Welcome to Palm Royale Funeral Home and Cemetery

Palm Royale Funeral Home & Cemetery's mission is to be dedicated to every family we serve and hold ourselves to the highest ethical standards.
We will always abide by our industry's best practices and treat every family with respect, fairness, and sensitivity. Your comfort, peace of mind, and the trust that you have placed in us will remain our staff's top priority and our commitment to help you will be expressed in everything we do.

Why Choose Our Funeral Home?

At Palm Royale Funeral Home & Cemetery, we pride ourselves on serving the Naples community and surrounding areas with dignity, respect, and compassion. Our experienced staff is available to help you select funeral, burial, or cremation services and design a special place of permanent memorialization that acknowledges and celebrates your loved one’s life in a way that will be meaningful for generations to come.
What We Offer?
Palm Royale Funeral Home was built on the beautiful grounds of Palm Royale Cemetery to offer the community a funeral home and cemetery co-located on the same property to provide families with a continuity of care and services.
Palm Royale Funeral Home & Cemetery is the newest funeral home in Naples and offers burial, entombment, and cremation service options that range from highly personalized to time-honored traditional. Our brand-new facility has a light and airy feel to it and was designed to offer a serene, yet uplifting and supportive place to gather and honor.
Inside is a contemporary chapel, reception room, and catering café that are adjacent, yet separate, providing flexibility in the types and styles of services we can offer. There is also easy access to a covered, wrap-around veranda, that provides additional seating in an open-air setting.
A high-quality digital platform enables us to offer sophisticated services such as recording and live streaming, allowing distant family and friends the opportunity to “stay connected”, “say good-bye”, and view services either “live or later”. To learn more, please visit our Recording & Live Streaming page. You're also welcome to call and speak with one of our funeral directors to learn more details, have any questions answered, or to arrange for your loved one's service.
If selected, our state-of-the-art audio-visual system will showcase your loved one’s themed and personalized Life Tribute pictorial throughout our facility, making the time and space feel truly dedicated to celebrating their special life. This Tribute will also be available for viewing on an online Obituary Page we will set up in honor of your loved one at no charge. This page will have its own link and capture condolences and cherished remembrances shared by others. In addition, a Life Tribute DVD will be provided to you as a keepsake. We are also able to produce custom playlists, play special songs, accommodate live musicians, and much more.
Our advanced technology also enables us to make virtual and online arrangements so that those who are out of the area or are confined to home are able to plan, make selections, E-sign documents, and E-pay remotely.

Funeral & Memorial Service Options

Many families feel uncertain or burdened by the notion of planning a tribute. They anticipate that arranging services will be cumbersome, complicated, or overly sad. But setting a unified time and place to gather, share, and pay one’s respects is an important and worthwhile step in the healing process.
Many also don’t know where to start or what they “should” do. But we know that families prioritize and find meaning in different ways, so we embrace originality and strive to make every remembrance special. For some, the traditions and rites they are accustomed to offer comfort and stability, while others feel inspired to plan something that reflects the unique personality of their loved one.
Our staff will help you determine the best way to tell your loved one’s story, memorialize their legacy, and bring comfort to family and friends. We will also coordinate with other parties on your behalf, arrange any ancillary services, order items, place obituaries, set up, clean up, and more.

Contact Our Funeral Home

If you have any questions or concerns, please don't hesitate to submit a message to our funeral home, cemetery, and/or preneed staff and we will contact you as soon as possible.
PALM ROYALE FUNERAL HOME & CEMETERY
Address: 6790 Vanderbilt Beach Road
Naples, FL 34119
Phone: (239) 354-5330
Website: https://www.palmroyalecares.com/

