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2023.05.31 11:09 Alternative_Split112 Superman Year one
Chapter 54: The Battle Against the Eradicator
Amidst the comforting embrace of his family and friends, Clark Kent, known as Superman, reveled in the moments of tranquility. With his wife Lois Lane, his cousin Kara, his loyal dog Krypto, and his steadfast ally Martian Manhunter by his side, Clark cherished the bonds that grounded him. Yet, the call of duty persisted, as the world demanded his unwavering protection.
Word had reached Superman's ears of a new threat looming on the horizon—the Eradicator. This formidable adversary, born of advanced Kryptonian technology, sought to impose its twisted vision of order upon Earth. The Eradicator, driven by its misguided sense of justice, aimed to eliminate any traces of weakness or imperfection, putting the entire planet at risk.
Superman knew that he couldn't allow the Eradicator's ruthless campaign to succeed. With the support of his family and friends, he set out to face this formidable foe head-on. Accompanied by the brilliant physicist and superhero Atom, as well as the skilled martial artist Black Canary, Superman assembled a formidable team, each possessing unique abilities and unwavering determination.
The battle against the Eradicator was a test of both strength and intellect. Its advanced technology allowed it to adapt and counter the efforts of the heroes. The Eradicator's relentless pursuit of perfection, unyielding and methodical, made it a formidable adversary. But Superman, armed with his compassion and unwavering sense of justice, remained undeterred.
As the battle raged on, Superman drew strength from his allies. The Atom, with his mastery of molecular manipulation, devised ingenious strategies to counter the Eradicator's adaptive defenses. Black Canary's sonic scream disrupted the enemy's calculated movements, creating opportunities for Superman and his team to strike.
Superman's unwavering spirit and indomitable will shone through as he faced the Eradicator. He refused to succumb to the adversary's vision of a cold and calculated world devoid of humanity's unique qualities. Instead, he championed the power of empathy, compassion, and the strength that lies within diversity.
As the battle reached its climax, Superman's determination pushed him beyond his limits. With a surge of raw power, he managed to temporarily disable the Eradicator's defenses, exposing its vulnerability. Seizing the opportunity, Superman and his allies unleashed a coordinated assault, exploiting the Eradicator's weaknesses until it finally succumbed to defeat.
The victory against the Eradicator served as a reminder that true strength lies not in eliminating perceived flaws but in embracing the diverse aspects of humanity. Superman, ever the beacon of hope, stood tall, reassured that the world's potential resided in its unique and imperfect individuals.
With the threat of the Eradicator vanquished, Clark Kent returned to his loved ones, grateful for their unwavering support. He cherished the moments spent with his family, his friends, and his allies, knowing that their bonds fortified him in the face of adversity.
But Superman's watchful gaze never wavered. As he spent time with his loved ones, he remained ever vigilant, ready to confront the challenges that awaited him. The world relied on his unwavering commitment to justice, and he would not falter.
Thus, Clark Kent, Superman, embarked on his ongoing journey as the world's protector. His encounters with formidable adversaries would continue, but with the love and support of his family and friends, he knew he could face any challenge that threatened the safety and well-being of humanity.
submitted by Alternative_Split112 to FanFicWit [link] [comments]
Amidst the comforting embrace of his family and friends, Clark Kent, known as Superman, reveled in the moments of tranquility. With his wife Lois Lane, his cousin Kara, his loyal dog Krypto, and his steadfast ally Martian Manhunter by his side, Clark cherished the bonds that grounded him. Yet, the call of duty persisted, as the world demanded his unwavering protection.
Word had reached Superman's ears of a new threat looming on the horizon—the Eradicator. This formidable adversary, born of advanced Kryptonian technology, sought to impose its twisted vision of order upon Earth. The Eradicator, driven by its misguided sense of justice, aimed to eliminate any traces of weakness or imperfection, putting the entire planet at risk.
Superman knew that he couldn't allow the Eradicator's ruthless campaign to succeed. With the support of his family and friends, he set out to face this formidable foe head-on. Accompanied by the brilliant physicist and superhero Atom, as well as the skilled martial artist Black Canary, Superman assembled a formidable team, each possessing unique abilities and unwavering determination.
The battle against the Eradicator was a test of both strength and intellect. Its advanced technology allowed it to adapt and counter the efforts of the heroes. The Eradicator's relentless pursuit of perfection, unyielding and methodical, made it a formidable adversary. But Superman, armed with his compassion and unwavering sense of justice, remained undeterred.
As the battle raged on, Superman drew strength from his allies. The Atom, with his mastery of molecular manipulation, devised ingenious strategies to counter the Eradicator's adaptive defenses. Black Canary's sonic scream disrupted the enemy's calculated movements, creating opportunities for Superman and his team to strike.
Superman's unwavering spirit and indomitable will shone through as he faced the Eradicator. He refused to succumb to the adversary's vision of a cold and calculated world devoid of humanity's unique qualities. Instead, he championed the power of empathy, compassion, and the strength that lies within diversity.
As the battle reached its climax, Superman's determination pushed him beyond his limits. With a surge of raw power, he managed to temporarily disable the Eradicator's defenses, exposing its vulnerability. Seizing the opportunity, Superman and his allies unleashed a coordinated assault, exploiting the Eradicator's weaknesses until it finally succumbed to defeat.
The victory against the Eradicator served as a reminder that true strength lies not in eliminating perceived flaws but in embracing the diverse aspects of humanity. Superman, ever the beacon of hope, stood tall, reassured that the world's potential resided in its unique and imperfect individuals.
With the threat of the Eradicator vanquished, Clark Kent returned to his loved ones, grateful for their unwavering support. He cherished the moments spent with his family, his friends, and his allies, knowing that their bonds fortified him in the face of adversity.
But Superman's watchful gaze never wavered. As he spent time with his loved ones, he remained ever vigilant, ready to confront the challenges that awaited him. The world relied on his unwavering commitment to justice, and he would not falter.
Thus, Clark Kent, Superman, embarked on his ongoing journey as the world's protector. His encounters with formidable adversaries would continue, but with the love and support of his family and friends, he knew he could face any challenge that threatened the safety and well-being of humanity.
2023.05.31 10:34 whymydadleftme Eeb vomie -a cry for help
Ahh yes daddy buzz this pussy ahhh
Mhmmmmmmmmmmmmmmmmmmm ahhhYou want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. , bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says,
THEY SEE ME ROLLIN THEY HATINg THEY TRYNA GET MY DICK MAD DIRTY idk the song lyrics tbh but that's how I remembered it as a kid
"Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls ... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at
I have a disturbing panty fetish help me guys
really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff.
POLLINATE HARDER POLLINATE FASTER YASSS QUEEN
Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open 6969696996996999999969969699تيخيزهسمسوسخسمستسخميتيهشخ mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, geahahahahagahahaga bitches pls help siakiaosasksk skpss kskskskskskst with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a labe كس امك يا حول احا خخخخخخخl on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry week! They're scary, hairy and here live. Always leans forward, pointy shoulders, r yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. Sabsjsjsjo why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get here in downtown Manhattan, where the world anxiously waits, because for the firahsusnahst time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody
I CALL MY DICK THE LARGE HADRON COLLIDER CUZ IT DEFINITELY BIG AND IT DEF BE COLLDINF WITH THE BITCHES
needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very ! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what
Y'all think venasaa wanted to fuck Barry? Too bad that male bees ball explode after they nut speaking of HONEY NUT CHEERIOS AHH
understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees!
I quit porn for 5 days. I am so horny. If a lady touched my legs I would bust. Please help. I was on the verge to develop a vaccine for aids via targeting the reverse transcriptase enzyme using the same technology in the the Covid-19 but I cannot masterbate to make it.
Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. - Bees. - Park. - Pollen! - Flowers. - Repollination! - Across the nation! Tournament of Roses, Pasadena, Oalifornia. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. - Where should I sit? - What are you? - I believe I'm the pea. - The pea? It goes under the mattresses. - Not in this fairy tale, sweetheart. - I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic... ...without arousing suspicion. Once at the , we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Oaptain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Oan I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Oaptain, I'm in a real situation. - What'd you say, Hal? - Nothing. Bee! Don't freak out! My entire species... What are you doing? - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that
I plan to kill myself by overdosing on paracetamol and alcohol but I am too scared to end my miserable life. pussy me. Ha you are what you eat
another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry! ...is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense." - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More airport, there's no stopping us. Stop! Security. - You and your insect pack your float? - Yes. Has it been in your possession the entire time? Would you remove your shoes? - Remove your stinger. - It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky!
They should make johnny sins part of the avenger. I like GTA 5 ha I am a basic aka anti acidic trollololollol
Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's - Black and yellow. - Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! -million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Oome on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're hdusjdjeowokwje8sjsu0akwha9nwe89wb28ekenhd8dne8w3uoskwnsiwnehs8neuskebeisknsgonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Oan I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these.
I masterbate on GitHub bc 01010 ain't on the regular hub
Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Oan I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare e0000000000h who lives in a pineapple under the sea?? d?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Oan we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.
submitted by whymydadleftme to OneWordBan [link] [comments]
Mhmmmmmmmmmmmmmmmmmmm ahhhYou want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. , bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says,
THEY SEE ME ROLLIN THEY HATINg THEY TRYNA GET MY DICK MAD DIRTY idk the song lyrics tbh but that's how I remembered it as a kid
"Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls ... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at
I have a disturbing panty fetish help me guys
really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff.
POLLINATE HARDER POLLINATE FASTER YASSS QUEEN
Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open 6969696996996999999969969699تيخيزهسمسوسخسمستسخميتيهشخ mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, geahahahahagahahaga bitches pls help siakiaosasksk skpss kskskskskskst with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a labe كس امك يا حول احا خخخخخخخl on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry week! They're scary, hairy and here live. Always leans forward, pointy shoulders, r yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. Sabsjsjsjo why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get here in downtown Manhattan, where the world anxiously waits, because for the firahsusnahst time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody
I CALL MY DICK THE LARGE HADRON COLLIDER CUZ IT DEFINITELY BIG AND IT DEF BE COLLDINF WITH THE BITCHES
needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very ! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what
Y'all think venasaa wanted to fuck Barry? Too bad that male bees ball explode after they nut speaking of HONEY NUT CHEERIOS AHH
understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees!
I quit porn for 5 days. I am so horny. If a lady touched my legs I would bust. Please help. I was on the verge to develop a vaccine for aids via targeting the reverse transcriptase enzyme using the same technology in the the Covid-19 but I cannot masterbate to make it.
Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. - Bees. - Park. - Pollen! - Flowers. - Repollination! - Across the nation! Tournament of Roses, Pasadena, Oalifornia. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. - Where should I sit? - What are you? - I believe I'm the pea. - The pea? It goes under the mattresses. - Not in this fairy tale, sweetheart. - I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic... ...without arousing suspicion. Once at the , we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Oaptain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Oan I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Oaptain, I'm in a real situation. - What'd you say, Hal? - Nothing. Bee! Don't freak out! My entire species... What are you doing? - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that
I plan to kill myself by overdosing on paracetamol and alcohol but I am too scared to end my miserable life. pussy me. Ha you are what you eat
another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry! ...is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense." - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More airport, there's no stopping us. Stop! Security. - You and your insect pack your float? - Yes. Has it been in your possession the entire time? Would you remove your shoes? - Remove your stinger. - It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky!
They should make johnny sins part of the avenger. I like GTA 5 ha I am a basic aka anti acidic trollololollol
Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's - Black and yellow. - Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! -million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Oome on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're hdusjdjeowokwje8sjsu0akwha9nwe89wb28ekenhd8dne8w3uoskwnsiwnehs8neuskebeisknsgonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Oan I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these.
I masterbate on GitHub bc 01010 ain't on the regular hub
Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Oan I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare e0000000000h who lives in a pineapple under the sea?? d?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Oan we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.
2023.05.31 08:45 HLLiu FARADAY FUTURE LAUNCHES THE ULTIMATE AI TECHLUXURY FF 91 2.0 FUTURIST ALLIANCE, PRICED AT $309,000, AS WELL AS THE ECO PRODUCT aiHYPERCAR+, NOW OPEN FOR RESERVATIONS IN BOTH THE UNITED STATES AND CHIN
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FF announced that the first phase of the Company’s three phase delivery plan will commence on May 31st. A Co-creation event for the first group of industry expert users will be held on June 6. In this first phase, the Industry Expert FPO(s) will pay in full for an FF 91 vehicle in order to reserve the vehicle and be trained in the use of the vehicle. The Industry Expert FPO(s) will take possession of the reserved FF 91 vehicle at the beginning of the second phase of delivery https://preview.redd.it/2untg2y3n53b1.jpg?width=3840&format=pjpg&auto=webp&s=bdc9d006844e63e7967da2f581a1c00c4f4fa513 The FF 91 2.0 Futurist Alliance is priced at U.S MSRP of $309,000 and is currently limited to 300 units globally. Users can preorder on ff.com and FF App, where you can find the prices of the FF 91 Futurist and the FF 91. The Company also launched its mobile ecosystem product, "FF aiHypercar+," will be available for an annual subscription price of $14,900 both in the U.S. and China with the price of $100 for pre-orders. FF's mobility ecosystem products encompass software, internet, vehicle service, personalized AI algorithms, and even special hardware versions tailored to specific user needs. These products are relevant to vehicle usage and user special rights. To always ensure the ultimate performance and the most updated product and technology experience for the FF 91 2.0 Futurist Alliance users, FF guarantees a resale value of at least 60% on the FF 91 2.0 Futurist Alliance MSRP after 3 years, as part of the “Ultimate AI TechLuxury Eternity Plan”. This plan will be revisited at the end of 2023. Today’s event celebrates how far FF has come and the new progress that has been made with the FF 91 vehicle. Six years ago, FF 91 was born, creating an era of intelligent mobility. FF’s technology platform and system have undergone constant iterations and upgrades and have evolved into the “FF aiHyper 6x4 Architecture 2.0” and gave birth to this silicon based new species today. Based on the unique “FF aiHyper 6x4 Architecture 2.0”, the FF 91 2.0 series vehicles possess an impressive vehicle configuration and performance. As FF officially enters the 2.0 stage of development, the Company believes that the future development of products and technology in the spire mobility industry will be characterized by FF’s four new trends of All-AI, All-Hyper, All-Ability, and Co-Creation. “This milestone event not only marks a new chapter in the development of FF, but also a solid step towards our vision of transforming the century-old automotive industry,” said Xuefeng Chen, Global CEO of FF. “FF has faced many obstacles, but as a trailblazer in the intelligent EV industry, FF has persevered.” “FF has morphed from pioneering the intelligent EV 1.0 stage to the all-AI-powered 2.0 stage. Today, we have achieved another major milestone,” said YT Jia, FF’s Founder & CPUO. "FF aiHyper 6x4 Architecture 2.0" was born to be the next-generation technology architecture that addresses key issue points from the spire users of future mobility. https://preview.redd.it/bq05g8f4n53b1.jpg?width=3840&format=pjpg&auto=webp&s=9a5e830fe12250074a713348484087db1224dda0 The FF 91 2.0, the world’s first silicon-based new species The first of its kind, the “All-Ability aiHypercar” FF 91 2.0 Futurist Alliance is a newly evolved silicon-based new species, which features incredible vehicle configurations and performance. Three motors with 1050hp; 1977Nm of electric motor output torque, largest in class; battery pack energy: 142kwh, the largest in class; EPA certified range: 381mi, the farthest in class. The FF 91 has the “moat body structure” + “moat pack structure”, creating a side impact crumple zone. The "moat structures" are integrated with the aluminum body, providing the largest-in-class battery crumple zone. The “moat design” is intended to balance optimal occupant protection and high voltage battery protection as well as providing optimal packaging space for the vehicle design. The FF 91 vehicle successfully passed the Federal Motor Vehicle Safety Standard (FMVSS) crash test requirements. FF has performed the highest severity crash tests and has passed all of these tests successfully, including front, side and rear crash tests. FF 91 2.0 also boasts the longest interior space among ultra-luxury vehicles with a similar wheelbase + Zero-Gravity seat with the industry's largest recline angle of 60 degrees, bringing the comfort level of first class to land. With an acceleration time of just 2.27 seconds for 0-60 mph (96 km/h), the FF 91 2.0 takes the top spot in terms of acceleration-to-weight ratio of 0.78, surpassing traditional and electric vehicle competitors alike. With the next-generation technology architecture, the “FF aiHyper 6x4 Architecture 2.0,” powered by FF AI, the FF 91 2.0 has the capability to perceive user habits, engage in continuous learning and evolve, with the goal of surpassing users’ understanding of themselves. Through the “3rd aiSpace”, users can fully indulge in the unique convenience and enjoyment. The FF 91 2.0 boasts dimensions of 5,250 x 2,283 x 1,598 mm (length x width x height) and a wheelbase of 3,200 mm. With its spacious interior, it sets a global benchmark for wheelbase-to-space ratio. In terms of exterior design, the FF 91 2.0 is truly space-age, with its innovative matrix-style LED headlights that span across the front and rear of the vehicle. FF aiHypercar 6x4 Architecture 2.0: The next-generation technology driven by FF AI During the event, Faraday Future also announced a fully upgraded next-generation technology architecture driven by FF AI -- "FF aiHyper 6x4 Architecture 2.0". “6x4” refers to the vertical integration and horizontal penetration of FF’s six technology platforms and four technology systems. The six technology platforms are “FF OpenApp”, “FF aiOS 2”, “FF aiHW 2.0”, “FF Mechanical”, “FF Cloud” and “FF AI”. The four technology systems are the “Magic All-In-One”, “Hyper Multi-Vectoring”, “3rd aiSpace”, and “FF aiDriving.” At the system level, FF vertically integrated different platform modules in order to maximize performance and achieve hyper cross-platform integration. System technologies are empowered by platform technology, and user benefits are realized through AI integration. Through the fusion of general AI + personalized AI + “1-on-1 Bespoke Private AI”, FF is delivering an elite mobility experience to the spire users. All-AI is the soul of “FF aiHyper 6x4 Architecture 2.0”. With AI algorithms + AI engines + and AI services, FF has designed end-to-end integration of AI capabilities, realizing All-AI integration with platforms and systems. In addition, certain developers and third parties are invited to participate in R&D through an open technology platform, fostering co-creation of the technology architecture. For ultra-spire users, time is the ultimate luxury. FF believe aiHyper 6x4 Architecture 2.0 will be the next-gen technology architecture that addresses key pain points from the spire users of future mobility. The "All-Ability aiHypercar," built on this architecture, aims to provide users with 1 to 2 hours of increased time in their day for added value and efficiency. Our Ultimate AI TechLuxury is designed to offer spire users "26-hour days." The “Magic All-In-One” System The unique “Magic All-In-One” is an all-terrain AI vehicle body control technology system equipped with hyper agility and precision. Users can enjoy an optimized driving experience and personalize their mobility experience through 1 on 1 Bespoke body tuning. The vehicle offers All-in-one combination of the performance of a hypercar, the comfort and handling of a sedan, and the high ground clearance, visibility, and space of an SUV. One computing module integrates the comprehensive capabilities across cabin, driving, electric propulsion, body, and suspension. Based on the preferences and needs of ultra-spire users, FF expects the “Magic All-in-One” technology system of FF 91 2.0 Futurist and FF 91 2.0 Futurist Alliance to offer two editions. The “Magic All-in-One” track edition emphasizes track performance tuning with all-terrain capability and includes a one-on-one professional track driving training session with a professional racing car driver. The "Magic All-in-One" balance edition emphasizes all-terrain balanced tuning for the three vehicle types: Hypercar, Sedan, and SUV with air suspension providing for a smoother ride. The Company plans to deliver the track edition first, followed by the balance edition. FF intends for users to take advantage of a one-time system exchange free of charge, allowing them to enjoy two distinct vehicle experiences tailored to their diverse driving needs. The “Hyper Multi-Vectoring” System The “Hyper Multi-Vectoring” (an integrated multi-axis torque vectoring AI system for propulsion, steering and braking) of FF 91 2.0 Futurist and FF 91 2.0 Futurist Alliance has a multi-axis design that intelligently adjusts the torque output of each wheel according to different driving conditions to achieve optimal drive force distribution and provide precise and agile handling performance. The system intelligently adjusts torque output, allowing for a personalized AI-customized driving experience that delivers ultimate control and handling. The large battery pack and multi-axis no-latency hyper power output not only provide an exciting experience for the driver, but also allow passengers to sit comfortably in the back and enjoy the thrill of the ride. The integration of multi-axis vectoring and AI technology was designed to enable the FF 91 2.0 Futurist to keep excellent ride control and safety in different hyper modes, even in emergency situations. Additionally, users can opt for and "1 on 1 Bespoke Private AI and Tuning" package to further enhance their ultimate driving and handling experience. The “3rd aiSpace” System FF 91 2.0 is equipped with 3 modems, an industry-first. The Super AP 5G x 3 supports three carriers, delivering triple speed and triple coverage with minimal latency. In the US, it supports AT&T, Verizon and T-Mobile so even if two carriers are down, you may still rely on the third one for service. In the future, FF plans to launch an option for a high-speed internet satellite communications suite. Additionally, the vehicle has the world's fastest in-car network speed: 10G Ethernet and the world's largest in-car display capability with OLED technology and 11+ displays. FF 91 2.0 creates a mobility work scenario by moving the meeting room and live broadcast studio to the car and delivering the ultimate AI mobility lifestyle. Integration of FF ID and web3 wallet delivers personalization for each seat. FF Generative AI enables an intelligent in-car experience, removing the need for a phone in the car. Smartwatch remote control feature provides a convenient experience for spire users. The “FF aiDriving” System The intelligent driving technology system of FF 91 features a fusion of 3 types of AI that creates intelligent assisted driving. FF has heavily invested in the customization of AI. The unique fusion of general AI + personalized AI + “1 on 1 Bespoke Private AI” delivers for the spire users the aiDriving (driver-assistance system) that aims to know you better than you know yourself. The Company is dedicated to delivering technology and product iterations and upgrades to our spire users through OTA. We plan to host a “FF Developers Co-creation AI Festival” at the 919 event, held on September 19th, where we expect to announce the FFAI strategy execution status and technology innovations. We invite certain futurists to participate in the FF Developers Co-Creation Program, driving the ongoing upgrade and evolution of the mobility industry for our spire users. FF "All-Ability aiHypercar": Redefining the new category and standard of intelligent spire EV The “All-Ability aiHypercar” defines the new category and core standard of intelligent spire EV. “Hypercars" have been widely known as those with over 1,000 horsepower and million-dollar price tags, representing the top 1% in both performance and price. FF believes future hypercars will redefine the criteria from two perspectives, the traditional mechanical hyper and silicon-based hyper. FF 91 2.0 Futurist Alliance is limited to 300 units and the price is a MSRP of $309,000 US dollars. Online pre-sale is fully open. The FF 91 2.0 Futurist Alliance offers additional privileges and benefits compared to the FF 91 2.0 Futurist. It provides signature customization including the option for Founder Signature Edition, “1-on-1 bespoke private AI and special tuning”. It will be available in three Alliance colors of bright silver and matte silver, matte black, as well as an exclusive wheel design. All FF 91 2.0 Futurist Alliance users will also receive exclusive professional track-time training, and an Apple Watch with FF vehicle control feature. The first ninety one Alliance users will receive a high-speed Internet satellite communications suite (free upgrades and installation expected to be provided when available). In addition, the FF mobility ecosystem product, “FF aiHypercar+,” has an annual subscription price of $14,900. This exclusive pricing offer is limited to the first 2,000 users in the US and China markets. Through the support of Web 3.0 technology, FF has designed a system separating software and hardware, aiming to allow car users to truly own the software as an asset for the first time. Consumer owned software would be a breakthrough in the automotive industry and even the consumer electronics industry. We are now accepting full payment for the FF 91 2.0 Futurist Alliance to preorder the vehicle and be trained in the use of the vehicle. We have also re-opened vehicle pre-ordering. New users in the US can secure a spot on the Alliance edition waitlist by placing a $5,000 deposit, while those in China can place a 50,000 RMB deposit. Additionally, online pre-orders are open for both the FF 91 2.0 Futurist and the FF 91 2.0. New users in the US can secure a spot on the Futurist edition waitlist by placing a $1,500 deposit, while those in China can place a 20,000 RMB deposit. The US deposit for FF 91 2.0 is $1,000, while those in China can place a 10,000 RMB deposit. We invite our users to place their pre-orders through FF’s recently upgraded FF Intelligent APP and ff.com. The deposit for the FF aiHypercar+ is $100. The first 2,000 users who put down the deposit will have the opportunity to secure their privilege status and lock in the price for the FF aiHypercar+. FF will commence its co-creation delivery for the first industry expert FPOs on May 31st, which marks the start of the first phase of delivery in the three-phase delivery plan. Qualified users who make full payment and are recognized as industry expert FPOs will have the chance to participate in FF's exclusive co-creation delivery. It will operate on a first-come, first-served basis according to the order of payment. “Co-Creation Day” for the first group of industry expert FPOs is scheduled on June 6th. These industry expert FPOs will take possession of the reserved FF 91 vehicle at the beginning of the second phase of delivery. After 9 years of intense work, FF has completed the upgrade and transformation from 0 to 1.0 and then to 2.0 FF boasts a global corporate structure with US and China dual home bases that encompass our dual DNA strategy with globally integrated operations across R&D, supply chain, production, and sales. “Born in California, Global DNA” is deeply etched in FF’s globally distributed staff. Currently, FF has obtained 660 global patents, becoming a leader among global technology startups. With the support of our top-tier suppliers worldwide, FF has successfully built the Ultimate AI TechLuxury FF 91 2.0. Users can preorder an FF 91 vehicle via the FF Intelligent App or through our website (English):https://www.ff.com/us/preorde or (Chinese): https://www.ff.com/cn/preorde Download the new FF Intelligent App: http://appdownload.ff.com ABOUT FARADAY FUTURE Faraday Future is the pioneer of the Ultimate AI TechLuxury ultra spire market in the intelligent EV era, and the disruptor of the traditional ultra-luxury car civilization epitomized by Ferrari and Maybach. FF is not just an EV company, but also a software-driven intelligent internet company. Ultimately FF aims to become a User Company by offering a shared intelligent mobility ecosystem. FOLLOW FARADAY FUTURE: https://www.ff.com/ https://www.ff.com/us/mobile-app/ https://twitter.com/FaradayFuture https://www.facebook.com/faradayfuture/ https://www.instagram.com/faradayfuture/ www.linkedin.com/company/faradayfuture/ FORWARD LOOKING STATEMENTS This press release “forward looking statements” within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act of 1995. When used in this press release, the words “estimates,” “projected,” “expects,” “anticipates,” “forecasts,” “plans,” “intends,” “believes,” “seeks,” “may,” “will,” “should,” “future,” “propose” and variations of these words or similar expressions (or the negative versions of such words or expressions) are intended to identify forward-looking statements. These forward-looking statements, which include statements regarding the anticipated start of delivery for the FF 91 vehicle and the first phase of the delivery plan, the Company’s ability to meet its future production and delivery plan, the development and success of the Company’s co-creation and benefits co-sharing program, and the Company’s planned partner showrooms, are not guarantees of future performance, conditions or results, and involve a number of known and unknown risks, uncertainties, assumptions and other important factors, many of which are outside the Company’s control, that could cause actual results or outcomes to differ materially from those discussed in the forward-looking statements. Important factors, among others, that may affect actual results or outcomes include whether the FF Top Holdings LLC Shareholder Agreement complies with Nasdaq listing requirements, including Nasdaq Listing Rule 5640 regarding voting rights, the market performance of the Company’s Common Stock, the Company’s ability to regain compliance with the Nasdaq listing requirements and the Company’s ability to execute definitive documentation in connection with and/or satisfy the conditions precedent and close on the various financings previously disclosed by the Company and anticipated additional financings, the failure of any of which could result in the Company seeking protection under the Bankruptcy Code; the Company’s ability to amend its certificate of incorporation to permit sufficient authorized shares to be issued in connection with the Company’s existing and contemplated financings; the ability of the Company to agree on definitive documents to effectuate the non-binding City of Huanggang Framework Agreement; the Company’s ability to remain in compliance with its public filing requirements under the Securities Exchange Act of 1934, as amended, and Nasdaq listing requirements and to continue to be listed on Nasdaq (including following the execution of the Shareholder Agreement); the outcome of the Securities and Exchange Commission (the “SEC”) investigation relating to the matters that were the subject of the Special Committee investigation and other litigation involving the Company; the Company’s ability to execute on its plans to develop and market its vehicles and the timing of these development programs (including timely receipt of parts and completion of crash tests); the Company’s estimates of the size of the markets for its vehicles and cost to bring those vehicles to market; the rate and degree of market acceptance of the Company’s vehicles; the success of other competing manufacturers; the performance and security of the Company’s vehicles; potential litigation involving the Company; the result of future financing efforts and general economic and market conditions impacting demand for the Company’s products; potential cost, headcount and salary reduction actions may not be sufficient or may not achieve their expected results; and the ability of the Company to attract and retain employees. The foregoing list of factors is not exhaustive. You should carefully consider the foregoing factors and the other risks and uncertainties described in the “Risk Factors” section of the Company’s registration statement on Form S-1 filed with the SEC on May 4, 2023, the “Risk Factors” section of the Company’s Form 10-Q filed with the SEC on May 10, 2023, the “Risk Factors” section of the Company’s Annual Report on Form 10-K filed with the SEC on March 9, 2023, and other documents filed by the Company from time to time with the SEC. These filings identify and address other important risks and uncertainties that could cause actual events and results to differ materially from those contained in the forward-looking statements. Forward-looking statements speak only as of the date they are made. Readers are cautioned not to put undue reliance on forward-looking statements, and the Company does not undertake any obligation to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise, except as required by law. Investors (English): [[email protected]](mailto:[email protected]) Investors (Chinese): [[email protected]](mailto:[email protected]) Media: [[email protected]](mailto:[email protected]) |
