busy week in TV land as the gang discusses Amazon Prime’s new show ‘Swarm’ as well as other finales like ‘Your Honor’ (1:05:30). Also, the guys talk about their current health (1:26:38), Part of the Show (2:03:00), + MORE!
Sleeper Picks:
Joe Mac Ayres - “If You’re Feeling Lost”
Ice Money Man (feat. Babyface Ray) - “Drums”
Parks Jay Royale (feat. Styles P & DJ Crypt) - “End Game”
Ish Alex Vaughn (feat. Ari Lennox) - “Demon Time (Remix)”
Melyssa Kilo Kish - “Elegance”
submitted by m83midnighter to theJoeBuddenPodcast [link] [comments]


2023.03.22 09:37 47uw1mdmdg Bad Bunny hit with $40M lawsuit by ex-girlfriend Carliz De La Cruz Hernández amid Kendall Jenner dating rumors

Bad Bunny hit with $40M lawsuit by ex-girlfriend Carliz De La Cruz Hernández amid Kendall Jenner dating rumors submitted by 47uw1mdmdg to ViraledStuff [link] [comments]


2023.03.22 09:18 69Firefox420 Reviewing all Bandori albums Part 9 - QUINTET

At long last the world has been graced by the release of the first album by Morfonica, QUINTET. Having been over a year and a half since the last Bandori album release (and nearly as long since I wrote my last review) I was eager to finally get to hear what they had been working on for this album. Would Morfonica manage to find a way to define their sound in an interesting and exciting way as Afterglow had done on ONE OF US, or would they fall into the trap of making overproduced and painfully formulaic music as has happened to Roselia? Given all the singles released prior to this album it was possible to see Morfonica going either direction, and in the end the result still ends up somewhere in the middle.
The first thing I should address before getting deeper into the review is my biggest potential bias. I am Tsukushi's biggest fan. Tsukushi is the best part of this entire franchise. Tsukushi is the most talented and most adorable member of any of the seven bands. If Tsukushi has million number of fans I am one of them. If Tsukushi has ten fans I am one of them. If Tsukushi has no fans, that means I am no more on the earth. If the world is against Tsukushi, I am against the world. And copypastas aside, Tsukushi's work on this album is fantastic. She perfectly underscores all of the biggest sonic moments on the album, always creating the perfect driving force to push through and build the most exciting moments of the heaviest songs on the album. On the other end of the spectrum, she creates a very stable rock for the rest of the band to sit on top of in the more easy-going songs. Tsukushi is practically flawless throughout the entire album, and what else would you expect?
Rui is also great on this album. She displays a high level of skill even as a classical player in the confines of rock arrangements. In a context like this it can be easy for the violin to sound like just a gimmick or to get lost in the sound in the rest of the band, but most often it is Rui who carries these songs instrumentally. On "Prelude to Gold" it is Rui's sweet and delicate melodies connecting the sections that really complete the songs aesthetic. "Melancholic Lullaby", one of the new songs released with the album, has Rui playing a lot of great phrases perfectly accentuating the other parts. On this song she also plays a lot of intervals, including some short feature sections where she plays them with oblique motion. I don't think I've had to mention oblique motion yet in one of these reviews despite it being the best kind of motion. I guess that's just another one of the unique things Rui brings to the table. "Daylight," the albums opening track, is also a standout track for Rui. Her solo at the beginning of this song sets a great tone for the rest of the album as well as being one of the most memorable parts of the album. Whether she's the main point of interest or just acting as the decoration for everyone else's parts, Rui doesn't disappoint.
Meanwhile, as Rui and Tsukushi compete to see who can contribute more to the album, Nanami and Toko are in a dead heat to see who can contribute the least. In what seems to be the standard for Bandori albums, the basslines sit in an area somewhere between boring and entirely unnoteworthy. As for Toko, she sits in mostly the same space aside from the moments where she is actively detrimental to the songs. Having listened to the album multiple times, it is unclear whether she is capable of playing anything besides the most basic rhythms and lackluster solos. Her solo on "flame of hope" is great example of everything wrong with her playing. Besides her solo section, this is probably the best song on the album, with lots of strong violin playing by Rui and a powerful group sound. Then Toko's solo happens. She takes almost no creative liberties, hitting the root notes multiple times with quarter and eighth notes, doesn't attempt to extend or develop the meager ideas the solo opened with, and overall ends up being leagues less interesting than Rui's background part playing at the exact same time. Any time Toko leaves the background herself she doesn't contribute anything worthwhile. Having such a weak player as the lead guitarist of the band does a lot to hold back the full potential of these songs.