Airtimes EST
THU JUN 01
(1:30AM) The Girl Who Had Everything (1953/1h 9m/Drama/Richard Thorpe)
(2:45AM) It's a Big Country: An American Anthology (1952/1h 29m/Drama/Clarence Brown)
(4:30AM) Alias a Gentleman (1948/1h 16m/Comedy/Harry Beaumont)
(6:00AM) Showgirl in Hollywood (1930/1h 20m/Musical/Mervyn Le Roy)
(7:30AM) Bright Lights (1931/1h 9m/Musical/Michael Curtiz)
(8:45AM) Cain and Mabel (1936/1h 30m/Romance/Lloyd Bacon)
(10:30AM) Marked Woman (1937/1h 36m/Drama/Lloyd Bacon)
(12:15PM) Ziegfeld Girl (1941/2h 11m/Musical/Robert Z. Leonard)
(2:45PM) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(4:45PM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(6:30PM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(8:00PM) Bringing Up Baby (1938/1h 42m/Comedy/Howard Hawk)
(10:00PM) Break of Hearts (1935/1h 20m/Romance/Philip Moeller)
(11:30PM) Sylvia Scarlett (1935/1h 37m/Romance/George Cukor)
FRI JUN 02
(1:15AM) Mary of Scotland (1936/2h 3m/Romance/John Ford)
(3:30AM) Quality Street (1937/1h 24m/Comedy/George Stevens)
(5:00AM) Christopher Strong (1933/1h 17m/Romance/Dorothy Arzner)
(6:30AM) The Little Minister (1934/1h 50m/Romance/Richard Wallace)
(8:30AM) Spitfire (1934/1h 28m/Drama/John Cromwell)
(10:00AM) Blood on the Moon (1948/1h 28m/Western/Robert Wise)
(11:30AM) The Good Guys and the Bad Guys (1969/1h 31m/Comedy/Burt Kennedy)
(1:15PM) Desire Me (1947/1h 31m/Romance/George Cukor)
(3:00PM) Holiday Affair (1949/1h 27m/Romance/Don Hartman)
(4:30PM) Angel Face (1953/1h 31m/Crime/Otto Preminger)
(6:15PM) Out of the Past (1947/1h 37m/Film-NoiJacques Tourneur)
(8:00PM) She Done Him Wrong (1933/1h 6m/Comedy/Lowell Sherman)
(9:30PM) The Gang's All Here (1943/1h 43m/Musical/Busby Berkeley)
(11:30PM) The Importance Of Being Earnest (1952/1h 35m/Comedy/Anthony Asquith)
SAT JUN 03
(1:15AM) Pillow Talk (1959/1h 45m/Comedy/Michael Gordon)
(3:15AM) Auntie Mame (1958/2h 23m/Comedy//Morton DaCosta)
(5:45AM) The Women (1939/2h 12m/Comedy/George Cukor)
(8:00AM) MGM CARTOONS: The Homeless Flea (1940/0h 7m/Animation/Rudolf Ising)
(8:09AM) One Against the World (1939/0h 10m/Short/Fred Zinnemann)
(8:21AM) Zeeland "The Hidden Paradise" (1935/0h 6m/Short/Ruth Fitzpatrick)
(8:29AM) The Big Noise (1936/57m/Drama/Frank Mcdonald)
(9:30AM) The BATMAN: The Executioner Strikes (1943/0h 15m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Hill-Billing and Cooing (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) Calling Philo Vance (1939/1h 2m/Suspense/William Clemens)
(11:30AM) Main Street Today (1944/0h 19m/Short/Edward L. Cahn)
(12:00PM) ABBA: The Movie (1977/1h 34m/Documentary/?)
(1:45PM) Hoosiers (1986/1h 55m/Drama/David Anspaugh)
(4:00PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(6:00PM) Strangers on a Train (1951/1h 36m/Suspense/Alfred Hitchcock)
(8:00PM) The Black Shield of Falworth (1954/1h 39m/Adventure/)
(10:00PM) The Great Impostor (1960/1h 52m/Adaptation/Robert Mulligan)
SUN JUN 04
(12:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(2:00AM) Swing Shift (1984/1h 40m/Romance/Jonathan Demme)
(4:00AM) Protocol (1984/1h 36m/Comedy/Herbert Ross)
(6:00AM) Saturday Night and Sunday Morning (1960/1h 30m/Drama/Karel Reisz)
(7:45AM) The Loved One (1965/1h 56m/Comedy/Tony Richardson)
(10:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(12:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(2:00PM) The Mating Game (1959/1h 37m/Comedy/George Marshall)
(3:45PM) Sex and the Single Girl (1964/1h 54m/Comedy/Richard Quine)
(5:45PM) A Chorus Line (1985/1h 53m/Musical/Richard Attenborough)
(8:00PM) Blazing Saddles (1974/1h 33m/Western/Mel Brooks)
(10:00PM) Along Came Jones (1945/1h 30m/Western/Stuart Heisler)
MON JUN 05
(12:00AM) The Blackbird (1926/1h 26m/Tod Browning)
(2:00AM) Before the Rain (1994/1h 55m/WaMilcho Manchevski)
(4:00AM) Three Colors: White (1994/1h 30m/Drama/Krzysztof Kieslowski)
(6:00AM) June Bride (1948/1h 37m/Romance/Bretaigne Windust)
(8:00AM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(10:00AM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(12:00PM) Double Wedding (1937/1h 27m/Comedy/Richard Thorpe)
(2:00PM) The Bride Came C.O.D. (1941/1h 32m/Comedy/William Keighley)
(4:00PM) Father of the Bride (1991/1h 45m/Comedy/Charles Shyer)
(6:00PM) High Society (1956/1h 47m/Musical/Charles Walters)
(8:00PM) High Sierra (1941/1h 40m/Crime/Raoul Walsh)
(10:00PM) Colorado Territory (1949/1h 34m/Western/Raoul Walsh)
TUE JUN 06
(12:00AM) The Women (1939/2h 12m/Comedy/George Cukor)
(2:15AM) The Opposite Sex (1956/1h 57m/Musical/David Miller)
(4:15AM) The Bride Goes Wild (1948/1h 38m/Comedy/Norman Taurog)
(6:00AM) The Private Life of Don Juan (1934/1h 26m/Alexander Korda)
(7:30AM) The Life Of Jimmy Dolan (1933/1h 10m/Archie Mayo)
(9:00AM) The Mad Miss Manton (1938)1h 5m/Mystery/Leigh Jason)
(10:30AM) In the Cool of the Day (1963/1h 29m/Robert Stevens)
(12:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(2:00PM) Coma (1978/1h 53m/HorroMichael Crichton)
(4:00PM) The Clock (1945/1h 30m/Romance/Vincente Minnelli)
(5:45PM) Cabaret (1972/2h 4m/Musical/Bob Fosse)
(8:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(10:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
WED JUN 07
(1:15AM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(3:15AM) What Price Hollywood? (1932/1h 28m/Drama/George Cukor)
(5:00AM) Show People (1928/1h 23m/Silent/King Vidor)
(6:30AM) Souls for Sale (1923/1h 30m/Rupert Hughes)
(8:15AM) Hell Below (1933/1h 45m/WaJack Conway)
(10:00AM) The Navy Comes Through (1942/1h 22m/WaA. Edward Sutherland)
(11:30AM) Sealed Cargo (1951/1h 29m/Adventure/Alfred Werker)
(1:00PM) Torpedo Run (1958/1h 38m/Joseph Pevney)
(2:45PM) Submarine D-1 (1937/1h 40m/Drama/Lloyd Bacon)
(4:30PM) Battle of the Coral Sea (1959/1h 20m/WaPaul Wendkos)
(6:00PM) Around the World Under the Sea (1965/1h 57m/HorroAndrew Marton)
(8:00PM) Film: The Living Record of Our Memory (2021/2h 0m/Documentary/Inés Toharia Terán)
(10:15PM) The Invention of Cinema: The First Colors of… (2022/Documentary)
(11:30PM) The Invention of Cinema: Cinema Finds its Voice (2022/Documentary)
THU JUN 08
(12:45AM) Going Attractions: The Definitive Story of the Movie Palace (2019/1h 24m/Documentary/April Wright)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 01) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 02) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 03) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 04) (2019/Documentary/Mark Cousins)
(7:30AM) Image Makers: The Adventures of America's Pioneer Cinematographers (2019/1h 31m/Documentary/Daniel Raim)
(9:30AM) This is Francis X. Bushman (2021/1h 0m/Documentary/Lon Davis)
(10:45AM) The Doughgirls (1944/1h 42m/Comedy/James V. Kern)
(12:30PM) Split Second (1953/1h 25m/Suspense/Dick Powell)
(2:00PM) The Young Philadelphians (1959/2h 16m/Drama/Vincent Sherman)
(4:30PM) The Horn Blows at Midnight (1945/1h 20m/Comedy/Raoul Walsh)
(6:00PM) The Constant Nymph (1943/1h 52m/Romance/Edmund Goulding)
(10:30PM) Suddenly, Last Summer (1960/1h 54m/Drama/Joseph L. Mankiewicz)
FRI JUN 09
(12:45AM) The Philadelphia Story (1940/1h 51m/Comedy/George Cukor)
(3:00AM) Woman of the Year (1942/1h 52m/Comedy//George Stevens)
(5:00AM) Alice Adams (1935/1h 40m/Comedy/George Stevens)
(7:00AM) Enchanted Island (1958/1h 33m/Drama/Allan Dwan)
(8:45AM) The Great Heart (1938/0h 10m/Short/David Miller)
(9:00AM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(10:45AM) Having a Wild Weekend (1965/1h 31m/Musical/John Boorman)
(12:30PM) Don't Make Waves (1967/1h 37m/Comedy/Alexander Mackendrick)
(2:15PM) Lord of the Flies (1963/1h 30m/Drama/Peter Brook)
(4:00PM) Kona Coast (1968/1h 32m/Suspense/Lamont Johnson)
(5:45PM) The Last Of Sheila (1973/2h 0h/Suspense/Herbert Ross)
(8:00PM) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(9:45PM) Valley of the Dolls (1967/2h 2m/Drama/Mark Robson)
SAT JUN 10
(12:00AM) Love Has Many Faces (1965/1h 45m/Romance/Alexander Singer)
(2:00AM) Queen Bee (1955/1h 35m/Drama/Ranald Macdougall)
(3:45AM) The Bad Seed (1956/2h 9m/Suspense/Mervyn Leroy)
(6:00AM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(8:00AM) MGM CARTOONS: Innertube Antics (1944/0h 7m/Animation/George Gordon)
(8:09AM) New Roadways (1939/0h 9m/Short/Basil Wrangell)
(8:20AM) St. Helena and its "Man of Destiny" (1936/0h 7m/Short/?)
(8:29AM) The Adventures of Jane Arden (1939/0h 58m/Crime/Terry Morse)
(9:30AM) THE BATMAN: The Doom of the Rising Sun) 1943/0h 20m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Popeye for President (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) The Dragon Murder Case (1934/1h 8m/Mystery/H. Bruce Humberstone)
(11:30AM) Know Your Money (1940/0h 21m/Short/Joe Newman)
(12:00PM) The Merry Widow (1934/1h 39m/Musical/Ernst Lubitsch)
(1:45PM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45PM) Kings Row (1942/2h 7m/Drama/Sam Wood)
(6:00PM) The Cincinnati Kid (1965/1h 53m/Drama/Norman Jewison)
(8:00PM) Gilda Live (1980/1h 30m/Comedy/Mike Nichols)
(9:45PM) Valerie (2019/0h 36m/Documentary/Stacey Souther)
(10:30PM) Lenny (1974/1h 51m/Adaptation/Bob Fosse)
SUN JUN 11
(12:30AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(2:30AM) A Hard Day's Night (1964/1h 32m/Musical//Richard Lester)
(4:15AM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(6:00AM) The Cool Ones (1967/1h 38m/Musical/Gene Nelson)
(8:00AM) I Love You, Alice B. Toklas! (1968/1h 34m/Comedy/Hy Averback)
(10:00AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(11:45AM) Wait Until Dark (1967/1h 48m/Suspense/Terence Young)
(1:45PM) The Catered Affair (1956/1h 33m/Drama/Richard Brooks)
(3:30PM) The Damned Don't Cry (1950/1h 43m/Crime/Vincent Sherman)
(5:30PM) Flower Drum Song (1961/2h 13m/Musical/Henry Koster)
(8:00PM) The Three Musketeers (1973/1h 45m/Adventure/Richard Lester)
(10:00PM) One Million Years B. C. (1966/1h 31m/Fantasy/Don Chaffey)
MON JUN 12
(12:15AM) The Cameraman (1928/1h 18m/Silent/Edward Sedgwick)
(12:15AM The Navigator (1924/1h 20m/Silent/Donald Crisp)
(2:45AM) The Bad Sleep Well (1960/2h 15m/Suspense/Akira Kurosawa)
(5:15AM) Ikiru (1952/2h 23m/Drama/Akira Kurosawa)
(7:45AM) The Marshal of Mesa City (1939/1h 2m/Western/David Howard)
(9:00AM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(10:45AM) The Big Shot (1942/1h 22m/Crime/Lewis Seiler)
(12:15PM) The Racket (1951/1h 28m/Crime/John Cromwell
(1:45PM) Jack Pot (1940/0h 19m/Short/Roy Rowland)
(2:15PM) Wichita (1955/1h 21m/Western/Jacques Tourneur)
(3:45PM) Buyer Beware (1940/0h 21m/Crime/Joseph Newman)
(4:15PM) A Lion Is in the Streets (1953/1h 28m/Drama/Raoul Walsh)
(6:00PM) McQ (1974/1h 56m/Crime/John Sturges)
(8:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(10:00PM) The Solid Gold Cadillac (1956/1h 39m/Comedy/Richard Quine)
TUE JUN 13
(12:00AM) Phffft (1954/1h 31m/Comedy/Mark Robson)
(1:45AM) Full of Life (1957/1h 31m/Comedy/Richard Quine)
(3:30AM) Bells Are Ringing (1960/2h 7m/Musical/Vincente Minnelli)
(6:00AM) The Bishop Murder Case (1930/1h 28m/Mystery/David Burton)
(7:30AM) The Lady of Scandal (1930/1h 16m/Romance/Sidney Franklin)
(9:00AM) Sin Takes a Holiday (1930/1h 21m/Comedy/Paul Stein)
(10:30AM) The Last Days of Pompeii (1935/1h 36m/Drama/Ernest B. Schoedsack)
(12:15PM) A Tale of Two Cities (1935/2h 0h/Drama/Jack Conway)
(2:30PM) Romeo and Juliet (1937/2h 7m/Romance/George Cukor)
(4:45PM) The Dawn Patrol (1938/1h 43m/WaEdmund Goulding)
(6:45PM) The Woman in Green (1945/1h 8m/Mystery/Roy William Neill)
(8:00PM) Sunset Blvd. (1950/1h 51m/Drama/Billy Wilder)
10:00PM) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
WED JUN 14
(12:00AM) The Player (1992/2h 3m/Comedy/Robert Altman)
(2:15AM) Crashing Hollywood (1938/1h 1m/Comedy/Lew Landers)
(3:30AM) Boy Meets Girl (1938/1h 20m/Comedy/Lloyd Bacon)
(5:15AM) Best Friends (1982/1h 56m/Comedy/Norman Jewison)
(7:15AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(9:00AM) How I Play Golf, by Bobby Jones No. 8: 'The Brassie' (1931/0h 10m/Short/George Marshall)
(9:15AM) The Great American Pastime (1956/1h 29m/Comedy/Herman Hoffman)
(11:00AM) Somebody Up There Likes Me (1956/1h 53m/Drama/Robert Wise)
(1:00PM) The Fish That Saved Pittsburgh (1979/1h 44m/Comedy/Gilbert Moses)
(3:00PM) Greased Lightning (1977/1h 36m/Biography/Michael Schultz)
(4:45PM) Grand Prix (1966/2h 59m/Adventure/John Frankenheimer)
(8:00PM) Carl Laemmle (2019/1h 31m/Documentary/James L. Freedman)
(9:45PM) Oscar Micheaux: The Superhero of Black Filmmaking (2021/h 20m/Documentary/Francesco Zippel)
(11:15PM) Burden of Dreams (1982/1h 34m/Documentary/Les Blank)
THU JUN 15
(1:00AM) A Fuller Life (2013/1h 20m/Documentary/Samantha Fuller)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 05) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 06) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 07) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 08) (2019/Documentary/Mark Cousins)
(7:30AM) The True Adventures of Raoul Walsh (2014/1h 35m/Documentary/Marilyn Ann Moss)
(9:15AM) Escape From East Berlin (1962/1h 34m/Drama/Robert Siodmak)
(11:00AM) The League of Gentlemen (1960/1h 56m/Crime/Basil Dearden)
(1:00PM) Double Trouble (1967/1h 30m/Musical/Norman Taurog)
(2:45PM) Light in the Piazza (1962/1h 41m/Romance/Guy Green)
(4:30PM) Murder She Said (1961/1h 26m/Mystery/George Pollock)
(6:00PM) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(8:00PM) Guess Who's Coming to Dinner (1967/1h 48m/Comedy/Stanley Kramer)
(10:00PM) The Lion in Winter (1968/2h 14m/Drama/Anthony Harvey)
FRI JUN 16
(12:30AM) On Golden Pond (1981/1h 49m/Drama/Mark Rydell)
(2:30AM) Morning Glory (1933/1h 14m/Drama/Lowell Sherman)
(4:00AM) Lovely To Look At (1952/1h 45m/Musical/Mervyn Le Roy)
(6:00AM) Possessed (1931/1h 12m/Romance//Clarence Brown)
(7:30AM) Anna Karenina (1935/1h 35m/Romance/Clarence Brown)