2023.05.31 08:45 HLLiu FARADAY FUTURE LAUNCHES THE ULTIMATE AI TECHLUXURY FF 91 2.0 FUTURIST ALLIANCE, PRICED AT $309,000, AS WELL AS THE ECO PRODUCT aiHYPERCAR+, NOW OPEN FOR RESERVATIONS IN BOTH THE UNITED STATES AND CHIN
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FF announced that the first phase of the Company’s three phase delivery plan will commence on May 31st. A Co-creation event for the first group of industry expert users will be held on June 6. In this first phase, the Industry Expert FPO(s) will pay in full for an FF 91 vehicle in order to reserve the vehicle and be trained in the use of the vehicle. The Industry Expert FPO(s) will take possession of the reserved FF 91 vehicle at the beginning of the second phase of delivery https://preview.redd.it/wnrai3h2n53b1.jpg?width=3840&format=pjpg&auto=webp&s=b61ad7a349ec398cc80d3543a3156ce1affca00c The FF 91 2.0 Futurist Alliance is priced at U.S MSRP of $309,000 and is currently limited to 300 units globally. Users can preorder on ff.com and FF App, where you can find the prices of the FF 91 Futurist and the FF 91. The Company also launched its mobile ecosystem product, "FF aiHypercar+," will be available for an annual subscription price of $14,900 both in the U.S. and China with the price of $100 for pre-orders. FF's mobility ecosystem products encompass software, internet, vehicle service, personalized AI algorithms, and even special hardware versions tailored to specific user needs. These products are relevant to vehicle usage and user special rights. To always ensure the ultimate performance and the most updated product and technology experience for the FF 91 2.0 Futurist Alliance users, FF guarantees a resale value of at least 60% on the FF 91 2.0 Futurist Alliance MSRP after 3 years, as part of the “Ultimate AI TechLuxury Eternity Plan”. This plan will be revisited at the end of 2023. Today’s event celebrates how far FF has come and the new progress that has been made with the FF 91 vehicle. Six years ago, FF 91 was born, creating an era of intelligent mobility. FF’s technology platform and system have undergone constant iterations and upgrades and have evolved into the “FF aiHyper 6x4 Architecture 2.0” and gave birth to this silicon based new species today. Based on the unique “FF aiHyper 6x4 Architecture 2.0”, the FF 91 2.0 series vehicles possess an impressive vehicle configuration and performance. As FF officially enters the 2.0 stage of development, the Company believes that the future development of products and technology in the spire mobility industry will be characterized by FF’s four new trends of All-AI, All-Hyper, All-Ability, and Co-Creation. “This milestone event not only marks a new chapter in the development of FF, but also a solid step towards our vision of transforming the century-old automotive industry,” said Xuefeng Chen, Global CEO of FF. “FF has faced many obstacles, but as a trailblazer in the intelligent EV industry, FF has persevered.” “FF has morphed from pioneering the intelligent EV 1.0 stage to the all-AI-powered 2.0 stage. Today, we have achieved another major milestone,” said YT Jia, FF’s Founder & CPUO. "FF aiHyper 6x4 Architecture 2.0" was born to be the next-generation technology architecture that addresses key issue points from the spire users of future mobility. https://preview.redd.it/iqn5mn23n53b1.jpg?width=3840&format=pjpg&auto=webp&s=a789727ae782b5a4c9fed6c664d7e24c6b3af135 The FF 91 2.0, the world’s first silicon-based new species The first of its kind, the “All-Ability aiHypercar” FF 91 2.0 Futurist Alliance is a newly evolved silicon-based new species, which features incredible vehicle configurations and performance. Three motors with 1050hp; 1977Nm of electric motor output torque, largest in class; battery pack energy: 142kwh, the largest in class; EPA certified range: 381mi, the farthest in class. The FF 91 has the “moat body structure” + “moat pack structure”, creating a side impact crumple zone. The "moat structures" are integrated with the aluminum body, providing the largest-in-class battery crumple zone. The “moat design” is intended to balance optimal occupant protection and high voltage battery protection as well as providing optimal packaging space for the vehicle design. The FF 91 vehicle successfully passed the Federal Motor Vehicle Safety Standard (FMVSS) crash test requirements. FF has performed the highest severity crash tests and has passed all of these tests successfully, including front, side and rear crash tests. FF 91 2.0 also boasts the longest interior space among ultra-luxury vehicles with a similar wheelbase + Zero-Gravity seat with the industry's largest recline angle of 60 degrees, bringing the comfort level of first class to land. With an acceleration time of just 2.27 seconds for 0-60 mph (96 km/h), the FF 91 2.0 takes the top spot in terms of acceleration-to-weight ratio of 0.78, surpassing traditional and electric vehicle competitors alike. With the next-generation technology architecture, the “FF aiHyper 6x4 Architecture 2.0,” powered by FF AI, the FF 91 2.0 has the capability to perceive user habits, engage in continuous learning and evolve, with the goal of surpassing users’ understanding of themselves. Through the “3rd aiSpace”, users can fully indulge in the unique convenience and enjoyment. The FF 91 2.0 boasts dimensions of 5,250 x 2,283 x 1,598 mm (length x width x height) and a wheelbase of 3,200 mm. With its spacious interior, it sets a global benchmark for wheelbase-to-space ratio. In terms of exterior design, the FF 91 2.0 is truly space-age, with its innovative matrix-style LED headlights that span across the front and rear of the vehicle. FF aiHypercar 6x4 Architecture 2.0: The next-generation technology driven by FF AI During the event, Faraday Future also announced a fully upgraded next-generation technology architecture driven by FF AI -- "FF aiHyper 6x4 Architecture 2.0". “6x4” refers to the vertical integration and horizontal penetration of FF’s six technology platforms and four technology systems. The six technology platforms are “FF OpenApp”, “FF aiOS 2”, “FF aiHW 2.0”, “FF Mechanical”, “FF Cloud” and “FF AI”. The four technology systems are the “Magic All-In-One”, “Hyper Multi-Vectoring”, “3rd aiSpace”, and “FF aiDriving.” At the system level, FF vertically integrated different platform modules in order to maximize performance and achieve hyper cross-platform integration. System technologies are empowered by platform technology, and user benefits are realized through AI integration. Through the fusion of general AI + personalized AI + “1-on-1 Bespoke Private AI”, FF is delivering an elite mobility experience to the spire users. All-AI is the soul of “FF aiHyper 6x4 Architecture 2.0”. With AI algorithms + AI engines + and AI services, FF has designed end-to-end integration of AI capabilities, realizing All-AI integration with platforms and systems. In addition, certain developers and third parties are invited to participate in R&D through an open technology platform, fostering co-creation of the technology architecture. For ultra-spire users, time is the ultimate luxury. FF believe aiHyper 6x4 Architecture 2.0 will be the next-gen technology architecture that addresses key pain points from the spire users of future mobility. The "All-Ability aiHypercar," built on this architecture, aims to provide users with 1 to 2 hours of increased time in their day for added value and efficiency. Our Ultimate AI TechLuxury is designed to offer spire users "26-hour days." The “Magic All-In-One” System The unique “Magic All-In-One” is an all-terrain AI vehicle body control technology system equipped with hyper agility and precision. Users can enjoy an optimized driving experience and personalize their mobility experience through 1 on 1 Bespoke body tuning. The vehicle offers All-in-one combination of the performance of a hypercar, the comfort and handling of a sedan, and the high ground clearance, visibility, and space of an SUV. One computing module integrates the comprehensive capabilities across cabin, driving, electric propulsion, body, and suspension. Based on the preferences and needs of ultra-spire users, FF expects the “Magic All-in-One” technology system of FF 91 2.0 Futurist and FF 91 2.0 Futurist Alliance to offer two editions. The “Magic All-in-One” track edition emphasizes track performance tuning with all-terrain capability and includes a one-on-one professional track driving training session with a professional racing car driver. The "Magic All-in-One" balance edition emphasizes all-terrain balanced tuning for the three vehicle types: Hypercar, Sedan, and SUV with air suspension providing for a smoother ride. The Company plans to deliver the track edition first, followed by the balance edition. FF intends for users to take advantage of a one-time system exchange free of charge, allowing them to enjoy two distinct vehicle experiences tailored to their diverse driving needs. The “Hyper Multi-Vectoring” System The “Hyper Multi-Vectoring” (an integrated multi-axis torque vectoring AI system for propulsion, steering and braking) of FF 91 2.0 Futurist and FF 91 2.0 Futurist Alliance has a multi-axis design that intelligently adjusts the torque output of each wheel according to different driving conditions to achieve optimal drive force distribution and provide precise and agile handling performance. The system intelligently adjusts torque output, allowing for a personalized AI-customized driving experience that delivers ultimate control and handling. The large battery pack and multi-axis no-latency hyper power output not only provide an exciting experience for the driver, but also allow passengers to sit comfortably in the back and enjoy the thrill of the ride. The integration of multi-axis vectoring and AI technology was designed to enable the FF 91 2.0 Futurist to keep excellent ride control and safety in different hyper modes, even in emergency situations. Additionally, users can opt for and "1 on 1 Bespoke Private AI and Tuning" package to further enhance their ultimate driving and handling experience. The “3rd aiSpace” System FF 91 2.0 is equipped with 3 modems, an industry-first. The Super AP 5G x 3 supports three carriers, delivering triple speed and triple coverage with minimal latency. In the US, it supports AT&T, Verizon and T-Mobile so even if two carriers are down, you may still rely on the third one for service. In the future, FF plans to launch an option for a high-speed internet satellite communications suite. Additionally, the vehicle has the world's fastest in-car network speed: 10G Ethernet and the world's largest in-car display capability with OLED technology and 11+ displays. FF 91 2.0 creates a mobility work scenario by moving the meeting room and live broadcast studio to the car and delivering the ultimate AI mobility lifestyle. Integration of FF ID and web3 wallet delivers personalization for each seat. FF Generative AI enables an intelligent in-car experience, removing the need for a phone in the car. Smartwatch remote control feature provides a convenient experience for spire users. The “FF aiDriving” System The intelligent driving technology system of FF 91 features a fusion of 3 types of AI that creates intelligent assisted driving. FF has heavily invested in the customization of AI. The unique fusion of general AI + personalized AI + “1 on 1 Bespoke Private AI” delivers for the spire users the aiDriving (driver-assistance system) that aims to know you better than you know yourself. The Company is dedicated to delivering technology and product iterations and upgrades to our spire users through OTA. We plan to host a “FF Developers Co-creation AI Festival” at the 919 event, held on September 19th, where we expect to announce the FFAI strategy execution status and technology innovations. We invite certain futurists to participate in the FF Developers Co-Creation Program, driving the ongoing upgrade and evolution of the mobility industry for our spire users. FF "All-Ability aiHypercar": Redefining the new category and standard of intelligent spire EV The “All-Ability aiHypercar” defines the new category and core standard of intelligent spire EV. “Hypercars" have been widely known as those with over 1,000 horsepower and million-dollar price tags, representing the top 1% in both performance and price. FF believes future hypercars will redefine the criteria from two perspectives, the traditional mechanical hyper and silicon-based hyper. FF 91 2.0 Futurist Alliance is limited to 300 units and the price is a MSRP of $309,000 US dollars. Online pre-sale is fully open. The FF 91 2.0 Futurist Alliance offers additional privileges and benefits compared to the FF 91 2.0 Futurist. It provides signature customization including the option for Founder Signature Edition, “1-on-1 bespoke private AI and special tuning”. It will be available in three Alliance colors of bright silver and matte silver, matte black, as well as an exclusive wheel design. All FF 91 2.0 Futurist Alliance users will also receive exclusive professional track-time training, and an Apple Watch with FF vehicle control feature. The first ninety one Alliance users will receive a high-speed Internet satellite communications suite (free upgrades and installation expected to be provided when available). In addition, the FF mobility ecosystem product, “FF aiHypercar+,” has an annual subscription price of $14,900. This exclusive pricing offer is limited to the first 2,000 users in the US and China markets. Through the support of Web 3.0 technology, FF has designed a system separating software and hardware, aiming to allow car users to truly own the software as an asset for the first time. Consumer owned software would be a breakthrough in the automotive industry and even the consumer electronics industry. We are now accepting full payment for the FF 91 2.0 Futurist Alliance to preorder the vehicle and be trained in the use of the vehicle. We have also re-opened vehicle pre-ordering. New users in the US can secure a spot on the Alliance edition waitlist by placing a $5,000 deposit, while those in China can place a 50,000 RMB deposit. Additionally, online pre-orders are open for both the FF 91 2.0 Futurist and the FF 91 2.0. New users in the US can secure a spot on the Futurist edition waitlist by placing a $1,500 deposit, while those in China can place a 20,000 RMB deposit. The US deposit for FF 91 2.0 is $1,000, while those in China can place a 10,000 RMB deposit. We invite our users to place their pre-orders through FF’s recently upgraded FF Intelligent APP and ff.com. The deposit for the FF aiHypercar+ is $100. The first 2,000 users who put down the deposit will have the opportunity to secure their privilege status and lock in the price for the FF aiHypercar+. FF will commence its co-creation delivery for the first industry expert FPOs on May 31st, which marks the start of the first phase of delivery in the three-phase delivery plan. Qualified users who make full payment and are recognized as industry expert FPOs will have the chance to participate in FF's exclusive co-creation delivery. It will operate on a first-come, first-served basis according to the order of payment. “Co-Creation Day” for the first group of industry expert FPOs is scheduled on June 6th. These industry expert FPOs will take possession of the reserved FF 91 vehicle at the beginning of the second phase of delivery. After 9 years of intense work, FF has completed the upgrade and transformation from 0 to 1.0 and then to 2.0 FF boasts a global corporate structure with US and China dual home bases that encompass our dual DNA strategy with globally integrated operations across R&D, supply chain, production, and sales. “Born in California, Global DNA” is deeply etched in FF’s globally distributed staff. Currently, FF has obtained 660 global patents, becoming a leader among global technology startups. With the support of our top-tier suppliers worldwide, FF has successfully built the Ultimate AI TechLuxury FF 91 2.0. Users can preorder an FF 91 vehicle via the FF Intelligent App or through our website (English):https://www.ff.com/us/preorde or (Chinese): https://www.ff.com/cn/preorde Download the new FF Intelligent App: http://appdownload.ff.com ABOUT FARADAY FUTURE Faraday Future is the pioneer of the Ultimate AI TechLuxury ultra spire market in the intelligent EV era, and the disruptor of the traditional ultra-luxury car civilization epitomized by Ferrari and Maybach. FF is not just an EV company, but also a software-driven intelligent internet company. Ultimately FF aims to become a User Company by offering a shared intelligent mobility ecosystem. FOLLOW FARADAY FUTURE: https://www.ff.com/ https://www.ff.com/us/mobile-app/ https://twitter.com/FaradayFuture https://www.facebook.com/faradayfuture/ https://www.instagram.com/faradayfuture/ www.linkedin.com/company/faradayfuture/ FORWARD LOOKING STATEMENTS This press release “forward looking statements” within the meaning of the safe harbor provisions of the United States Private Securities Litigation Reform Act of 1995. When used in this press release, the words “estimates,” “projected,” “expects,” “anticipates,” “forecasts,” “plans,” “intends,” “believes,” “seeks,” “may,” “will,” “should,” “future,” “propose” and variations of these words or similar expressions (or the negative versions of such words or expressions) are intended to identify forward-looking statements. These forward-looking statements, which include statements regarding the anticipated start of delivery for the FF 91 vehicle and the first phase of the delivery plan, the Company’s ability to meet its future production and delivery plan, the development and success of the Company’s co-creation and benefits co-sharing program, and the Company’s planned partner showrooms, are not guarantees of future performance, conditions or results, and involve a number of known and unknown risks, uncertainties, assumptions and other important factors, many of which are outside the Company’s control, that could cause actual results or outcomes to differ materially from those discussed in the forward-looking statements. Important factors, among others, that may affect actual results or outcomes include whether the FF Top Holdings LLC Shareholder Agreement complies with Nasdaq listing requirements, including Nasdaq Listing Rule 5640 regarding voting rights, the market performance of the Company’s Common Stock, the Company’s ability to regain compliance with the Nasdaq listing requirements and the Company’s ability to execute definitive documentation in connection with and/or satisfy the conditions precedent and close on the various financings previously disclosed by the Company and anticipated additional financings, the failure of any of which could result in the Company seeking protection under the Bankruptcy Code; the Company’s ability to amend its certificate of incorporation to permit sufficient authorized shares to be issued in connection with the Company’s existing and contemplated financings; the ability of the Company to agree on definitive documents to effectuate the non-binding City of Huanggang Framework Agreement; the Company’s ability to remain in compliance with its public filing requirements under the Securities Exchange Act of 1934, as amended, and Nasdaq listing requirements and to continue to be listed on Nasdaq (including following the execution of the Shareholder Agreement); the outcome of the Securities and Exchange Commission (the “SEC”) investigation relating to the matters that were the subject of the Special Committee investigation and other litigation involving the Company; the Company’s ability to execute on its plans to develop and market its vehicles and the timing of these development programs (including timely receipt of parts and completion of crash tests); the Company’s estimates of the size of the markets for its vehicles and cost to bring those vehicles to market; the rate and degree of market acceptance of the Company’s vehicles; the success of other competing manufacturers; the performance and security of the Company’s vehicles; potential litigation involving the Company; the result of future financing efforts and general economic and market conditions impacting demand for the Company’s products; potential cost, headcount and salary reduction actions may not be sufficient or may not achieve their expected results; and the ability of the Company to attract and retain employees. The foregoing list of factors is not exhaustive. You should carefully consider the foregoing factors and the other risks and uncertainties described in the “Risk Factors” section of the Company’s registration statement on Form S-1 filed with the SEC on May 4, 2023, the “Risk Factors” section of the Company’s Form 10-Q filed with the SEC on May 10, 2023, the “Risk Factors” section of the Company’s Annual Report on Form 10-K filed with the SEC on March 9, 2023, and other documents filed by the Company from time to time with the SEC. These filings identify and address other important risks and uncertainties that could cause actual events and results to differ materially from those contained in the forward-looking statements. Forward-looking statements speak only as of the date they are made. Readers are cautioned not to put undue reliance on forward-looking statements, and the Company does not undertake any obligation to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise, except as required by law. Investors (English): [[email protected]](mailto:[email protected]) Investors (Chinese): [[email protected]](mailto:[email protected]) Media: [[email protected]](mailto:[email protected]) |
2023.05.31 08:25 Coltsbro84 [USA-NE] [H] PS Vita OLED, Gameboy Micro, GBA Drill Dozer, PSP-1000 White, GBA SP Parts, PSP-2000 Parts [W] PayPal
Timestamp https://imgur.com/a/oINRJMm
For sale, priced aggressively. Open to offers after 8 hours from posting. All pricing includes free shipping. Open to 10% off bundle discounts if you buy two or more items.
PS Vita OLED - Always had on a screen protector. Took it off for photos. Screen is in excellent condition. Small imperfection on top of housing. Small imperfection on back bottom of housing. Comes with 16 GB memory card, Need For speed most wanted game, clear case, two screen protectors, wrist strap, AC power adapter, and two chargers. $175
GBA Micro - SilveBlack. Great condition. Comes with charger. Small section of foam has come off around the screen. $150
GBA Drill Dozer Game - works great. Vibration is strong. $100
White PSP-1000 SOLD - I believe this is a Japan version? Circle button selects. Overall good to fair condition. Battery is in good shape, 32 MB memory card, wrist strap, AC charger included. Buttons turning yellow even though smoke-free home. Wi-Fi is janky. $50
GBA Parts SOLD - I believe the only thing missing is an LCD screen. I remember using this as a shell swap for another GBA, just never got around to rebuilding it. Good for parts if you're into that type of thing. Battery, face buttons, d-pad, main board, hinge, back cover is there but doesn't match. Main shell is pretty scratched up. Would be great for parts. $15
PSP-2000 for Parts SOLD. Turns on and works. Plastic LCD screen cover cracked. LCD screen has a imperfection. Missing battery door. Battery is on its last leg. UMD drive motor makes a funny sound. Would be great for parts. $15
All prices negotiable after 8 hours from posting.
I've had history on here selling/buying on Reddit, I just haven't put together my page for that I don't think.
submitted by Coltsbro84 to GameSale [link] [comments]
For sale, priced aggressively. Open to offers after 8 hours from posting. All pricing includes free shipping. Open to 10% off bundle discounts if you buy two or more items.
PS Vita OLED - Always had on a screen protector. Took it off for photos. Screen is in excellent condition. Small imperfection on top of housing. Small imperfection on back bottom of housing. Comes with 16 GB memory card, Need For speed most wanted game, clear case, two screen protectors, wrist strap, AC power adapter, and two chargers. $175
GBA Micro - SilveBlack. Great condition. Comes with charger. Small section of foam has come off around the screen. $150
GBA Drill Dozer Game - works great. Vibration is strong. $100
All prices negotiable after 8 hours from posting.
I've had history on here selling/buying on Reddit, I just haven't put together my page for that I don't think.
2023.05.31 08:06 Advanced-Persimmon-4 [WTS] Fund my Addiction - XPS2-0 (2017) Aimpoint PRO EPS Carry FCD 2D EPCs FDE Talons Magpul Rifle Stock Rem 870 Choate Stuff DD Stuff Magpul MOE handguards BCM Handguard Combo
Timestamp: https://imgur.com/a/IWJIlVN
I got problems and I keep buying shit I don't need on GAFS. Buy my crap so I can buy more crap!
If you want a discount LMK, worst I can do is give u a slightly smaller discount.
PAYMENT: Venmo FF PREFERRED, ONLY FOOD/BEER EMOJIS.
Paypal was fucked due to gun notes then recently unfucked. If you put any notes I will refund and report.
2x FSBs: $15 each, or Free Addon > 300
AK Muzzle: $5, Free Addon
First person who purchases more than $300 gets my precious toe bean blade that u/DamercerTerker has been eyeing for ages.
submitted by Advanced-Persimmon-4 to GunAccessoriesForSale [link] [comments]
I got problems and I keep buying shit I don't need on GAFS. Buy my crap so I can buy more crap!
If you want a discount LMK, worst I can do is give u a slightly smaller discount.
PAYMENT: Venmo FF PREFERRED, ONLY FOOD/BEER EMOJIS.
Paypal was fucked due to gun notes then recently unfucked. If you put any notes I will refund and report.
The Goods
Rattled XPS2-0 (2017)Catch and Release. Just got this in the mail on Friday and decided I’d rather enjoy my weekend than get high on acetone in the garage.Aimpoint PRO
As mentioned it is rattlecanned, but doesn’t look like there is any actual damage. DOM is 2017. Interestingly there is a tiny bit of delam on the right side of the front lens, not very noticeable unless you look for it but priced to reflect. Got this for $375.
Letting it go for $350 shipped.
Catch and Release. Just got this in the mail today and don't really dig the Aimpoint. Slight salt around the edges but otherwise good. Glass looks very clear.Mildly Salted EPS Carry
$350 shipped.
Catch and Release. Just got this in the mail today and don't really have a pistol for it to go on. There a bit of salt on the front, and slide contact points. Glass is great. Comes with fresh battery.3x Black 2-Dimple FCD EPC
Letting it go for $275 shipped.
For your Dimple Fetishes.FDE/Dickmod Combo (BCM Keymod + Black BCM Keymod Grip + 2 FDE Talons)
Double Dimple: $75 Each
Not splitting at the time.2x Safari Camo Magpul Rifle Stock
$125
I lied, idk what camo this is, but looks cool.3x Magpul MOE handguards
https://magpul.com/moe-rifle-stock.html?mp_global_color=118
$40$35 Each
Like New conditionChoate Remington 870 Magazine Tube Extension, 20Gauge, 4rd Choate Remington 870 Forend
$25 Each, Take all Magpul HGs for $60.
Like New,DD Combo
$30
Daniel Defense MD + DD Rear SightAddons
$70 Shipped
2x FSBs: $15 each, or Free Addon > 300
AK Muzzle: $5, Free Addon
First person who purchases more than $300 gets my precious toe bean blade that u/DamercerTerker has been eyeing for ages.
2023.05.31 07:59 xMrPink85 [USA-CA] [H] PlayStation/XBox/Nintendo/Sega Consoles/Games/Manuals [W] Sega Games/Playstation Games/Nintendo Games/Lists/Offers
Happy to provide pics of anything you might be interested in. If you would like to buy, see my GameSale post!
If you are local to the Sacramento area I might be willing to do a local meetup. Cash/Paypal also acceptable on either side to help even out a trade.
Thanks for looking! Happy trading!
[HAVE]
[WANT]
Some specific items I'm after:
submitted by xMrPink85 to gameswap [link] [comments]
If you are local to the Sacramento area I might be willing to do a local meetup. Cash/Paypal also acceptable on either side to help even out a trade.
Thanks for looking! Happy trading!
[HAVE]
| PLAYSTATION | ||
|---|---|---|
| Playstation | Legacy of Kain Collectors Edition Triple Pack | SEALED Hard to value.. I don't see this very often at all.. There is one other one on eBay right now for $369 in similar condition.. This one does have some minor wear to the corners/seal as seen in the pics.. I would really like a big item from my list for this.. |
| Playstation | DarkStalkers 3 | BL - CIB - Minor Staining |
| Playstation | GranStream Saga | BL - CIB - Water damaged rear art |
| Playstation 2 | Final Fantasy X Brady Games Strategy Guide | Very worn. Has tear in front cover. No poster. |
| Playstation 2 | Final Fantasy X -2 Brady Games Strategy Guide | Moderately worn. Has smaller tear in back cover. Includes Poster. |
| Playstation 2 | 24 The Game | BL - CIB |
| Playstation 2 | Crazy Taxi | BL - CIB |
| Playstation 2 | .Hack Infection | BL - CIB - Cover art has some water damage |
| Playstation 2 | .Hack Mutation | Missing DVD - Complete and pretty minty otherwise. |
| Playstation 2 | Guitar Hero II | BL - CIB |
| Playstation 2 | Guitar Hero Guitar Hero Encore Rocks the 80's | BL - CIB |
| Playstation 2 | Myst III Exile | BL - CIB |
| Playstation 2 | RPG Maker 3 | BL - CIB |
| Playstation 2 | Wheel of Fortune | BL - CIB |
| Playstation 3 | Ace Combat Assault Horizon | BL - CIB |
| Playstation 3 | BlazBlue Continuum Shift Extend | Limited Edition Big Box - CIB - Includes Soundtrack, Art Book, and Calendar. Box has heavy wear. Everything else is pretty minty. Game case has some minor shelf wear. |
| Playstation 3 | Dark Souls II | BL - CIB |
| Playstation 3 | Diablo III | BL - CIB |
| Playstation 4 | 500 Million Dual Shock 4 Controller | Loose - Has crack in center but otherwise, pretty nice with very low usage. |
| Playstation 4 | 7 Days to Die | BL - CIB |
| Playstation 4 | Call Of Duty Infinite Warfare | BL - CIB |
| Playstation 4 | Dead Cells [Action Game of the Year] | BL - CIB |
| Playstation 4 | Dragon Quest XI: Echoes of an Elusive Age | BL - CIB |
| Playstation 4 | Evolve | BL - CIB |
| Playstation 4 | Final Fantasy XV Deluxe Steelbook Edition book w/Slipcover | BL - CIB |
| Playstation 4 | Kingdom Hearts HD 2.8 | BL - CIB - Spine damage/tear |
| Playstation 4 | Middle Earth Shadow of War | BL - CIB |
| Playstation 4 | Nascar Heat 3 | BL - CIB |
| Playstation 4 | Overwatch Origins | BL - CIB |
| Playstation 4 | Resident Evil Village Deluxe Edition | BL - CIB |
| Playstation 5 | Apsulov | CIB |
| Playstation 5 | Babylon's Fall | Sealed |
| Playstation 5 | Death Stranding | Sealed |
| Playstation 5 | Rustler | CIB |
| Playstation 5 | Thymesia | CIB - Case/art has some damage |
| PSP | PSP 1001 - Loose. PSP ONLY | Body and screen are pretty scratched up, includes a rubber grip cover and I can include a white replacement shell... Charge port can be touchy sometimes so it also includes a replacement port. |
| PSP | SanDisk Memory Stick PRO Duo | One 2.0GB Translucent Blue and one 512KB Translucent Green available. |
| PSP | Generation of Chaos | BL - No Manual |
| PSP | Sid Meier's Pirates! Live the Life | BL - CIB |
| PSP | Tekken 6 | BL - CIB |
| PSP | PSP 3000 Box and tray only - No PSP included | Box has moderate to heavy wear with some creasing. |
| PSVITA | Ninja Gaiden Sigma 2 Plus | Loose |
| PSVITA | Wipeout 2048 | Loose |
| XBOX | ||
|---|---|---|
| Xbox | Blowout | BL - CIB |
| Xbox | Harry Potter and the Prisoner of Azkaban | BL - CIB |
| Xbox | Indiana Jones and The Emperors Tomb | BL - CIB |
| Xbox | Pac Man World 2 | PH - CIB |
| Xbox | Return To Castle Wolfenstein Tides of War | PH - CIB |
| Xbox 360 | 4GB - 360 Slim Console | Includes OEM power supply and controller. I can probably include an HDMI cable if needed. |
| Xbox 360 | 250GB - 360 Slim Console | Includes OEM power supply, controller and Kinect. I can probably include an HDMI cable if needed. |
| Xbox 360 | Dead Space 3 | PH - CIB |
| Xbox 360 | Dragonball Z Ultimate Tenkaichi | BL - CIB |
| Xbox 360 | Fable 2 Limited Edition | BL - CIB* (No special features disc) |
| Xbox 360 | Fable 3 | BL - CIB |
| Xbox 360 | Forza 4 | BL - CIB |
| Xbox 360 | Grand Theft Auto 5 | BL - Boxed w/map |
| Xbox 360 | Halo 3 Limited Edition Steel book w/sleeve (minor damage) | BL - CIB - Includes manual, but no book.. |
| Xbox 360 | Hitman HD Trilogy - Premium Edition w/ slipcoveartbook | BL - CIB - Moderate - Heavy wear |
| Xbox 360 | Mortal Kombat | BL - Boxed (No Manual) |
| Xbox 360 | NBA Live 2010 | BL - CIB |
| Xbox 360 | NBA 2K18 | BL - CIB |
| Xbox 360 | Portal 2 | BL - Boxed (No Manual) |
| Xbox 360 | Test Drive Unlimited | BL - CIB |
| Xbox One | Battlefield 4 Steelbook Edition | CIB |
| Xbox One | Battlefield Hardline | CIB |
| Xbox One | Dark Souls 3 | CIB |
| Xbox One | Madden 22 | CIB |
| Xbox One | Prototype BioHazard Bundle | CIB |
| Xbox One | Rare Replay | CIB |
| Xbox One | Skylanders Trap Team | CIB |
| Xbox One | UFC 3 | CIB |
| Xbox One | Watch Dogs 2 | CIB |
| Xbox One | Wolfenstein The New Order | CIB |
| NINTENDO | ||
|---|---|---|
| NES | Nintendo of America Letter | w/ Official Nintendo Envelope, Cover Letter, Nintendo Power order form, service center list, Game Pak Directory, Replacement parts list, Nintendo history. Great little piece. Definitely shows some wear and a few markings but the order forms are blank. Not sure how to value this |
| NES | Bart vs The Space Mutants | Manual Only |
| NES | Gradius | Manual Only |
| NES | Mega Man 1 | Manual Only |
| NES | Mission Impossible | Manual Only |
| NES | NES Advantage controller | Manual Only |
| NES | Zodas Revenge | Manual Only |
| NES | Kung Fu | Loose |
| NES | Ninja Gaiden II | Loose |
| NES | Skate or Die | Loose - Worn/snagged top label |
| NES | Wizards and Warriors III | Loose - Worn/torn top label |
| NES | GAME GENIE | Loose |
| SNES | DOOM | CIB** - Might be willing to trade box/contents separately. |
| SNES | Rockos Modern Life | CIB - Box is worn, includes insert, manual and warning slip.. both have some wear, Cart is in great shape! Might be willing to trade box/contents separately. |
| SNES | Yoshi's Safari | CIB** - Might be willing to trade box/contents separately. |
| SNES | Buster Busts Loose | Manual Only |
| SNES | Hey Punk! Are You Tuff E Nuff? | Manual Only |
| SNES | Lawnmower Man | Manual Only |
| SNES | Mega Man X | Manual Only |
| SNES | World Heroes | Manual Only |
| SNES | GAME GENIE | Loose |
| N64 | Standard N64 Console and gray controller. No wires, but I'd be willing to trade towards an OEM set. | Includes OEM expansion pack. |
| Wii | Red Steel | BL - Boxed (No Manual) |
| Wii | Trauma Center Second Opinion | BL - CIB |
| Wii U | The Legend of Zelda Windwaker HD Edition Wii U | Complete in box** - Super Hard trade |
| Wii U | The Legend of Zelda Twilight Princess HD | SEALED |
| Wii U | Super Mario 3D World | NS - CIB |
| Switch | Pokemon Scarlet and Violet Edition OLED Switch | NEW |
| Switch | BloodRayne Fresh Bites | Sealed - w/card |
| Switch | Fire Emblem Three Houses | CIB |
| Switch | Great Ace Attorney Chronicles | CIB |
| Gameboy | Ren and Stimpy Veediots | Manual Only |
| NDS | Red Super Mario Bros 25th Anniversary Edition DSi XL | Loose - With charger. Does have some minor wear and teascuffs on corners |
| NDS | Mario Party DS | Sealed - (Has some knicks/tear in seal.) |
| NDS | Pokémon Heartgold | CIB - NFR case, no big box or Pokewalker - Only considering trading this so I can upgrade.. Would also trade FOR the big box.. |
| NDS | Spiderman Shattered Dimensions | Loose |
| NDS | Spyro The Eternal Night | Loose |
| NDS | DS Lite Car adaptecharger | NEW - Power A branded, Nintendo officially licensed. |
| NDS | DSi XL Stylus 5 packs. One of each color set available (2) | NEW - Power A branded, Nintendo officially licensed. |
| 3DS | Animal Crossing New Leaf | CIB |
| 3DS | Bravely Second End Layer | CIB - Minor damage to case/art |
| 3DS | Legend of Legacy | Sealed |
| 3DS | Super Smash Bros. 3DS | Loose |
| SEGA | ||
|---|---|---|
| Saturn | Model 2 Console | Loose - Includes power cord + OEM controller |
| Saturn | Street Fighter Alpha 2 | CIB |
| Dreamcast | Crazy Taxi | Loose |
[WANT]
Some specific items I'm after:
- 3D Dot Game Heroes
- Attack On Titan 2 or Final Battle PS4
- Baten Kaitos - Eternal Wings and the Lost Ocean
- Castlevania Curse of Darkness - PS2
- Castlevania Lament of Innocence - PS2
- Castlevania Dracula X
- Conkers Bad Fur Day
- Chocobos Dungeon
- Clock Tower (all)
- Drakengard 2
- Earthbound
- Evil Dead (PS1-PS2)
- Folklore
- Geist - Gamecube
- Grandia Xtreme
- The Legend of Zelda Four Swords - Gamecube
- Majoras Mask N64
- Mario Party 6 - Complete only
- Mario Party 7 - Manual only
- Marvel vs Capcom 1 and 2 PS1/PS2 or Dreamcast
- Misadventures of Tron Bonne
- Mega Man 64 - Cart or CIB
- Paper Mario TTYD - Complete and NON Players Choice/Best Seller
- Parasite Eve II - Manual only
- Pokemon Crystal, Emerald, Ruby, and Silver
- Pokemon White, Black, HGSS (Big Box), Alpha Sapphire, Moon, Y, Ultra Sun/Moon
- Resident Evil - Saturn
- Resident Evil - PS1 Long Box
- Resident Evil Code Veronica - Gamecube
- Resident Evil Dead Aim (Also looking for other light Gun games like Point Blank, Time Crisis, House of the Dead..)