Among all these songs, the biggest point of lost potential is "fly with the night". I've tried to like this song, but it always feels like something is missing from it. Once again Rui does a great job and the song is worth listening to if only just for that. Otherwise, the rest of the band seems to be always a step behind her and delivers one of the least inspired choruses on the album and some not so appealing vocal melodies throughout. "Harmony Day" suffers in a very similar way, with Rui managing to salvage most of it while Toko's ill-conceived background filling makes the rest a pain to listen to. Then there's "Colorful Liberty" and "Yorube no Sunny, Sunny" which to me come across more as rejected Poppin'Party songs. I'm not exactly sure what it is about these songs that makes me feel this way. Maybe its the poorly done group vocals? Or the higher pitched single channel guitar moments? Whatever it is, I can do without it. All of the songs mentioned in this paragraph show the potential of something that could be great with some more work, yet none of them quite manage to find it. What I think it boils down to is that Bandori composers are afraid to take risks. Maybe what this band has really needed the whole time is a non-Bandori composer....
...and that's exactly what they got! (at least for one song.) "The Cricle Of Butterflies" features the writing talents of Jun'ichi Satou from fhana. I did not listen to this song when it first came out mostly because Ayase had ruined my idea of what a guest composer meant for Bandori songs with his work on Poppin'Party's "Introduction," a song which in my opinion is a mistake and one of the worst in Poppin'Party's catalogue. Now that I've heard "The Circle Of Butterflies" I can see I was wrong to assume all guest composers are a bad idea and Ayase's butchering of Poppin'Party's sound is an isolated incident. Satou does a great job with Morfonica on this song. Mashiro is given a lot of space to sing her heart out while being backed up by a fuller string arrangement. Toning back the guitar and drums for one track makes it sound so open and freeing compared to the rest of the album. It was also a bold decision to have a group of strings and not just use the proven talent of Rui, but in the end it works out. This is really a Mashiro feature song. Perhaps having only Rui instead of an entire string section would have pulled too much attention away from Mashiro and lessened the impact of the song. I also like how the lyrics here are more imaginative than the rest of the album, a lot more in line with what I would expect from Mashiro, picturing herself as being in a cocoon closing herself off from people but wanting to break free and become a butterfly. A theme similar to what Mashiro wrote in "Bloom Bloom", another stand out song lyrically, and executed just as well on "The Circle Of Butterflies".
Now is the time I must talk in more specifically about Mashiro's singing. I'll try and keep it simple. Mashiro is a good singer. Her voice isn't bad. If you're still one of these people that thinks her voice is bad then you are wrong and don't know what bad singing sounds like. That one note in "Daylight" is the only time she hits a bad note on the whole album, but that's more the fault of how they wrote the part and not her singing. Her lyrics also fail to be as colorful and and wonderous as her imagination a lot of the time, but again that is independent of her singing. I will not be responding to any Mashiro doubters.
Another thing this album does that I like is it lets Mashiro carry the vocals (mostly) by herself. All the other bands have way too many sections of vocals being passed off to other members besides the lead or sections with pretty weak group unison parts. I've mostly felt that these sections are mostly pandering and unnecessary. Luckily, Morfonica does not do the same. Group unison parts are used sparingly, so when it does come up a lot in a song like "Chikai no Wingbeat" it actually acts as a unique identity for that song compared to the others instead of just being a pointless distraction from the main vocalist.
CONCLUSION: Morfonica's debut album QUINTET shows more than anything that the band still has a long way to go. Some members don't contribute as greatly as others, and some songs fail to be memorable overall despite some great single-person efforts. That being said, when they do make something that hits, oh boy does it hit. 'Explosive' is rarely a word I'd use to describe violin playing, but in the case of this album it definitely fits. Hard hitting rock songs are where this band is at it's best, yet they don't need to depend on this as their only way to keep your attention. Attempts to change the pace with slower songs or fuller melodies also go over mostly well. Even though I am disappointed by what I saw as lost potential on some of these songs, the album is still enjoyable overall, with their worst stuff still setting a higher bar than the worst stuff of most other bands in the franchise. I hope that future releases by Morfonica show a stronger group effort and less filler songs.
FAVORITE TRACKS: Daylight, Melancholic Lullaby, flame of hope, Bloom Bloom, Prelude to Gold, The Circle Of Butterflies LEAST FAVORITE TRACK: Harmony Day SCORE: 6/10
ALBUM RANKINGS
  1. Nico Niconnect! (9/10)
  2. ONE OF US (9/10)
  3. Breakthrough (7.5/10)
  4. QUINTET (6/10)
  5. Poppin'on (5.5/10)
  6. Anfang (5/10)
  7. ERA (4/10)
  8. TITLE IDOL (3/10)
  9. Wahl (your life will be better if you dont listen to it)
Do you agree? Disagree? Anything you think I missed? I will be active in the comment section if you want to discuss this album or any other Bandori music opinions further!
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