(9:30AM) Wife Vs. Secretary (1936/1h 28m/Romance/Clarence Brown)
(11:0AM) Of Human Hearts (1938/1h 40m/Drama/Clarence Brown)
(1:00PM) Song of Love (1947/1h 59m/Western/Clarence Brown)
(3:15PM) Intruder in the Dust (1949/1h 29m/Drama/Clarence Brown)
(4:45PM) To Please a Lady (1950/1h 31m/Romance/Clarence Brown)
(6:30PM) When in Rome (1952/1h 18m/Drama/DirectoClarence Brown)
(8:00PM) Beach Blanket Bingo (1965/1h 38m/Musical/William Asher)
(9:45PM) Barbarella (1968/1h 38m/Sci-Fi/Roger Vadim)
(11:30PM) Earth Girls Are Easy (1988/1h 40m/Comedy/Julien Temple)
SAT JUN 17
(1:15AM) The Apple (1980/1h 32m/Musical/Menahem Golan)
(2:45AM) Queen of Outer Space (1958/1h 20m/Sci-Fi/Edward Bernds)
(4:15AM) Hercules, Samson & Ulysses (1963/1h 25m/Adventure/Pietro Francisci)
(5:45AM) Plan 9 from Outer Space (1959/1h 19m/HorroEdward D. Wood, Jr.)
(7:15AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(8:00AM) MGM CARTOONS: Early Bird and the Worm (1936/0h 9m/Short/Rudolf Ising)
(8:11AM) Microscopic Mysteries (1932/0h 9m/Documentary/Hugo Lund)
(8:21AM) Zion Canyon of Colour (1934/0h 7m/Short/?)
(8:30AM) Central Park (1932/0h 58m/Comedy/John G. Adolfi)
(9:30AM) BATMAN AND ROBIN: Batman Takes Over (1949/0h 27m/Serial/Spencer Gordon Bennet)
(10:00AM) POPEYE: Out to Punch (1956/0h 6m/Animation/?)
(10:08AM) The Garden Murder Case (1936/1h 2m/Mystery/Edwin L. Marin)
(11:30AM) Trial by Trigger (1944/0h 21m/Short/William McGann)
(12:00PM) Reveille with Beverly (1943/1h 18m/Musical/Charles Barton)
(1:30PM) How the West Was Won (1962/2h 35m/Western/John Ford)
(4:30PM) Kansas City Confidential (1952/1h 38m/Crime/Phil Karlson)
(6:15PM) Badlands (1973/1h 35m/Crime/Terrence Malick)
(8:00PM) Time After Time (1979/1h 52m/HorroNicholas Meyer)
(10:00PM) Repeat Performance (1947/1h 33m/Drama/Alfred Werker)
SUN JUN 18
(12:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(2:00AM) The Great Santini (1979/1h 55m/Drama/Lewis John Carlino)
(4:00AM) I Never Sang for My Father (1970/1h 30m/Drama/Gilbert Cates)
(6:00AM) The Impossible Years (1968/1h 38m/Comedy/Michael Gordon)
(8:00AM) Our Vines Have Tender Grapes (1945/1h 45m/Drama/Roy Rowland)
(10:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(11:45AM) Fiddler on the Roof (1971/3h 0m/Musical/Norman Jewison)
(3:00PM) To Kill a Mockingbird (1962/2h 11m/Drama/Robert Mulligan)
(5:30PM) The Courtship of Eddie's Father (1963/1h 57m/Comedy/Vincente Minnelli)
(7:45PM) So You're Going to Be a Father (1947/0h 10m/Short/Richard Bare)
(8:00PM) Life with Father (1947/1h 58m/Comedy/Michael Curtiz)
(10:15PM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
MON JUN 19
(12:00AM) The Divine Lady (1929/1h 50m/Romance/Frank Lloyd)
(2:00AM) Bay of the Angels (1964/1h 25m/Drama/Jacques Demy)
(3:45AM) Donkey Skin (1970/1h 30m/Drama/Jacques Demy)
(5:30AM) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00AM) Man Wanted (1932/William Dieterle)
(7:15AM) Millie (1931/1h 25m/Drama/John Francis Dillon)
(8:45AM) The Big Hangover (1950/1h 22m/Comedy/Norman Krasna)
(10:15AM) The Angel Wore Red (1960/1h 39m/Romance/Nunnally Johnson)
(12:00PM) Rancho Notorious (1952/1h 29m/Western/Fritz Lang)
(1:45PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(3:30PM) Pitfall (1948/1h 24m/Film-NoiAndre De Toth)
(5:00PM) Indiscretion of an American Wife (1954/1h 3m/Romance/Vittorio De Sica)
(6:15PM) Tab Hunter Confidential (2015/1h 30m/Biography/Jeffrey Schwarz)
(8:00PM) Do the Right Thing (1989/2h 0m/Drama/Spike Lee)
(10:15PM) Alma's Rainbow (1994/1h 25m/Drama /Ayoka Chenzira)
TUE JUN 20
(12:00AM) Just Another Girl On The I.R.T. (1993/1h 36m/Drama/Leslie Harris)
(2:00AM) Blackboard Jungle (1955/1h 41m/Drama/Richard Brooks)
(4:00AM) Edge of the City (1957/1h 25m/Drama/Martin Ritt)
(6:00AM) The Lady Refuses (1931/1h 12m/Drama/George Archainbaud)
(7:15AM) A Notorious Affair (1930/1h 9m/Drama/Lloyd Bacon)
(8:30AM) Bullets for O'Hara (1941/0h 50m/Crime/William K. Howard)
(9:30AM) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(10:45AM) Play Girl (1932/1h 0m/Romance/Ray Enright)
(12:00PM) War Nurse (1930/1h 20m/WaEdgar Selwyn)
(1:30PM) Wings for the Eagle (1942/1h 23m/WaLloyd Bacon)
(3:00PM) The White Sister (1933/1h 41m/Drama/Victor Fleming)
(5:00PM) Their Own Desire (1929/1h 5m/Drama/E. Mason Hopper)
(6:15PM) Smilin' Through (1932/1h 37m/Romance/Sidney Franklin)
(8:00PM) Sullivan's Travels (1942/1h 31m/Comedy/Preston Sturges)
(9:45PM) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(11:30PM) Hearts of the West (1975/1h 43m/Western/Howard Zieff)
WED JUN 21
(1:30AM) Never Give a Sucker an Even Break (1941/1h 11m/Comedy/Edward Cline)
(3:00AM) It's a Great Feeling (1949/1h 25m/Comedy/David Butler)
(4:30AM) Hollywood Party (1934/1h 3m/Musical/Allan Dwan)
(6:00AM) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(7:15AM) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(8:45AM) The Time Machine (1960/1h 43m/Sci-Fi/George Pal)
(10:30AM) Looking at London (1946/0h 10m/Short/?)
(10:45AM) Berkeley Square (1933/1h 24m/Romance/Frank Lloyd)
(12:15PM) High Hopes (1988/1h 52m/Comedy/Mike Leigh)
(2:15PM) A Hard Day's Night (1964/1h 32m/Musical/Richard Lester)
(4:00PM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(5:45PM) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(8:00PM) Z Channel: A Magnificent Obsession (2004/2h 2m/Documentary/Xan Cassavetes)
(10:15PM) What She Said: The Art of Pauline Kael (2018/Documentary/Rob Garver)
THU JUN 22
(12:00AM) The Celluloid Closet (1995/1h 42m/Documentary/Robert Epstein)
(2:00AM) Paul Robeson: Tribute to an Artist (1979/Biography/Documentary/Saul J. Turell)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 09) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 10) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 11) (2019/Documentary/Mark Cousins)
(6:15AM) Yellowface: Asian Whitewashing and Racism in Hollywood (2019/Documentary/Clara Kuperberg and Julia Kuperberg)
(7:15AM) Soundies: A Musical History (2007/1h 16m/Documentary/0h 54m/Chris Lamson)
(8:45AM) Soldiers Three (1951/1h 27m/Adventure/Tay Garnett)
(10:30AM) The Wild North (1952/1h 37m/Western/Andrew Marton)
(12:15PM) Bhowani Junction (1956/1h 50m/Drama/George Cukor)
(2:15PM) Green Fire (1955/1h 40m/Adventure/Andrew Marton)
(4:00PM) The Prisoner of Zenda (1952/1h 41m/Adventure/Richard Thorpe)
(6:00PM) King Solomon's Mines (1950/1h 42m/Adventure/Compton Bennett)
(8:00PM) Holiday (1938/1h 33m/Comedy/George Cukor)
(10:00PM) Little Women (1933/1h 55m/Drama/George Cukor)
FRI JUN 23
(12:15AM) A Woman Rebels (1936/1h 28m/Drama/Mark Sandrich)
(2:00AM) Undercurrent (1946/1h 56m/Suspense/Vincente Minnelli)
(4:15AM) Stage Door (1937/1h 23m/Drama/Gregory LaCava)
(6:00AM) A King in New York (1957/1h 45m/Comedy/Charles Chaplin)
(8:00AM) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(9:30AM) The Naked City (1948/1h 36m/Crime/Jules Dassin)
(11:15AM) Up the Sandbox (1972/1h 37/Drama/Irvin Kershner)
(1:00PM) The House on 56th Street (1933/1h 8m/Drama/Robert Florey)
(2:15PM) This Is the Bowery (1941/0h 10m/Short/Gunther Von Fritsch)
(2:3PM) The Prisoner Of Second Avenue (1974/1h 45m/Comedy/Melvin Frank)
(4:15PM) Soylent Green (1973/1h 27m/Sci-Fi/Richard O. Fleischer)
(6:00PM) Daybreak Express (1953/0h 5m/Short/D.A. Pennebaker)
(6:15PM) Crossing Delancey (1988/1h 37m/Romance/Joan Micklin Silver)
(8:00PM) Grey Gardens (1976/1h 34m/Documentary/Ellen Hovde)
(9:45PM) What Ever Happened to Baby Jane? (1962/2h 12m/HorroRobert Aldrich)
SAT JUN 24
12:15AM) X Y & Zee (1972/1h 50m/Drama/Brian G. Hutton)
(2:15AM) The Big Cube (1969/1h 38m/Drama/Tito Davison)
(4:00AM) The Legend of Lylah Clare (1968/2h 10m/Drama/Robert Aldrich)
(6:15AM) Vacation from Marriage (1945/1h 32m/Drama/Alexander Korda)
(8:00AM) MGM CARTOONS: Dumb-Hounded (1943/0h 8m/Animation/Fred “Tex” Avery)
(8:10AM) Pacific Paradise (1937/0h 10m/Short/George Sidney)
(8:21AM) Calling on Colombia (1940/0h 8m/Documentary/James A. Fitzpatrick)
(8:30AM) Once a Doctor (1937/0h 57m/Drama/William Clemens)
(9:30AM) BATMAN AND ROBIN: Tunnel of Terror (1949/0h 17m/Serial/Spencer Bennett)
(10:00AM) POPEYE: Insect to Injury (1956/0h 6m/Animation/Dave Tendlar)
(10:08AM) Murder in the Private Car (1934/1h 3m/Mystery/Harry Beaumont)
(11:30AM) The Flame Song (1934/0h 21m/Short/Joseph Henabery)
(12:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
(3:15PM) East of Eden (1955/1h 55m/Drama/Elia Kazan)
(5:30PM) Mister Roberts (1955/2h 3m/Comedy/John Ford)
(8:00PM) On the Waterfront (1954/1h 48m/Drama/Elia Kazan)
(10:00PM) Vertigo (1958/2h 8m/Suspense/Alfred Hitchcock)
SUN JUN 25
(12:15AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(2:15AM) A Cry in the Dark (1988/2h 1m/Drama/Fred Schepisi)
(4:30AM) My Brilliant Career (1979/1h 38m/Drama/Gillian Armstrong)
(6:15AM) Athena (1954/1h 36m/Musical/Richard Thorpe)
(8:00AM) Calamity Jane (1953/1h 41m/Musical/David Butler)
(10:00AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(12:00PM) Imitation of Life (1959/2h 5m/Romance/Douglas Sirk)
(2:15PM) Pride and Prejudice (1940/1h 57m/Romance/Robert Z. Leonard)
(4:30PM) The Reluctant Debutante (1958/1h 36m/Musical/Vincente Minnelli)
(6:15PM) The Palm Beach Story (1942/1h 30m/Comedy/Preston Sturges)
TBD
MON JUN 26
(12:00AM) Don Juan (1926/1h 51m/Silent/Alan Crosland)
(2:00AM) Un Partie de Campagne (1936/0h 45m/Drama/Jean Renoir)
(3:00AM) Il bidone (1955/1h 32m/Comedy/Federico Fellini)
(5:00AM) Report from the Aleutians (1943/0h 45m/Documentary/Capt. John Huston)
(6:00AM) Many Rivers to Cross (1955/1h 32m/Western/Roy Rowland)
(7:45AM) Escape from Fort Bravo (1953/1h 38m/Western/John Sturges)
(9:30AM) The Very Thought of You (1944/1h 39m/Romance/Delmer Daves)
(11:15AM) One for the Book (1948/1h 43m/Comedy/Irving Rapper)
(1:00PM) Of Human Bondage (1946/1h 45m/Drama/Edmund Goulding)
(3:00PM) Lizzie (1957/1h 21m/Drama/Hugo Haas)
(4:30PM) Valley of the Kings (1954/1h 26m/Adventure/Robert Pirosh)
(6:00PM) Scaramouche (1952/1h 55m/Adventure/George Sidney)
(8:00PM) The Celluloid Closet (1995/1h 42m/DocumentaryRobert Epstein)
(10:00PM) Rope (1948/1h 20m/Suspense/Alfred Hitchcock)
(11:30PM) The Children's Hour (1961/1h 47m/Drama/William Wyler)
TUE JUN 27
(1:30AM) Queen Christina (1933/1h 37m/Romance/Rouben Mamoulian)
(3:30AM) Victim (1961/1h 40m/Drama/Basil Dearden)
(5:30AM) Tea and Sympathy (1956/2h 2m/Drama/Vincente Minnelli)
(7:45AM) The Case of the Howling Dog (1934/1h 14m/Suspense/Mystery/Alan Crosland)
(9:15AM) Murder on a Bridle Path (1936/1h 6m/Mystery/Edward Killy)
(10:30AM) The Saint Meets the Tiger (1943/1h 10m/Suspense/Paul Stein)
(12:00PM) The Kennel Murder Case (1933/1h 13m/Mystery/Michael Curtiz)
(1:30PM) Haunted Honeymoon (1940/1h 23m/Comedy/Arthur B. Woods)
(3:00PM) Eyes in the Night (1942/1h 20m/Mystery/Fred Zinnemann)
(4:30PM) Murder at the Gallop (1963/1h 21m/Mystery/George Pollock)
(6:00PM) Shadow of the Thin Man (1941/1h 37m/Mystery/Major W. S. Van Dyke II)
(8:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(10:15PM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
WED JUN 28j
(12:15AM) The Barefoot Contessa (1954/2h 8m/Drama/Joseph L. Mankiewicz)
(2:45AM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(5:00AM) The Oscar (1966/1h 59m/Drama/Russell Rouse)
(7:15AM) Mandalay (1934/1h 5m/Suspense/Michael Curtiz)
(8:30AM) The Unsuspected (1947/1h 43m/Suspense/Michael Curtiz)
(10:15AM) The Unholy Wife (1957/1h 34m/Crime/John Farrow)
(12:00PM) Back in Circulation (1937/1h 22m/Drama/Ray Enright)
(1:30PM) The Man with a Cloak (1951/1h 21m/Suspense/Fletcher Markle)
(3:00PM) D.O.A. (1950/1h 23m/Film-NoiRudolph Maté)
(4:30PM) Shadow on the Wall (1950/1h 24m/Suspense/Patrick Jackson)
(6:15PM) The Nanny (1965/1h 33m/HorroSeth Holt)
(8:00PM) Harold and Lillian: A Hollywood Love Story (2015/1h 34m/Documentary/Daniel Raim)
(9:45PM) By Design: The Joe Caroff Story (2022/0h 52m/Documentary/Mark Cerulli)
(10:45PM) Floyd Norman: An Animated Life (2016/1h 34m/Documentary/Michael Fiore)
TBD
THU JUNE 29
(2:00AM) High Noon on the Waterfront (2022/0h 14m/Documentary/David Roberts)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Ep. 12) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Ep.13) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Ep. 14) (2019/Documentary/Mark Cousins
(6:15AM) Max Steiner: Maestro of Movie Music (2021/2h 0m/Documentary/Diana Friedberg)
(8:30AM) Dean Martin: King of Cool (2020/1h 47m/Documentary/Tom Donahue)
(10:30AM) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(12:15PM) Tarzan the Fearless (1933/1h 25m/Adventure/Robert F. Hill)
(1:45PM) The Valley of Decision (1945/1h 51m/Romance/Tay Garnett)
(3:45PM) Mrs. Parkington (1944/2h 4m/Romance/Tay Garnett)
(6:00PM) The Postman Always Rings Twice (1946/1h 51m/Crime/Tay Garnett)
(8:00PM) Desk Set (1957/1h 43m/Comedy/Walter Lang)
(10:00PM) Without Love (1945/1h 51m/Comedy/Harold S. Bucquet)
FRI JUN 30
(12:00AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(1:45AM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45AM) Keeper of the Flame (1943/1h 40m/Drama/George Cukor)
(5:30AM) Week-End for Three (1941/1h 5m/Comedy/Irving Reis)
(6:45AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(7:30AM) Pagan Love Song (1950/1h 16m/Musical/Robert Alton)
(9:00AM) On an Island with You (1948/1h 47m/Musical/Richard Thorpe)
(11:00AM) Girl Happy (1965/1h 36m/Musical/Boris Sagal)
(12:45PM) You're Only Young Once (1938/1h 18m/Comedy/George B. Seitz)
(2:15PM) Catalina Caper (1967/1h 7m/Comedy/Lee Sholem)
(3:30PM) Where the Boys Are (1960/1h 39m/Comedy/Henry Levin)
(5:30PM) Sunkist Stars at Palm Springs (1936/0h 19m/Short/Roy Rowland)
(6:00PM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(8:00PM) VictoVictoria (1982/2h 14m/Musical/Blake Edwards)
(10:30PM) La Cage Aux Folles (1979/1h 37m/Comedy//Edouard Molinaro)