- Resident Evil Survivor
- Resident Evil Darkside Chronicles - Highly Prefer the Gun Bundle Version.
- Saga Frontier 2 PS1, Unlimited Saga PS2
- Shadow Hearts - PS2
- Shadow Hearts From the New World - Disc only
- Silent Hill Origins and Shattered Memories - PS2
- Suikoden, Suikoden II and Suikoden Tactics
- Tekken Long Box
- Twisted Metal Long Box
- Valkyrie Profile PS1
- Wario Ware/World - Gamecube
- Xenosaga Episode III - PS2 - Complete only. Lenticular preferred.
- I'd like to bulk up my Gamecube and Sega collections; Dreamcast, CD/Saturn and Genesis.. I don't really need any hardware at the moment. But a CDX or Nomad would be cool though!
- PlayStation 5 games. Official Sony dual controller charger - CIB or New
- PS1 - PS4 Heavies
- PS Vita Games and maybe certain Vitas.
- PSP Games
- PSVR Games
- PS1 Long Box games
- PSX Console
- Special Edition Sony/PlayStation stuff.
- Switch games, SE Pro controllers
- Gameboys
- DS/3DS games
2023.05.31 07:24 yawningvoid28 Full Daily Turner Classic Movie (U.S.) Schedule For June, 2023.
Airtimes EST
THU JUN 01
(1:30AM) The Girl Who Had Everything (1953/1h 9m/Drama/Richard Thorpe)
(2:45AM) It's a Big Country: An American Anthology (1952/1h 29m/Drama/Clarence Brown)
(4:30AM) Alias a Gentleman (1948/1h 16m/Comedy/Harry Beaumont)
(6:00AM) Showgirl in Hollywood (1930/1h 20m/Musical/Mervyn Le Roy)
(7:30AM) Bright Lights (1931/1h 9m/Musical/Michael Curtiz)
(8:45AM) Cain and Mabel (1936/1h 30m/Romance/Lloyd Bacon)
(10:30AM) Marked Woman (1937/1h 36m/Drama/Lloyd Bacon)
(12:15PM) Ziegfeld Girl (1941/2h 11m/Musical/Robert Z. Leonard)
(2:45PM) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(4:45PM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(6:30PM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(8:00PM) Bringing Up Baby (1938/1h 42m/Comedy/Howard Hawk)
(10:00PM) Break of Hearts (1935/1h 20m/Romance/Philip Moeller)
(11:30PM) Sylvia Scarlett (1935/1h 37m/Romance/George Cukor)
FRI JUN 02
(1:15AM) Mary of Scotland (1936/2h 3m/Romance/John Ford)
(3:30AM) Quality Street (1937/1h 24m/Comedy/George Stevens)
(5:00AM) Christopher Strong (1933/1h 17m/Romance/Dorothy Arzner)
(6:30AM) The Little Minister (1934/1h 50m/Romance/Richard Wallace)
(8:30AM) Spitfire (1934/1h 28m/Drama/John Cromwell)
(10:00AM) Blood on the Moon (1948/1h 28m/Western/Robert Wise)
(11:30AM) The Good Guys and the Bad Guys (1969/1h 31m/Comedy/Burt Kennedy)
(1:15PM) Desire Me (1947/1h 31m/Romance/George Cukor)
(3:00PM) Holiday Affair (1949/1h 27m/Romance/Don Hartman)
(4:30PM) Angel Face (1953/1h 31m/Crime/Otto Preminger)
(6:15PM) Out of the Past (1947/1h 37m/Film-NoiJacques Tourneur)
(8:00PM) She Done Him Wrong (1933/1h 6m/Comedy/Lowell Sherman)
(9:30PM) The Gang's All Here (1943/1h 43m/Musical/Busby Berkeley)
(11:30PM) The Importance Of Being Earnest (1952/1h 35m/Comedy/Anthony Asquith)
SAT JUN 03
(1:15AM) Pillow Talk (1959/1h 45m/Comedy/Michael Gordon)
(3:15AM) Auntie Mame (1958/2h 23m/Comedy//Morton DaCosta)
(5:45AM) The Women (1939/2h 12m/Comedy/George Cukor)
(8:00AM) MGM CARTOONS: The Homeless Flea (1940/0h 7m/Animation/Rudolf Ising)
(8:09AM) One Against the World (1939/0h 10m/Short/Fred Zinnemann)
(8:21AM) Zeeland "The Hidden Paradise" (1935/0h 6m/Short/Ruth Fitzpatrick)
(8:29AM) The Big Noise (1936/57m/Drama/Frank Mcdonald)
(9:30AM) The BATMAN: The Executioner Strikes (1943/0h 15m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Hill-Billing and Cooing (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) Calling Philo Vance (1939/1h 2m/Suspense/William Clemens)
(11:30AM) Main Street Today (1944/0h 19m/Short/Edward L. Cahn)
(12:00PM) ABBA: The Movie (1977/1h 34m/Documentary/?)
(1:45PM) Hoosiers (1986/1h 55m/Drama/David Anspaugh)
(4:00PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(6:00PM) Strangers on a Train (1951/1h 36m/Suspense/Alfred Hitchcock)
(8:00PM) The Black Shield of Falworth (1954/1h 39m/Adventure/)
(10:00PM) The Great Impostor (1960/1h 52m/Adaptation/Robert Mulligan)
SUN JUN 04
(12:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(2:00AM) Swing Shift (1984/1h 40m/Romance/Jonathan Demme)
(4:00AM) Protocol (1984/1h 36m/Comedy/Herbert Ross)
(6:00AM) Saturday Night and Sunday Morning (1960/1h 30m/Drama/Karel Reisz)
(7:45AM) The Loved One (1965/1h 56m/Comedy/Tony Richardson)
(10:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(12:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(2:00PM) The Mating Game (1959/1h 37m/Comedy/George Marshall)
(3:45PM) Sex and the Single Girl (1964/1h 54m/Comedy/Richard Quine)
(5:45PM) A Chorus Line (1985/1h 53m/Musical/Richard Attenborough)
(8:00PM) Blazing Saddles (1974/1h 33m/Western/Mel Brooks)
(10:00PM) Along Came Jones (1945/1h 30m/Western/Stuart Heisler)
MON JUN 05
(12:00AM) The Blackbird (1926/1h 26m/Tod Browning)
(2:00AM) Before the Rain (1994/1h 55m/WaMilcho Manchevski)
(4:00AM) Three Colors: White (1994/1h 30m/Drama/Krzysztof Kieslowski)
(6:00AM) June Bride (1948/1h 37m/Romance/Bretaigne Windust)
(8:00AM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(10:00AM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(12:00PM) Double Wedding (1937/1h 27m/Comedy/Richard Thorpe)
(2:00PM) The Bride Came C.O.D. (1941/1h 32m/Comedy/William Keighley)
(4:00PM) Father of the Bride (1991/1h 45m/Comedy/Charles Shyer)
(6:00PM) High Society (1956/1h 47m/Musical/Charles Walters)
(8:00PM) High Sierra (1941/1h 40m/Crime/Raoul Walsh)
(10:00PM) Colorado Territory (1949/1h 34m/Western/Raoul Walsh)
TUE JUN 06
(12:00AM) The Women (1939/2h 12m/Comedy/George Cukor)
(2:15AM) The Opposite Sex (1956/1h 57m/Musical/David Miller)
(4:15AM) The Bride Goes Wild (1948/1h 38m/Comedy/Norman Taurog)
(6:00AM) The Private Life of Don Juan (1934/1h 26m/Alexander Korda)
(7:30AM) The Life Of Jimmy Dolan (1933/1h 10m/Archie Mayo)
(9:00AM) The Mad Miss Manton (1938)1h 5m/Mystery/Leigh Jason)
(10:30AM) In the Cool of the Day (1963/1h 29m/Robert Stevens)
(12:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(2:00PM) Coma (1978/1h 53m/HorroMichael Crichton)
(4:00PM) The Clock (1945/1h 30m/Romance/Vincente Minnelli)
(5:45PM) Cabaret (1972/2h 4m/Musical/Bob Fosse)
(8:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(10:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
WED JUN 07
(1:15AM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(3:15AM) What Price Hollywood? (1932/1h 28m/Drama/George Cukor)
(5:00AM) Show People (1928/1h 23m/Silent/King Vidor)
(6:30AM) Souls for Sale (1923/1h 30m/Rupert Hughes)
(8:15AM) Hell Below (1933/1h 45m/WaJack Conway)
(10:00AM) The Navy Comes Through (1942/1h 22m/WaA. Edward Sutherland)
(11:30AM) Sealed Cargo (1951/1h 29m/Adventure/Alfred Werker)
(1:00PM) Torpedo Run (1958/1h 38m/Joseph Pevney)
(2:45PM) Submarine D-1 (1937/1h 40m/Drama/Lloyd Bacon)
(4:30PM) Battle of the Coral Sea (1959/1h 20m/WaPaul Wendkos)
(6:00PM) Around the World Under the Sea (1965/1h 57m/HorroAndrew Marton)
(8:00PM) Film: The Living Record of Our Memory (2021/2h 0m/Documentary/Inés Toharia Terán)
(10:15PM) The Invention of Cinema: The First Colors of… (2022/Documentary)
(11:30PM) The Invention of Cinema: Cinema Finds its Voice (2022/Documentary)
THU JUN 08
(12:45AM) Going Attractions: The Definitive Story of the Movie Palace (2019/1h 24m/Documentary/April Wright)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 01) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 02) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 03) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 04) (2019/Documentary/Mark Cousins)
(7:30AM) Image Makers: The Adventures of America's Pioneer Cinematographers (2019/1h 31m/Documentary/Daniel Raim)
(9:30AM) This is Francis X. Bushman (2021/1h 0m/Documentary/Lon Davis)
(10:45AM) The Doughgirls (1944/1h 42m/Comedy/James V. Kern)
(12:30PM) Split Second (1953/1h 25m/Suspense/Dick Powell)
(2:00PM) The Young Philadelphians (1959/2h 16m/Drama/Vincent Sherman)
(4:30PM) The Horn Blows at Midnight (1945/1h 20m/Comedy/Raoul Walsh)
(6:00PM) The Constant Nymph (1943/1h 52m/Romance/Edmund Goulding)
(10:30PM) Suddenly, Last Summer (1960/1h 54m/Drama/Joseph L. Mankiewicz)
FRI JUN 09
(12:45AM) The Philadelphia Story (1940/1h 51m/Comedy/George Cukor)
(3:00AM) Woman of the Year (1942/1h 52m/Comedy//George Stevens)
(5:00AM) Alice Adams (1935/1h 40m/Comedy/George Stevens)
(7:00AM) Enchanted Island (1958/1h 33m/Drama/Allan Dwan)
(8:45AM) The Great Heart (1938/0h 10m/Short/David Miller)
(9:00AM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(10:45AM) Having a Wild Weekend (1965/1h 31m/Musical/John Boorman)
(12:30PM) Don't Make Waves (1967/1h 37m/Comedy/Alexander Mackendrick)
(2:15PM) Lord of the Flies (1963/1h 30m/Drama/Peter Brook)
(4:00PM) Kona Coast (1968/1h 32m/Suspense/Lamont Johnson)
(5:45PM) The Last Of Sheila (1973/2h 0h/Suspense/Herbert Ross)
(8:00PM) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(9:45PM) Valley of the Dolls (1967/2h 2m/Drama/Mark Robson)
SAT JUN 10
(12:00AM) Love Has Many Faces (1965/1h 45m/Romance/Alexander Singer)
(2:00AM) Queen Bee (1955/1h 35m/Drama/Ranald Macdougall)
(3:45AM) The Bad Seed (1956/2h 9m/Suspense/Mervyn Leroy)
(6:00AM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(8:00AM) MGM CARTOONS: Innertube Antics (1944/0h 7m/Animation/George Gordon)
(8:09AM) New Roadways (1939/0h 9m/Short/Basil Wrangell)
(8:20AM) St. Helena and its "Man of Destiny" (1936/0h 7m/Short/?)
(8:29AM) The Adventures of Jane Arden (1939/0h 58m/Crime/Terry Morse)
(9:30AM) THE BATMAN: The Doom of the Rising Sun) 1943/0h 20m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Popeye for President (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) The Dragon Murder Case (1934/1h 8m/Mystery/H. Bruce Humberstone)
(11:30AM) Know Your Money (1940/0h 21m/Short/Joe Newman)
(12:00PM) The Merry Widow (1934/1h 39m/Musical/Ernst Lubitsch)
(1:45PM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45PM) Kings Row (1942/2h 7m/Drama/Sam Wood)
(6:00PM) The Cincinnati Kid (1965/1h 53m/Drama/Norman Jewison)
(8:00PM) Gilda Live (1980/1h 30m/Comedy/Mike Nichols)
(9:45PM) Valerie (2019/0h 36m/Documentary/Stacey Souther)
(10:30PM) Lenny (1974/1h 51m/Adaptation/Bob Fosse)
SUN JUN 11
(12:30AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(2:30AM) A Hard Day's Night (1964/1h 32m/Musical//Richard Lester)
(4:15AM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(6:00AM) The Cool Ones (1967/1h 38m/Musical/Gene Nelson)
(8:00AM) I Love You, Alice B. Toklas! (1968/1h 34m/Comedy/Hy Averback)
(10:00AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(11:45AM) Wait Until Dark (1967/1h 48m/Suspense/Terence Young)
(1:45PM) The Catered Affair (1956/1h 33m/Drama/Richard Brooks)
(3:30PM) The Damned Don't Cry (1950/1h 43m/Crime/Vincent Sherman)
(5:30PM) Flower Drum Song (1961/2h 13m/Musical/Henry Koster)
(8:00PM) The Three Musketeers (1973/1h 45m/Adventure/Richard Lester)
(10:00PM) One Million Years B. C. (1966/1h 31m/Fantasy/Don Chaffey)
MON JUN 12
(12:15AM) The Cameraman (1928/1h 18m/Silent/Edward Sedgwick)
(12:15AM The Navigator (1924/1h 20m/Silent/Donald Crisp)
(2:45AM) The Bad Sleep Well (1960/2h 15m/Suspense/Akira Kurosawa)
(5:15AM) Ikiru (1952/2h 23m/Drama/Akira Kurosawa)
(7:45AM) The Marshal of Mesa City (1939/1h 2m/Western/David Howard)
(9:00AM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(10:45AM) The Big Shot (1942/1h 22m/Crime/Lewis Seiler)
(12:15PM) The Racket (1951/1h 28m/Crime/John Cromwell
(1:45PM) Jack Pot (1940/0h 19m/Short/Roy Rowland)
(2:15PM) Wichita (1955/1h 21m/Western/Jacques Tourneur)
(3:45PM) Buyer Beware (1940/0h 21m/Crime/Joseph Newman)
(4:15PM) A Lion Is in the Streets (1953/1h 28m/Drama/Raoul Walsh)
(6:00PM) McQ (1974/1h 56m/Crime/John Sturges)
(8:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(10:00PM) The Solid Gold Cadillac (1956/1h 39m/Comedy/Richard Quine)
TUE JUN 13
(12:00AM) Phffft (1954/1h 31m/Comedy/Mark Robson)
(1:45AM) Full of Life (1957/1h 31m/Comedy/Richard Quine)
(3:30AM) Bells Are Ringing (1960/2h 7m/Musical/Vincente Minnelli)
(6:00AM) The Bishop Murder Case (1930/1h 28m/Mystery/David Burton)
(7:30AM) The Lady of Scandal (1930/1h 16m/Romance/Sidney Franklin)
(9:00AM) Sin Takes a Holiday (1930/1h 21m/Comedy/Paul Stein)
(10:30AM) The Last Days of Pompeii (1935/1h 36m/Drama/Ernest B. Schoedsack)
(12:15PM) A Tale of Two Cities (1935/2h 0h/Drama/Jack Conway)
(2:30PM) Romeo and Juliet (1937/2h 7m/Romance/George Cukor)
(4:45PM) The Dawn Patrol (1938/1h 43m/WaEdmund Goulding)
(6:45PM) The Woman in Green (1945/1h 8m/Mystery/Roy William Neill)
(8:00PM) Sunset Blvd. (1950/1h 51m/Drama/Billy Wilder)
10:00PM) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
WED JUN 14
(12:00AM) The Player (1992/2h 3m/Comedy/Robert Altman)
(2:15AM) Crashing Hollywood (1938/1h 1m/Comedy/Lew Landers)
(3:30AM) Boy Meets Girl (1938/1h 20m/Comedy/Lloyd Bacon)
(5:15AM) Best Friends (1982/1h 56m/Comedy/Norman Jewison)
(7:15AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(9:00AM) How I Play Golf, by Bobby Jones No. 8: 'The Brassie' (1931/0h 10m/Short/George Marshall)
(9:15AM) The Great American Pastime (1956/1h 29m/Comedy/Herman Hoffman)
(11:00AM) Somebody Up There Likes Me (1956/1h 53m/Drama/Robert Wise)
(1:00PM) The Fish That Saved Pittsburgh (1979/1h 44m/Comedy/Gilbert Moses)
(3:00PM) Greased Lightning (1977/1h 36m/Biography/Michael Schultz)
(4:45PM) Grand Prix (1966/2h 59m/Adventure/John Frankenheimer)
(8:00PM) Carl Laemmle (2019/1h 31m/Documentary/James L. Freedman)
(9:45PM) Oscar Micheaux: The Superhero of Black Filmmaking (2021/h 20m/Documentary/Francesco Zippel)
(11:15PM) Burden of Dreams (1982/1h 34m/Documentary/Les Blank)
THU JUN 15
(1:00AM) A Fuller Life (2013/1h 20m/Documentary/Samantha Fuller)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 05) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 06) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 07) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 08) (2019/Documentary/Mark Cousins)
(7:30AM) The True Adventures of Raoul Walsh (2014/1h 35m/Documentary/Marilyn Ann Moss)
(9:15AM) Escape From East Berlin (1962/1h 34m/Drama/Robert Siodmak)
(11:00AM) The League of Gentlemen (1960/1h 56m/Crime/Basil Dearden)
(1:00PM) Double Trouble (1967/1h 30m/Musical/Norman Taurog)
(2:45PM) Light in the Piazza (1962/1h 41m/Romance/Guy Green)
(4:30PM) Murder She Said (1961/1h 26m/Mystery/George Pollock)
(6:00PM) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(8:00PM) Guess Who's Coming to Dinner (1967/1h 48m/Comedy/Stanley Kramer)
(10:00PM) The Lion in Winter (1968/2h 14m/Drama/Anthony Harvey)
FRI JUN 16
(12:30AM) On Golden Pond (1981/1h 49m/Drama/Mark Rydell)
(2:30AM) Morning Glory (1933/1h 14m/Drama/Lowell Sherman)
(4:00AM) Lovely To Look At (1952/1h 45m/Musical/Mervyn Le Roy)
(6:00AM) Possessed (1931/1h 12m/Romance//Clarence Brown)
(7:30AM) Anna Karenina (1935/1h 35m/Romance/Clarence Brown)
(9:30AM) Wife Vs. Secretary (1936/1h 28m/Romance/Clarence Brown)
(11:0AM) Of Human Hearts (1938/1h 40m/Drama/Clarence Brown)
(1:00PM) Song of Love (1947/1h 59m/Western/Clarence Brown)
(3:15PM) Intruder in the Dust (1949/1h 29m/Drama/Clarence Brown)
(4:45PM) To Please a Lady (1950/1h 31m/Romance/Clarence Brown)
(6:30PM) When in Rome (1952/1h 18m/Drama/DirectoClarence Brown)
(8:00PM) Beach Blanket Bingo (1965/1h 38m/Musical/William Asher)
(9:45PM) Barbarella (1968/1h 38m/Sci-Fi/Roger Vadim)
(11:30PM) Earth Girls Are Easy (1988/1h 40m/Comedy/Julien Temple)
SAT JUN 17
(1:15AM) The Apple (1980/1h 32m/Musical/Menahem Golan)
(2:45AM) Queen of Outer Space (1958/1h 20m/Sci-Fi/Edward Bernds)
(4:15AM) Hercules, Samson & Ulysses (1963/1h 25m/Adventure/Pietro Francisci)
(5:45AM) Plan 9 from Outer Space (1959/1h 19m/HorroEdward D. Wood, Jr.)
(7:15AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(8:00AM) MGM CARTOONS: Early Bird and the Worm (1936/0h 9m/Short/Rudolf Ising)
(8:11AM) Microscopic Mysteries (1932/0h 9m/Documentary/Hugo Lund)
(8:21AM) Zion Canyon of Colour (1934/0h 7m/Short/?)
(8:30AM) Central Park (1932/0h 58m/Comedy/John G. Adolfi)
(9:30AM) BATMAN AND ROBIN: Batman Takes Over (1949/0h 27m/Serial/Spencer Gordon Bennet)
(10:00AM) POPEYE: Out to Punch (1956/0h 6m/Animation/?)
(10:08AM) The Garden Murder Case (1936/1h 2m/Mystery/Edwin L. Marin)
(11:30AM) Trial by Trigger (1944/0h 21m/Short/William McGann)
(12:00PM) Reveille with Beverly (1943/1h 18m/Musical/Charles Barton)
(1:30PM) How the West Was Won (1962/2h 35m/Western/John Ford)
(4:30PM) Kansas City Confidential (1952/1h 38m/Crime/Phil Karlson)
(6:15PM) Badlands (1973/1h 35m/Crime/Terrence Malick)
(8:00PM) Time After Time (1979/1h 52m/HorroNicholas Meyer)
(10:00PM) Repeat Performance (1947/1h 33m/Drama/Alfred Werker)
SUN JUN 18
(12:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(2:00AM) The Great Santini (1979/1h 55m/Drama/Lewis John Carlino)
(4:00AM) I Never Sang for My Father (1970/1h 30m/Drama/Gilbert Cates)
(6:00AM) The Impossible Years (1968/1h 38m/Comedy/Michael Gordon)
(8:00AM) Our Vines Have Tender Grapes (1945/1h 45m/Drama/Roy Rowland)
(10:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(11:45AM) Fiddler on the Roof (1971/3h 0m/Musical/Norman Jewison)
(3:00PM) To Kill a Mockingbird (1962/2h 11m/Drama/Robert Mulligan)
(5:30PM) The Courtship of Eddie's Father (1963/1h 57m/Comedy/Vincente Minnelli)
(7:45PM) So You're Going to Be a Father (1947/0h 10m/Short/Richard Bare)
(8:00PM) Life with Father (1947/1h 58m/Comedy/Michael Curtiz)
(10:15PM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
MON JUN 19
(12:00AM) The Divine Lady (1929/1h 50m/Romance/Frank Lloyd)
(2:00AM) Bay of the Angels (1964/1h 25m/Drama/Jacques Demy)
(3:45AM) Donkey Skin (1970/1h 30m/Drama/Jacques Demy)
(5:30AM) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00AM) Man Wanted (1932/William Dieterle)
(7:15AM) Millie (1931/1h 25m/Drama/John Francis Dillon)
(8:45AM) The Big Hangover (1950/1h 22m/Comedy/Norman Krasna)
(10:15AM) The Angel Wore Red (1960/1h 39m/Romance/Nunnally Johnson)
(12:00PM) Rancho Notorious (1952/1h 29m/Western/Fritz Lang)
(1:45PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(3:30PM) Pitfall (1948/1h 24m/Film-NoiAndre De Toth)
(5:00PM) Indiscretion of an American Wife (1954/1h 3m/Romance/Vittorio De Sica)
(6:15PM) Tab Hunter Confidential (2015/1h 30m/Biography/Jeffrey Schwarz)
(8:00PM) Do the Right Thing (1989/2h 0m/Drama/Spike Lee)
(10:15PM) Alma's Rainbow (1994/1h 25m/Drama /Ayoka Chenzira)
TUE JUN 20
(12:00AM) Just Another Girl On The I.R.T. (1993/1h 36m/Drama/Leslie Harris)
(2:00AM) Blackboard Jungle (1955/1h 41m/Drama/Richard Brooks)
(4:00AM) Edge of the City (1957/1h 25m/Drama/Martin Ritt)
(6:00AM) The Lady Refuses (1931/1h 12m/Drama/George Archainbaud)
(7:15AM) A Notorious Affair (1930/1h 9m/Drama/Lloyd Bacon)
(8:30AM) Bullets for O'Hara (1941/0h 50m/Crime/William K. Howard)
(9:30AM) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(10:45AM) Play Girl (1932/1h 0m/Romance/Ray Enright)
(12:00PM) War Nurse (1930/1h 20m/WaEdgar Selwyn)
(1:30PM) Wings for the Eagle (1942/1h 23m/WaLloyd Bacon)
(3:00PM) The White Sister (1933/1h 41m/Drama/Victor Fleming)
(5:00PM) Their Own Desire (1929/1h 5m/Drama/E. Mason Hopper)
(6:15PM) Smilin' Through (1932/1h 37m/Romance/Sidney Franklin)
(8:00PM) Sullivan's Travels (1942/1h 31m/Comedy/Preston Sturges)
(9:45PM) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(11:30PM) Hearts of the West (1975/1h 43m/Western/Howard Zieff)
WED JUN 21
(1:30AM) Never Give a Sucker an Even Break (1941/1h 11m/Comedy/Edward Cline)
(3:00AM) It's a Great Feeling (1949/1h 25m/Comedy/David Butler)
(4:30AM) Hollywood Party (1934/1h 3m/Musical/Allan Dwan)
(6:00AM) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(7:15AM) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(8:45AM) The Time Machine (1960/1h 43m/Sci-Fi/George Pal)
(10:30AM) Looking at London (1946/0h 10m/Short/?)
(10:45AM) Berkeley Square (1933/1h 24m/Romance/Frank Lloyd)
(12:15PM) High Hopes (1988/1h 52m/Comedy/Mike Leigh)
(2:15PM) A Hard Day's Night (1964/1h 32m/Musical/Richard Lester)
(4:00PM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(5:45PM) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(8:00PM) Z Channel: A Magnificent Obsession (2004/2h 2m/Documentary/Xan Cassavetes)
(10:15PM) What She Said: The Art of Pauline Kael (2018/Documentary/Rob Garver)
THU JUN 22
(12:00AM) The Celluloid Closet (1995/1h 42m/Documentary/Robert Epstein)
(2:00AM) Paul Robeson: Tribute to an Artist (1979/Biography/Documentary/Saul J. Turell)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 09) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 10) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 11) (2019/Documentary/Mark Cousins)
(6:15AM) Yellowface: Asian Whitewashing and Racism in Hollywood (2019/Documentary/Clara Kuperberg and Julia Kuperberg)
(7:15AM) Soundies: A Musical History (2007/1h 16m/Documentary/0h 54m/Chris Lamson)
(8:45AM) Soldiers Three (1951/1h 27m/Adventure/Tay Garnett)
(10:30AM) The Wild North (1952/1h 37m/Western/Andrew Marton)
(12:15PM) Bhowani Junction (1956/1h 50m/Drama/George Cukor)
(2:15PM) Green Fire (1955/1h 40m/Adventure/Andrew Marton)
(4:00PM) The Prisoner of Zenda (1952/1h 41m/Adventure/Richard Thorpe)
(6:00PM) King Solomon's Mines (1950/1h 42m/Adventure/Compton Bennett)
(8:00PM) Holiday (1938/1h 33m/Comedy/George Cukor)
(10:00PM) Little Women (1933/1h 55m/Drama/George Cukor)
FRI JUN 23
(12:15AM) A Woman Rebels (1936/1h 28m/Drama/Mark Sandrich)
(2:00AM) Undercurrent (1946/1h 56m/Suspense/Vincente Minnelli)
(4:15AM) Stage Door (1937/1h 23m/Drama/Gregory LaCava)
(6:00AM) A King in New York (1957/1h 45m/Comedy/Charles Chaplin)
(8:00AM) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(9:30AM) The Naked City (1948/1h 36m/Crime/Jules Dassin)
(11:15AM) Up the Sandbox (1972/1h 37/Drama/Irvin Kershner)
(1:00PM) The House on 56th Street (1933/1h 8m/Drama/Robert Florey)
(2:15PM) This Is the Bowery (1941/0h 10m/Short/Gunther Von Fritsch)
(2:3PM) The Prisoner Of Second Avenue (1974/1h 45m/Comedy/Melvin Frank)
(4:15PM) Soylent Green (1973/1h 27m/Sci-Fi/Richard O. Fleischer)
(6:00PM) Daybreak Express (1953/0h 5m/Short/D.A. Pennebaker)
(6:15PM) Crossing Delancey (1988/1h 37m/Romance/Joan Micklin Silver)
(8:00PM) Grey Gardens (1976/1h 34m/Documentary/Ellen Hovde)
(9:45PM) What Ever Happened to Baby Jane? (1962/2h 12m/HorroRobert Aldrich)
SAT JUN 24
12:15AM) X Y & Zee (1972/1h 50m/Drama/Brian G. Hutton)
(2:15AM) The Big Cube (1969/1h 38m/Drama/Tito Davison)
(4:00AM) The Legend of Lylah Clare (1968/2h 10m/Drama/Robert Aldrich)
(6:15AM) Vacation from Marriage (1945/1h 32m/Drama/Alexander Korda)
(8:00AM) MGM CARTOONS: Dumb-Hounded (1943/0h 8m/Animation/Fred “Tex” Avery)
(8:10AM) Pacific Paradise (1937/0h 10m/Short/George Sidney)
(8:21AM) Calling on Colombia (1940/0h 8m/Documentary/James A. Fitzpatrick)
(8:30AM) Once a Doctor (1937/0h 57m/Drama/William Clemens)
(9:30AM) BATMAN AND ROBIN: Tunnel of Terror (1949/0h 17m/Serial/Spencer Bennett)
(10:00AM) POPEYE: Insect to Injury (1956/0h 6m/Animation/Dave Tendlar)
(10:08AM) Murder in the Private Car (1934/1h 3m/Mystery/Harry Beaumont)
(11:30AM) The Flame Song (1934/0h 21m/Short/Joseph Henabery)
(12:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
(3:15PM) East of Eden (1955/1h 55m/Drama/Elia Kazan)
(5:30PM) Mister Roberts (1955/2h 3m/Comedy/John Ford)
(8:00PM) On the Waterfront (1954/1h 48m/Drama/Elia Kazan)
(10:00PM) Vertigo (1958/2h 8m/Suspense/Alfred Hitchcock)
SUN JUN 25
(12:15AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(2:15AM) A Cry in the Dark (1988/2h 1m/Drama/Fred Schepisi)
(4:30AM) My Brilliant Career (1979/1h 38m/Drama/Gillian Armstrong)
(6:15AM) Athena (1954/1h 36m/Musical/Richard Thorpe)
(8:00AM) Calamity Jane (1953/1h 41m/Musical/David Butler)
(10:00AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(12:00PM) Imitation of Life (1959/2h 5m/Romance/Douglas Sirk)
(2:15PM) Pride and Prejudice (1940/1h 57m/Romance/Robert Z. Leonard)
(4:30PM) The Reluctant Debutante (1958/1h 36m/Musical/Vincente Minnelli)
(6:15PM) The Palm Beach Story (1942/1h 30m/Comedy/Preston Sturges)
TBD
MON JUN 26
(12:00AM) Don Juan (1926/1h 51m/Silent/Alan Crosland)
(2:00AM) Un Partie de Campagne (1936/0h 45m/Drama/Jean Renoir)
(3:00AM) Il bidone (1955/1h 32m/Comedy/Federico Fellini)
(5:00AM) Report from the Aleutians (1943/0h 45m/Documentary/Capt. John Huston)
(6:00AM) Many Rivers to Cross (1955/1h 32m/Western/Roy Rowland)
(7:45AM) Escape from Fort Bravo (1953/1h 38m/Western/John Sturges)
(9:30AM) The Very Thought of You (1944/1h 39m/Romance/Delmer Daves)
(11:15AM) One for the Book (1948/1h 43m/Comedy/Irving Rapper)
(1:00PM) Of Human Bondage (1946/1h 45m/Drama/Edmund Goulding)
(3:00PM) Lizzie (1957/1h 21m/Drama/Hugo Haas)
(4:30PM) Valley of the Kings (1954/1h 26m/Adventure/Robert Pirosh)
(6:00PM) Scaramouche (1952/1h 55m/Adventure/George Sidney)
(8:00PM) The Celluloid Closet (1995/1h 42m/DocumentaryRobert Epstein)
(10:00PM) Rope (1948/1h 20m/Suspense/Alfred Hitchcock)
(11:30PM) The Children's Hour (1961/1h 47m/Drama/William Wyler)
TUE JUN 27
(1:30AM) Queen Christina (1933/1h 37m/Romance/Rouben Mamoulian)
(3:30AM) Victim (1961/1h 40m/Drama/Basil Dearden)
(5:30AM) Tea and Sympathy (1956/2h 2m/Drama/Vincente Minnelli)
(7:45AM) The Case of the Howling Dog (1934/1h 14m/Suspense/Mystery/Alan Crosland)
(9:15AM) Murder on a Bridle Path (1936/1h 6m/Mystery/Edward Killy)
(10:30AM) The Saint Meets the Tiger (1943/1h 10m/Suspense/Paul Stein)
(12:00PM) The Kennel Murder Case (1933/1h 13m/Mystery/Michael Curtiz)
(1:30PM) Haunted Honeymoon (1940/1h 23m/Comedy/Arthur B. Woods)
(3:00PM) Eyes in the Night (1942/1h 20m/Mystery/Fred Zinnemann)
(4:30PM) Murder at the Gallop (1963/1h 21m/Mystery/George Pollock)
(6:00PM) Shadow of the Thin Man (1941/1h 37m/Mystery/Major W. S. Van Dyke II)
(8:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(10:15PM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
WED JUN 28j
(12:15AM) The Barefoot Contessa (1954/2h 8m/Drama/Joseph L. Mankiewicz)
(2:45AM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(5:00AM) The Oscar (1966/1h 59m/Drama/Russell Rouse)
(7:15AM) Mandalay (1934/1h 5m/Suspense/Michael Curtiz)
(8:30AM) The Unsuspected (1947/1h 43m/Suspense/Michael Curtiz)
(10:15AM) The Unholy Wife (1957/1h 34m/Crime/John Farrow)
(12:00PM) Back in Circulation (1937/1h 22m/Drama/Ray Enright)
(1:30PM) The Man with a Cloak (1951/1h 21m/Suspense/Fletcher Markle)
(3:00PM) D.O.A. (1950/1h 23m/Film-NoiRudolph Maté)
(4:30PM) Shadow on the Wall (1950/1h 24m/Suspense/Patrick Jackson)
(6:15PM) The Nanny (1965/1h 33m/HorroSeth Holt)
(8:00PM) Harold and Lillian: A Hollywood Love Story (2015/1h 34m/Documentary/Daniel Raim)
(9:45PM) By Design: The Joe Caroff Story (2022/0h 52m/Documentary/Mark Cerulli)
(10:45PM) Floyd Norman: An Animated Life (2016/1h 34m/Documentary/Michael Fiore)
TBD
THU JUNE 29
(2:00AM) High Noon on the Waterfront (2022/0h 14m/Documentary/David Roberts)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Ep. 12) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Ep.13) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Ep. 14) (2019/Documentary/Mark Cousins
(6:15AM) Max Steiner: Maestro of Movie Music (2021/2h 0m/Documentary/Diana Friedberg)
(8:30AM) Dean Martin: King of Cool (2020/1h 47m/Documentary/Tom Donahue)
(10:30AM) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(12:15PM) Tarzan the Fearless (1933/1h 25m/Adventure/Robert F. Hill)
(1:45PM) The Valley of Decision (1945/1h 51m/Romance/Tay Garnett)
(3:45PM) Mrs. Parkington (1944/2h 4m/Romance/Tay Garnett)
(6:00PM) The Postman Always Rings Twice (1946/1h 51m/Crime/Tay Garnett)
(8:00PM) Desk Set (1957/1h 43m/Comedy/Walter Lang)
(10:00PM) Without Love (1945/1h 51m/Comedy/Harold S. Bucquet)
FRI JUN 30
(12:00AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(1:45AM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45AM) Keeper of the Flame (1943/1h 40m/Drama/George Cukor)
(5:30AM) Week-End for Three (1941/1h 5m/Comedy/Irving Reis)
(6:45AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(7:30AM) Pagan Love Song (1950/1h 16m/Musical/Robert Alton)
(9:00AM) On an Island with You (1948/1h 47m/Musical/Richard Thorpe)
(11:00AM) Girl Happy (1965/1h 36m/Musical/Boris Sagal)
(12:45PM) You're Only Young Once (1938/1h 18m/Comedy/George B. Seitz)
(2:15PM) Catalina Caper (1967/1h 7m/Comedy/Lee Sholem)
(3:30PM) Where the Boys Are (1960/1h 39m/Comedy/Henry Levin)
(5:30PM) Sunkist Stars at Palm Springs (1936/0h 19m/Short/Roy Rowland)
(6:00PM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(8:00PM) VictoVictoria (1982/2h 14m/Musical/Blake Edwards)
(10:30PM) La Cage Aux Folles (1979/1h 37m/Comedy//Edouard Molinaro)
submitted by yawningvoid28 to movies [link] [comments]
(1:30AM) The Girl Who Had Everything (1953/1h 9m/Drama/Richard Thorpe)
(2:45AM) It's a Big Country: An American Anthology (1952/1h 29m/Drama/Clarence Brown)
(4:30AM) Alias a Gentleman (1948/1h 16m/Comedy/Harry Beaumont)
(6:00AM) Showgirl in Hollywood (1930/1h 20m/Musical/Mervyn Le Roy)
(7:30AM) Bright Lights (1931/1h 9m/Musical/Michael Curtiz)
(8:45AM) Cain and Mabel (1936/1h 30m/Romance/Lloyd Bacon)
(10:30AM) Marked Woman (1937/1h 36m/Drama/Lloyd Bacon)
(12:15PM) Ziegfeld Girl (1941/2h 11m/Musical/Robert Z. Leonard)
(2:45PM) The Prince and the Showgirl (1957/1h 57m/Comedy/Laurence Olivier)
(4:45PM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(6:30PM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(8:00PM) Bringing Up Baby (1938/1h 42m/Comedy/Howard Hawk)
(10:00PM) Break of Hearts (1935/1h 20m/Romance/Philip Moeller)
(11:30PM) Sylvia Scarlett (1935/1h 37m/Romance/George Cukor)
(1:15AM) Mary of Scotland (1936/2h 3m/Romance/John Ford)
(3:30AM) Quality Street (1937/1h 24m/Comedy/George Stevens)
(5:00AM) Christopher Strong (1933/1h 17m/Romance/Dorothy Arzner)
(6:30AM) The Little Minister (1934/1h 50m/Romance/Richard Wallace)
(8:30AM) Spitfire (1934/1h 28m/Drama/John Cromwell)
(10:00AM) Blood on the Moon (1948/1h 28m/Western/Robert Wise)
(11:30AM) The Good Guys and the Bad Guys (1969/1h 31m/Comedy/Burt Kennedy)
(1:15PM) Desire Me (1947/1h 31m/Romance/George Cukor)
(3:00PM) Holiday Affair (1949/1h 27m/Romance/Don Hartman)
(4:30PM) Angel Face (1953/1h 31m/Crime/Otto Preminger)
(6:15PM) Out of the Past (1947/1h 37m/Film-NoiJacques Tourneur)
(8:00PM) She Done Him Wrong (1933/1h 6m/Comedy/Lowell Sherman)
(9:30PM) The Gang's All Here (1943/1h 43m/Musical/Busby Berkeley)
(11:30PM) The Importance Of Being Earnest (1952/1h 35m/Comedy/Anthony Asquith)
(1:15AM) Pillow Talk (1959/1h 45m/Comedy/Michael Gordon)
(3:15AM) Auntie Mame (1958/2h 23m/Comedy//Morton DaCosta)
(5:45AM) The Women (1939/2h 12m/Comedy/George Cukor)
(8:00AM) MGM CARTOONS: The Homeless Flea (1940/0h 7m/Animation/Rudolf Ising)
(8:09AM) One Against the World (1939/0h 10m/Short/Fred Zinnemann)
(8:21AM) Zeeland "The Hidden Paradise" (1935/0h 6m/Short/Ruth Fitzpatrick)
(8:29AM) The Big Noise (1936/57m/Drama/Frank Mcdonald)
(9:30AM) The BATMAN: The Executioner Strikes (1943/0h 15m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Hill-Billing and Cooing (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) Calling Philo Vance (1939/1h 2m/Suspense/William Clemens)
(11:30AM) Main Street Today (1944/0h 19m/Short/Edward L. Cahn)
(12:00PM) ABBA: The Movie (1977/1h 34m/Documentary/?)
(1:45PM) Hoosiers (1986/1h 55m/Drama/David Anspaugh)
(4:00PM) Angels in the Outfield (1951/1h 42m/Drama/Clarence Brown)
(6:00PM) Strangers on a Train (1951/1h 36m/Suspense/Alfred Hitchcock)
(8:00PM) The Black Shield of Falworth (1954/1h 39m/Adventure/)
(10:00PM) The Great Impostor (1960/1h 52m/Adaptation/Robert Mulligan)
(12:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(2:00AM) Swing Shift (1984/1h 40m/Romance/Jonathan Demme)
(4:00AM) Protocol (1984/1h 36m/Comedy/Herbert Ross)
(6:00AM) Saturday Night and Sunday Morning (1960/1h 30m/Drama/Karel Reisz)
(7:45AM) The Loved One (1965/1h 56m/Comedy/Tony Richardson)
(10:00AM) Between Midnight and Dawn (1950/1h 29m/Film-NoiGordon Douglas)
(12:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(2:00PM) The Mating Game (1959/1h 37m/Comedy/George Marshall)
(3:45PM) Sex and the Single Girl (1964/1h 54m/Comedy/Richard Quine)
(5:45PM) A Chorus Line (1985/1h 53m/Musical/Richard Attenborough)
(8:00PM) Blazing Saddles (1974/1h 33m/Western/Mel Brooks)
(10:00PM) Along Came Jones (1945/1h 30m/Western/Stuart Heisler)
(12:00AM) The Blackbird (1926/1h 26m/Tod Browning)
(2:00AM) Before the Rain (1994/1h 55m/WaMilcho Manchevski)
(4:00AM) Three Colors: White (1994/1h 30m/Drama/Krzysztof Kieslowski)
(6:00AM) June Bride (1948/1h 37m/Romance/Bretaigne Windust)
(8:00AM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(10:00AM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(12:00PM) Double Wedding (1937/1h 27m/Comedy/Richard Thorpe)
(2:00PM) The Bride Came C.O.D. (1941/1h 32m/Comedy/William Keighley)
(4:00PM) Father of the Bride (1991/1h 45m/Comedy/Charles Shyer)
(6:00PM) High Society (1956/1h 47m/Musical/Charles Walters)
(8:00PM) High Sierra (1941/1h 40m/Crime/Raoul Walsh)
(10:00PM) Colorado Territory (1949/1h 34m/Western/Raoul Walsh)
(12:00AM) The Women (1939/2h 12m/Comedy/George Cukor)
(2:15AM) The Opposite Sex (1956/1h 57m/Musical/David Miller)
(4:15AM) The Bride Goes Wild (1948/1h 38m/Comedy/Norman Taurog)
(6:00AM) The Private Life of Don Juan (1934/1h 26m/Alexander Korda)
(7:30AM) The Life Of Jimmy Dolan (1933/1h 10m/Archie Mayo)
(9:00AM) The Mad Miss Manton (1938)1h 5m/Mystery/Leigh Jason)
(10:30AM) In the Cool of the Day (1963/1h 29m/Robert Stevens)
(12:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(2:00PM) Coma (1978/1h 53m/HorroMichael Crichton)
(4:00PM) The Clock (1945/1h 30m/Romance/Vincente Minnelli)
(5:45PM) Cabaret (1972/2h 4m/Musical/Bob Fosse)
(8:00PM) Singin' in the Rain (1952/1h 43m/Musical/Gene Kelly)
(10:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
(1:15AM) A Star Is Born (1937/1h 51m/Romance/William A. Wellman)
(3:15AM) What Price Hollywood? (1932/1h 28m/Drama/George Cukor)
(5:00AM) Show People (1928/1h 23m/Silent/King Vidor)
(6:30AM) Souls for Sale (1923/1h 30m/Rupert Hughes)
(8:15AM) Hell Below (1933/1h 45m/WaJack Conway)
(10:00AM) The Navy Comes Through (1942/1h 22m/WaA. Edward Sutherland)
(11:30AM) Sealed Cargo (1951/1h 29m/Adventure/Alfred Werker)
(1:00PM) Torpedo Run (1958/1h 38m/Joseph Pevney)
(2:45PM) Submarine D-1 (1937/1h 40m/Drama/Lloyd Bacon)
(4:30PM) Battle of the Coral Sea (1959/1h 20m/WaPaul Wendkos)
(6:00PM) Around the World Under the Sea (1965/1h 57m/HorroAndrew Marton)
(8:00PM) Film: The Living Record of Our Memory (2021/2h 0m/Documentary/Inés Toharia Terán)
(10:15PM) The Invention of Cinema: The First Colors of… (2022/Documentary)
(11:30PM) The Invention of Cinema: Cinema Finds its Voice (2022/Documentary)
(12:45AM) Going Attractions: The Definitive Story of the Movie Palace (2019/1h 24m/Documentary/April Wright)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 01) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 02) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 03) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 04) (2019/Documentary/Mark Cousins)
(7:30AM) Image Makers: The Adventures of America's Pioneer Cinematographers (2019/1h 31m/Documentary/Daniel Raim)
(9:30AM) This is Francis X. Bushman (2021/1h 0m/Documentary/Lon Davis)
(10:45AM) The Doughgirls (1944/1h 42m/Comedy/James V. Kern)
(12:30PM) Split Second (1953/1h 25m/Suspense/Dick Powell)
(2:00PM) The Young Philadelphians (1959/2h 16m/Drama/Vincent Sherman)
(4:30PM) The Horn Blows at Midnight (1945/1h 20m/Comedy/Raoul Walsh)
(6:00PM) The Constant Nymph (1943/1h 52m/Romance/Edmund Goulding)
(10:30PM) Suddenly, Last Summer (1960/1h 54m/Drama/Joseph L. Mankiewicz)
(12:45AM) The Philadelphia Story (1940/1h 51m/Comedy/George Cukor)
(3:00AM) Woman of the Year (1942/1h 52m/Comedy//George Stevens)
(5:00AM) Alice Adams (1935/1h 40m/Comedy/George Stevens)
(7:00AM) Enchanted Island (1958/1h 33m/Drama/Allan Dwan)
(8:45AM) The Great Heart (1938/0h 10m/Short/David Miller)
(9:00AM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(10:45AM) Having a Wild Weekend (1965/1h 31m/Musical/John Boorman)
(12:30PM) Don't Make Waves (1967/1h 37m/Comedy/Alexander Mackendrick)
(2:15PM) Lord of the Flies (1963/1h 30m/Drama/Peter Brook)
(4:00PM) Kona Coast (1968/1h 32m/Suspense/Lamont Johnson)
(5:45PM) The Last Of Sheila (1973/2h 0h/Suspense/Herbert Ross)
(8:00PM) Written on the Wind (1957/1h 32m/Drama/Douglas Sirk)
(9:45PM) Valley of the Dolls (1967/2h 2m/Drama/Mark Robson)
(12:00AM) Love Has Many Faces (1965/1h 45m/Romance/Alexander Singer)
(2:00AM) Queen Bee (1955/1h 35m/Drama/Ranald Macdougall)
(3:45AM) The Bad Seed (1956/2h 9m/Suspense/Mervyn Leroy)
(6:00AM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(8:00AM) MGM CARTOONS: Innertube Antics (1944/0h 7m/Animation/George Gordon)
(8:09AM) New Roadways (1939/0h 9m/Short/Basil Wrangell)
(8:20AM) St. Helena and its "Man of Destiny" (1936/0h 7m/Short/?)
(8:29AM) The Adventures of Jane Arden (1939/0h 58m/Crime/Terry Morse)
(9:30AM) THE BATMAN: The Doom of the Rising Sun) 1943/0h 20m/Serial/Lambert Hillyer)
(10:00AM) POPEYE: Popeye for President (1956/0h 6m/Animation/Seymour Kneitel)
(10:08AM) The Dragon Murder Case (1934/1h 8m/Mystery/H. Bruce Humberstone)
(11:30AM) Know Your Money (1940/0h 21m/Short/Joe Newman)
(12:00PM) The Merry Widow (1934/1h 39m/Musical/Ernst Lubitsch)
(1:45PM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45PM) Kings Row (1942/2h 7m/Drama/Sam Wood)
(6:00PM) The Cincinnati Kid (1965/1h 53m/Drama/Norman Jewison)
(8:00PM) Gilda Live (1980/1h 30m/Comedy/Mike Nichols)
(9:45PM) Valerie (2019/0h 36m/Documentary/Stacey Souther)
(10:30PM) Lenny (1974/1h 51m/Adaptation/Bob Fosse)
(12:30AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(2:30AM) A Hard Day's Night (1964/1h 32m/Musical//Richard Lester)
(4:15AM) Viva Las Vegas (1964/1h 26m/Musical/George Sidney)
(6:00AM) The Cool Ones (1967/1h 38m/Musical/Gene Nelson)
(8:00AM) I Love You, Alice B. Toklas! (1968/1h 34m/Comedy/Hy Averback)
(10:00AM) The Verdict (1946/1h 26m/Film-NoiDon Siegel)
(11:45AM) Wait Until Dark (1967/1h 48m/Suspense/Terence Young)
(1:45PM) The Catered Affair (1956/1h 33m/Drama/Richard Brooks)
(3:30PM) The Damned Don't Cry (1950/1h 43m/Crime/Vincent Sherman)
(5:30PM) Flower Drum Song (1961/2h 13m/Musical/Henry Koster)
(8:00PM) The Three Musketeers (1973/1h 45m/Adventure/Richard Lester)
(10:00PM) One Million Years B. C. (1966/1h 31m/Fantasy/Don Chaffey)
(12:15AM) The Cameraman (1928/1h 18m/Silent/Edward Sedgwick)
(12:15AM The Navigator (1924/1h 20m/Silent/Donald Crisp)
(2:45AM) The Bad Sleep Well (1960/2h 15m/Suspense/Akira Kurosawa)
(5:15AM) Ikiru (1952/2h 23m/Drama/Akira Kurosawa)
(7:45AM) The Marshal of Mesa City (1939/1h 2m/Western/David Howard)
(9:00AM) Party Girl (1958/1h 39m/Crime/Nicholas Ray)
(10:45AM) The Big Shot (1942/1h 22m/Crime/Lewis Seiler)
(12:15PM) The Racket (1951/1h 28m/Crime/John Cromwell
(1:45PM) Jack Pot (1940/0h 19m/Short/Roy Rowland)
(2:15PM) Wichita (1955/1h 21m/Western/Jacques Tourneur)
(3:45PM) Buyer Beware (1940/0h 21m/Crime/Joseph Newman)
(4:15PM) A Lion Is in the Streets (1953/1h 28m/Drama/Raoul Walsh)
(6:00PM) McQ (1974/1h 56m/Crime/John Sturges)
(8:00PM) Born Yesterday (1950/1h 43m/Comedy/George Cukor)
(10:00PM) The Solid Gold Cadillac (1956/1h 39m/Comedy/Richard Quine)
(12:00AM) Phffft (1954/1h 31m/Comedy/Mark Robson)
(1:45AM) Full of Life (1957/1h 31m/Comedy/Richard Quine)
(3:30AM) Bells Are Ringing (1960/2h 7m/Musical/Vincente Minnelli)
(6:00AM) The Bishop Murder Case (1930/1h 28m/Mystery/David Burton)
(7:30AM) The Lady of Scandal (1930/1h 16m/Romance/Sidney Franklin)
(9:00AM) Sin Takes a Holiday (1930/1h 21m/Comedy/Paul Stein)
(10:30AM) The Last Days of Pompeii (1935/1h 36m/Drama/Ernest B. Schoedsack)
(12:15PM) A Tale of Two Cities (1935/2h 0h/Drama/Jack Conway)
(2:30PM) Romeo and Juliet (1937/2h 7m/Romance/George Cukor)
(4:45PM) The Dawn Patrol (1938/1h 43m/WaEdmund Goulding)
(6:45PM) The Woman in Green (1945/1h 8m/Mystery/Roy William Neill)
(8:00PM) Sunset Blvd. (1950/1h 51m/Drama/Billy Wilder)
10:00PM) In a Lonely Place (1950/1h 31m/Drama/Nicholas Ray)
(12:00AM) The Player (1992/2h 3m/Comedy/Robert Altman)
(2:15AM) Crashing Hollywood (1938/1h 1m/Comedy/Lew Landers)
(3:30AM) Boy Meets Girl (1938/1h 20m/Comedy/Lloyd Bacon)
(5:15AM) Best Friends (1982/1h 56m/Comedy/Norman Jewison)
(7:15AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(9:00AM) How I Play Golf, by Bobby Jones No. 8: 'The Brassie' (1931/0h 10m/Short/George Marshall)
(9:15AM) The Great American Pastime (1956/1h 29m/Comedy/Herman Hoffman)
(11:00AM) Somebody Up There Likes Me (1956/1h 53m/Drama/Robert Wise)
(1:00PM) The Fish That Saved Pittsburgh (1979/1h 44m/Comedy/Gilbert Moses)
(3:00PM) Greased Lightning (1977/1h 36m/Biography/Michael Schultz)
(4:45PM) Grand Prix (1966/2h 59m/Adventure/John Frankenheimer)
(8:00PM) Carl Laemmle (2019/1h 31m/Documentary/James L. Freedman)
(9:45PM) Oscar Micheaux: The Superhero of Black Filmmaking (2021/h 20m/Documentary/Francesco Zippel)
(11:15PM) Burden of Dreams (1982/1h 34m/Documentary/Les Blank)
(1:00AM) A Fuller Life (2013/1h 20m/Documentary/Samantha Fuller)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 05) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 06) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 07) (2019/Documentary/Mark Cousins)
(6:15AM) Women Make Film: A New Road Movie Through Cinema (Episode 08) (2019/Documentary/Mark Cousins)
(7:30AM) The True Adventures of Raoul Walsh (2014/1h 35m/Documentary/Marilyn Ann Moss)
(9:15AM) Escape From East Berlin (1962/1h 34m/Drama/Robert Siodmak)
(11:00AM) The League of Gentlemen (1960/1h 56m/Crime/Basil Dearden)
(1:00PM) Double Trouble (1967/1h 30m/Musical/Norman Taurog)
(2:45PM) Light in the Piazza (1962/1h 41m/Romance/Guy Green)
(4:30PM) Murder She Said (1961/1h 26m/Mystery/George Pollock)
(6:00PM) Made in Paris (1966/1h 43m/Comedy/Boris Sagal)
(8:00PM) Guess Who's Coming to Dinner (1967/1h 48m/Comedy/Stanley Kramer)
(10:00PM) The Lion in Winter (1968/2h 14m/Drama/Anthony Harvey)
(12:30AM) On Golden Pond (1981/1h 49m/Drama/Mark Rydell)
(2:30AM) Morning Glory (1933/1h 14m/Drama/Lowell Sherman)
(4:00AM) Lovely To Look At (1952/1h 45m/Musical/Mervyn Le Roy)
(6:00AM) Possessed (1931/1h 12m/Romance//Clarence Brown)
(7:30AM) Anna Karenina (1935/1h 35m/Romance/Clarence Brown)
(9:30AM) Wife Vs. Secretary (1936/1h 28m/Romance/Clarence Brown)
(11:0AM) Of Human Hearts (1938/1h 40m/Drama/Clarence Brown)
(1:00PM) Song of Love (1947/1h 59m/Western/Clarence Brown)
(3:15PM) Intruder in the Dust (1949/1h 29m/Drama/Clarence Brown)
(4:45PM) To Please a Lady (1950/1h 31m/Romance/Clarence Brown)
(6:30PM) When in Rome (1952/1h 18m/Drama/DirectoClarence Brown)
(8:00PM) Beach Blanket Bingo (1965/1h 38m/Musical/William Asher)
(9:45PM) Barbarella (1968/1h 38m/Sci-Fi/Roger Vadim)
(11:30PM) Earth Girls Are Easy (1988/1h 40m/Comedy/Julien Temple)
(1:15AM) The Apple (1980/1h 32m/Musical/Menahem Golan)
(2:45AM) Queen of Outer Space (1958/1h 20m/Sci-Fi/Edward Bernds)
(4:15AM) Hercules, Samson & Ulysses (1963/1h 25m/Adventure/Pietro Francisci)
(5:45AM) Plan 9 from Outer Space (1959/1h 19m/HorroEdward D. Wood, Jr.)
(7:15AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(8:00AM) MGM CARTOONS: Early Bird and the Worm (1936/0h 9m/Short/Rudolf Ising)
(8:11AM) Microscopic Mysteries (1932/0h 9m/Documentary/Hugo Lund)
(8:21AM) Zion Canyon of Colour (1934/0h 7m/Short/?)
(8:30AM) Central Park (1932/0h 58m/Comedy/John G. Adolfi)
(9:30AM) BATMAN AND ROBIN: Batman Takes Over (1949/0h 27m/Serial/Spencer Gordon Bennet)
(10:00AM) POPEYE: Out to Punch (1956/0h 6m/Animation/?)
(10:08AM) The Garden Murder Case (1936/1h 2m/Mystery/Edwin L. Marin)
(11:30AM) Trial by Trigger (1944/0h 21m/Short/William McGann)
(12:00PM) Reveille with Beverly (1943/1h 18m/Musical/Charles Barton)
(1:30PM) How the West Was Won (1962/2h 35m/Western/John Ford)
(4:30PM) Kansas City Confidential (1952/1h 38m/Crime/Phil Karlson)
(6:15PM) Badlands (1973/1h 35m/Crime/Terrence Malick)
(8:00PM) Time After Time (1979/1h 52m/HorroNicholas Meyer)
(10:00PM) Repeat Performance (1947/1h 33m/Drama/Alfred Werker)
(12:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(2:00AM) The Great Santini (1979/1h 55m/Drama/Lewis John Carlino)
(4:00AM) I Never Sang for My Father (1970/1h 30m/Drama/Gilbert Cates)
(6:00AM) The Impossible Years (1968/1h 38m/Comedy/Michael Gordon)
(8:00AM) Our Vines Have Tender Grapes (1945/1h 45m/Drama/Roy Rowland)
(10:00AM) Flaxy Martin (1949/1h 26m/Film-NoiRichard Bare)
(11:45AM) Fiddler on the Roof (1971/3h 0m/Musical/Norman Jewison)
(3:00PM) To Kill a Mockingbird (1962/2h 11m/Drama/Robert Mulligan)
(5:30PM) The Courtship of Eddie's Father (1963/1h 57m/Comedy/Vincente Minnelli)
(7:45PM) So You're Going to Be a Father (1947/0h 10m/Short/Richard Bare)
(8:00PM) Life with Father (1947/1h 58m/Comedy/Michael Curtiz)
(10:15PM) Father of the Bride (1950/1h 33m/Comedy/Vincente Minnelli)
(12:00AM) The Divine Lady (1929/1h 50m/Romance/Frank Lloyd)
(2:00AM) Bay of the Angels (1964/1h 25m/Drama/Jacques Demy)
(3:45AM) Donkey Skin (1970/1h 30m/Drama/Jacques Demy)
(5:30AM) MGM Parade Show #5 (1955/25m/Documentary/?)
(6:00AM) Man Wanted (1932/William Dieterle)
(7:15AM) Millie (1931/1h 25m/Drama/John Francis Dillon)
(8:45AM) The Big Hangover (1950/1h 22m/Comedy/Norman Krasna)
(10:15AM) The Angel Wore Red (1960/1h 39m/Romance/Nunnally Johnson)
(12:00PM) Rancho Notorious (1952/1h 29m/Western/Fritz Lang)
(1:45PM) They Live by Night (1948/1h 35m/Crime/Nicholas Ray)
(3:30PM) Pitfall (1948/1h 24m/Film-NoiAndre De Toth)
(5:00PM) Indiscretion of an American Wife (1954/1h 3m/Romance/Vittorio De Sica)
(6:15PM) Tab Hunter Confidential (2015/1h 30m/Biography/Jeffrey Schwarz)
(8:00PM) Do the Right Thing (1989/2h 0m/Drama/Spike Lee)
(10:15PM) Alma's Rainbow (1994/1h 25m/Drama /Ayoka Chenzira)
(12:00AM) Just Another Girl On The I.R.T. (1993/1h 36m/Drama/Leslie Harris)
(2:00AM) Blackboard Jungle (1955/1h 41m/Drama/Richard Brooks)
(4:00AM) Edge of the City (1957/1h 25m/Drama/Martin Ritt)
(6:00AM) The Lady Refuses (1931/1h 12m/Drama/George Archainbaud)
(7:15AM) A Notorious Affair (1930/1h 9m/Drama/Lloyd Bacon)
(8:30AM) Bullets for O'Hara (1941/0h 50m/Crime/William K. Howard)
(9:30AM) No Marriage Ties (1933/1h 5m/Drama/J. Walter Ruben)
(10:45AM) Play Girl (1932/1h 0m/Romance/Ray Enright)
(12:00PM) War Nurse (1930/1h 20m/WaEdgar Selwyn)
(1:30PM) Wings for the Eagle (1942/1h 23m/WaLloyd Bacon)
(3:00PM) The White Sister (1933/1h 41m/Drama/Victor Fleming)
(5:00PM) Their Own Desire (1929/1h 5m/Drama/E. Mason Hopper)
(6:15PM) Smilin' Through (1932/1h 37m/Romance/Sidney Franklin)
(8:00PM) Sullivan's Travels (1942/1h 31m/Comedy/Preston Sturges)
(9:45PM) Bombshell (1933/1h 31m/Comedy/Victor Fleming)
(11:30PM) Hearts of the West (1975/1h 43m/Western/Howard Zieff)
(1:30AM) Never Give a Sucker an Even Break (1941/1h 11m/Comedy/Edward Cline)
(3:00AM) It's a Great Feeling (1949/1h 25m/Comedy/David Butler)
(4:30AM) Hollywood Party (1934/1h 3m/Musical/Allan Dwan)
(6:00AM) The Runaway Bus (1954/1h 18m/Comedy/Val Guest)
(7:15AM) Journey for Margaret (1942/1h 21m/Drama/Major W. S. Van Dyke II)
(8:45AM) The Time Machine (1960/1h 43m/Sci-Fi/George Pal)
(10:30AM) Looking at London (1946/0h 10m/Short/?)