Was looking through the Tesla charger map and noticed some of the new Tesla charging locations based on votes in the South East. What stands out is generally how good the choices are for the ones I have first hand knowledge of which is most of them as 7 out of 12 of them are near me. Here are my thoughts on the locations but I'd love to hear what everyone thinks, especially about the locations not covered by me. Is this voting for chargers a good thing or not solving real problems?

• South East
  • Appalachian Mountains
  • Sylva, NC - Q4 2022 - Probably the most important addition to me personally but also to anyone that owns a Tesla in the greater Atlanta area. Anyone that lives in Atlanta tends to take weekend trips north to the Great Smokies National Park, Asheville, NC or north of Asheville to ski. There are two ways to generally travel north; Via i85 in the dead of night when the traffic is down to a dull roar or more commonly via GA-400 and then through winding mountain roads. I've yet to be able to take I85 without adding 2 hours to the trip because of traffic. It's a 209 mile trip with significant elevation changes. If you want to arrive with some driving around charge, or if you intend to head back the same day you need to hit a charger on the way in or out. There are zero chargers between Atlanta and Asheville unless you take the I85 route. To say this charger is needed is a huge understatement and it was 1st place in the first ever vote in Q4 2022 for a reason. How Tesla missed this in their own analysis over the years I do not know.
  • Dalton, GA - Q4 2022 - This is the same case as the Sylva, NC just when going North-West. While MUCH less of an issue, you tend to avoid I75 for traffic reasons getting out of Atlanta and it fills in a nice gap. I wouldn't have voted for this one, it's just not a big deal that I can see but would love to hear from anyone that understands it.
  • Helen, GA - Q1 2023 - This is a VERY popular day trip destination for all of Atlanta so no surprise. It's out of the way when going to Asheville so it stands on it's own as a needed charging location.
  • Future - In general there is a pretty big hole north of Atlanta, home to 6m+ people so I expect more wins in future rounds of voting in this area.
  • Florida
  • Destin, FL - Q1 2023 - Big vacation destination location with limited ability to easily drive out to any of the locations on I10 for charging. You'll see more of these show up like this in FL where the barrier islands get chargers.
  • Cape Caneveral, FL - Q1 2023 - Another barrier island location that really needed a charger. I personally have had to go 60 miles out of my way to Titusville and Melbourne, FL on many trips because there wasn't a charger in Port Canaveral, Cocoa Beach, Satellite Beach, etc. Super excited for this one.
  • Okeechobee - Q4 2022 - Not hard to see why this one won.
  • Key West - Q1 2023 - Having gone to Key West recently, I get why this location won, but it isn't 100% needed. I would have MUCH rather seen one in Key Largo or Islamorada instead. That said, I consider this another string in the 3 out of 4 in FL being on barrier islands.
  • Future - No surprise here. More chargers on the barrier islands or peninsulas with limited access to the mainland.
• Eastern Canada
  • Bromont, QB - Q1 2023
  • Future ???
• North West
  • Kalispell, MT - Q1 2023 - Seems very obvious, fills a massive hole. We really need more winners like this for sure.
  • Future - ???
• North East - No Wins
  • Future - This area of the US seems to have some of the worst lack of Tesla chargers. Not sure why they aren't winning more locations.
• Central US - No Wins
  • Future - Lots of holes to fill but not a lot of population so hard to see them winning votes outside of maybe TX and IL, both of which have good coverage already.
• California
  • Lee Vining, CA - Q1 2023 - ???
  • Morro Bay, CA - Q4 2022 - ???
  • Big Bear Lake, CA - Q4 2022 - Came in 2nd place in the first vote Tesla held so very popular. It plugs a hole near a big destination but I don't have local knowledge on it.
  • Future - It seems CA is well covered but also seems to have the most capacity issues. Maybe Tesla should add an option for adding capacity to existing locations in future votes?

What are these little green slightly translucent balls in a Chinese/Uyghur dish called dapanji or "big plate chicken".