(10:45AM) Berkeley Square (1933/1h 24m/Romance/Frank Lloyd)
(12:15PM) High Hopes (1988/1h 52m/Comedy/Mike Leigh)
(2:15PM) A Hard Day's Night (1964/1h 32m/Musical/Richard Lester)
(4:00PM) Royal Wedding (1951/1h 33m/Musical/Stanley Donen)
(5:45PM) The V.I.P.s (1963/1h 59m/Drama/Anthony Asquith)
(8:00PM) Z Channel: A Magnificent Obsession (2004/2h 2m/Documentary/Xan Cassavetes)
(10:15PM) What She Said: The Art of Pauline Kael (2018/Documentary/Rob Garver)
(12:00AM) The Celluloid Closet (1995/1h 42m/Documentary/Robert Epstein)
(2:00AM) Paul Robeson: Tribute to an Artist (1979/Biography/Documentary/Saul J. Turell)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Episode 09) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Episode 10) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Episode 11) (2019/Documentary/Mark Cousins)
(6:15AM) Yellowface: Asian Whitewashing and Racism in Hollywood (2019/Documentary/Clara Kuperberg and Julia Kuperberg)
(7:15AM) Soundies: A Musical History (2007/1h 16m/Documentary/0h 54m/Chris Lamson)
(8:45AM) Soldiers Three (1951/1h 27m/Adventure/Tay Garnett)
(10:30AM) The Wild North (1952/1h 37m/Western/Andrew Marton)
(12:15PM) Bhowani Junction (1956/1h 50m/Drama/George Cukor)
(2:15PM) Green Fire (1955/1h 40m/Adventure/Andrew Marton)
(4:00PM) The Prisoner of Zenda (1952/1h 41m/Adventure/Richard Thorpe)
(6:00PM) King Solomon's Mines (1950/1h 42m/Adventure/Compton Bennett)
(8:00PM) Holiday (1938/1h 33m/Comedy/George Cukor)
(10:00PM) Little Women (1933/1h 55m/Drama/George Cukor)
(12:15AM) A Woman Rebels (1936/1h 28m/Drama/Mark Sandrich)
(2:00AM) Undercurrent (1946/1h 56m/Suspense/Vincente Minnelli)
(4:15AM) Stage Door (1937/1h 23m/Drama/Gregory LaCava)
(6:00AM) A King in New York (1957/1h 45m/Comedy/Charles Chaplin)
(8:00AM) Girlfriends (1978/1h 26m/Comedy/Claudia Weill)
(9:30AM) The Naked City (1948/1h 36m/Crime/Jules Dassin)
(11:15AM) Up the Sandbox (1972/1h 37/Drama/Irvin Kershner)
(1:00PM) The House on 56th Street (1933/1h 8m/Drama/Robert Florey)
(2:15PM) This Is the Bowery (1941/0h 10m/Short/Gunther Von Fritsch)
(2:3PM) The Prisoner Of Second Avenue (1974/1h 45m/Comedy/Melvin Frank)
(4:15PM) Soylent Green (1973/1h 27m/Sci-Fi/Richard O. Fleischer)
(6:00PM) Daybreak Express (1953/0h 5m/Short/D.A. Pennebaker)
(6:15PM) Crossing Delancey (1988/1h 37m/Romance/Joan Micklin Silver)
(8:00PM) Grey Gardens (1976/1h 34m/Documentary/Ellen Hovde)
(9:45PM) What Ever Happened to Baby Jane? (1962/2h 12m/HorroRobert Aldrich)
12:15AM) X Y & Zee (1972/1h 50m/Drama/Brian G. Hutton)
(2:15AM) The Big Cube (1969/1h 38m/Drama/Tito Davison)
(4:00AM) The Legend of Lylah Clare (1968/2h 10m/Drama/Robert Aldrich)
(6:15AM) Vacation from Marriage (1945/1h 32m/Drama/Alexander Korda)
(8:00AM) MGM CARTOONS: Dumb-Hounded (1943/0h 8m/Animation/Fred “Tex” Avery)
(8:10AM) Pacific Paradise (1937/0h 10m/Short/George Sidney)
(8:21AM) Calling on Colombia (1940/0h 8m/Documentary/James A. Fitzpatrick)
(8:30AM) Once a Doctor (1937/0h 57m/Drama/William Clemens)
(9:30AM) BATMAN AND ROBIN: Tunnel of Terror (1949/0h 17m/Serial/Spencer Bennett)
(10:00AM) POPEYE: Insect to Injury (1956/0h 6m/Animation/Dave Tendlar)
(10:08AM) Murder in the Private Car (1934/1h 3m/Mystery/Harry Beaumont)
(11:30AM) The Flame Song (1934/0h 21m/Short/Joseph Henabery)
(12:00PM) A Star Is Born (1954/2h 56m/Musical/George Cukor)
(3:15PM) East of Eden (1955/1h 55m/Drama/Elia Kazan)
(5:30PM) Mister Roberts (1955/2h 3m/Comedy/John Ford)
(8:00PM) On the Waterfront (1954/1h 48m/Drama/Elia Kazan)
(10:00PM) Vertigo (1958/2h 8m/Suspense/Alfred Hitchcock)
(12:15AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(2:15AM) A Cry in the Dark (1988/2h 1m/Drama/Fred Schepisi)
(4:30AM) My Brilliant Career (1979/1h 38m/Drama/Gillian Armstrong)
(6:15AM) Athena (1954/1h 36m/Musical/Richard Thorpe)
(8:00AM) Calamity Jane (1953/1h 41m/Musical/David Butler)
(10:00AM) Storm Warning (1951/1h 33m/Film-NoiStuart Heisler)
(12:00PM) Imitation of Life (1959/2h 5m/Romance/Douglas Sirk)
(2:15PM) Pride and Prejudice (1940/1h 57m/Romance/Robert Z. Leonard)
(4:30PM) The Reluctant Debutante (1958/1h 36m/Musical/Vincente Minnelli)
(6:15PM) The Palm Beach Story (1942/1h 30m/Comedy/Preston Sturges)
TBD
(12:00AM) Don Juan (1926/1h 51m/Silent/Alan Crosland)
(2:00AM) Un Partie de Campagne (1936/0h 45m/Drama/Jean Renoir)
(3:00AM) Il bidone (1955/1h 32m/Comedy/Federico Fellini)
(5:00AM) Report from the Aleutians (1943/0h 45m/Documentary/Capt. John Huston)
(6:00AM) Many Rivers to Cross (1955/1h 32m/Western/Roy Rowland)
(7:45AM) Escape from Fort Bravo (1953/1h 38m/Western/John Sturges)
(9:30AM) The Very Thought of You (1944/1h 39m/Romance/Delmer Daves)
(11:15AM) One for the Book (1948/1h 43m/Comedy/Irving Rapper)
(1:00PM) Of Human Bondage (1946/1h 45m/Drama/Edmund Goulding)
(3:00PM) Lizzie (1957/1h 21m/Drama/Hugo Haas)
(4:30PM) Valley of the Kings (1954/1h 26m/Adventure/Robert Pirosh)
(6:00PM) Scaramouche (1952/1h 55m/Adventure/George Sidney)
(8:00PM) The Celluloid Closet (1995/1h 42m/DocumentaryRobert Epstein)
(10:00PM) Rope (1948/1h 20m/Suspense/Alfred Hitchcock)
(11:30PM) The Children's Hour (1961/1h 47m/Drama/William Wyler)
(1:30AM) Queen Christina (1933/1h 37m/Romance/Rouben Mamoulian)
(3:30AM) Victim (1961/1h 40m/Drama/Basil Dearden)
(5:30AM) Tea and Sympathy (1956/2h 2m/Drama/Vincente Minnelli)
(7:45AM) The Case of the Howling Dog (1934/1h 14m/Suspense/Mystery/Alan Crosland)
(9:15AM) Murder on a Bridle Path (1936/1h 6m/Mystery/Edward Killy)
(10:30AM) The Saint Meets the Tiger (1943/1h 10m/Suspense/Paul Stein)
(12:00PM) The Kennel Murder Case (1933/1h 13m/Mystery/Michael Curtiz)
(1:30PM) Haunted Honeymoon (1940/1h 23m/Comedy/Arthur B. Woods)
(3:00PM) Eyes in the Night (1942/1h 20m/Mystery/Fred Zinnemann)
(4:30PM) Murder at the Gallop (1963/1h 21m/Mystery/George Pollock)
(6:00PM) Shadow of the Thin Man (1941/1h 37m/Mystery/Major W. S. Van Dyke II)
(8:00PM) The Bad and the Beautiful (1952/1h 58m/Drama/Vincente Minnelli)
(10:15PM) Two Weeks in Another Town (1962/1h 47m/Drama/Vincente Minnelli)
(12:15AM) The Barefoot Contessa (1954/2h 8m/Drama/Joseph L. Mankiewicz)
(2:45AM) Inside Daisy Clover (1965/2h 8m/Drama/Robert Mulligan)
(5:00AM) The Oscar (1966/1h 59m/Drama/Russell Rouse)
(7:15AM) Mandalay (1934/1h 5m/Suspense/Michael Curtiz)
(8:30AM) The Unsuspected (1947/1h 43m/Suspense/Michael Curtiz)
(10:15AM) The Unholy Wife (1957/1h 34m/Crime/John Farrow)
(12:00PM) Back in Circulation (1937/1h 22m/Drama/Ray Enright)
(1:30PM) The Man with a Cloak (1951/1h 21m/Suspense/Fletcher Markle)
(3:00PM) D.O.A. (1950/1h 23m/Film-NoiRudolph Maté)
(4:30PM) Shadow on the Wall (1950/1h 24m/Suspense/Patrick Jackson)
(6:15PM) The Nanny (1965/1h 33m/HorroSeth Holt)
(8:00PM) Harold and Lillian: A Hollywood Love Story (2015/1h 34m/Documentary/Daniel Raim)
(9:45PM) By Design: The Joe Caroff Story (2022/0h 52m/Documentary/Mark Cerulli)
(10:45PM) Floyd Norman: An Animated Life (2016/1h 34m/Documentary/Michael Fiore)
TBD
(2:00AM) High Noon on the Waterfront (2022/0h 14m/Documentary/David Roberts)
(2:30AM) Women Make Film: A New Road Movie Through Cinema (Ep. 12) (2019/Documentary/Mark Cousins)
(3:45AM) Women Make Film: A New Road Movie Through Cinema (Ep.13) (2019/Documentary/Mark Cousins)
(5:00AM) Women Make Film: A New Road Movie Through Cinema (Ep. 14) (2019/Documentary/Mark Cousins
(6:15AM) Max Steiner: Maestro of Movie Music (2021/2h 0m/Documentary/Diana Friedberg)
(8:30AM) Dean Martin: King of Cool (2020/1h 47m/Documentary/Tom Donahue)
(10:30AM) Tarzan, the Ape Man (1932/1h 39m/Adventure/W. S. Van Dyke)
(12:15PM) Tarzan the Fearless (1933/1h 25m/Adventure/Robert F. Hill)
(1:45PM) The Valley of Decision (1945/1h 51m/Romance/Tay Garnett)
(3:45PM) Mrs. Parkington (1944/2h 4m/Romance/Tay Garnett)
(6:00PM) The Postman Always Rings Twice (1946/1h 51m/Crime/Tay Garnett)
(8:00PM) Desk Set (1957/1h 43m/Comedy/Walter Lang)
(10:00PM) Without Love (1945/1h 51m/Comedy/Harold S. Bucquet)
(12:00AM) Pat and Mike (1952/1h 35m/Comedy/George Cukor)
(1:45AM) Adam's Rib (1949/1h 41m/Comedy/George Cukor)
(3:45AM) Keeper of the Flame (1943/1h 40m/Drama/George Cukor)
(5:30AM) Week-End for Three (1941/1h 5m/Comedy/Irving Reis)
(6:45AM) MGM Parade Show #5 (1955/0h 25m/Documentary/?)
(7:30AM) Pagan Love Song (1950/1h 16m/Musical/Robert Alton)
(9:00AM) On an Island with You (1948/1h 47m/Musical/Richard Thorpe)
(11:00AM) Girl Happy (1965/1h 36m/Musical/Boris Sagal)
(12:45PM) You're Only Young Once (1938/1h 18m/Comedy/George B. Seitz)
(2:15PM) Catalina Caper (1967/1h 7m/Comedy/Lee Sholem)
(3:30PM) Where the Boys Are (1960/1h 39m/Comedy/Henry Levin)
(5:30PM) Sunkist Stars at Palm Springs (1936/0h 19m/Short/Roy Rowland)
(6:00PM) Palm Springs Weekend (1963/1h 40m/Comedy/Norman Taurog)
(8:00PM) VictoVictoria (1982/2h 14m/Musical/Blake Edwards)
(10:30PM) La Cage Aux Folles (1979/1h 37m/Comedy//Edouard Molinaro)
2023.05.31 06:38 RegentofArakko Update: 32L Packing List After 1.5 Years of Travel
 | I wanted to provide a follow-up to this post on how my pack has evolved after 1.5 years of travel. I started in Oct 2021 and traveled through Mexico and Central America until Colombia, with a 3-month side quest in Europe due to a family emergency (Germany, UK, Denmark, Norway). After a short break in the US, I started up again and have been through Argentina, Paraguay, Uruguay, Dominican Republic, and Puerto Rico the last 6 months, and am currently back in Colombia. I experienced a lot of variable climates in this span and made some tweaks to my pack to jettison stuff I wasn't wearing or using. submitted by RegentofArakko to onebag [link] [comments] Next destinations: Ecuador, Peru, Bolivia, Chile, Argentina (Patagonia), Brasil, and Venezuela. I expect to start Asia mid-to-late next year. I think I can comfortably continue for another 4 years or so, although desire and effort can be fickle mistresses. Note: Everything in bold (aside from the section titles) are either replacement items, outright new additions, or items with adjusted quantities. Anything crossed out was dropped. Travel Uniform
The Merrell hiking shoes are in black and now pull double duty as my "nice" pair (good enough for salsa clubs in Cali!), so now I'm down to 2 pairs of shoes + Xero sandals. And I just got so tired of my blazer real fast. It just wasn't useful or versatile enough with my setup. Bags
I actually upgraded my Pixel 3 XL to the Pixel 6 Pro last Nov, but I broke it in Uruguay. Thanks to the Amex Plat's extended warranty protection, however, I replaced it for free and sprung for the Pixel 7 Pro (and replaced my Jabra Elite 75ts when the left earbud started having issues). Even the battery life difference between the 6 Pro and the 7 Pro is significant, and I can now get through a day+ with moderate-to-heavy camera use + navigating + web surfing. While on the topic: The Amex Platinum is a low-key fantastic travel card in terms of gear coverage. Its Purchase Protection (reimbursement for lost, damaged, stolen, or otherwise non-functional item within 3 months of purchase) and Extended Warranty Protection (doubles the length of the original manufacturer's warranty up to +2 years) have bailed me out several times. Another example: When my Matador On-Grid Packable Day Pack started having zipper problems after 14 months of ownership, Amex fully reimbursed me within 2 days, no questions asked since I put the original purchase on the card. All three credit cards waive foreign transaction fees, a no-brainer for international travel. I generally prefer to focus all my spend on the Chase Sapphire Preferred (the Chase Ultimate Rewards points and travel portal just seem to be more useful in my use case), and Visa is more widely accepted than Amex (because of their ridiculously high interchange fees that they charge merchants). However, if I am buying or replacing any travel-related equipment, electronics, or basically anything with a warranty, that purchase is going straight onto the Amex Plat for the aforementioned protection benefits. And, of course, the Charles Schwab debit card is a must-have as it also waives all foreign transaction fees and exchange rate fees at any ATM worldwide. ATM fees are rebated at the end of every month. https://preview.redd.it/aw1cvk9nx43b1.png?width=2268&format=png&auto=webp&s=d2734685d72b654361c6e9068fe9489fc3cebe2f Clothes
I returned the Nikes for the Brooks. Nikes advertised width sizes are not even remotely accurate. I didn't realize how bad they really were for me until a couple of months in, and they were killing my pinky toes. I had pain in my feet that didn't go away for 6 months. The Brooks, by contrast, have been much roomier. Solid laundry detergent in bar form is quite popular in Latin America, and this in combination with the clothesline I carry have enabled me to travel with far less clothing than I originally thought possible. Also ditched the Stio jacket for the TorrentShell 3L: far lighter, more durable, and water-resistant (and has pit zips!). I almost never used my scarf so bye bye. I upgraded tank tops and the results have been stellar: Softer to the touch, lighter, packs smaller, airs out easily, and I can wear it for weeks on end without it smelling funky. To be completely frank: This pack list would be a lot simpler and lighter if I just stuck to packing clothes specifically for one type of climate. But I've just run into too many random days where there are sudden, torrential downpours with strong gusts of wind, or where temperatures unexpectedly dip into single digits. I'm very happy that the pack accommodates both hot and cold climates, and I haven't looked back since. Rolled clothes Packed and uncompressed Compressed https://preview.redd.it/23vutlely43b1.png?width=2268&format=png&auto=webp&s=554bb949f588c4862c243ff3111239bd42ab9ed2 Brooks loaded out https://preview.redd.it/pm6wz2poy43b1.png?width=4032&format=png&auto=webp&s=e7a21302607e3733786604e29004b53f47dfc5c0 Tech
The UE Roll 2 speaker has been indispensable: Solo hikes in the mountains, cooling off by rivers, beach days, movie nights, micro-dosing on shrooms, you name it. The upgrade to the Surface Pro 9 is inconsequential for the purposes of this post, but I just wanted to say that that SQ2 Qualcomm chip in the SPX is horrible at apps-mirroring and is laggy as hell, jfc. I am beyond overjoyed to be back on an Intel chip. (Microsoft Complete Protection + Amex Extended Warranty was clutch with this upgrade, too--take note!) The Cragsmith backpack has a pocket for a water bag that I use as laptop storage. The downside is that there is no padding to speak of, so I sprung for a laptop sleeve for extra protection. Accessories
And yo, that Going in Style Clothesline is the no-joke MVP of this category. You would not believe the places I've been able to connect it to in order to dry clothes: Bed posts, nails and screws in walls, HDMI cables/ports behind TVs, cabinet drawer handles, door knobs, table legs...it's amazing. I've even stretched that bad boy beyond its limit to about 14 feet. Just, wow. That headlamp is amazing, too. Besides helping me rifle through my pack when it's dark in a hostel, it's bailed me out when coming down from dark mountains and viewpoints after watching sunsets (which I do frequently). I brought the air vent smartphone mount thinking I would use it more, but I rented a car exactly one time, and that was for 2 weeks in Puerto Rico...and I didn't even use it because the car came fully equipped with Android Auto in the dash. I pick up bar shampoo and conditioner in whatever country I am as needed; they are all basically the same and far less expensive outside the US. Toiletries
My floss hack: Remove rolls of floss from their plastic containers, keep one, and reload when needed with the rolls, which has been far more compact. Floss is expensive outside of the US, so I don't mind this extra bit of effort. Got rid of the bottles that came with the Sea to Summit toiletry pouch because I've cut down drastically on the liquids I carry (I tend to just buy small bottles of moisturizer, sunscreen, and toothpaste wherever I am). I got super dunked on in the last thread for my 3 toothbrushes, so here we are, lol. The sprawl Layering order #1 Layering order #2 Layering order #3 https://preview.redd.it/onmoacxz163b1.jpg?width=4032&format=pjpg&auto=webp&s=93c634638d4b58d6448d2537d6ed207f2cf9061d I still frequently get comments marveling at how little stuff I have (even though it might be comparatively maximalist to the rest of the onebag community). It's simplified my travel lifestyle completely, and the last 1.5 years have been life-changing. I'm already thinking about more things I plan on cutting the next time I pass through the US. Looking forward to what the next couple of years will bring. Really grateful for this sub! |
2023.05.31 06:29 s2kbae [WTS] Ban State 10/40, 10/30, 10/27, 10/20, 10rd mags (Okay Ind., Magpul, ASC, Duramag, CZ-USA, Lancer), VLTOR MUR1-A assembled upper, T-Rex Arms G19/X300 IWB holster, Modlite OKW 18650, GEISSELE SSAE-X Lighting bow AR Trigger
Timestamp: https://imgur.com/a/EmRF0ej
DIBS rules apply
Prices are FIRM, Willing to work with you if purchased in bundles (Preferred)
NO TRADES.
All Prices are SHIPPED & INSURED
PayPal fees applied to users with low flair, OTHERWISE PayPal F&F preferred
DA GOODS:
submitted by s2kbae to GunAccessoriesForSale [link] [comments]
DIBS rules apply
Prices are FIRM, Willing to work with you if purchased in bundles (Preferred)
NO TRADES.
All Prices are SHIPPED & INSURED
PayPal fees applied to users with low flair, OTHERWISE PayPal F&F preferred
DA GOODS:
- Geissele SSA-E X Lighting Bow - $240
- Used for less than 100rds, Looks like new.
- Modlite OKW 18650 - $230
- NO BATTERY. Comes with head, body, cover.
- T-Rex Arms G19/X300 IWB Holster - $40
- Literally Catch and Release from here. Comes with Mag carrier as well.
- VLTOR MUR1-A Assembled Upper Receiver - $170
- Lightly used, Signs of wear shown in pics. <300rds with upper
- NO SALES TO WA
- Ban State Compliant Magazines (All pinned to 10 rounds with rivets) -
$210 Shipped for ALL- ALL MAGS HAVE SEEN LESS THAN 2 RANGE TRIPS
2X - Okay Industries 10/30 AR 5.56 Stanag Grey ($20 EA)- 1X - Okay Industries 10/30 AR 5.56 Stanag FDE ($20)
- 1X - Okay Industries 10/30 AR 5.56 Stanag Black ($20)
1X - Duramag 10/30 AR 5.56 Stanag ODG ($16)1X - Lancer 10/30 AR 5.56 Smoke Grey ($16)1X - ASC 10/20 AR 5.56 Stanag Black ($16)1X - ASC 10/20 AR 5.56 Stanag Grey ($16)1X - Lancer 10/20 AR 5.56 Smoke Grey ($16)1X - Magpul 10/20 AR 5.56 Black ($16)- 1X - Magpul 10/20 AK 7.62 Black ($16)
- 1X - ETS Glock 9mm 10/40 Smoke Grey ($20)
- 1X - Magpul Glock 9mm 10/27 Black ($16)
- 2X - CZUSA CZ75 Compact 10rd Magazine ($20 EA)
- 1X - Magpul 10rd AK 7.62 Black ($10)
2023.05.31 05:04 nepechri Elric Dustin, Lord of Barrowton
Discord Username: Deus Vult#9488
Character Name and House: Lord Elric Dustin
Age: 55
Appearance: Lord Dustin
Gift: Leadership
Skills: Axes, Tactician (E), Beleaguer, Fortifier
Talent(s): Reading, Writing, Singing
Starting Title(s): Lord of Barrowton
Starting Location: King's Landing
Family Tree: House Dustin
Auxiliary Character: Ser Beren Dustin
Age: 52
Appearance: Ser Beren
Gift: Guardian
Skills: Axes (M), Beserker, Defender
Talent(s): Singing, Stargazing, Reading
Starting Title(s): Knight of the Kingsguard
Starting Location: King's Landing
Archetyped NPCs: 1) Eddard Dustin (son): Logistician 2) Cley Dustin (cousin+castellan): Fortifier
~~~
Lord Elric Dustin was born in 152 AC, the first child of Denys Dustin, the heir to Barrowton. Only a few years prior, Deny's cousin, Lord Brandon, had led forces to fight in the Second Dance for the cause of the Blacks, which saw the deaths of both Lord Brandon and his brother Manfred. Brandon's young son, Benjen, died two years later, leaving his grand-uncle the regent, Rogar Dustin, as Lord of Barrowton and head of the house. Having lost four of its members and many sworn men in two dances, Lord Rogar set a new policy of the house to not openly march to war in favour of the Blacks.
Lord Rogar was the father of Denys, who in turn was the father of Elric. Elric, as eventual heir to Barrowton, was sent to Winterfell to be a ward under Lord Rickon Stark. There, he became acquainted both Theon and Lucamore Stark, although he was closer with Lucamore. He trained with the other boys, followed Lord Stark on his campaigns, and grew into a fine young warrior, although he preferred using the axe over the sword. He was known for being fairly quiet, but highly intelligent, honorable, honest and very upstanding.
When he was 16, he received word that his Father, Lord Denys, had passed away of illness. He rode back to Barrowton, and became the Lord Dustin at a rather young age. He adapted to his responsibilities as Lord, learning how to lead and inspire his men not just through words but through his actions. He married Tysane Mallister, and the two would go on to have seven children, six of whom would live to maturity. In 177, his sister Dacey ran away to Dorne in order to support the newly crowned King Baelon, although he forbade it (judging the time was not ripe for open support).
His leadership would be put the test following the death of Lord Theon in 186, leading the forces of Barrowton against the Skagosi in support of his friend, the new Lord Lucamore. In the campaigns against the Skagosi, Elric proved an invaluable asset to Lucamore as a field commander of the forces on Lucamore's flank, picking up many skills in leading forces for his liege lord. They were ultimately successful in crushing the Skagosi, and making Elric one of the chief commanders in the north.
Since then, he has continued to rule over Barrowton, although he works closely with his friend Lord Lucamore. With the naming of Aegon as Prince of Dragonstone, Lord Dustin finally came forth as one of the chief supporters of the move (alongside Lord Stark), as the house had long held Black sympathies which had been hidden.
Now in his mid-50s, Lord Dustin is one of the preeminent vassals of the North, with connexions to many places south of the Neck through a policy of bettering relations with other Houses. His daughter, Bethany, married the heir to House Stark; his son and heir is well-loved and with a spotless reputation, and his other children are matched with good spouses, and his youngest is a squire for the King himself! Still only one major family issue remains- despite arranging a betrothal of his daughter Jeyne with the son of House Velaryon years ago, Velaryon seems hesitant on tying the knot. Lord Dustin wants the situation resolved, and for the word of Lord Velaryon to be kept just as he keeps his promises.
However, just as things are in Dustin's greatest favour, a terrible tragedy strikes the north. In anger and grief, Elric travels alongside his friend Lucamore to inform the King of the crimes of the Wildings, and with a cool fury prepares to ride again north to enact vengeance for his daughter and his grandchildren.
~~~
Ser Beren Dustin is a Knight of the Kingsguard, and brother to Lord Elric Dustin. Born in 155, Beren was always fascinated by the stories of knights his mother Desmona told him. Longing to becoming a Knight, he was permitted by his father to travel south and become a squire. He trained with a Knight who fought in the Third Dance; there he showed courage in combat beyond his years. He faithfully served his master for years, before finally being worthy of Knighthood.
As a Knight, he made a name for himself for embodying the virtues of the knight, as well as superbly skilled with the axe, a weapon not as common for knights to use. His fierceness and his battle-fury (for when the "joy of battle" is on him, he sings) He refused several offers of marriage in his dream to become one of the legendary Kingsguard. His ability, dedication and service won him a spot in the Kingsguard in the year 180 at the age of 25, thereby fulfilling his life's goal to achieve the pinnacle of knighthood, greater than any fleeting glory of tourney or joust.
As time went on, his ideal vision of the Kingsguard remained, although it morphed and changed with the realities that went with the position. Fighting in the Red War which saw the death of his estranged sister Dacey and her sons, he grew to calmly accept his duties, never swaying from the path which was set before him.
In all of his service, perhaps the hardest thing to do was to prove his loyalty to the King, where he gathered up all of the secret information of House Dustin's covert support of the Blacks throughout the previous half-century in written record for the King to have. Although he had some doubts, he did as his King instructed because it was his duty.
Nevertheless, although the vision that he had as a young knight has not proven idyllic, his understanding of the importance of his position and the gravity of his duty still resonate in his heart- the reality is true to the core of the vision of the ideals of Knighthood. His strong sense of duty and honour carry him, even when sometimes his mind has doubts about the course of action in front of him. He wears his white cloak with pride, unbowed by age or cynicism, and he plans to serve the crown faithfully until death.
submitted by nepechri to FieldOfFire [link] [comments]
Character Name and House: Lord Elric Dustin
Age: 55
Appearance: Lord Dustin
Gift: Leadership
Skills: Axes, Tactician (E), Beleaguer, Fortifier
Talent(s): Reading, Writing, Singing
Starting Title(s): Lord of Barrowton
Starting Location: King's Landing
Family Tree: House Dustin
Auxiliary Character: Ser Beren Dustin
Age: 52
Appearance: Ser Beren
Gift: Guardian
Skills: Axes (M), Beserker, Defender
Talent(s): Singing, Stargazing, Reading
Starting Title(s): Knight of the Kingsguard
Starting Location: King's Landing
Archetyped NPCs: 1) Eddard Dustin (son): Logistician 2) Cley Dustin (cousin+castellan): Fortifier
~~~
Lord Elric Dustin was born in 152 AC, the first child of Denys Dustin, the heir to Barrowton. Only a few years prior, Deny's cousin, Lord Brandon, had led forces to fight in the Second Dance for the cause of the Blacks, which saw the deaths of both Lord Brandon and his brother Manfred. Brandon's young son, Benjen, died two years later, leaving his grand-uncle the regent, Rogar Dustin, as Lord of Barrowton and head of the house. Having lost four of its members and many sworn men in two dances, Lord Rogar set a new policy of the house to not openly march to war in favour of the Blacks.
Lord Rogar was the father of Denys, who in turn was the father of Elric. Elric, as eventual heir to Barrowton, was sent to Winterfell to be a ward under Lord Rickon Stark. There, he became acquainted both Theon and Lucamore Stark, although he was closer with Lucamore. He trained with the other boys, followed Lord Stark on his campaigns, and grew into a fine young warrior, although he preferred using the axe over the sword. He was known for being fairly quiet, but highly intelligent, honorable, honest and very upstanding.
When he was 16, he received word that his Father, Lord Denys, had passed away of illness. He rode back to Barrowton, and became the Lord Dustin at a rather young age. He adapted to his responsibilities as Lord, learning how to lead and inspire his men not just through words but through his actions. He married Tysane Mallister, and the two would go on to have seven children, six of whom would live to maturity. In 177, his sister Dacey ran away to Dorne in order to support the newly crowned King Baelon, although he forbade it (judging the time was not ripe for open support).
His leadership would be put the test following the death of Lord Theon in 186, leading the forces of Barrowton against the Skagosi in support of his friend, the new Lord Lucamore. In the campaigns against the Skagosi, Elric proved an invaluable asset to Lucamore as a field commander of the forces on Lucamore's flank, picking up many skills in leading forces for his liege lord. They were ultimately successful in crushing the Skagosi, and making Elric one of the chief commanders in the north.
Since then, he has continued to rule over Barrowton, although he works closely with his friend Lord Lucamore. With the naming of Aegon as Prince of Dragonstone, Lord Dustin finally came forth as one of the chief supporters of the move (alongside Lord Stark), as the house had long held Black sympathies which had been hidden.
Now in his mid-50s, Lord Dustin is one of the preeminent vassals of the North, with connexions to many places south of the Neck through a policy of bettering relations with other Houses. His daughter, Bethany, married the heir to House Stark; his son and heir is well-loved and with a spotless reputation, and his other children are matched with good spouses, and his youngest is a squire for the King himself! Still only one major family issue remains- despite arranging a betrothal of his daughter Jeyne with the son of House Velaryon years ago, Velaryon seems hesitant on tying the knot. Lord Dustin wants the situation resolved, and for the word of Lord Velaryon to be kept just as he keeps his promises.
However, just as things are in Dustin's greatest favour, a terrible tragedy strikes the north. In anger and grief, Elric travels alongside his friend Lucamore to inform the King of the crimes of the Wildings, and with a cool fury prepares to ride again north to enact vengeance for his daughter and his grandchildren.
~~~
Ser Beren Dustin is a Knight of the Kingsguard, and brother to Lord Elric Dustin. Born in 155, Beren was always fascinated by the stories of knights his mother Desmona told him. Longing to becoming a Knight, he was permitted by his father to travel south and become a squire. He trained with a Knight who fought in the Third Dance; there he showed courage in combat beyond his years. He faithfully served his master for years, before finally being worthy of Knighthood.
As a Knight, he made a name for himself for embodying the virtues of the knight, as well as superbly skilled with the axe, a weapon not as common for knights to use. His fierceness and his battle-fury (for when the "joy of battle" is on him, he sings) He refused several offers of marriage in his dream to become one of the legendary Kingsguard. His ability, dedication and service won him a spot in the Kingsguard in the year 180 at the age of 25, thereby fulfilling his life's goal to achieve the pinnacle of knighthood, greater than any fleeting glory of tourney or joust.
As time went on, his ideal vision of the Kingsguard remained, although it morphed and changed with the realities that went with the position. Fighting in the Red War which saw the death of his estranged sister Dacey and her sons, he grew to calmly accept his duties, never swaying from the path which was set before him.
In all of his service, perhaps the hardest thing to do was to prove his loyalty to the King, where he gathered up all of the secret information of House Dustin's covert support of the Blacks throughout the previous half-century in written record for the King to have. Although he had some doubts, he did as his King instructed because it was his duty.
Nevertheless, although the vision that he had as a young knight has not proven idyllic, his understanding of the importance of his position and the gravity of his duty still resonate in his heart- the reality is true to the core of the vision of the ideals of Knighthood. His strong sense of duty and honour carry him, even when sometimes his mind has doubts about the course of action in front of him. He wears his white cloak with pride, unbowed by age or cynicism, and he plans to serve the crown faithfully until death.
2023.05.31 04:54 i3rianf [WTS] (4) Red Arrow Weapons M-Lok Handguard Rails (2) 15 Inch (2) 9 Inch Midnight Bronze and Black
Timestamp: https://imgur.com/a/SFGtDYb
I have for sale four new Red Arrow Weapons (RAW) “Battle Rail” M-Lok handguards.
1 - 15” RAW handguard in midnight bronze - $130 shipped pp g&s (no hardware screws included)
1 - 15” RAW handguard in black - $120 shipped pp g&s (no hardware screws included) (has a few small, light scratches - see photos)
1 - 9” RAW handguard in midnight bronze - $100 shipped pp g&s (no hardware screws included)
1 - 9” RAW handguard in black - $90 shipped pp g&s (no hardware screws included) (has a few small, light scratches - see photos)
submitted by i3rianf to GunAccessoriesForSale [link] [comments]
I have for sale four new Red Arrow Weapons (RAW) “Battle Rail” M-Lok handguards.
1 - 15” RAW handguard in midnight bronze - $130 shipped pp g&s (no hardware screws included)
1 - 15” RAW handguard in black - $120 shipped pp g&s (no hardware screws included) (has a few small, light scratches - see photos)
1 - 9” RAW handguard in midnight bronze - $100 shipped pp g&s (no hardware screws included)
1 - 9” RAW handguard in black - $90 shipped pp g&s (no hardware screws included) (has a few small, light scratches - see photos)
2023.05.31 03:11 wtfwafflezor (Selling) 800 Titles Fast & Furious Collection 1-9 MA HD $10 Dog 2022 Vudu HD $3
Prices FIRM - CashApp/Venmo/PayPal Friends & Family
Disney/Marvel titles are split codes. Only redeem what you pay for. Thank you.
300 (2007) (MA/4K) $6.50
12 Monkeys (1995) (MA/4K) $3.50
12 Years a Slave (2013) (MA/HD) $3.50
2 Guns (2013) (MA/HD) $4.75 (iTunes/HD) $3.50
2012 (2009) (MA/4K) $6.50
22 Jump Street (2014) (MA/HD) $4.50
355, The (2022) (MA/HD) $5.75
47 Meters Down (2017) (Vudu/HD) (iTunes/HD) $4.50
47 Meters Down: Uncaged (2019) (Vudu/HD) (iTunes/4K) $4.75
80 for Brady (2023) (Vudu/HD) (iTunes/4K) $6.50
A Beautiful Day in the Neighborhood (2019) (MA/HD) $5.75
A Clockwork Orange (1972) (MA/4K) $6.50
A Dog's Purpose (2017) (MA/HD) $4 (iTunes/HD) $3
A Man Called Otto (2022) (MA/HD) $7.25
A Million Ways to Die in the West (2014) (iTunes/HD) Ports to MA $4.25
A Monster Calls (2016) (MA/HD) (iTunes/HD) $3.75
A Quiet Place (2018) (Vudu/4K) $4.50 (iTunes/4K) (Vudu/HD) $1.50
A Quiet Place Part II (2020) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $4.25
A Vigilante (2018) (Vudu/HD) (iTunes/HD) $5.50
A Wrinkle in Time (2018) (MA/HD) $3
Abraham Lincoln: Vampire Hunter (2012) (MA/HD) $4.25
Action Point (2018) (Vudu/HD) $2.25 (iTunes/4K) $1.50
Ad Astra (2019) (MA/HD) $4.75
Addams Family (1991) (Vudu/4K) (iTunes/4K) $6.50
Adventures of Tintin (2011) (Vudu/HD) (iTunes/HD) $4.50
After Earth (2013) (MA/HD) $2.50
Age of Adaline (2015) (Vudu/HD) (iTunes/HD) $3.75
Aladdin (1992) (MA/4K) $6.75 (MA/HD) $3.25 (GP/HD) $2.25
Alice in Wonderland (1951) (GP/HD) $5.50
Alien (1979) (MA/4K) $7.25 (iTunes/4K) (MA/HD) $5
Alien 3 (1992) (MA/HD) $5.50
Alien Collection 1-6 (MA/HD) $19.50 1-4 (MA/SD) $9
Alien Resurrection (1997) (MA/HD) $5.50
Alien: Covenant (2017) (iTunes/4K) (MA/HD) $2.50
Aliens (1986) (MA/HD) $5.50
All Eyez on Me (2017) (Vudu/HD) $2.50 (iTunes/HD) $1.75
All The Money In The World (2017) (MA/HD) $4.25
All the Way (2016) (GP/HD) $3.50 No Port
Aloha (2015) (MA/HD) $2.50
Alvin and the Chipmunks: The Road Chip (2015) (MA/HD) (iTunes/HD) $2.75
Amazing Spider-Man (2012) (MA/4K) $6.50 (MA/HD) $4.50
Amazing Spider-Man 2 (2014) (MA/4K) $6.50 (MA/HD) $5.50
Ambulance (2022) (MA/4K) $6.75 (MA/HD) $4
American Beauty (1999) (Vudu/HD) (iTunes/HD) $6
American Made (2017) (MA/4K) $7.25 (MA/HD) $4.25
American Sniper (2014) (MA/4K) $6.50
American Underdog (2021) (iTunes/4K) (Vudu/HD) $4.75
Amsterdam (2022) (MA/HD) $5 (GP/HD) $3.75
Anchorman 2: The Legend Continues (2013) (iTunes/HD) $2
Angels & Demons (2009) (MA/HD) $5.75
Angry Birds Movie (2016) (MA/HD) $3.75
Annie (2014) (MA/HD) $2.25
Antlers (2021) (GP/HD) $4
Ant-Man (2015) (MA/4K) $6.25 (iTunes/4K) $5 (MA/HD) $4.50 (GP/HD) $2.25
Apollo 11 (2019) (MA/HD) $6.25
Aqua Teen Forever: Plantasm (2022) (MA/HD) $4.75
Army of Darkness (1992) (MA/HD) $4
Arrival (2016) (Vudu/4K) $6.75 (Vudu/HD) $2.25 (iTunes/4K) $4
Art of Self-Defense (2019) (MA/HD) $6
Artist, The (2011) (MA/HD) $6
Avengers (2012) (MA/4K) $7.75 (iTunes/4K) $6.75 (GP/HD) $3.75
Avengers: Age of Ultron (2015) (MA/4K) $7.75 (iTunes/4K) $6 (GP/HD) $1.75
Avengers: Endgame (2019) (MA/4K) $4.75 (iTunes/4K) $3.75 (GP/HD) $1
Avengers: Infinity War (2018) (MA/4K) $5.50 (iTunes/4K) $3.75 (GP/HD) $1
Babylon (2022) (Vudu/HD) (iTunes/4K) $6.25
Back to the Future (1985) (iTunes/4K) (MA/HD) $4.25
Bad Boys for Life (2020) (MA/4K) $5.75 (MA/HD) $3.50
Bad Guys, The (2022) (MA/4K) $8 (MA/HD) $4.25
Bad Moms (2016) (MA/HD) $3.50 (iTunes/HD) $2.75
Bambi (1942) (MA/HD) $6.25 (GP/HD) $4.50
Bambi II (2006) (MA/HD) $6.25 (GP/HD) $4.50
Band of Brothers (2001) (GP/HD) $3.75 No Port
Bank Job, The (2008) (Vudu/HD) $3.25
Banshees of Inisherin (2022) (GP/HD) $4.50
Batman and Superman: Battle of the Super Sons (2022) (MA/4K) $6 (MA/HD) $4.50
Batman Year One (2011) (MA/4K) $5
Batman, The (2022) (MA/4K) $5.25 (MA/HD) $3
Batman: The Long Halloween Deluxe Edition (2022) (MA/HD) $6
Battle: Los Angeles (2011) (MA/4K) $6.50
Battleship (2012) (MA/4K) $4.50 (MA/HD) $1.75 (iTunes/4K) $3
Beast (2022) (MA/HD) $5.75
Beauty and the Beast (1991) (MA/4K) $7 (MA/HD) $4.75 (GP/HD) $2
Beauty and the Beast (2017) (MA/4K) $7 (MA/HD) $3.25 (GP/HD) $2
Bedknobs and Broomsticks (1971) (MA/HD) $5 (GP/HD) $3.50
Beguiled, The (2017) (MA/HD) (iTunes/HD) $4
Being John Malkovich (1999) (MA/HD) $3.50
Beirut (2018) (MA/HD) $4.75
Belfast (2021) (MA/HD) $5.50
Belly (1998) (Vudu/4K) $4.75
Ben-Hur (2016) (Vudu/HD) $2.50
Better Off Dead (1985) (Vudu/HD) (iTunes/HD) $6.50
Beverly Hills Cop (1984) (Vudu/4K) (iTunes/4K) $4.50
BFG, The (2016) (MA/HD) $5.25 (GP/HD) $3.50
Big (1988) (MA/HD) $5.75
Big Lebowski (1998) (iTunes/4K) $6 (MA/HD) $5.75
Big Wedding (2013) (Vudu/HD) (iTunes/HD) $3.75
Billy Elliot (2000) (MA/HD) (iTunes/HD) $4.25
Birth of A Nation (2016) (MA/HD) $4
Black Adam (2022) (MA/4K) $7 (MA/HD) $4.25
Black Christmas (2019) (MA/HD) $6
Black Panther: Wakanda Forever (2022) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $2.50
Black Phone, The (2021) (MA/HD) $5
Black Swan (2010) (MA/HD) $4.50
Black Widow (2021) (MA/4K) $6.50 (MA/HD) $4.75 (GP/HD) $3.25
Blacklight (2022) (MA/HD) $4.25
Blade Runner (Final Cut) (1982) (MA/4K) $6.50
Blade Runner 2049 (2017) (MA/4K) $6.50
Bleed for This (2016) (MA/HD) (iTunes/HD) $4
Blockers (2018) (MA/HD) $3
Blood Father (2016) (Vudu/HD) $4
Bloodshot (2020) (MA/HD) $4
Blues Brothers (1980) (iTunes/4K) Ports to MA $6
Blumhouse's Truth Or Dare (Unrated) (2018) (MA/HD) $4.75
Bob's Burgers Movie (2022) (MA/HD) $3.25 (GP/HD) $2.25
Bodies Bodies Bodies (2022) (Vudu/4K) $6.75
Bodyguard, The (1992) (MA/HD) $5
Bolt (2008) (MA/HD) $8 (GP/HD) $5.50
Bond: Goldfinger (1964) (Vudu/HD) $7
Bond: Man with the Golden Gun (1974) (Vudu/HD) $6.25
Bond: Skyfall (2012) (Vudu/4K) $5.75 (Vudu/HD) $1
Bond: Spectre (2015) (iTunes/4K) (Vudu/HD) $5.50
Book of Henry (2017) (iTunes/HD) Ports $5
Book of Life (2014) (MA/HD) (iTunes/HD) $2.50
Booksmart (2019) (MA/HD) $5.25
Born a Champion (2021) (Vudu/4K) (iTunes/4K) $5.50
Boss Baby: Family Business (2021) (MA/HD) $4.50
Boss, The (Unrated) (2016) (iTunes/HD) Ports to MA $2.75
Bourne Supremacy (2004) (MA/4K) $5.50 (iTunes/HD) $4.50 (MA/HD) $3
Bourne Ultimatum (2007) (MA/4K) $5.50 (iTunes/HD) $5.50 (MA/HD) $4
Boy Next Door, The (2015) (iTunes/HD) Ports to MA $5.25
Boy, The (2016) (MA/HD) (iTunes/HD) $3.75
Brahms: The Boy II (2020) (iTunes/4K) $2.75
Braven (2018) (Vudu/HD) $3.75
Breakdown (1997) (Vudu/HD) (iTunes/HD) $5.75
Breakthrough (2019) (MA/4K) $6.50
Brian Banks (2019) (MA/HD) $4.25
Bridge of Spies (2015) (MA/HD) $5.25 (GP/HD) $3.75
Bridget Jones's Diary (2001) (Vudu/HD) (iTunes/HD) $4.25
Bring It On: Worldwide #Cheersmack (2017) (MA/HD) $3.25 (iTunes/HD) $1.25
Broken City (2013) (MA/HD) $3.50 (iTunes/SD) $1.25
Broken Hearts Gallery (2020) (MA/HD) $3.75
Brothers (2009) (Vudu/HD) $5.50
Buffy, the Vampire Slayer (1992) (MA/HD) $5.75
Bullet Train (2022) (MA/4K) $5.75 (MA/HD) $4.25
Bye Bye Man (Unrated) (2017) (iTunes/HD) Ports to MA $2.50
Cake (2014) (MA/HD) $5.25
Call Me by Your Name (2017) (MA/HD) $5.75
Call, The (2013) (MA/HD) $4.50
Captain America: Civil War (2016) (MA/4K) $6 (iTunes/4K) $5 (GP/HD) $2.25
Captain America: The First Avenger (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $5
Captain America: Winter Soldier (2014) (MA/4K) $7.50 (iTunes/4K) (MA/HD) $6 (GP/HD) $2.25
Captain Marvel (2019) (MA/4K) $5 (iTunes/4K) $4 (GP/HD) $1.75
Captain Underpants: The First Epic Movie (2017) (MA/HD) $3.25
Carrie (2013) (Vudu/HD) $5.50
Cars 1-3 (iTunes/4K) (MA/HD) $15.50 (GP/HD) $9
Casper (1995) (iTunes/HD) Ports to MA $3.75
Catch Me If You Can (2002) (Vudu/HD) (iTunes/HD) $6.50
Catch the Bullet (2021) (Vudu/HD) $4.75
Change-Up, The (2011) (Unrated) (2011) (iTunes/HD) Ports to MA $5.50
Chappie (2015) (MA/4K) $6.50 (MA/HD) $3.75
Charlie's Angels (2000) (MA/4K) $7.75
Chronicles of Riddick (Unrated Director's Cut) (2004) (MA/HD) (iTunes/HD) $5
Cinderella (1950) (MA/HD) $5.75 (GP/HD) $3.75
Cinderella (2015) (iTunes/4K) (MA/HD) $5.50 (GP/HD) $2.50
Cinderella 'Camila Cabello' (2021) (MA/HD) $4.50
Cinderella II: Dreams Come True (2002) (MA/HD) $6.50
Citizenfour (2014) (Vudu/HD) $5.50
City of Lies (2018) (Vudu/HD) (iTunes/HD) $5.50
Clerks III (2022) (Vudu/4K) (iTunes/4K) $5.50
Clifford the Big Red Dog (2021) (iTunes/4K) (Vudu/HD) $3.50
Clown (2014) (Vudu/HD) $6.25
Clueless (1995) (Vudu/HD) (iTunes/HD) $4.25
Coal Miner's Daughter (1980) (MA/HD) $6.25
Cocaine Bear (2023) (MA/HD) $7.25
Colombiana (Unrated) (2011) (MA/HD) $4.25
Concussion (2015) (MA/HD) $3
Constantine: The House of Mystery (2022) (MA/HD) $3.50
Contraband (2012) (iTunes/HD) Ports to MA $2
Contractor (2022) (Vudu/4K) $7 (iTunes/4K) (Vudu/HD) $4.50
Counselor, The (2013) (MA/HD) $3
Cowboys and Aliens (2011) (iTunes/HD) Ports to MA $2.50
Croods (2013) (MA/HD) $3.50
Croods: A New Age (2020) (MA/HD) $5
Cruella (2021) (MA/4K) $5.75 (MA/HD) $3.50 (GP/HD) $2.50
Cult of Chucky (Unrated) (2017) (MA/HD) $3.75 (iTunes/HD) $2.50
Daddy's Home 2 (2017) (Vudu/4K) $4.50 (iTunes/4K) $2 (Vudu/HD) $2.25
Darkest Minds, The (2018) (MA/HD) $4.75
Day After Tomorrow (2004) $7
DC League of Super-Pets (2022) (MA/4K) $8 (MA/HD) $5
Dead Man Down (2013) (MA/HD) $4.75
Deadpool 2 (2018) (MA/4K) $6.25 (MA/HD) $3.25
Dear Evan Hansen (2021) (MA/HD) $4.25
Death on the Nile (2022) (MA/HD) $5 (GP/HD) $3.50
Death Wish (2018) (Vudu/HD) $2.25
Descent, The (2005) (Vudu/HD) $5.25
Detroit (2017) (iTunes/4K) Ports to MA $4.75
Devil Wears Prada (2006) (MA/HD) $5.75
Devil's Due (2014) (MA/HD) $2.75
Devotion (2022) (iTunes/4K) $6.50
Diary of a Wimpy Kid: The Long Haul (2017) (MA/HD) $2
Disaster Artist, The (2017) (Vudu/HD) $6.25
Disneynature Born in China (2017) (MA/HD) $5.25
DisneyNature: Bears (2014) (MA/HD) $5.50 (GP/HD) $3.50
DisneyNature: Monkey Kingdom (2015) (MA/HD) $5.50 (GP/HD) $3.50
District 9 (2009) (MA/4K) $6.50
Do the Right Thing (1989) (MA/4K) $6
Doctor Strange (2016) (MA/4K) $6.50 (iTunes/4K) $4 (MA/HD) $3.50 (GP/HD) $1.75
Doctor Strange in the Multiverse of Madness (2022) (MA/4K) $6 (MA/HD) $2.75 (GP/HD) $2
Dog (2022) (Vudu/HD) $3
Don't Breathe (2016) (MA/HD) $5.50
Don't Breathe 2 (2021) (MA/HD) $7.50
Don't Let Go (2019) (MA/HD) $4
Don't Worry Darling (2022) (MA/HD) $5.50
Doors (1991) (Vudu/4K) (iTunes/4K) $4.50
Downton Abbey: A New Era (2022) (MA/HD) $3.75
Dr. Seuss' Horton Hears a Who (2008) (MA/HD) $6.50
Dr. Seuss' The Lorax (2012) (MA/HD) $3.25 (iTunes/HD) $2.25
Dredd (2012) (iTunes/4K) (Vudu/HD) $3.50
Duff, The (2015) (Vudu/HD) (iTunes/HD) $2.75
Dumbo (1941) (MA/HD) $7.50 (GP/HD) $6
Dumbo (2019) (MA/4K) $6 (iTunes/4K) $5.25 (GP/HD) $2.50
Dune (2021) (MA/4K) $5.75
Dunkirk (2017) (MA/4K) $6.50
Early Man (2018) (Vudu/HD) (iTunes/HD) $5.25
Echo Boomers (2020) (Vudu/HD) (iTunes/HD) $4
Eddie the Eagle (2016) (MA/HD) (iTunes/4K) $6
Edge of Seventeen (2016) (MA/HD) $3.50 (iTunes/HD) $2.25
Ella Enchanted (2004) (Vudu/HD) (iTunes/HD) $6.50
Elvis (2022) (MA/4K) $6.75 (MA/HD) $4
Elysium (2013) (MA/4K) $6.50 (MA/HD) $3.25
Empire State (2013) (Vudu/HD) $4.75
Encanto (2021) (MA/4K) $6.50 (MA/HD) (GP/4K) $3.50
Ender's Game (2013) (iTunes/4K) (Vudu/HD) $3.25
English Patient (1996) (Vudu/HD) (iTunes/HD) $4.75
Equalizer (2014) (MA/HD) $3.75
Equalizer 2 (2018) (MA/4K) $7.25 (MA/HD) $2.75
Escape from Planet Earth (2013) (Vudu/HD) $4.50
Escape Plan: The Extractors (2019) (Vudu/HD) $3.75
Everest (2015) (MA/4K) $6.50 (MA/HD) $3 (iTunes/4K) $4
Everything Everywhere All at Once (2022) (Vudu/4K) $8
Expendables 1-3 (Vudu/HD) $4.50
Extreme Prejudice (1987) (Vudu/HD) $5.25
F9: The Fast Saga + Director's Cut (2021) (MA/4K) $5.25 (MA/HD) $3.25
Fabelmans (2022) (MA/HD) $6.50
Faculty, The (1998) (Vudu/HD) (iTunes/HD) $6.50
Fantastic Beasts Collection 1-3 (MA/HD) $7.75
Fantastic Beasts: The Secrets of Dumbledore (2022) (MA/4K) $5.25 (MA/HD) $3
Fast & Furious Collection 1-9 (MA/HD) $10
Fatale (2020) (Vudu/4K) (iTunes/4K) $3.75
Father Stu (2022) (MA/HD) $5.50
Fatman (2020) (Vudu/HD) (iTunes/HD) $5.25
Ferdinand (2017) (MA/HD) $3.50
Fifth Element (1997) (MA/4K) $6.50 (MA/HD) $6
Fifty Shades of Black (2016) (iTunes/HD) Ports to MA $3.50
Finding Nemo (2003) (MA/4K) $6.75 (iTunes/4K) $5.25 (GP/HD) $3
First Man (2018) (MA/4K) $6.75 (MA/HD) $4.25
First Purge (2018) (MA/HD) $4.50
Five Feet Apart (2019) (iTunes/4K) (Vudu/HD) $3
Flight (2012) (Vudu/HD) $3.75 (iTunes/HD) $3
Forbidden Kingdom (2008) (Vudu/HD) $5
Ford v Ferrari (2019) (MA/4K) $7.75 (MA/HD) $4.75
Forever Purge (2021) (MA/HD) $5.50
Founder, The (2017) (Vudu/HD) $5 (iTunes/HD) $5.50
Fox and the Hound 2, The (2006) (MA/HD) $4 (GP/HD) $3
Foxcatcher (2014) (MA/HD) $4.50
Frank & Lola (2016) (MA/HD) $4.75
Free Guy (2021) (MA/4K) $7.50 (MA/HD) $4.75 (GP/HD) $3.25
French Dispatch (2021) (MA/HD) $4.75 (GP/HD) $3.50
From Dusk till Dawn (1996) (Vudu/HD) (iTunes/HD) $4.75
Frozen Sing-Along Edition (2014) (MA/HD) $3.75 (GP/HD) $1.75
Full Metal Jacket (1987) (MA/4K) $6.50
Future World (2018) (Vudu/HD) $4
Galaxy Quest (1999) (Vudu/HD) (iTunes/HD) $6
Gambler (2014) (Vudu/HD) $3.50 (iTunes/HD) $2.75
Gangs of New York (2002) (Vudu/HD) (iTunes/HD) $5.50
Gate, The (1987) (Vudu/SD) $4.25
Get on Up (2014) (iTunes/HD) Ports to MA $4.50
Get Out (2017) (iTunes/4K) (MA/HD) $3.75
Ghost In The Shell (2017) (Vudu/HD) $2.25 (iTunes/4K) $2.75
Ghostbusters (1984) (MA/HD) $3.50
Ghostbusters + Extended (2016) (MA/HD) $3
Ghostbusters II (1989) (MA/HD) $3.50
Ghostbusters: Afterlife (2021) (MA/4K) $7.50 (MA/HD) $3.50
Gifted (2017) (MA/HD) $5
Girl In The Spider's Web (2018) (MA/HD) $4.50
Girl with All the Gifts, The (2016) (Vudu/HD) $5
Girl with the Dragon Tattoo (2011) (MA/HD) $6
Girls Trip (2017) (MA/HD) $1.50 (iTunes/HD) $1
Glory (1989) (MA/4K) $7.75
Godfather (1972) (Vudu/HD) (iTunes/4K) $4.75
Godzilla (1998) (MA/4K) $6.50
Gold (2016) (Vudu/HD) $1.75
Gone Baby Gone (2007) (Vudu/HD) $5.25
Gone Girl (2014) (iTunes/4K) (MA/HD) $5.75
Good Boys (2019) (MA/HD) $3.75
Good Dinosaur (2015) (iTunes/4K) (MA/HD) $5.50 (GP/HD) $3
Goodbye Christopher Robin (2017) (MA/HD) $6.50
Goosebumps (2015) (MA/HD) $5
Goosebumps 2 (2018) (MA/4K) $7.50 (MA/HD) $6.50
Great Wall (2016) (MA/HD) $2.50
Green Hornet (2011) (MA/HD) $6.50
Green Lantern: Beware My Power (2022) (MA/HD) $3
Green Mile, The (1999) (MA/4K) $6
Grudge, The (2020) (MA/HD) $6.50
Guardians of the Galaxy (2014) (MA/4K) $7.25 (iTunes/4K) $4.75 (MA/HD) $4 (GP/HD) $1.75
Hail, Caesar! (2016) (MA/HD) $3.75 (iTunes/HD) $2.25
Half Brothers (2020) (MA/HD) $5.75
Halloween Ends (2022) (MA/4K) $6.25 (MA/HD) $4.50
Halloween Kills (2021) (MA/4K) $6 (MA/HD) $4.25
Hancock (2008) (MA/4K) $6.50
Happy Death Day (2017) (MA/HD) $6
Happy Death Day 2U (2019) (MA/HD) $6
Happytime Murders (2018) (iTunes/4K) $1.75
Hateful Eight (2015) (Vudu/HD) $2
Heat: Director's Definitive Edition (1995) (MA/4K) $6 (MA/HD) $5.25
Heavy Metal (1981) (MA/4K) $6.50
Hell Fest (2018) (Vudu/4K) (iTunes/4K) $3.75
Hell or High Water (2016) (Vudu/4K) $5.25 (Vudu/HD) $2.25 (iTunes/4K) $3.75
Hellboy (Director's Cut) (2004) (MA/4K) $6.50
Hercules (1997) (MA/HD) $6.50 (GP/HD) $5.50
Hidden Figures (2016) (iTunes/4K) (MA/HD) $2
Highlander (1986) (Vudu/4K) $5
Hitman: Agent 47 (2015) (MA/HD) $4.50
Hitman's Wife's Bodyguard (2021) (Vudu/4K) (iTunes/4K) $4.75
Hocus Pocus (1993) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $4.75 (GP/HD) $2.25
Holiday Inn (1942) (iTunes/HD) Ports to MA $3
Home Alone (1990) (MA/HD) $4
Home Alone 2: Lost in New York (1992) (MA/HD) $3.50
Hostiles (2017) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $3.25
Hot Fuzz (2007) (MA/HD) $3.50 (iTunes/4K) $4
Hotel Transylvania (2012) (MA/HD) $6
Hotel Transylvania 2 (2015) (MA/HD) $6.75
Hotel Transylvania 3: Summer Vacation (2018) (MA/4K) $6.75 (MA/HD) $4.50
House of Gucci (2021) (iTunes/4K) $5
House of the Dragon: Season 1 (2022) (Vudu/4K) $9 (Vudu/HD) $5.50
Hugo (2011) (Vudu/HD) (iTunes/HD) $3.75
Hulk, The (2003) (iTunes/HD) Ports to MA $6.25
Hunt for Red October (1990) (Vudu/4K) (iTunes/4K) $4.50
Hunt, The (2019) (MA/HD) $5.75
Huntsman: Winter's War - Extended Edition (2016) (iTunes/4K) (MA/HD) $3
Hurt Locker (2008) (Vudu/4K) (iTunes/4K) $6.25
I Can Only Imagine (2018) (Vudu/HD) (iTunes/HD) $2.75
I Now Pronounce You Chuck & Larry (2007) (MA/HD) $3.50
Ice Age: Collision Course (2016) (iTunes/4K) (MA/HD) $4.25
Ice Age: Continental Drift (2012) (MA/HD) $4.50
Identity Thief (2013) (iTunes/HD) Ports to MA $3.75
Ides of March (2011) (MA/HD) $5.25
If Beale Street Could Talk (2018) (MA/HD) $5.75
Impossible, The (2013) (Vudu/HD) (iTunes/HD) $4.75
In the Heights (2021) (MA/4K) $5
Inception (2010) (MA/4K) $6.50
Incredible Hulk (2008) (MA/4K) $7 (MA/HD) $5.25
Incredibles (2004) (MA/4K) $7.75 (iTunes/4K) $6.25 (GP/HD) $4.75
Independence Day: Resurgence (2014) (iTunes/4K) $2 (MA/HD) $1.50
Indiana Jones 1-4 (iTunes/4K) (Vudu/HD) $20
Inevitable Defeat of Mister and Pete (2013) (Vudu/HD) $4.25