1. The picture is them cooked
2. each green "ball" is about the size of a peppercorn
3. They taste citrusy, almost like lemon but not spicy or numbing at all
4. if you zoom in the husk/shell is kind of spotted

Here's the picture
https://imgur.com/HmabPrg
Extra details
I bought this dish from a Uyghur restaurant while visiting New York. This dish blew my mind and felt like discovering a new genre of food. I have to try to reverse engineer it as best I can! It was listed as chicken Laghman but given the other ingredients they used a dapanji/ big plate chicken recipe for the base.
I have looked at a few big plate chicken recipes and couldn't find an obvious match for this ingredient.
In some recipes the base broth cooks for 1hr+ and I wonder if some of the spices change appearance or flavor after that time. Brainstorming here, would either fennel seed, or Sichuan peppercorns taste and appear this way after 1hr+?
Any thoughts on what this could are welcome!!!
​
Example recipe
The recipe that I have seen to include most of the ingredients I could discern is copied and pasted below. Credit to u/mthmchris for the recipe and detailed guide.
https://www.reddit.com/Cooking/comments/7bcvarecipe\_xinjiangstyle\_dapanji\_braised\_chicken\_aka/
"So we wanted to show you how to make Uighur-style of Dapanji, a.k.a. the aptly translated ‘big plate of chicken’.
The Uighurs are a Turkish ethnic group from the Xinjiang province in the far North West of China, and have a fascinatingly awesome cuisine. They've got a solid mix of Central Asian and Northwest Chinese flavors - lamb features heavily, the grill and the tandoor's used, and they have their own version of pilaf (called 'polo' or 'shouzhuafan'). But at the same time, they'll use certain Chinese ingredients and also make use of the wok. This dish is one of the most beloved in the region, and a great place to start with Xinjiang food.
Video is here. We decided to also include in a recipe for those wide kudaimian pulled noodles that’re often served with this… but if you’re not feeling ambitious you could always opt for any sort of thick dried Asian noodles instead.
Ingredients:
One whole chicken cut into pieces -or- chicken wings, ~1.5kg. So really, the ideal sort of chicken for this dish would be an Asian variety of chicken cut into pieces across the bone... and if that's convenient for you, I'd implore you to go that route. If that sort of thing would be difficult for you to get, my sub would be chicken wings. You could cleave them in half, or honestly you could probably leave them in whole as well. I've seen some Western recipe writers call for boneless breast or thigh here, but I really think that's a dramatic reinterpretation of the dish, and you'd also run the risk of dry chicken. Wings aren't too intimidating, and the essence's the same.
Potato, 800g. Cut into large chunks. You don’t want your potatoes to be too small else they’ll end up dissolving into the braise.
Xinjiang xianjiao (线椒), ~3 minced and reconstituted -or- Hungarian Sweet Paprika, 2 tbsp -or- Sichuan Pixian Doubanjiang, 2 tbsp. So Xinjiang xianjiao is what gives the Dapanji its characteristic red color… this mild chili is super red, and dyes basically anything it touches. Now, this chili’s sort of difficult to source even in China, so substitutions might obviously be necessary. To me, this chili is very similar to a paprika chili… so if you can get your hands on some dried paprika chilis (in China, hongjiao), I think that would be the most ideal sub. Similarly, if you got some quality Hungarian sweet paprika that should also be fine. In China outside of Xinjiang the most common sub is some Sichuan Pixian doubanjiang – you can go that route too, but in my opinion I think paprika would be closer to the original. We also got a real interesting lead on what these chilis might be called in English... see the note below.
White sugar, ¼ cup This will be mixed in with a half cup of oil to make a ‘tangse’, or caramel, for the initial step of frying the chicken.
Ginger (姜), ~2 inches Cut into slices, to be fried together with the chicken.
Sichuan peppercorns (花椒), ~1 tbsp. Added when frying the chicken.
Star anise (八角), ~4. Added when frying the chicken.
Cinnamon/Cassia (桂皮), 1 stick. Added when frying the chicken. Note that this, just like what you’d get a supermarket in the West, is actually Cassia bark and not the so-called “true cinnamon” from Ceylon.
Black Cardamom (草果), 2 pod. Added when frying the chicken. Slightly crushed to open.
Dried Chaotianjiao Heaven Facing Chilis (干朝天椒), ~15. A dapanji isn’t set-your-mouth-on-fire spicy, but it should have some kick. Adding in about fifteen whole dried chilis in with your braising liquid does the job nicely (no need to deseed them). If you’re outside China, dried Thai birds eye chilis should work just as well, or you could play around with Mexican chilis (anything unsmoked from the Capsicum Annum cultivar, e.g. Arbols, would likely be fine).
Dried bay leaf (香叶), 1. To be added when braising.
Leek (大葱), ½. Cut up a half a leek into strips, these’ll be added about halfway through the braise.
Garlic, 1 head. Peel a head of garlic, these’ll be added when there’s about 15 minutes left of the braise. Note that I add the garlic a bit earlier than many recipes might (most common is to see it added five minutes until it’s finished), mostly because I fucking love munching on garlic that’s been softened in a braise.
Mild chilis, 1 small red chili (红辣椒) and one small green chili (青辣椒). Cut into wedges. Neither of these chilis are very spicy, so you could also opt for one small green or red bell pepper.
Salt, 1 tbsp. To season. If you’re using doubanjiang in the place of xianjiao chilis, cut this out.
Chicken boullion powder (鸡粉), 1 tbsp. To season.
Process, Dapanji.
If using Xinjiang xianjiao chili, finely mince and reconstitute the chili. You’re aiming to get this into a super-fine mince – if you got a food processor (we don’t), I imagine that’d be a help. Once it’s fine enough for you, add in some water – we added roughly two tablespoons. Leave that aside for about thirty minutes - the chili will end up absorbing the water and forming a sort of paste.
Prep your ingredients. I’d use that time to peel and slice your ginger, peel the potato and cut into large chunks, crush the black cardamom pods, cut the leek and mild chilis into strips/biased wedges, peel the garlic… measuring everything out so that it’s good to go once you’re ready to fry.
Blanch the chicken pieces. Blanch the chicken in boiling water for three minutes or so. Because the braise isn’t going to feature much liquid, we’re not going to be able to skim the scum, blood, and impurities from the braise. The quick blanch’ll clean our chicken right up so it’s good to braise.
Make the tangse (caramel). This is a relatively common step in many Chinese braises. To make the tangse, add in a half cup of oil and a quarter cup of sugar to a wok over medium heat. The sugar will begin to melt into the oil, and after a couple minutes it’ll deepen in color to something resembling a caramel. For this stage, it’s important that you stir constantly, and know that tangse can go from zero to midnight real quick. All in all, it’s better to have an overly blonde tangse than a burnt one.
Fry the chicken pieces in with the tangse, then add in the ginger and the salt/chicken boullion. Fry the chicken with the tangse for 30 seconds or so, then add in the ginger and fry for another 30 seconds. Sprinkle with salt and chicken boullion to season – I know it seems a bit strange to season so early in a braise, but things end up getting a bit unwieldy near the end when the potatoes are nearly dissolved.
Add in the xianjiao chili, then the Sichuan peppercorns, black cardamom, star anise, and cinnamon. Add in the xianjiao chili (or some Hungarian sweet paprika, or some Pixian doubanjiang) and coat the chicken with it. Then, add in those spices and let them fry for about 45 seconds or so until it’s all just starting to smell awesome.
Add in 400 mL of water, and nestle in your potatoes, chaotianjiao heaven facing chilis, and bay leaf. Cover and let simmer on low. 400 mL of water might feel like a bit of a small amount (it won’t cover all of your ingredients), but the idea is that the ingredients are going to steam in addition to braise. Because of that, after you cover it you really don’t want to peek. This’ll end up cooking about an hour in total – we still got three ingredients to add (the leek, the garlic, and the mild fresh chilis), so we’ll mix it when we open it up to add those ingredients.
After 30 minutes, add in the leek. At this point, the braising liquid should still look ‘water-y’ and the potatoes should be mostly intact. Toss the leek into the braising liquid, give everything a mix, and cover.
15 minutes later (45 into the braise), add in the garlic. Now the braise should start to look like it’s coming together. The very edges of the potato should be starting to dissolve – if you eat a potato it’ll be roughly cooked through but not very soft. Now, I should note that I add in the garlic a bit early – when I was researching this dish, the Han Xinjiang guy at my market was insistent that the garlic be added at the very end, five minutes before finishing. I like my garlic soft and cooked through so I can munch on it though, so I add in in here.
15 minutes later (60 minutes into the braise), add in the mild fresh chilis. These will only need five minutes or so to cook.
Serve. Serve this with the kudaimian noodles below. Generally, it's best to serve them after you've already munched on the dapanji a bit so that you can get them all in that braising liquid.
Ingredients, Kudaimian Pulled Noodles:
Bread Flour -or- Dumpling Flour (高筋面粉), 250g. Basically looking for a high gluten content, we used bread flour.
Water, 125g.
Salt, ½ tsp.
Oil. To roll the noodles in before resting.
Process, Kudaimian Pulled Noodles:
Ok, now before we get into this, a quick word of warning: hand pulled noodle making is more of a skill than a recipe. If you’re new to noodle pulling, it might take a few tries to get your noodles right – by far the most common issue is noodles that’re a bit too thick, which I’ll talk about how to save in the notes below.
Disclaimer number two… we’re not the most experienced noodle pullers. Steph’s from Guangzhou (where there’s not exactly much of a tradition of this northern-style hand pulled noodle making), so it isn’t exactly something she grew up with. To give you an idea, about a third of our noodles we had to ‘save’ using the technique in the notes.
In any event, this variety of hand pulled noodles is vastly easier than lamian, so it’s a good place to start. Also, 'Biang biang' noodles are basically the same method, but are divided into smaller pieces and cut in half lengthwise with a chopstick.
Mix together the flour and salt, then slowly incorporate the water into the dough. Rest for 10 minutes. We’ve found doing this by hand is actually a bit easier than using the stand mixer. Add the water bit by bit, kneading and incorporating it into the dough. Once the dough is doesn’t stick to the bowl anymore and has been kneaded into a ball shape, it’s done. Cover with a warm, damp towel and set it aside to let the dough relax.
Cut the dough into eight even pieces, roll them into a sort of fat ‘log’ shape, coat generously with oil, and set aside for 60 minutes. Each one of these pieces is going to make one big noodle – this is like the noodle from KenM’s nightmares. Make sure the logs are coated real well with oil, cover them with plastic wrap, and set it aside for one hour. This second rest is gunna be really critical, if it doesn’t rest for an hour, you’re not really gunna be able to pull them.
Pull the noodles. As always, when I’m trying to explain what to do with dough via the written word, I sound like a convoluted doofus, so take a look at 4:49 in the video for a visual. First thing you’ll do is flatten your log by pressing it down with your palm – the flatter it gets here, the easier it’ll be to pull. Then, grab a hold of the two edges of the log and stretch it out four times. Now this is going to start to begin to look like a noodle. Then, continue to pull and smack the noodle against the table – this smacking motion’ll help the noodle thin out in the center as well. Once the noodle’s roughly as wide as your arm span, you’re finished. Just tear off and toss the little knobs of dough where your hands were pulling from.
Boil the noodle. Boil the noodles until they float. These northwestern style noodles are a bit thicker, so it might take a minute or so.
Note on how to rescue kudaimian that’re too thick:
One of the difficulties with learning hand pulled noodles is that if you screw up, you can’t just roll it back into a ball and start over – it won’t really form because of the oil.
If your noodle’s a bit too thick, use your fingers to lightly spread it horizontally, then pass it through your middle and index fingers with both hands while lightly pressing and pulling to straighten it back out – this motion is at 5:33 in the video. Again, this isn’t really impressive or correct or anything, but it’ll thin out the noodle and everyone’ll be none the wiser (unless you’re, uh… filming yourself).
Note on other Dapanji ingredients:
So a couple things that we didn’t add that you might see in a few dapanji recipes… (1) tomato paste (2) some other spices and (3) beer.
So right, Uighurs actually do use tomato paste in some dishes – the brand of tomato paste I buy here in Shenzhen is actually from Xinjiang. You could use half Xinjiang chili and half tomato paste to get that sort of red color if you like – it might be a bit more visually appealing, as our dapanji had a number of red flakes scattered about. We opted for pure chili as we were basing the recipe off of the dapanji of our favorite Xinjiang restaurant in Shenzhen, which didn’t use tomato paste.
Also, if you poke around, you’ll see that each restaurant’ll sort of has their own spice mix. We went with a basic one that was sort of a copycat of a Uighur-run Xinjiang restaurant we love in Shenzhen (plus Bay Leaf). The most commonly added ingredient that we didn’t use would probably be fennel seed… but sometimes you’ll see some places toss some more exotic stuff in too.
Lastly, many of the recipes around Xiachufang (the Chinese AllRecipes) feature a light beer as the braising liquid. Uighurs are Muslim though, so we just opted for water. Beer wouldn’t hurt though, so if you feel like it you could toss that in as well.
Note on Xianjiao Chili:
Again, please don't hesitate to sub this. I figured it'd be almost impossible for people to find abroad, except...
I was chatting with someone on YouTube and I'm now like 70% sure that this is Kashmiri Chili. They look really, really similar, have the same purpose (red color), similar heat level (~1k scoville), and if you look at a map that pathway seems like it makes a ton of sense. You should be able to find them on Amazon - at the very least, even if they aren't the same, I think it'd be a nice sub."