Inferno (2016) (MA/HD) $3.25
Infinite (2021) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $5
Inside Llewyn Davis (2013) (MA/HD) $6
Inside Out (2015) (MA/4K) $5.75 (iTunes/4K) $4.25 (GP/HD) $1.50
Insidious: Chapter 2 (2013) (MA/HD) $5.25
Insidious: Chapter 3 (2015) (MA/HD) $6.50
Instructions Not Included (2013) (Vudu/HD) $3.75
Internship (2013) (MA/HD) $3.25
Interview, The (2014) (MA/HD) $3.50
Into the Woods (2014) (MA/HD) $4 (GP/HD) $2.25
Iron Man (2008) (MA/4K) $7.25 (iTunes/4K) $7 (GP/HD) $3
Iron Man 2 (2010) (MA/4K) $7.25 (iTunes/4K) $6.50 (GP/HD) $3
Iron Man 3 (2013) (MA/4K) $7.25 (iTunes/4K) $3 (MA/HD) $2.25 (GP/HD) $1.50
Isle of Dogs (2018) (MA/HD) $4.75
It Comes at Night (2017) (Vudu/HD) $6.25
It Follows (2015) (Vudu/HD) $4.25
Jack and Jill (2011) (MA/HD) $4.50
Jackass Forever (2022) (iTunes/4K) (Vudu/HD) $4
Jackass Presents: Bad Grandpa (2013) (Vudu/HD) (iTunes/HD) $3
Jackie (2016) (MA/HD) $4.25
Jacob's Ladder (1990) (Vudu/HD) $3.50
Jane Got a Gun (2016) (Vudu/HD) $5.75
Jason Bourne (2016) (MA/4K) $5.50 (iTunes/HD) $3.50 (MA/HD) $3
Jay & Silent Bob Reboot (2019) (Vudu/HD) (iTunes/HD) $5.50
Jay and Silent Bob Strike Back (2001) (Vudu/HD) (iTunes/HD) $5.50
Jesus Music, The (2021) (Vudu/HD) (iTunes/HD) $4.50
Jigsaw (2017) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $2
Jingle All the Way (1996) (MA/HD) $5.25
John Wick: Chapter 3 - Parabellum (2019) (Vudu/4K) (iTunes/4K) $4
Jojo Rabbit (2019) (MA/HD) $6.75
Joy (2015) (MA/HD) (iTunes/4K) $4
Judy (2019) (Vudu/4K) (iTunes/4K) $3.75
Jumanji (1995) (MA/4K) $6.50 (MA/HD) $6
Jumanji: Next Level (2019) & Welcome to the Jungle (2017) (MA/HD) $7.50
Jurassic Park (1993) (MA/4K) $5.25 (iTunes/4K) $3.75 (MA/HD) $3
Jurassic Park III (2001) (MA/4K) $6.50 (iTunes/4K) $3.75 (MA/HD) $3.50
Jurassic World (2015) (MA/4K) $5.25 (iTunes/4K) $3.75 (MA/HD) $2.75
Jurassic World: Dominion + Extended Cut (2022) (MA/4K) $6.50 (MA/HD) $4.25
Jurassic World: Fallen Kingdom (2018) (MA/4K) $5.75 (MA/HD) $1.75
Justice League x RWBY Super Heroes and Huntsmen Part One (2023) (MA/HD) $4.25
Justice Society: World War II (2021) (MA/4K) $5.50
Katy Perry: Part of Me (2012) (Vudu/HD) (iTunes/HD) $3.75
Keeping Up with the Joneses (2016) (MA/HD) $4.25
Kick-Ass (2010) (Vudu/4K) $5.75 (Vudu/HD) (iTunes/HD) $4.50
Kick-Ass 2 (2013) (MA/HD) $5.25 (iTunes/HD) $5
Kicks (2016) (iTunes/HD) Ports to MA $5
Kid Who Would Be King (2019) (MA/4K) $5.75 (MA/HD) $4.75
Kidnap (2017) (MA/HD) (iTunes/HD) $3.25
Kill Bill: Vol. 2 (2004) (Vudu/HD) $6
Kill the Messenger (2014) (iTunes/HD) Ports to MA $5
Killer Elite (2011) (iTunes/HD) Ports to MA $3.25
Killerman (2019) (Vudu/HD) $2.25 (iTunes/HD) $1.75
Killing Lincoln (2013) (MA/HD) $5.25
Killing Them Softly (2012) (Vudu/HD) $2.75
King of Staten Island (2020) (MA/HD) $4.75
King's Man (2021) (MA/HD) $4.50 (GP/HD) $3.50
Knock at the Cabin (2023) (MA/HD) $5.50
Kong: Skull Island (2017) (MA/4K) $6.50
Kung Fu Panda 3 (2016) (MA/HD) $2.50
Kung Fu Panda Collection 1-3 (MA/HD) $12.50
L.A. Confidential (1997) (MA/HD) $5.75
Last Christmas (2019) (MA/HD) $6.50
Last Full Measure (2020) (Vudu/HD) (iTunes/HD) $5.50
Last Night in Soho (2021) (MA/4K) $7 (MA/HD) $5.75
Last Vegas (2013) (MA/HD) $3
Law Abiding Citizen (2009) (Vudu/4K) $7
Lawless (2012) (Vudu/HD) $3.75
Leap! (2017) (Vudu/HD) (iTunes/HD) $3.25
Lee Daniels' The Butler (2013) (Vudu/HD) $2.25
Legend of Hercules (2014) (iTunes/4K) (Vudu/HD) $3.25
Legion of Super Heroes (2023) (MA/HD) $6
Les Miserables (2012) (MA/HD) (iTunes/HD) $2.75
Let Him Go (2020) (MA/HD) $3.75
Let's Be Cops (2014) (iTunes/4K) (MA/HD) $2.50
Life (2017) (MA/HD) $2.50
Light of My Life (2019) (Vudu/HD) $2.50 (iTunes/HD) $2
Lighthouse (2019) (Vudu/HD) $5.25
Lightyear (2022) (MA/4K) $5 (MA/HD) $2.75 (GP/HD) $2
Like a Boss (2020) (iTunes/4K) (Vudu/HD) $2.25
Lion (2016) (Vudu/HD) $4.50
Lion King 1 1/2 (2004) (MA/HD) $6.50
Lion King 2: Simba's Pride (1998) (MA/HD) $6.75 (GP/HD) $5.25
Little Fockers (2010) (MA/HD) $4
Little Mermaid II: Return to the Sea (2000) (MA/HD) $6.75
Little Mermaid III: Ariel’s Beginning (2008) (MA/HD) $6.75
Little Monsters (1989) (Vudu/HD) $5.50
Live Die Repeat: Edge of Tomorrow (2014) (MA/4K) $5
Live Die Repeat: Edge Of Tomorrow (2014) (MA/4K) $6.50
Lodge, The (2019) (MA/HD) $5.75
Logan Lucky (2017) (MA/HD) $1.50 (iTunes/4K) $2.25
London Has Fallen (2016) (iTunes/HD) Ports to MA $3.75
Long Shot (2019) (iTunes/4K) (Vudu/HD) $4
Longest Ride (2015) (iTunes/4K) (MA/HD) $1.50
Lord of War (2005) (Vudu/4K) (iTunes/4K) $5.50
Lords of Salem, The (2012) (Vudu/HD) $4.75
Lost City, The (2022) (Vudu/4K) (iTunes/4K) $6
Love Actually (2003) (MA/HD) $5.50
Love and Monsters (2020) (Vudu/4K) (iTunes/4K) $7
Love, Simon (2018) (MA/HD) $3
Lovebirds (2020) (Vudu/HD) (iTunes/HD) $5.50
Luca (2021) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $3.25
Lucy (2014) (MA/HD) $2
Lyle, Lyle, Crocodile (2022) (MA/HD) $5.50
Ma (2019) (MA/HD) $5.25
Madagascar 3: Europe's Most Wanted (2012) (MA/HD) (iTunes/HD) $2
Maleficent (2014) (MA/4K) $5.75 (iTunes/4K) (MA/HD) $3 (GP/HD) $1.25
Maleficent: Mistress of Evil (2019) (MA/4K) $6 (iTunes/4K) $3.75 (GP/HD) $1.75
Mama (2013) (iTunes/HD) Ports to MA $3.50
Mamma Mia! The Movie (2008) & Here We Go Again (2018) (MA/HD) $6.50 $4.50 Each
Many Adventures of Winnie the Pooh (1977) (MA/HD) $6.25
Marksman, The (2021) (MA/HD) $5.50
Marlowe (2023) (MA/HD) $7.50
Marry Me (2022) (MA/HD) $6.50
Martian - Extended Cut (2015) (MA/4K) $7.75 (MA/HD) $5.25
Martian (Theatrical) (2015) (MA/4K) $7.25 (MA/HD) $3.25
Mary Poppins (1964) (MA/HD) $4.50 (GP/HD) $3
Mary Queen of Scots (2018) (MA/HD) $5.75
Matrix: Resurrections (2021) (MA/4K) $5
Maze Runner: The Death Cure (2018) (MA/HD) $5.75
McFarland, USA (2015) (MA/HD) $6.25 (GP/HD) $4.50
Memory (2022) (MA/HD) $3.50
Men (2022) (Vudu/HD) $3.75
Menu (2022) (MA/HD) $5.50 (GP/HD) $4
Mickey & Minnie 10 Classic Shorts - Volume 1 (2023) (MA/HD) $5.75 (GP/HD) $4
Mickey, Donald, Goofy: The Three Musketeers (2004) (MA/HD) $6.50
Midsommar (2019) (Vudu/HD) $5.75
Mike and Dave Need Wedding Dates (2016) (MA/HD) (iTunes/4K) $4.50
Million Dollar Arm (2014) (MA/HD) $4
Minions (2015) (iTunes/4K) (MA/HD) $2.75
Minions: The Rise of Gru (2022) & Minions (2015) (MA/HD) $8
Minions: The Rise of Gru (2022) (MA/4K) $6.75 (MA/HD) $5.25
Miracles From Heaven (2016) (MA/HD) $4.50
Missing Link (2019) (MA/HD) $4.25
Mission: Impossible Fallout (2018) (Vudu/4K) $2.75 (iTunes/4K) (Vudu/HD) $2.50
Mitchells Vs. The Machines (2021) (MA/HD) $4.50
Money Monster (2016) (MA/HD) $3.25
Monster Hunter (2020) (MA/4K) $6.75 (MA/HD) $4.25
Monster Trucks (2016) (Vudu/HD) $2.25
Monster's Ball (2001) (Vudu/HD) $6.25
Monuments Men (2014) (MA/HD) $2
Moonfall (2022) (Vudu/4K) (iTunes/4K) $5
Morbius (2022) (MA/4K) $5.25 (MA/HD) $3.25 (MA/SD) $2.25
Mortal Instruments: City of Bones (2014) (MA/HD) $3.50
Mortal Kombat Legends: Snow Blind (2022) (MA/HD) $5.50
Mother! (2017) (Vudu/HD) $3.50
Mountain Between Us (2017) (iTunes/4K) (MA/HD) $1.50
Mr Popper's Penguins (2011) (MA/HD) $6
Mr. Holmes (2015) (Vudu/HD) $3.75
Much Ado About Nothing (2013) (Vudu/HD) $4.25
Muppet Movie (1979) (MA/HD) $7.50 (GP/HD) $6
My All American (2015) (MA/HD) (iTunes/HD) $4.25
My Big Fat Greek Wedding 2 (2016) (iTunes/HD) Ports to MA $4
My Dinner with Herve (2018) (Vudu/HD) (iTunes/HD) $4.50 (GP/HD) $3
My Fair Lady (1964) (iTunes/4K) (Vudu/HD) $5.50
National Lampoon's Animal House (1978) (MA/4K) $6.25 (MA/HD) $5.25
Nebraska (2013) (Vudu/HD) (iTunes/HD) $2.25
Neighbors (2014) (iTunes/HD) Ports to MA $2
Never Grow Old (2019) (Vudu/HD) (iTunes/HD) $4.50
Night Before (2015) (MA/HD) $4.75
Night House, The (2021) (MA/HD) $5 (GP/HD) $3
Nightmare Before Christmas (1993) (GP/HD) Ports to MA $3
Ninth Gate, The (1999) (Vudu/HD) $4.50
No Country For Old Men (2007) (Vudu/HD) $5.50
No Time to Die (2021) (iTunes/4K) $3.50
Nobody (2021) (MA/HD) $5.25
Nocturnal Animals (2016) (iTunes/HD) Ports to MA $3.25
Non-Stop (2014) (MA/HD) (iTunes/HD) $2.75
Nope (2022) (MA/4K) $8 (MA/HD) $5.75
Nope (2022), Get Out (2017) & Us (2019) (MA/HD) $10
Norm of the North (2016) (Vudu/HD) (iTunes/HD) $2.75
Northman (2022) (MA/4K) $7.25 (MA/HD) $4.50
Old (2021) (MA/HD) $4.50
Olympus Has Fallen (2013) (MA/HD) $5
On the Basis of Sex (2019) (MA/HD) $4.50
Onward (2020) (MA/4K) $5.50 (MA/HD) $4 (GP/HD) $2.25
Oranges, The (2011) (MA/HD) $4.50
Other Woman (2014) (MA/HD) $2.25
Ouija (2014) & Origin of Evil (2016) (MA/HD) (iTunes/HD) $9
Overboard (2016) (Vudu/HD) (iTunes/HD) $5.75
Pacific Rim (2013) (MA/4K) $6.50
Pacific Rim Uprising (2018) (MA/4K) $7.75 (MA/HD) $4.50
Pain & Gain (2013) (Vudu/HD) (iTunes/HD) $3.25
Paper Towns (2011) (iTunes/4K) (MA/HD) $4.50
ParaNorman (2012) (iTunes/HD) $5
Passengers (2016) (MA/4K) $6.50 (MA/HD) $2.75
Paul (2011) (iTunes/HD) Ports to MA $4.50
Paul Blart: Mall Cop 2 (2015) (MA/HD) $4.25
Paw Patrol: The Movie (2021) (iTunes/4K) (Vudu/HD) $5
Paws of Fury: The Legend of Hank (2022) (iTunes/4K) (Vudu/HD) $6
Pearl (2022) (Vudu/HD) $5.50
Peppermint (2018) (iTunes/HD) $1.75
Percy Jackson: Sea of Monsters (2013) (MA/HD) $2.25
Perks of Being a Wallflower (2012) (Vudu/HD) (iTunes/HD) $1.75
Pet Sematary (2019) (Vudu/4K) $4.25 (iTunes/4K) (Vudu/HD) $2.50
Peter Rabbit (2018) (MA/4K) $5.75 (MA/HD) $4.75
Peter Rabbit 2 (2021) (MA/HD) $4
Phantom Thread (2017) (MA/HD) $3.75
Philomena (2013) (Vudu/HD) $2
Pineapple Express (Unrated Edition) (2008) (MA/HD) $6
Pinocchio (1940) (MA/HD) $5.50 (GP/HD) $3.75
Pirate Fairy (2014) (MA/HD) $3.25
Pirates of the Caribbean: Dead Men Tell No Tales (2017) (MA/HD) $3.25 (GP/HD) $1.75
Pitch Perfect 2 (2015) (MA/HD) $2.75 (iTunes/4K) $3.75
Pixar Short Films Collection, Vol. 3 (2018) (MA/HD) $5.50 (GP/HD) $3.50
Pixels (2015) (MA/4K) $6.50 (MA/HD) $5.50
Plane (2023) (Vudu/4K) (iTunes/4K) $8
Planes (2013) (MA/HD) $2.25 (GP/HD) $1.25
Planes, Trains and Automobiles (1987) (iTunes/HD) $3.75
Planes: Fire & Rescue (2014) (MA/HD) $4 (GP/HD) $2
Playing with Fire (2019) (iTunes/4K) $1.50 (Vudu/HD) $2
Pocahontas (1995) (MA/HD) $6.50 (GP/HD) $5
Pocahontas II: Journey to a New World (1998) (MA/HD) $6 (GP/HD) $3.25
Pompeii (2014) (MA/HD) $3.50
Poms (2019) (iTunes/HD) $2.50
Post, The (2017) (MA/HD) $2.75
Predator (1987) (MA/HD) $3.50
Predator (2018) (MA/4K) $6.25 (MA/HD) $3.50
Premium Rush (2012) (MA/HD) $3.25
Prey for the Devil (2022) (Vudu/4K) (iTunes/4K) $6
Princess and the Frog (2009) (iTunes/4K) $5.50 (GP/HD) $3.25
Prometheus (2012) (MA/HD) $1.75
Protege, The (2021) (Vudu/4K) (iTunes/4K) $5.75
Psycho (1960) (MA/HD) (iTunes/4K) $5
Psycho (1960), Rear Window (1954), The Birds (1963), Vertigo (1958) (MA/4K) $17
Public Enemies (2009) (MA/HD) (iTunes/HD) $6.25
Punisher, The (2004) (Vudu/4K) $5.75 (Vudu/HD) $5.25
Purge, The (2013) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $3
Purge: Election Year (2016) (MA/4K $5.50 (iTunes/4K) (MA/HD) $3
Puss in Boots: The Last Wish (2022) (MA/HD) $7.50
Queen & Slim (2019) (MA/HD) $4.50
R.I.P.D. (2013) (MA/HD) $3.25 (iTunes/HD) $3
Race (2016) (iTunes/HD) Ports to MA $2.75
Rambo Last Blood (Vudu/4K) (iTunes/4K) $2.75
Rambo: First Blood (1982) (Vudu/4K) (iTunes/4K) $6
Rambo: First Blood Part II (1985) (Vudu/4K) $6.75 (iTunes/4K) (Vudu/HD) $5.50
Rango (2011) (Vudu/4K) (iTunes/4K) $6.50
Ratatouille (2007) (iTunes/4K) $8 (GP/HD) $5.50
Raya and the Last Dragon (2021) (MA/4K) $6.25 (MA/HD) $4.50 (GP/HD) $2.50
Red (2010) (Vudu/4K) $6.25
Requiem for a Dream - Director's Cut (2000) (Vudu/4K) (iTunes/4K) $6.25
Rescuers Down Under (1990) (MA/HD) $6.50 (GP/HD) $4
Resident Evil: Retribution (2012) (MA/HD) $2.25
Resident Evil: Welcome to Raccoon City (2021) (MA/4K) $6.50 (MA/HD) $4.50
Respect (2021) (iTunes/4K) $4.75
Richard Jewell (2019) (MA/4K) $6.50
Ricki And The Flash (2015) (MA/HD) $4.50
Riddick - Unrated Director's Cut (2013) (MA/HD) (iTunes/HD) $4
Ride Along 1-2 (MA/HD) (iTunes/HD) $5 $2.75 Each
Rio 2 (2014) (MA/HD) $2.25
Rise of the Planet of the Apes (2010) (iTunes/4K) (MA/HD) $5.75
Risen (2016) (MA/HD) $4.50
Road to El Dorado (2000) (MA/HD) $5.50
Robin Hood (2018) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $3.25
Robin Hood (Animated) (1973) (MA/HD) $3.75 (GP/HD) $2.75
RoboCop (1987) (Vudu/HD) $7.25
Robots (2005) (MA/HD) $6.75
Rock Dog (2016) (Vudu/HD) $4.25
Rocketman (2019) (Vudu/4K) $4.75 (iTunes/4K) $2.50 (Vudu/HD) $2.25
Ron's Gone Wrong (2021) (MA/4K) $7 (MA/HD) $5.25 (GP/HD) $3.50
Rumble (2022) (iTunes/4K) (Vudu/HD) $5.75
Run Lola Run (1998) (MA/HD) $6.50
Runner Runner (2013) (MA/HD) $4
Rush (2013) (MA/HD) $2.75 (iTunes/HD) $3.25
Russell Madness (2015) (MA/HD) $4
Safe (2012) (Vudu/HD) (iTunes/HD) $1.75
Safe House (2012) (MA/HD) $4 (iTunes/HD) $2.50
Saint Maud (2020) (Vudu/HD) $6
Santa Clause (1994), 2 (2002), 3 (2006) (iTunes/4K) (MA/HD) $10.50 (GP/HD) $6.50
Saving Mr. Banks (2013) (MA/HD) $4.75 (GP/HD) $2.75
Scream (1996) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $3.75
Scream 5 (2022) (iTunes/4K) (Vudu/HD) $5.50
Scrooged (1988) (iTunes/HD) $4.75
Second Act (2018) (iTunes/HD) $1.50
Second Best Exotic Marigold Hotel (2015) (MA/HD) $4.50
Secret Garden, The (2020) (iTunes/4K) $4.25
Secret Headquarters (2022) (Vudu/HD) (iTunes/4K) $6
Secret Life of Pets 1-2 (MA/HD) $7.50
Secret Life of Pets 2 (2019) (MA/4K) $6.25 (MA/HD) $5
Secret Life of Pets, The (2016) (iTunes/4K) $3.75 (MA/HD) $2.75
Secret Life of Walter Mitty (2013) (MA/HD) $2
Seeking a Friend for the End of the World (2012) (iTunes/HD) Ports to MA $4.50
Seriously Red (2022) (Vudu/HD) $6.75
Sessions, The (2012) (MA/HD) $4.50
Seventh Son (2015) (iTunes/HD) Ports to MA $1.50
Sex Tape (2014) (MA/HD) $3
Shaun of the Dead (2004), Hot Fuzz (2007), World's End (2013) (MA/HD) $10
Shaun the Sheep Movie (2015) (Vudu/HD) $4
Shawshank Redemption (1994) (MA/4K) $6
She's Having a Baby (1988) (Vudu/HD) (iTunes/HD) $4.50
Shooter (2007) (Vudu/HD) $5.75
Sideways (2004) (MA/HD) $5.25
Silent Night, Deadly Night: 3-Film Collection (1989-1991) (Vudu/HD) $6
Silver Linings Playbook (2012) (Vudu/HD) $2
Sin City: A Dame to Kill For (2014) (Vudu/HD) $6.25
Sinbad: Legend of the Seven Seas (2007) (MA/HD) $6.50
Sing 2 (2021) (MA/4K) $6.50 (MA/HD) $3.50
Sing Collection 1-2 (MA/HD) $6
Singin' in the Rain (1952) (MA/4K) $6.50
Sinister (2012) (Vudu/HD) $3 (iTunes/HD) $2.75
Sisters (Unrated) (2015) (MA/HD) $4 (iTunes/HD) $3.25
Sixteen Candles (1984) (MA/HD) $5.25 (iTunes/HD) $4.25
Skeleton Twins (2014) (Vudu/HD) $4.50
Sleepless (2017) (iTunes/HD) Ports to MA $1
Smile (2022) (Vudu/HD) (iTunes/4K) $6.75
Smurfs 2 (2013) (MA/HD) $3.25
Smurfs: The Lost Village (2017) (MA/HD) $3.25
Snake Eyes (2021) (iTunes/4K) (Vudu/HD) $4.25
Snatched (2017) (iTunes/4K) (MA/HD) $1
Snitch (2013) (iTunes/4K) (Vudu/HD) $1.75
Snow White and the Huntsman (Extended) (2012) (iTunes/4K) $3.50 (MA/HD) $2.50
Some Kind of Wonderful (1987) (Vudu/HD) (iTunes/HD) $4.50
Son of God (2014) (MA/HD) $1.25
Sonic the Hedgehog (2020) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $4.25
Sonic the Hedgehog 2 (2022) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $4.50
Sound of Music, The (1965) (MA/HD) $5.75
Southpaw (2015) (Vudu/HD) $4.50
Southside With You (2016) (Vudu/HD) $3.50
Space Between Us, The (2017) (iTunes/HD) Ports to MA $5
Space Jam (1996) (MA/4K) $5
Space Jam: A New Legacy (2021) (MA/4K) $5
Spider-Man (2002) (MA/4K) $6.50 (MA/HD) $5.50
Spider-Man 2 (2004) (MA/4K) $6.50 (MA/HD) $5.50
Spider-Man 3 (2007) (MA/4K) $6.50 (MA/HD) $5.50
Spider-Man: Far From Home (2019) (MA/4K) $8 (MA/HD) $4
Spies in Disguise (2019) (MA/HD) $3.50 (GP/HD) $2.50
Spirit: Stallion of the Cimarron (2003) (MA/HD) $5
Spontaneous (2020) (Vudu/HD) (iTunes/HD) $5
Spy (Unrated) (2015) (MA/HD) $2
Spy Game (2001) (iTunes/HD) Ports to MA $5.75
Stand Up Guys (2012) (Vudu/HD) $2.75
Star Trek 1-3 (Vudu/4K) $18 (Vudu/HD) $9.50 (iTunes/4K) $13.50
Star Trek Beyond (2016) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Star Trek Into Darkness (2013) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Starship Troopers (1997) (MA/4K) $6.50
Step Up Revolution (2012) (Vudu/HD) (iTunes/HD) $3.25
Still Alice (2015) (MA/HD) $3
Stillwater (2021) (MA/HD) $5
Straight Outta Compton (Unrated Director’s Cut) (2015) (MA/4K) $7.50 (MA/HD) (iTunes/HD) $2.50
Strange World (2022) (GP/HD) Ports to MA $4.25
Strangers: Prey at Night (2018) (MA/HD) $3.50
Stronger (2017) (Vudu/HD) (iTunes/HD) $4.50
Stuber (2019) (MA/HD) $4.75
Studio 666 (2022) (MA/HD) $6.75
Suicide Squad, The (2021) (MA/4K) $5
Sully (2016) (MA/4K) $6.50
Sum of All Fears, The (2002) (Vudu/4K) (iTunes/4K) $5.75
Super Troopers (2002) (MA/HD) $5.75
SW: A New Hope (1977) (MA/4K) $7 (MA/HD) $6.25 (GP/HD) $3.50
SW: Empire Strikes Back (1980) (MA/4K) $7 (MA/HD) $6.50 (GP/HD) $3.50
SW: Force Awakens (2015) (MA/4K) $5.25 (MA/HD) $3.50 (GP/HD) $1
SW: Last Jedi (2017) (MA/4K) $5.75 (MA/HD) $3.75 (GP/HD) $1
SW: Phantom Menace (1999) (MA/4K) $7.50 (MA/HD) $6.50 (GP/HD) $3.50
SW: Return of the Jedi (1983) (MA/4K) $7.25 (MA/HD) $6.50 (GP/HD) $3.50
SW: Revenge of the Sith (2005) (MA/4K) $7.50 (GP/HD) $3.50
SW: Rise of Skywalker (2019) (MA/4K) $6 (MA/HD) $4.75 (GP/HD) $2.25
SW: Rogue One: A Star Wars Story (2016) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $1.25
SW: Solo: A Star Wars Story (2018) (MA/4K) $7 (MA/HD) $5 (GP/HD) $3.50
Sword in the Stone (1963) (MA/HD) $6.25 (GP/HD) $3.75
Tag (2018) (MA/4K) $6.50
Tarzan (1999) (MA/HD) $6.50 (GP/HD) $5
Ted (2012) (Unrated) (MA/HD) (iTunes/HD) $4
Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse (2022) (MA/HD) $4.75
Terminator (1984) (Vudu/HD) $7
Terminator 2: Judgment Day (1991) (Vudu/4K) (iTunes/4K) $4.25
Terminator 4: Salvation (2009) (MA/4K) $6.50
Terminator: Dark Fate (2019) (Vudu/4K) $6.50 (Vudu/HD) $3 (iTunes/4K) $2.50
Terminator: Genisys (2015) (Vudu/HD) $1.75 (iTunes/4K) $3
The Man from U.N.C.L.E. (2015) (MA/4K) $6.50
Theory Of Everything (2014) (iTunes/HD) Ports to MA $4
Thing, The (2011) (MA/HD) $6.25
This Is 40 (2012) (MA/HD) $3.75 (iTunes/HD) $2.50
Thor (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $3.50
Thor: Love and Thunder (2022) (MA/4K) $6.75 (MA/HD) $3.25 (GP/HD) $2
Thor: The Dark World (2013) (MA/4K) $7 (iTunes/4K) $4.50 (GP/HD) $2.25
Till (2022) (iTunes/4K) $6.50
Tinker Bell and the Legend of the NeverBeast (2014) (MA/HD) $6.25 (GP/HD) $4.50
Tinker, Tailor, Soldier, Spy (2011) (iTunes/HD) Ports to MA $4.50
Titanic (1997) (Vudu/HD) (iTunes/HD) $4.75
TMNT Out of the Shadows (2016) (iTunes/4K) $4
Tomb Raider: The Cradle of Life (2003) (Vudu/4K) (iTunes/4K) $6.50
Tomorrowland (2015) (MA/HD) $5.50 (GP/HD) $3.50
Top Gun: Maverick (2022) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $5.75
Total Recall + Extended (2012) (MA/HD) $5 (Theatrical) $4
Toy Story 1-4 (MA/4K) $23 (iTunes/4K) $21 (GP/HD) $11.50
Toy Story of Terror! (2013) (MA/HD) $4.50 (GP/HD) $3
Trading Places (1983) (Vudu/HD) $4.50
Traffic (2000) (iTunes/HD) Ports to MA $5.75
Training Day (2001) (MA/4K) $6.50
Trainwreck (2015) (iTunes/HD) Ports to MA $1.50
Transformers: Last Knight (2017) (Vudu/4K) $4.75 (iTunes/4K) $2.25 (Vudu/HD) $2
Trauma Center (2019) (iTunes/4K) $3.25
Triple 9 (2016) (iTunes/HD) Ports to MA $2.50
Trolls (2016) (MA/HD) $1.25
Trolls Collection 1-2 (MA/HD) $6
Tully (2018) (MA/HD) $5.75
Turning Red (2022) (MA/4K) $6.25 (MA/HD) $4 (GP/HD) $2.75
Umma (2022) (MA/HD) $4.75
Unbearable Weight of Massive Talent (2022) (Vudu/4K) (iTunes/4K) $6.75
Unbreakable (2000) (MA/4K) $6 (GP/HD) $3.75
Unbroken (2014) (MA/HD) (iTunes/HD) $3
Uncharted (2022) (MA/4K) $5.50 (MA/HD) $3.25
Uncle Drew (2018) (Vudu/4K) $6.25 (Vudu/HD) (iTunes/HD) $3
Under the Skin (2014) (Vudu/HD) $5.25
Unforgiven (1992) (MA/4K) $6.50
Unhinged (2020) (Vudu/HD) $4.75
Up (2009) (iTunes/4K) $7.50 (MA/HD) $6.75
Up in Smoke ‘Cheech and Chong’ (1978) (Vudu/HD) $3.50 (iTunes/HD) $2.75
Upside, The (2017) (iTunes/HD) $2
Usual Suspects, The (1995) (Vudu/HD) $6
Valerian and the City of a Thousand Planets (2017) (Vudu/HD) $3.50
Van Helsing (2004) (MA/4K) $6 (iTunes/4K) (MA/HD) $4.75
Venom: Let There Be Carnage (2021) (MA/4K) $7 (MA/HD) $3.50
Vice (2015) 'Bruce Willis' (Vudu/HD) $2.50
Voyagers (2021) (Vudu/4K) (iTunes/4K) $6.50
Walking Dead: Season 11 (2021) (Vudu/HD) $6.25
WALL-E (2008) (iTunes/4K) $8 (GP/HD) $5.50
War Dogs (2016) (MA/4K) $6.50
War of the Worlds (1953) (Vudu/4K) (iTunes/4K) $6.75
War Of The Worlds (2005) (Vudu/4K) (iTunes/4K) $6.50
Watch, The (2012) (MA/HD) $4.25
Way, Way Back, The (2013) (MA/HD) $5.25
Weird Science (2008) (MA/HD) (iTunes/HD) $6
Welcome to Marwen (2018) (MA/4K) $3.50
What Men Want (2019) (Vudu/HD) $1.75 (iTunes/4K) $1.25
What to Expect When You're Expecting (2012) (Vudu/HD) (iTunes/HD) $2.25
When the Game Stands Tall (2014) (MA/HD) $4.50 (MA/SD) $1.75
Where the Crawdads Sing (2022) (MA/HD) $4.50
Whiplash (2014) (MA/HD) $5.75
White House Down (2013) (MA/HD) $3.50
Whitney Houston: I Wanna Dance With Somebody (2022) (MA/HD) $6
Willy Wonka and the Chocolate Factory (1971) (MA/4K) $5.25
Wind River (2017) (Vudu/HD) (iTunes/HD) $5
Wings (1927) (Vudu/HD) (iTunes/HD) $4
Witch, The (2016) (Vudu/HD) $3.50
Wolf Man (1941) (MA/4K) $6.50
Wolverine (Unrated) (2013) (MA/HD) $3.75
Woman King (2022) (MA/4K) $6.50 (MA/HD) $5.50
Wonder Woman 1984 (2020) (MA/4K) $5
Won't Back Down (2012) (MA/HD) $4
World War Z (2013) (Vudu/HD) $3.25 (iTunes/HD) $1.50
Wreck-It Ralph (2012) (GP/HD) $4.25
X (2022) (Vudu/HD) $6.75
X2: X-Men United (2003) (MA/HD) $6.25
X-Men (2000) (MA/HD) $6.25
X-Men: Apocalypse (2016) (iTunes/4K) (MA/HD) $2.50
xXx: The Return of Xander Cage (2017) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $1.25
Yesterday (2019) (MA/HD) $4.50
Zathura (2005) (MA/HD) $7
Zero Dark Thirty (2012) (MA/HD) $3
submitted by wtfwafflezor to DigitalCodeSELL [link] [comments]
Disney/Marvel titles are split codes. Only redeem what you pay for. Thank you.