So tired of people living in Tampa, FL saying "oh I live in Tampa Bay". No you fucking don't. You live NEAR Tampa Bay. You live in the "Tampa Bay Region". But you don't live IN TAMPA BAY. Tampa Bay is not the name of a city, county, etc. it's a body of water, even if you live on a house boat, then you might live ON Tampa Bay, but you still don't live IN Tampa Bay!

(Shoutouts to u/TheSlyKoopa for the match concept!)
Scenario: Isla de Piedra, Somewhere in the Mediterranean Sea — 11:44AM
Dédalo Viatger, adventurer, archaeologist and explorer extraordinaire, had filled his travelog with countless exploits on his never-ending quest to uncover the secrets of the ancient world. Following the trail of the lost civilization of Pieduro was proving to be his lengthiest entry yet. Armed with powerful Pieduron artifacts known as the Temples, Dédalo and the Pieduron entity ｢Perdida｣ had forged a path across the Mediterranean, getting ever closer to solving the mystery of their disappearance.
With assistance from Cullinan Dwarf Star, Patron of the House of Muses, Dédalo and Perdida were on the verge of discovering the final piece of the puzzle. Their journey had come full circle, and Dédalo and Perdida’s adventure would end where it began; on the island of Isla de Piedra.
Situated between the coasts of Southern Spain and North Africa, Isla de Piedra had been uninhabited for all of recorded history, though not for lack of trying. The dense forests and greenery that covered every square meter of the island made it a ripe target for logging companies and greedy colonists to strip it for all it was worth. None had succeeded—their abandoned camps had long since been reclaimed by the forest.
The only other sign of human life on the island was the ancient Pieduron outpost where Dédalo’s journey first began, and where it would now hopefully end. The trek to get there was as difficult as the first time—but he didn’t have to do it alone now. At his side were his ever faithful companion Perdida, the inquisitive swordswoman Ninian, the extraordinary android 2095, and the illustrious ice skater Electra (although he didn’t call them that out loud).
Dédalo led the party up a long, winding stone staircase, pointing out the many partially-disabled traps along the way. He and Ninian had long been in contact, and the latter could personally vouch for her +1s—2095 one of the few Bastards she could trust and Electra having earned her trust in for her actions against Enyalius & Enyo Pharmaceuticals in San Battista.
“...and here’s a wall of spikes that shoot out when you pass over that threshold,” he pointed out with a tour guide’s enthusiasm. “I managed to jam up the mechanism with some cloth, but we should probably tread carefully around here.”
Electra rolled her eyes, even though Dédalo couldn’t see the gesture. “Should have just blown it up,” she muttered, annoyed. While her experiences in San Battista had somewhat melted her frosty demeanor, it had still been a long, hot, exhausting trip to get here, and old habits died hard.
“Watch your tone, miss,” Perdida said from behind her ear, making her jump. “My people’s architecture is not something to “blow up”.”
“And it might not have worked,” 2095 chimed in. “If this outpost could survive all those centuries of wear, I doubt a mundane explosion would do much damage to it.”
“The Piedurons built everything to last, from their treasures to their traps.” Dédalo gingerly ducked under the blade of a massive pendulum axe that jutted out from the ceiling. “Fortunate in some ways, unfortunate in others.”
At last, they reached the center chamber. Carved from stone and coated with moss, it appeared just as untouched as the rest of the outpost—save for the podium in the middle of the chamber and the conspicuously empty space on top of it, where the moss grew a little bit thinner.
“Ah, this brings back memories,” Dédalo chuckled. “This is where Perdida and I first met. The El Cor Terra necklace lay in this very spot at the heart of the chamber. When I unfastened it, poof! There she appeared in all of her resplendent glory. We hit it off right away.”
“He tried to cut my head off with a machete.”
“In self-defense!”
“Ok, move it along, lovebirds,” Electra huffed. “Where’s the thing we were looking for? It’s somewhere in here, right?”
Brushing past the “lovebirds” comment, Dédalo retrieved a piece of parchment from his explorer’s pack marked with the symbol of the House of Muses. “According to Cullinan, the hidden door should be right over on that wall.” He pointed over 2095’s shoulder at the northern wall of the chamber. “The question is…how do we open it?”
2095 gave the room a once-over. Aside from the layer of moss and vegetation covering the chamber, it was pretty bare. Its only noticeable feature seemed to be the podium.
“Perhaps the podium could offer some answers.” The party gathered around the stone podium—a stone cylinder, atop which stood a carving which vaguely resembled the neck and collarbone area of a human, with a thin groove running where a necklace would hang. Perdida instantly recognized the Cleria stone inlays around the circumference of the podium.
She traced a finger along the length of the groove, and the Cleria stone beneath it glowed—and, at a volume only audible to 2095’s mechanical hearing, it began to hum.
“Keep going, Perdida,” she whispered. Perdida closed her eyes, feeling herself attune to the place where she lay dormant for thousands of years. The Cleria stone grew brighter and brighter, the hum getting louder and louder.
Suddenly, the room shook. Electra leaped back, expecting another trap. Instead, she watched as the north wall slid open like the doors of an elevator, revealing two hallways; one leading up, the other leading down, both with Cleria stone markings along the walls that pulsed with a gentle light.
“Thank goodness,” Dédalo sighed. “I was worried the real treasure was going to be the friends we made along the way.”
Dédalo and Perdida continued to trek up the hallway, climbing what was likely the control tower of the outpost. Ninian dutifully followed behind them, ready to draw her blade at whatever might strike from the newly unknown section of the outpost. The sound of exhaled breath made her jump...but it was only a sigh from Dédalo. “A shame you came aboard so late, Ninian; our journey’s almost up.”
Ninian’s confusion spiked to alarm as the explorer motioned to lean against the wall. “Watch out-”
Dédalo made contact and nothing happened. He tilted his head to the end of the corridor, a doorway just a few meters away. “We’re far enough in that we’ve most likely avoided the worst of the traps. Besides, I don’t think the Piedurons would have placed many traps so close to a place of importance.” He wistfully rubbed his arm, massaging the strain of adventures and injuries in equal measure. “Feels almost bittersweet. So many months of travel and turmoil, and the end of our journey is in sight.”
“Hey, don’t say that yet. We still need to find a way to get my human body back.” Pedida gently punched him in his shoulder. Still, her pout eventually softened as she looked back towards the final chamber. “I guess you are correct, though. The answer to the Pieduron collapse lies beyond those doors. What comes after…nobody knows”
“Quite right,” Dédalo nodded, and the group moved onwards. “I hope that Electra and 2095 are doing okay down there, in any case.”
“I hope that the rest of the outpost is okay,” Perdida frowned. “They didn’t seem to appreciate how precious this place is—I don’t want to lose another one.”
“I don’t think we have to worry too much about losing them,” A grin of cat-like mischief unfurled on Ninian’s face as hoarse laughter echoed on a draft. There were adventures to come and to be seen, but one to reach its conclusion here and now, and the anticipation made Ninian’s hair stand on end.
The group carefully entered the room, and Perdida flickered out of existence. Before any of them could respond, the control room flickered to life. The stone walls that extended higher and higher suddenly turned “on” as if they were screens, but these were more akin to slabs whose light-emitting runes and rocks flickered and changed in the appearance of Perdida—Perdidas, in fact. All of them, on the many screens, acted in unison as Dédalo rushed forward. “Dédalo, what’s going on?”
“We’re figuring it out,” he shouted as he and Ninian raced to the panels below, trying to decipher the text streaming by. Soon, however, one message displayed on a readout screen:

MYSTICALLY AUTOMATED KNOWLEDGE SYSTEM 0 DETECTED
RESUMING RING FUNCTIONALITY

Meanwhile, having taken the outpost’s lower path, 2095 and Electra entered into a large atrium. Like the rest of the outpost, the walls and floor were composed of the usual, teal stone that seemed impossibly durable. The fact that they could use it to form buildings, carve intricate murals, and keep it all hidden was impressive, but they craned their heads upwards towards the skylight that would let rain and sun in. Through the overgrown foliage, they could see a massive flat ring of Cleria floating above the ground in stubborn defiance of the laws of physics. Gravity-defying gyroscopes of stone spun and swirled in the air above, rotating with the same slow grace as the ancient gears that whirred to life around them. The glow of the Cleria blended together with the light of the noonday sun; the hum of power permeated the entire chamber.
“...shit,” Electra murmured, not sure what else to say.
2095 scanned the rest of the atrium, but ultimately found nothing beyond a discolored, glowing pad on the floor by the opposite wall, outcroppings on the walls that resembled benches, and the remnants of what appeared to be ancient drinking fountains. Rest now before it’s too late, the room seemed to scream.
“I believe we should wait for the others before we go deeper,” 2095 announced. “We could retrace our steps and explore the previous areas, in case we missed another hidden passageway or an undiscovered treasure. It would be a shame to proceed not knowing whether we’ve left every stone unturned-”
“Not a chance,” Electra huffed. “I’m not letting us get killed because of your FOMO. Come on.”
She grabbed 2095 by the wrist and began to drag her over to the pads. 2095 let her—partly because she weighed significantly more than Electra did and she didn’t want her to hurt herself trying to pull her by force, but partly because she was right. She could feel the air buzzing with energy, intensifying by the second. Something big was about to happen.
The two stepped onto the floor pad and immediately felt themselves being shunted into a different space as the teleporter activated. When their vision cleared, they found themselves standing on top of the Cleria ring itself. Electra could smell the ozone in the air and taste the prickling on her tongue. This ring was the key to the whole mechanism—either it was powering the outpost…or the outpost was powering it.
2095 gazed in awe at the machinery surrounding them. It reminded her of the technology from her time; except instead of steel and chrome, it was made of rock and crystal. What secrets died with the Piedurons when they disappeared?
She turned to Electra to express her wonder and nearly screamed when she saw the vantablack vines burst out of her shadowed face, ready to smash the ring to pieces.
“What are you doing?!” 2095 yelled, ｢Yours Truly｣ appearing at her side, tentacles raised.
“I’m destroying this thing, duh,” spat Electra. “I know a superweapon when I see one, and I’m not about to let some dipshit corporation get their hands on it after we leave.”
The chamber shook, bits of rocks and dust falling from the ceiling. “B-but we don’t even know whether this is a superweapon! Aren’t you acting a bit rash?”
“Rash? Seriously? You have no idea what some people in Dead Drop Bay would do for an artifact like this.” Electra remembered what she saw in San Battista—the monster that she had to put down, fuelled by a desire to abuse the remnants of the past for her own gain. “Farewell to Kings, Dead Man’s Hand; hell, even my own company. They’d sink this island to the bottom of the ocean for the chance to have this thing for themselves. This way, I’m solving the problem before it has a chance to start.”
“And risk destroying the legacy of an entire civilization?!” 2095 felt anger boiling in her metallic chest. A part of her resonated with the Piedurons in this moment—she knew what it was like to be a relic of an era far from the present, the last remaining piece of a time nobody would ever know. “What gives you the right to decide what to do with an artifact of this magnitude? To bury what could be the last hope of Pieduro to be remembered as anything but a footnote in history?”
The chamber shook again—this time, both 2095 and Electra felt the ground shift under their feet. Without warning, walls of stone burst out of the ground around them, tearing through centuries-old roots and vines to surround the ring on all sides. Slabs of Cleria stone with deep divots carved into the top of them emerged from the ring itself and floated just above its surface like a magnet levitating atop another.
In the control tower below them, Dédalo and Ninian scrambled from panel to panel, desperately trying to decipher what was going on. Dédalo could see the two other members of the party facing off inside the ring—but before he could call out to them, he heard Perdida’s voice resonate from every screen.
“The Temples…I can see them.”
Ninian watched the panel in front of her light up, displaying a holographic map of the Mediterranean, hundreds of glowing blue dots scattered across the projection.
Dédalo rushed to the nearest screen and grabbed it. “Perdida! Are you alright?!”
“Y-yes, I’m fine.” Perdida blinked hard, putting a hand to the side of her head. “I can feel every Temple in the Mediterranean. I…I think I can gain access to them from here.”
“Access? Like…you can turn them on?” Ninian asked.
“Yes. All of them.” Before Perdida could say any more, the chamber shook once more. In the room below, the ring glowed even more brightly, the two would-be explorers now utterly trapped within it by the sloped walls surrounding it.
“See what I mean?!” Electra clenched her fists, snapping flytrap jaws emerging from the shadow underneath her. “We need to put this entire place in the ground. For good. And like hell am I going to let you stop me!”
Suddenly, all across the surface of the ring, crackling orbs of energy sparked to life, both 2095 and Electra just managing to avoid them. The orbs spun in a circle around the ring, accelerating rapidly until they were nothing but a blur. 2095 recognized the movements of the orbs immediately; it looked like a particle accelerator.
“I hoped we could resolve this peacefully, Electra.” 2095 flicked the silver locks out of her face. “But now I have to convince you in the only language you seem to understand—the language of violence. Don’t hold back.”
The age-old machinery around them hummed to a crescendo. If either of the two combatants wanted to see their convictions through, they would need to survive the full power of Pieduro first.
OPEN THE GAME!
Location: On Isla de Piedra, (Shoutouts to u/TheSlyKoopa for the match art) inside the Floating Ring. The arena shown here has Electra on the north side and 2095 on the south side represented by their character tokens. The players are in the area inside the ring and have no way to exit with sloping walls on all sides.
The ring has a diameter of 60 meters and the internal width is 15 meters; the entire structure is A Durability.
The brown rectangles inside the ring are Pieduron Temples that resemble short, knee-tall minecarts made out of stone slabs.
Goal: RETIRE your opponent!
Additional Information: Over the course of 10 minutes, the ring will spawn 6-inch diameter orbs of light that will accelerate and move in an orbit around the ring at A Speed. Each orb takes 4 seconds to spawn-in, glowing in place and translucent, before it becomes a solid orb.
The orbs move completely along the curvature of the ring, counterclockwise (denoted by the arrows on the map) and can be spawned anywhere inside the ring. When they hit something solid, they will detonate at C Power—powerful enough to destroy vines and ink left by ｢Venus Fly Trap｣ and tentacles from ｢Yours Truly｣—and cause another orb to spawn where the original one started. The orbs have a blast radius of half a meter and other orbs exploding around them will not trigger them to detonate.
Orbs will complete one revolution around the ring anywhere from 3 seconds (inside track) to 6 seconds (along the rim).
Assuming you are standing still, the rough number of orbs that pass by will be 5 orbs per second at the first minute mark, 10 orbs per second at the second minute mark, and so on until the maximum of 50 orbs per second at the ten minute mark.
Starting near each player and around the map are Pieduron temples that resemble minecarts. Each kart can comfortably fit one person, have a handle on either side, and a single rudder-like steering peripheral. The wheels of the kart will always stick to the ring, but they can drive just fine along the walls or even the ceiling of the ring. Karts move at up to B Speed and players intuitively have a 4 in driving them. At max speed, karts can complete one revolution in 4 to 8 seconds (4 seconds on the inside track and 8 seconds on the rim).
All karts have three other special features that can be activated when a driver is steering it, the Turtle, the Spider, and the Crab:

• The Turtle is a forcefield-like shield that can cover the kart and anybody riding inside it. This forcefield only protects against the fast moving orbs and their explosions and is intangible to everything else. It lasts up to 2 seconds and has a 6 second cooldown before it can be activated again. It can also be set to automatically activate if the minecart is about to hit or be affected by an orb, otherwise it can be manually activated by the driver.
  
• The Spider is a net-like shield that functions somewhat similarly to the forcefield the Turtle. The main difference is that instead of blocking orbs, it catches them and converts them into an inert palm-sized orb that is stowed inside the minecart. This shield does also block explosions produced by orbs, but will not produce an inert orb in those cases. The Spider lasts up to 1 second and shares a cooldown with the Turtle. Inert orbs are orbs that can be converted back into fast moving orbs by being thrown with force and intent. They can be made to move exactly in a straight line or along the curvature of the ring when thrown. Inert orbs have no other special properties, other than being A Durability.
  
• The Crab is a fast sideways dash up to 8 meters, with a minimum distance of 1 meter. Once the dash is finished, the kart will resume moving in the direction and speed it had before initiating the dash, making it useful for dodging without turning or changing the direction the kart is going in. This feature has a stamina bar where the longer your dash distance is, the more stamina will be used up. It takes 4 seconds for the stamina bar to fill up from empty.
  

The cooldowns and stamina bars are tied to the person, not the karts themselves.

Team	Combatant	JoJolity
Anvil Procession	Electra Heart	"I need to master this Spin..." Have a good plan for how to avoid and deal with the orbs spinning around you!
Bastards of Barcas	10538-2095	"The secret to the Steel Ball is the search for infinity..." Have a good plan for how to avoid and deal with the orbs spinning around you!

Link to Official Player Spreadsheet
Link to Match Schedule
As always, if you would like to interact with the tournament community and be among the first to get updates for the tournament, please feel free to PM a member of our Judge staff for an invite to our Official Discord Server!

I’m specifically asking about areas such as Fort Lauderdale, Miami, Key West, Key Largo, Marathon, and West Palm Beach. Found out that I may be offered a spot at those locations in the future. On a GS 12-13 LEO salary, would you still say it is too difficult to be comfortable out there? I live in a HCOL area in Cali, but I’m concerned about how feasible a move to FL may be, especially if I have to drop to a 7. I know it depends on personal circumstances quite a bit, so I’ll mention that I don’t have any kids or debts; it’s just me and my pets. I know I can find numbers online, but I wanted to hear personal experiences from other people, especially LEOs.

TWO tickets for LAWN (General Admission) with two Lawn Chair Rentals
I bought tickets for the WPB show, and now I can't go.
Matchbox Twenty - Slow Dream Tour
Rescheduled to Fri • Jul 7 • 7:30 PM
iTHINK Financial Amphitheatre
601-7 Sansburys Way, West Palm Beach, FL, 33411
No markup even if it sells out, I'd just like to breakeven. This is what I paid:

• 2 lawn tickets - $41.00 x 2
• Lawn Chair Rental - $15.00 x 2
• TM Service Fee - $15.20 x 2
• Tax - $2.87 x 2
• Order Processing Fee - $5.00 x 1
• TOTAL: $153.14

Celebrating a bachelor party in Miami? We have a number of experienced female strippers ready to make it a memorable night! What better way to end the single life than to celebrate with a beautiful stripper from Miami? Our Miami strippers are ready to show you their sexy side and to provide you with a night you will never forget.

MIAMI STRIPPERS (305)767-4688 https://www.MiamiPartyStrippers.com ®

Bachelor parties are definitely the first thing that comes to mind, when everyone thinks of strippers. That’s because everybody knows you should never have a bachelor party without private strippers! The experience is vastly superior to any strip club experience.

WE HAVE THE SEXIEST BACHELOR PARTY STRIPPERS IN MIAMI & FORT LAUDERDALE!!!

Miami Female Strippers Miami Bachelor Party Strippers Female Strippers Fort Lauderdale South Beach Strippers Miami Beach Strippers Hollywood FL Strippers Palm Beach Strippers Strippers Miami Strippers in Miami 2 Girl Strip Shows Strip-O-Grams Bachelor Party Birthday Party Yacht Parties College Party Fraternity Rush Sporting Events Playoff’s Super Bowl VBRO AIRBNB Graduation Party Retirement Guys Night Out Party Hero Welcome Party Going Away Party Divorce Parties Lap Dances Fantasy Football Draft Office Party Private Parties Exotic Dancers
For The Best Adult Entertainmentand Female Miami StrippersCall: 305-767-4688
MIAMI STRIPPERS (305)767-4688 https://www.MiamiPartyStrippers.com ®

So I have T-Mobile and its okay at WDW in Orlando, FL but inside buildings sometimes the service is non existent. When we stayed at Bay Lake Tower by the Magic Kingdom we had no Data and only relied on poor Wifi when we were there.
I'm wondering if AT&T or Verizon's network might be better? T-mobile hasn't been reliable for us at all so we are looking to switch to either Verizon or ATT MVNO.

So I have T-Mobile and its okay at WDW in Orlando, FL but inside buildings sometimes the service is non existent. When we stayed at Bay Lake Tower by the Magic Kingdom we had no Data and only relied on poor Wifi when we were there.
I'm wondering if AT&T is better or Possibly Verizon?

So I have T-Mobile and its okay at WDW in Orlando, FL but inside buildings sometimes the service is non existent. When we stayed at Bay Lake Tower by the Magic Kingdom we had no Data and only relied on poor Wifi when we were there.
I'm wondering if Verizon is better?

Every night, against his will, Kenneth would relive every awful moment of it. Pulled back into his hellish youth through a dream. The same dream he found himself in once again. He was in a place now so familiar that he could actively acknowledge his unconscious state, but he could never wake up from it. Not until Steve had his fill. Not until he was satiated in his place from beyond the grave, firmly in charge of this horrific dominion within his victim's damaged psyche. It was an evil dreamland, somehow designed to re-inflict every harrowing humiliation and brutal torture experienced in the waking world. The disgusting past, revived.
Kenneth shivered as the cold wind battered against his scantily-clad body. The same as always, he was wearing his pajamas. Now far too small and disintegrating on his adult-sized frame, they tore and fell away as he walked, leaving him little more than torn rags for comfort against the elements. The harsh earth stung under his bare feet. Uniformly black, contrasting the sickening reddish sky which hugged cragged mountain tops on horizons far out of reach. A small light emanated in the distance. Following his usual robotic routine, Kenneth stumbled towards it like a moth to the flame.
The wind ceased almost instantly as he grew nearer and its howling was replaced by an intimidating silent totality. There was no sound left whatsoever besides the first whisper. Loud and clear, as if right in his ear. Right on que. There was nothing he could do.
"To come or go after and take or bring back.
All the children, wrapped up in black.
Venture forth or turn around.
A soul once entered is already bound."
It was his voice. It made Kenneth want to wretch, to empty his nonexistent stomach, but such reliefs weren't present. Not permitted. Stripped from Kenneth like so many other things before, injustices of which he'd now face all over again. His horror was an internal one. The ability to react, dulled and blunted, as if tranced. His foreknowledge of the impending trauma rained a great heavy dread upon the sullen atmosphere of the nightmarish place. A literal rain. Slimy like oil. The air hung heavy, further slowing his movements. Kenneth struggled on regardless, shuffling towards the second glow amidst the growing fog. The second taunting installment retelling his miserable history.
The light blinked out, plunging the landscape into darkness once again. The sky's pale crimson glow only slightly revealed his surroundings, occasionally lit up with bolts of unseen violet lighting. Not that there was anything for Kenneth to see. Nothing to do but obey. Steve's voice throbbed in the void around him. A cruel mockery, cawed in a distorted imitation of the man who'd destroyed his life before it even had a chance to truly begin. The monster who snuffed his innocence out forever.
"All alone the lady waits,
Devoid of a father, whom they now both hate.
House is empty, home is cold.
A shallow dream, eagerly sold."
Visions of his mother tore at Kenneth and he did everything he could to resist, to stamp them down and lock them away. But the more he struggled, the harder it was to keep them at bay.
"A sweet relief, a sweet reprieve. A lovely replacement,
named Steve.
Steve is kind, Steve is nice.
Kenny's mother, in a vice."
Another clockwork recurrence chilled Kenneth as he felt the eyes. Turning to meet them, the wind returned; crashing against him and sending him tumbling to the coarse desert floor. The ashen texture coated everything, acrid and burning in his nostrils. Piercing debris like shattered glass clung and then fell back to their place among the filth as Kenneth strained to get back up. To his relief, Steve wasn't moving yet. Just… standing there. Right on the edge of his visibility. Waving…
He didn't act like the Steve that Kenneth had known in the waking world. The rhymes, that was nothing like him. But the way he… it, would deliver them… that was just Steve all over. That smug cadence, made manifest in a demon now all too real. It cocked its head as it brought its hand back down to its side before extending it outwards. A long bony finger beckoned to Kenneth.
"No…" he whimpered. Desperate to escape the inevitable. "Just… go away…"
"He takes you away to a different place.
Leaves an awful mess all over your face.
'Tell a soul, my little whore,
Then you will suffer.
Your mother, and more."
"Do you remember, Kenny?" It began to advance. An onyx phantom, silhouetted and drawing nearer. "Do you remember the toolshed?" A creature, becoming clearer.
A shrill cackling laughter filled the night air, which immediately became much darker. Thicker. Like being underwater. The monster broke from a shamble into a sprint and fight or flight sent Kenneth running too. The shock that had held him in place cleared fast with the adrenaline, spurring him to flee. To escape that terrible place, once and for all. He could hear its heavy, lumbering footfalls advancing close behind. A sharp pain shredded through him from his bloody soles to his pounding chest, close to bursting, when a cave presented itself in the distance. Small, but safe. A false safety.
A tiny candle flickered dimly in its narrow entryway and as it finally became within reach Kenneth thrust himself inside and awaited his imminent punishment with clenched fists, but his monstrous pursuer was gone. For now. Picking up the fragile light source and shielding it with his cupped hand, Kenneth began to go deeper. The passageway was thin, but there was nowhere to go except forward. There was a strange feeling emerging from inside, one long awaited.
"Of inky black and rotten sack, a filthy mongrel answers back.
Tell him quietly, watch him whimper. Tell him loudly, hear him holler.
The mother tries to help her son. Steve is angry, he says he'll maul her."
A flash of righteous anger bubbled in Kenneth as he felt the presence behind him. Once again eager to give chase.
"And I did maul 'er. Didn't I, boy?" Kenneth heard it scrape its claws on the cold stone wall. Screeching like nails on an old, long abandoned chalkboard. "It's your fault what happened to her."
Another hideous cackle, only this time stifled, Kenneth's response overcoming it in the constricting chasm.
"Fuck off, Steve! You fucking piece of shit!" He'd always wanted to say that, it spewed out all frothy and furious like he imagined it would. A thirst for retribution fuelled him, flowed all through and inspired a long dead hope within. A puncture in its invulnerability. "I'm not afraid of you anymore!"
Kenneth believed it. He knew it, and so did the monster.
"Through Muffled screams and burning holes,
Steve continues, ignoring 'no's'.
Searing flesh, the work is done.
'Uncle Steve', has had his fun."
The cave walls began to rumble, and through some invisible quaking force they splintered and cracked, flooding the dim tunnel in a sea of sparse debris. Two round searchlight-like eyes beamed at Kenneth through the dusty mist as it extinguished his little candle. Silence once again, punctuated only by shallow breath before being interrupted by a deep penetrating growl. The eyes closed, and in the darkness of the tunnel the two's chase ensued. The passage grew slimmer and skinnier with each step and eventually the slick thuds of pounding steps on wet stone were reduced to grunts and pained moans as Kenneth squeezed and crawled and shimmied through dank shafts and up and down stairs and across chambers full of black crystal formations. Impossibly black. Blacker than the remotest void of space. Darker than a sea of dead stars. The sight captivated Kenneth, tempting him to stop and fall into it forever. To give into it. But as he was right on the precipice of the endless cosmic lagoon, about to start tumbling, he heard it stirring behind. Snorting and laughing. Clicking and mumbling incomprehensibly. Scratching and scraping its thick filthy claws in an effort to regain control. To prove its ownership. Kenneth was done. He wasn't scared anymore, he repeated it in his head like a mantra. Giving everything to believe it.
"Amber leaves and dirty knees,
A wife held down, who hardly sees.
Always stoic, mummy's soldier.
No escape from your enclosure..."
Kenneth ducked back and slid into a large crack in the wall as the monster entered into the small crystal chamber, the exit now blocked with its menacing presence. Kenneth held his breath, clamping his hands down tightly over his trembling bottom lip.
"Trapped again, little Kenny,
No escape without a penny.
Tell aloud, try to run.
Watch her suffer.
It's never done."
Thick slopping drool seeped from its distended maw as it lurched past Kenny's hiding spot in the wall. Mere feet away from taking him, bringing him back. Pulling him under. It cooed for him. Humming a sweet song, one he barely remembered. It made him want to give in, for the last time. But he didn't, refusing to scream. Refusing to give it what it wanted.
After a while the creature began to double back, creeping towards the exit from whence it came. As its sweet serenade slowly disappeared, Kenneth climbed out and made a break for it, trudging through the darkness using his hands as eyes. No more song, no more Steve. Kenneth crawled through the mud, desperate to leave. The cold cave air was becoming hot, and as Kenneth traveled ever deeper the walls began to rot. Flesh came away with each frantic grasp, choking poor Kenneth and making him gasp. The musky dead passageway was emitting a horrid miasma. It burned and it stung, rekindling his asthma. But push onward he did, embracing his chance. Ready to face down the monster for one last dance.
"A comforting weapon,
The cold steel gun.
In your tiny palm it weighs a ton.
Grip it tighter, hide it good.
Kill Uncle Steve like a hero would."
Kenneth was in control, a rhyme of his own. Ready to kill. Not maim, but dethrone. Just as in childhood, he felt the gun's weight. Now all the more lighter, and though the darkness remained, it was as if it grew brighter, empowered by the knowledge that he now was a fighter. So he clambered on through the decaying dark tunnel. The tunnel, it seemed, leveled out like a funnel. In through the mouth and down the thin trail. Then into a slide where he slid like a snail. The final hill of a terrible ride, when Kenneth popped out he was no longer inside.
"Childish lies, naievity.
No heroes at all in your nativity.
A growing hope, finally time?
Not so fast, you'll always be mine."
Kenneth got up and looked all around. High above the sea, and yet feeling as if drowned. A precarious mountain top, just him and Steve. A long way down, He could tumble with ease. Kenneth raised the gun, a shake in his knees. About to end the fiend that haunted his dreams.
"Think you're ready?
Think you're strong?
Uncle Steve knows that you won't last for long!"
"Maybe not… but at least you'll be gone…"
Spark and tinder, the monster did splinter. Cast down below, into the cold winter. Kenneth rejoiced, the gun by his side. The ultimate tool that helped leave him behind. Finally free, he yelled and he screamed. Feeling released in the ultimate reprieve. But as his cries carried all through the scorched mountain tops, blood began pouring. The sky weeped like a fountain.
"A trembling hand,
Another chance.
Little Kenny,
is 'free' at last.
Lost his mother, got no friends.
Always alone, no matter the ends.
So know this, my tiny child.
I am undying, forever beguiled.
And you, sad pup, are forever defiled…
I'll always be there. I have the means.
There's no escape, while I lurk in your dreams."
The celebration ended with the stark revelation. The gun met his temple to defy the cantation. Steve's mocking screech, the final desecration. And with a loud bang, he was back in his bedroom…
"Fuck!" Kenneth sprang up and fell to the floor. His shallow breathing leveled out as the pill bottle's lid joined him. He'd been there before. "Not again…"
He choked down six, triple the dose… Now back in this life, that he hated the most.

Company Name	Title	City
HealthMarkets	Insurance Agent	Anna Maria
HealthMarkets	Insurance Agent	Auburndale
HealthMarkets	Insurance Agent	Bonita Springs
HealthMarkets	Insurance Agent	Cape Coral
HealthMarkets	Health Insurance Agent	Daytona Beach
HealthMarkets	Insurance Agent	Daytona Beach
HealthMarkets	Insurance Agent	Durant
HealthMarkets	Insurance Agent	Estero
HealthMarkets	Insurance Agent	Fernandina Beach
HealthMarkets	Insurance Agent	Fort Lauderdale
HealthMarkets	Healthcare Benefit Provider	Fort Lauderdale
HealthMarkets	Insurance Agent	Hialeah
HealthMarkets	Insurance Agent	Homosassa
HealthMarkets	Healthcare Benefit Provider	Lake Worth
HealthMarkets	Insurance Agent	Longboat Key
FRESENIUS	Facility Social Worker	Middleburg
HealthMarkets	Insurance Agent	Navarre
HealthMarkets	Insurance Agent	New Smyrna Beach
HealthMarkets	Healthcare Benefit Provider	Ocoee
HealthMarkets	Health Insurance Agent	Ocoee
HealthMarkets	Insurance Agent	Ocoee
HealthMarkets	Insurance Agent	Oneco
HealthMarkets	Insurance Agent	Palm Coast
HealthMarkets	Insurance Agent	Port Orange
FRESENIUS	Manager Social Work Svcs	Saint Johns

Hey guys, here are some recent job openings in fl. Feel free to comment here or send me a private message if you have any questions, I'm at the community's disposal! If you encounter any problems with any of these job openings please let me know that I will modify the table accordingly. Thanks!

I live in West Palm Fl and have solar companies soliciting me all the time. I do want to do solar on my house but cant tell who the best companies are. Anyone have any reccomendations in the Palm Beach area? Or any companies that are horrible and can warm me against.