300 (2007) (MA/4K) $6.50
12 Monkeys (1995) (MA/4K) $3.50
12 Years a Slave (2013) (MA/HD) $3.50
2 Guns (2013) (MA/HD) $4.75 (iTunes/HD) $3.50
2012 (2009) (MA/4K) $6.50
22 Jump Street (2014) (MA/HD) $4.50
355, The (2022) (MA/HD) $5.75
47 Meters Down (2017) (Vudu/HD) (iTunes/HD) $4.50
47 Meters Down: Uncaged (2019) (Vudu/HD) (iTunes/4K) $4.75
80 for Brady (2023) (Vudu/HD) (iTunes/4K) $6.50
A Beautiful Day in the Neighborhood (2019) (MA/HD) $5.75
A Clockwork Orange (1972) (MA/4K) $6.50
A Dog's Purpose (2017) (MA/HD) $4 (iTunes/HD) $3
A Man Called Otto (2022) (MA/HD) $7.25
A Million Ways to Die in the West (2014) (iTunes/HD) Ports to MA $4.25
A Monster Calls (2016) (MA/HD) (iTunes/HD) $3.75
A Quiet Place (2018) (Vudu/4K) $4.50 (iTunes/4K) (Vudu/HD) $1.50
A Quiet Place Part II (2020) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $4.25
A Vigilante (2018) (Vudu/HD) (iTunes/HD) $5.50
A Wrinkle in Time (2018) (MA/HD) $3
Abraham Lincoln: Vampire Hunter (2012) (MA/HD) $4.25
Action Point (2018) (Vudu/HD) $2.25 (iTunes/4K) $1.50
Ad Astra (2019) (MA/HD) $4.75
Addams Family (1991) (Vudu/4K) (iTunes/4K) $6.50
Adventures of Tintin (2011) (Vudu/HD) (iTunes/HD) $4.50
After Earth (2013) (MA/HD) $2.50
Age of Adaline (2015) (Vudu/HD) (iTunes/HD) $3.75
Aladdin (1992) (MA/4K) $6.75 (MA/HD) $3.25 (GP/HD) $2.25
Alice in Wonderland (1951) (GP/HD) $5.50
Alien (1979) (MA/4K) $7.25 (iTunes/4K) (MA/HD) $5
Alien 3 (1992) (MA/HD) $5.50
Alien Collection 1-6 (MA/HD) $19.50 1-4 (MA/SD) $9
Alien Resurrection (1997) (MA/HD) $5.50
Alien: Covenant (2017) (iTunes/4K) (MA/HD) $2.50
Aliens (1986) (MA/HD) $5.50
All Eyez on Me (2017) (Vudu/HD) $2.50 (iTunes/HD) $1.75
All The Money In The World (2017) (MA/HD) $4.25
All the Way (2016) (GP/HD) $3.50 No Port
Aloha (2015) (MA/HD) $2.50
Alvin and the Chipmunks: The Road Chip (2015) (MA/HD) (iTunes/HD) $2.75
Amazing Spider-Man (2012) (MA/4K) $6.50 (MA/HD) $4.50
Amazing Spider-Man 2 (2014) (MA/4K) $6.50 (MA/HD) $5.50
Ambulance (2022) (MA/4K) $6.75 (MA/HD) $4
American Beauty (1999) (Vudu/HD) (iTunes/HD) $6
American Made (2017) (MA/4K) $7.25 (MA/HD) $4.25
American Sniper (2014) (MA/4K) $6.50
American Underdog (2021) (iTunes/4K) (Vudu/HD) $4.75
Amsterdam (2022) (MA/HD) $5 (GP/HD) $3.75
Anchorman 2: The Legend Continues (2013) (iTunes/HD) $2
Angels & Demons (2009) (MA/HD) $5.75
Angry Birds Movie (2016) (MA/HD) $3.75
Annie (2014) (MA/HD) $2.25
Antlers (2021) (GP/HD) $4
Ant-Man (2015) (MA/4K) $6.25 (iTunes/4K) $5 (MA/HD) $4.50 (GP/HD) $2.25
Apollo 11 (2019) (MA/HD) $6.25
Aqua Teen Forever: Plantasm (2022) (MA/HD) $4.75
Army of Darkness (1992) (MA/HD) $4
Arrival (2016) (Vudu/4K) $6.75 (Vudu/HD) $2.25 (iTunes/4K) $4
Art of Self-Defense (2019) (MA/HD) $6
Artist, The (2011) (MA/HD) $6
Avengers (2012) (MA/4K) $7.75 (iTunes/4K) $6.75 (GP/HD) $3.75
Avengers: Age of Ultron (2015) (MA/4K) $7.75 (iTunes/4K) $6 (GP/HD) $1.75
Avengers: Endgame (2019) (MA/4K) $4.75 (iTunes/4K) $3.75 (GP/HD) $1
Avengers: Infinity War (2018) (MA/4K) $5.50 (iTunes/4K) $3.75 (GP/HD) $1
Babylon (2022) (Vudu/HD) (iTunes/4K) $6.25
Back to the Future (1985) (iTunes/4K) (MA/HD) $4.25
Bad Boys for Life (2020) (MA/4K) $5.75 (MA/HD) $3.50
Bad Guys, The (2022) (MA/4K) $8 (MA/HD) $4.25
Bad Moms (2016) (MA/HD) $3.50 (iTunes/HD) $2.75
Bambi (1942) (MA/HD) $6.25 (GP/HD) $4.50
Bambi II (2006) (MA/HD) $6.25 (GP/HD) $4.50
Band of Brothers (2001) (GP/HD) $3.75 No Port
Bank Job, The (2008) (Vudu/HD) $3.25
Banshees of Inisherin (2022) (GP/HD) $4.50
Batman and Superman: Battle of the Super Sons (2022) (MA/4K) $6 (MA/HD) $4.50
Batman Year One (2011) (MA/4K) $5
Batman, The (2022) (MA/4K) $5.25 (MA/HD) $3
Batman: The Long Halloween Deluxe Edition (2022) (MA/HD) $6
Battle: Los Angeles (2011) (MA/4K) $6.50
Battleship (2012) (MA/4K) $4.50 (MA/HD) $1.75 (iTunes/4K) $3
Beast (2022) (MA/HD) $5.75
Beauty and the Beast (1991) (MA/4K) $7 (MA/HD) $4.75 (GP/HD) $2
Beauty and the Beast (2017) (MA/4K) $7 (MA/HD) $3.25 (GP/HD) $2
Bedknobs and Broomsticks (1971) (MA/HD) $5 (GP/HD) $3.50
Beguiled, The (2017) (MA/HD) (iTunes/HD) $4
Being John Malkovich (1999) (MA/HD) $3.50
Beirut (2018) (MA/HD) $4.75
Belfast (2021) (MA/HD) $5.50
Belly (1998) (Vudu/4K) $4.75
Ben-Hur (2016) (Vudu/HD) $2.50
Better Off Dead (1985) (Vudu/HD) (iTunes/HD) $6.50
Beverly Hills Cop (1984) (Vudu/4K) (iTunes/4K) $4.50
BFG, The (2016) (MA/HD) $5.25 (GP/HD) $3.50
Big (1988) (MA/HD) $5.75
Big Lebowski (1998) (iTunes/4K) $6 (MA/HD) $5.75
Big Wedding (2013) (Vudu/HD) (iTunes/HD) $3.75
Billy Elliot (2000) (MA/HD) (iTunes/HD) $4.25
Birth of A Nation (2016) (MA/HD) $4
Black Adam (2022) (MA/4K) $7 (MA/HD) $4.25
Black Christmas (2019) (MA/HD) $6
Black Panther: Wakanda Forever (2022) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $2.50
Black Phone, The (2021) (MA/HD) $5
Black Swan (2010) (MA/HD) $4.50
Black Widow (2021) (MA/4K) $6.50 (MA/HD) $4.75 (GP/HD) $3.25
Blacklight (2022) (MA/HD) $4.25
Blade Runner (Final Cut) (1982) (MA/4K) $6.50
Blade Runner 2049 (2017) (MA/4K) $6.50
Bleed for This (2016) (MA/HD) (iTunes/HD) $4
Blockers (2018) (MA/HD) $3
Blood Father (2016) (Vudu/HD) $4
Bloodshot (2020) (MA/HD) $4
Blues Brothers (1980) (iTunes/4K) Ports to MA $6
Blumhouse's Truth Or Dare (Unrated) (2018) (MA/HD) $4.75
Bob's Burgers Movie (2022) (MA/HD) $3.25 (GP/HD) $2.25
Bodies Bodies Bodies (2022) (Vudu/4K) $6.75
Bodyguard, The (1992) (MA/HD) $5
Bolt (2008) (MA/HD) $8 (GP/HD) $5.50
Bond: Goldfinger (1964) (Vudu/HD) $7
Bond: Man with the Golden Gun (1974) (Vudu/HD) $6.25
Bond: Skyfall (2012) (Vudu/4K) $5.75 (Vudu/HD) $1
Bond: Spectre (2015) (iTunes/4K) (Vudu/HD) $5.50
Book of Henry (2017) (iTunes/HD) Ports $5
Book of Life (2014) (MA/HD) (iTunes/HD) $2.50
Booksmart (2019) (MA/HD) $5.25
Born a Champion (2021) (Vudu/4K) (iTunes/4K) $5.50
Boss Baby: Family Business (2021) (MA/HD) $4.50
Boss, The (Unrated) (2016) (iTunes/HD) Ports to MA $2.75
Bourne Supremacy (2004) (MA/4K) $5.50 (iTunes/HD) $4.50 (MA/HD) $3
Bourne Ultimatum (2007) (MA/4K) $5.50 (iTunes/HD) $5.50 (MA/HD) $4
Boy Next Door, The (2015) (iTunes/HD) Ports to MA $5.25
Boy, The (2016) (MA/HD) (iTunes/HD) $3.75
Brahms: The Boy II (2020) (iTunes/4K) $2.75
Braven (2018) (Vudu/HD) $3.75
Breakdown (1997) (Vudu/HD) (iTunes/HD) $5.75
Breakthrough (2019) (MA/4K) $6.50
Brian Banks (2019) (MA/HD) $4.25
Bridge of Spies (2015) (MA/HD) $5.25 (GP/HD) $3.75
Bridget Jones's Diary (2001) (Vudu/HD) (iTunes/HD) $4.25
Bring It On: Worldwide #Cheersmack (2017) (MA/HD) $3.25 (iTunes/HD) $1.25
Broken City (2013) (MA/HD) $3.50 (iTunes/SD) $1.25
Broken Hearts Gallery (2020) (MA/HD) $3.75
Brothers (2009) (Vudu/HD) $5.50
Buffy, the Vampire Slayer (1992) (MA/HD) $5.75
Bullet Train (2022) (MA/4K) $5.75 (MA/HD) $4.25
Bye Bye Man (Unrated) (2017) (iTunes/HD) Ports to MA $2.50
Cake (2014) (MA/HD) $5.25
Call Me by Your Name (2017) (MA/HD) $5.75
Call, The (2013) (MA/HD) $4.50
Captain America: Civil War (2016) (MA/4K) $6 (iTunes/4K) $5 (GP/HD) $2.25
Captain America: The First Avenger (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $5
Captain America: Winter Soldier (2014) (MA/4K) $7.50 (iTunes/4K) (MA/HD) $6 (GP/HD) $2.25
Captain Marvel (2019) (MA/4K) $5 (iTunes/4K) $4 (GP/HD) $1.75
Captain Underpants: The First Epic Movie (2017) (MA/HD) $3.25
Carrie (2013) (Vudu/HD) $5.50
Cars 1-3 (iTunes/4K) (MA/HD) $15.50 (GP/HD) $9
Casper (1995) (iTunes/HD) Ports to MA $3.75
Catch Me If You Can (2002) (Vudu/HD) (iTunes/HD) $6.50
Catch the Bullet (2021) (Vudu/HD) $4.75
Change-Up, The (2011) (Unrated) (2011) (iTunes/HD) Ports to MA $5.50
Chappie (2015) (MA/4K) $6.50 (MA/HD) $3.75
Charlie's Angels (2000) (MA/4K) $7.75
Chronicles of Riddick (Unrated Director's Cut) (2004) (MA/HD) (iTunes/HD) $5
Cinderella (1950) (MA/HD) $5.75 (GP/HD) $3.75
Cinderella (2015) (iTunes/4K) (MA/HD) $5.50 (GP/HD) $2.50
Cinderella 'Camila Cabello' (2021) (MA/HD) $4.50
Cinderella II: Dreams Come True (2002) (MA/HD) $6.50
Citizenfour (2014) (Vudu/HD) $5.50
City of Lies (2018) (Vudu/HD) (iTunes/HD) $5.50
Clerks III (2022) (Vudu/4K) (iTunes/4K) $5.50
Clifford the Big Red Dog (2021) (iTunes/4K) (Vudu/HD) $3.50
Clown (2014) (Vudu/HD) $6.25
Clueless (1995) (Vudu/HD) (iTunes/HD) $4.25
Coal Miner's Daughter (1980) (MA/HD) $6.25
Cocaine Bear (2023) (MA/HD) $7.25
Colombiana (Unrated) (2011) (MA/HD) $4.25
Concussion (2015) (MA/HD) $3
Constantine: The House of Mystery (2022) (MA/HD) $3.50
Contraband (2012) (iTunes/HD) Ports to MA $2
Contractor (2022) (Vudu/4K) $7 (iTunes/4K) (Vudu/HD) $4.50
Counselor, The (2013) (MA/HD) $3
Cowboys and Aliens (2011) (iTunes/HD) Ports to MA $2.50
Croods (2013) (MA/HD) $3.50
Croods: A New Age (2020) (MA/HD) $5
Cruella (2021) (MA/4K) $5.75 (MA/HD) $3.50 (GP/HD) $2.50
Cult of Chucky (Unrated) (2017) (MA/HD) $3.75 (iTunes/HD) $2.50
Daddy's Home 2 (2017) (Vudu/4K) $4.50 (iTunes/4K) $2 (Vudu/HD) $2.25
Darkest Minds, The (2018) (MA/HD) $4.75
Day After Tomorrow (2004) $7
DC League of Super-Pets (2022) (MA/4K) $8 (MA/HD) $5
Dead Man Down (2013) (MA/HD) $4.75
Deadpool 2 (2018) (MA/4K) $6.25 (MA/HD) $3.25
Dear Evan Hansen (2021) (MA/HD) $4.25
Death on the Nile (2022) (MA/HD) $5 (GP/HD) $3.50
Death Wish (2018) (Vudu/HD) $2.25
Descent, The (2005) (Vudu/HD) $5.25
Detroit (2017) (iTunes/4K) Ports to MA $4.75
Devil Wears Prada (2006) (MA/HD) $5.75
Devil's Due (2014) (MA/HD) $2.75
Devotion (2022) (iTunes/4K) $6.50
Diary of a Wimpy Kid: The Long Haul (2017) (MA/HD) $2
Disaster Artist, The (2017) (Vudu/HD) $6.25
Disneynature Born in China (2017) (MA/HD) $5.25
DisneyNature: Bears (2014) (MA/HD) $5.50 (GP/HD) $3.50
DisneyNature: Monkey Kingdom (2015) (MA/HD) $5.50 (GP/HD) $3.50
District 9 (2009) (MA/4K) $6.50
Do the Right Thing (1989) (MA/4K) $6
Doctor Strange (2016) (MA/4K) $6.50 (iTunes/4K) $4 (MA/HD) $3.50 (GP/HD) $1.75
Doctor Strange in the Multiverse of Madness (2022) (MA/4K) $6 (MA/HD) $2.75 (GP/HD) $2
Dog (2022) (Vudu/HD) $3
Don't Breathe (2016) (MA/HD) $5.50
Don't Breathe 2 (2021) (MA/HD) $7.50
Don't Let Go (2019) (MA/HD) $4
Don't Worry Darling (2022) (MA/HD) $5.50
Doors (1991) (Vudu/4K) (iTunes/4K) $4.50
Downton Abbey: A New Era (2022) (MA/HD) $3.75
Dr. Seuss' Horton Hears a Who (2008) (MA/HD) $6.50
Dr. Seuss' The Lorax (2012) (MA/HD) $3.25 (iTunes/HD) $2.25
Dredd (2012) (iTunes/4K) (Vudu/HD) $3.50
Duff, The (2015) (Vudu/HD) (iTunes/HD) $2.75
Dumbo (1941) (MA/HD) $7.50 (GP/HD) $6
Dumbo (2019) (MA/4K) $6 (iTunes/4K) $5.25 (GP/HD) $2.50
Dune (2021) (MA/4K) $5.75
Dunkirk (2017) (MA/4K) $6.50
Early Man (2018) (Vudu/HD) (iTunes/HD) $5.25
Echo Boomers (2020) (Vudu/HD) (iTunes/HD) $4
Eddie the Eagle (2016) (MA/HD) (iTunes/4K) $6
Edge of Seventeen (2016) (MA/HD) $3.50 (iTunes/HD) $2.25
Ella Enchanted (2004) (Vudu/HD) (iTunes/HD) $6.50
Elvis (2022) (MA/4K) $6.75 (MA/HD) $4
Elysium (2013) (MA/4K) $6.50 (MA/HD) $3.25
Empire State (2013) (Vudu/HD) $4.75
Encanto (2021) (MA/4K) $6.50 (MA/HD) (GP/4K) $3.50
Ender's Game (2013) (iTunes/4K) (Vudu/HD) $3.25
English Patient (1996) (Vudu/HD) (iTunes/HD) $4.75
Equalizer (2014) (MA/HD) $3.75
Equalizer 2 (2018) (MA/4K) $7.25 (MA/HD) $2.75
Escape from Planet Earth (2013) (Vudu/HD) $4.50
Escape Plan: The Extractors (2019) (Vudu/HD) $3.75
Everest (2015) (MA/4K) $6.50 (MA/HD) $3 (iTunes/4K) $4
Everything Everywhere All at Once (2022) (Vudu/4K) $8
Expendables 1-3 (Vudu/HD) $4.50
Extreme Prejudice (1987) (Vudu/HD) $5.25
F9: The Fast Saga + Director's Cut (2021) (MA/4K) $5.25 (MA/HD) $3.25
Fabelmans (2022) (MA/HD) $6.50
Faculty, The (1998) (Vudu/HD) (iTunes/HD) $6.50
Fantastic Beasts Collection 1-3 (MA/HD) $7.75
Fantastic Beasts: The Secrets of Dumbledore (2022) (MA/4K) $5.25 (MA/HD) $3
Fast & Furious Collection 1-9 (MA/HD) $10
Fatale (2020) (Vudu/4K) (iTunes/4K) $3.75
Father Stu (2022) (MA/HD) $5.50
Fatman (2020) (Vudu/HD) (iTunes/HD) $5.25
Ferdinand (2017) (MA/HD) $3.50
Fifth Element (1997) (MA/4K) $6.50 (MA/HD) $6
Fifty Shades of Black (2016) (iTunes/HD) Ports to MA $3.50
Finding Nemo (2003) (MA/4K) $6.75 (iTunes/4K) $5.25 (GP/HD) $3
First Man (2018) (MA/4K) $6.75 (MA/HD) $4.25
First Purge (2018) (MA/HD) $4.50
Five Feet Apart (2019) (iTunes/4K) (Vudu/HD) $3
Flight (2012) (Vudu/HD) $3.75 (iTunes/HD) $3
Forbidden Kingdom (2008) (Vudu/HD) $5
Ford v Ferrari (2019) (MA/4K) $7.75 (MA/HD) $4.75
Forever Purge (2021) (MA/HD) $5.50
Founder, The (2017) (Vudu/HD) $5 (iTunes/HD) $5.50
Fox and the Hound 2, The (2006) (MA/HD) $4 (GP/HD) $3
Foxcatcher (2014) (MA/HD) $4.50
Frank & Lola (2016) (MA/HD) $4.75
Free Guy (2021) (MA/4K) $7.50 (MA/HD) $4.75 (GP/HD) $3.25
French Dispatch (2021) (MA/HD) $4.75 (GP/HD) $3.50
From Dusk till Dawn (1996) (Vudu/HD) (iTunes/HD) $4.75
Frozen Sing-Along Edition (2014) (MA/HD) $3.75 (GP/HD) $1.75
Full Metal Jacket (1987) (MA/4K) $6.50
Future World (2018) (Vudu/HD) $4
Galaxy Quest (1999) (Vudu/HD) (iTunes/HD) $6
Gambler (2014) (Vudu/HD) $3.50 (iTunes/HD) $2.75
Gangs of New York (2002) (Vudu/HD) (iTunes/HD) $5.50
Gate, The (1987) (Vudu/SD) $4.25
Get on Up (2014) (iTunes/HD) Ports to MA $4.50
Get Out (2017) (iTunes/4K) (MA/HD) $3.75
Ghost In The Shell (2017) (Vudu/HD) $2.25 (iTunes/4K) $2.75
Ghostbusters (1984) (MA/HD) $3.50
Ghostbusters + Extended (2016) (MA/HD) $3
Ghostbusters II (1989) (MA/HD) $3.50
Ghostbusters: Afterlife (2021) (MA/4K) $7.50 (MA/HD) $3.50
Gifted (2017) (MA/HD) $5
Girl In The Spider's Web (2018) (MA/HD) $4.50
Girl with All the Gifts, The (2016) (Vudu/HD) $5
Girl with the Dragon Tattoo (2011) (MA/HD) $6
Girls Trip (2017) (MA/HD) $1.50 (iTunes/HD) $1
Glory (1989) (MA/4K) $7.75
Godfather (1972) (Vudu/HD) (iTunes/4K) $4.75
Godzilla (1998) (MA/4K) $6.50
Gold (2016) (Vudu/HD) $1.75
Gone Baby Gone (2007) (Vudu/HD) $5.25
Gone Girl (2014) (iTunes/4K) (MA/HD) $5.75
Good Boys (2019) (MA/HD) $3.75
Good Dinosaur (2015) (iTunes/4K) (MA/HD) $5.50 (GP/HD) $3
Goodbye Christopher Robin (2017) (MA/HD) $6.50
Goosebumps (2015) (MA/HD) $5
Goosebumps 2 (2018) (MA/4K) $7.50 (MA/HD) $6.50
Great Wall (2016) (MA/HD) $2.50
Green Hornet (2011) (MA/HD) $6.50
Green Lantern: Beware My Power (2022) (MA/HD) $3
Green Mile, The (1999) (MA/4K) $6
Grudge, The (2020) (MA/HD) $6.50
Guardians of the Galaxy (2014) (MA/4K) $7.25 (iTunes/4K) $4.75 (MA/HD) $4 (GP/HD) $1.75
Hail, Caesar! (2016) (MA/HD) $3.75 (iTunes/HD) $2.25
Half Brothers (2020) (MA/HD) $5.75
Halloween Ends (2022) (MA/4K) $6.25 (MA/HD) $4.50
Halloween Kills (2021) (MA/4K) $6 (MA/HD) $4.25
Hancock (2008) (MA/4K) $6.50
Happy Death Day (2017) (MA/HD) $6
Happy Death Day 2U (2019) (MA/HD) $6
Happytime Murders (2018) (iTunes/4K) $1.75
Hateful Eight (2015) (Vudu/HD) $2
Heat: Director's Definitive Edition (1995) (MA/4K) $6 (MA/HD) $5.25
Heavy Metal (1981) (MA/4K) $6.50
Hell Fest (2018) (Vudu/4K) (iTunes/4K) $3.75
Hell or High Water (2016) (Vudu/4K) $5.25 (Vudu/HD) $2.25 (iTunes/4K) $3.75
Hellboy (Director's Cut) (2004) (MA/4K) $6.50
Hercules (1997) (MA/HD) $6.50 (GP/HD) $5.50
Hidden Figures (2016) (iTunes/4K) (MA/HD) $2
Highlander (1986) (Vudu/4K) $5
Hitman: Agent 47 (2015) (MA/HD) $4.50
Hitman's Wife's Bodyguard (2021) (Vudu/4K) (iTunes/4K) $4.75
Hocus Pocus (1993) (MA/4K) $6.75 (iTunes/4K) (MA/HD) $4.75 (GP/HD) $2.25
Holiday Inn (1942) (iTunes/HD) Ports to MA $3
Home Alone (1990) (MA/HD) $4
Home Alone 2: Lost in New York (1992) (MA/HD) $3.50
Hostiles (2017) (Vudu/4K) $4.75 (iTunes/4K) (Vudu/HD) $3.25
Hot Fuzz (2007) (MA/HD) $3.50 (iTunes/4K) $4
Hotel Transylvania (2012) (MA/HD) $6
Hotel Transylvania 2 (2015) (MA/HD) $6.75
Hotel Transylvania 3: Summer Vacation (2018) (MA/4K) $6.75 (MA/HD) $4.50
House of Gucci (2021) (iTunes/4K) $5
House of the Dragon: Season 1 (2022) (Vudu/4K) $9 (Vudu/HD) $5.50
Hugo (2011) (Vudu/HD) (iTunes/HD) $3.75
Hulk, The (2003) (iTunes/HD) Ports to MA $6.25
Hunt for Red October (1990) (Vudu/4K) (iTunes/4K) $4.50
Hunt, The (2019) (MA/HD) $5.75
Huntsman: Winter's War - Extended Edition (2016) (iTunes/4K) (MA/HD) $3
Hurt Locker (2008) (Vudu/4K) (iTunes/4K) $6.25
I Can Only Imagine (2018) (Vudu/HD) (iTunes/HD) $2.75
I Now Pronounce You Chuck & Larry (2007) (MA/HD) $3.50
Ice Age: Collision Course (2016) (iTunes/4K) (MA/HD) $4.25
Ice Age: Continental Drift (2012) (MA/HD) $4.50
Identity Thief (2013) (iTunes/HD) Ports to MA $3.75
Ides of March (2011) (MA/HD) $5.25
If Beale Street Could Talk (2018) (MA/HD) $5.75
Impossible, The (2013) (Vudu/HD) (iTunes/HD) $4.75
In the Heights (2021) (MA/4K) $5
Inception (2010) (MA/4K) $6.50
Incredible Hulk (2008) (MA/4K) $7 (MA/HD) $5.25
Incredibles (2004) (MA/4K) $7.75 (iTunes/4K) $6.25 (GP/HD) $4.75
Independence Day: Resurgence (2014) (iTunes/4K) $2 (MA/HD) $1.50
Indiana Jones 1-4 (iTunes/4K) (Vudu/HD) $20
Inevitable Defeat of Mister and Pete (2013) (Vudu/HD) $4.25
Inferno (2016) (MA/HD) $3.25
Infinite (2021) (Vudu/4K) $5.75 (iTunes/4K) (Vudu/HD) $5
Inside Llewyn Davis (2013) (MA/HD) $6
Inside Out (2015) (MA/4K) $5.75 (iTunes/4K) $4.25 (GP/HD) $1.50
Insidious: Chapter 2 (2013) (MA/HD) $5.25
Insidious: Chapter 3 (2015) (MA/HD) $6.50
Instructions Not Included (2013) (Vudu/HD) $3.75
Internship (2013) (MA/HD) $3.25
Interview, The (2014) (MA/HD) $3.50
Into the Woods (2014) (MA/HD) $4 (GP/HD) $2.25
Iron Man (2008) (MA/4K) $7.25 (iTunes/4K) $7 (GP/HD) $3
Iron Man 2 (2010) (MA/4K) $7.25 (iTunes/4K) $6.50 (GP/HD) $3
Iron Man 3 (2013) (MA/4K) $7.25 (iTunes/4K) $3 (MA/HD) $2.25 (GP/HD) $1.50
Isle of Dogs (2018) (MA/HD) $4.75
It Comes at Night (2017) (Vudu/HD) $6.25
It Follows (2015) (Vudu/HD) $4.25
Jack and Jill (2011) (MA/HD) $4.50
Jackass Forever (2022) (iTunes/4K) (Vudu/HD) $4
Jackass Presents: Bad Grandpa (2013) (Vudu/HD) (iTunes/HD) $3
Jackie (2016) (MA/HD) $4.25
Jacob's Ladder (1990) (Vudu/HD) $3.50
Jane Got a Gun (2016) (Vudu/HD) $5.75
Jason Bourne (2016) (MA/4K) $5.50 (iTunes/HD) $3.50 (MA/HD) $3
Jay & Silent Bob Reboot (2019) (Vudu/HD) (iTunes/HD) $5.50
Jay and Silent Bob Strike Back (2001) (Vudu/HD) (iTunes/HD) $5.50
Jesus Music, The (2021) (Vudu/HD) (iTunes/HD) $4.50
Jigsaw (2017) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $2
Jingle All the Way (1996) (MA/HD) $5.25
John Wick: Chapter 3 - Parabellum (2019) (Vudu/4K) (iTunes/4K) $4
Jojo Rabbit (2019) (MA/HD) $6.75
Joy (2015) (MA/HD) (iTunes/4K) $4
Judy (2019) (Vudu/4K) (iTunes/4K) $3.75
Jumanji (1995) (MA/4K) $6.50 (MA/HD) $6
Jumanji: Next Level (2019) & Welcome to the Jungle (2017) (MA/HD) $7.50
Jurassic Park (1993) (MA/4K) $5.25 (iTunes/4K) $3.75 (MA/HD) $3
Jurassic Park III (2001) (MA/4K) $6.50 (iTunes/4K) $3.75 (MA/HD) $3.50
Jurassic World (2015) (MA/4K) $5.25 (iTunes/4K) $3.75 (MA/HD) $2.75
Jurassic World: Dominion + Extended Cut (2022) (MA/4K) $6.50 (MA/HD) $4.25
Jurassic World: Fallen Kingdom (2018) (MA/4K) $5.75 (MA/HD) $1.75
Justice League x RWBY Super Heroes and Huntsmen Part One (2023) (MA/HD) $4.25
Justice Society: World War II (2021) (MA/4K) $5.50
Katy Perry: Part of Me (2012) (Vudu/HD) (iTunes/HD) $3.75
Keeping Up with the Joneses (2016) (MA/HD) $4.25
Kick-Ass (2010) (Vudu/4K) $5.75 (Vudu/HD) (iTunes/HD) $4.50
Kick-Ass 2 (2013) (MA/HD) $5.25 (iTunes/HD) $5
Kicks (2016) (iTunes/HD) Ports to MA $5
Kid Who Would Be King (2019) (MA/4K) $5.75 (MA/HD) $4.75
Kidnap (2017) (MA/HD) (iTunes/HD) $3.25
Kill Bill: Vol. 2 (2004) (Vudu/HD) $6
Kill the Messenger (2014) (iTunes/HD) Ports to MA $5
Killer Elite (2011) (iTunes/HD) Ports to MA $3.25
Killerman (2019) (Vudu/HD) $2.25 (iTunes/HD) $1.75
Killing Lincoln (2013) (MA/HD) $5.25
Killing Them Softly (2012) (Vudu/HD) $2.75
King of Staten Island (2020) (MA/HD) $4.75
King's Man (2021) (MA/HD) $4.50 (GP/HD) $3.50
Knock at the Cabin (2023) (MA/HD) $5.50
Kong: Skull Island (2017) (MA/4K) $6.50
Kung Fu Panda 3 (2016) (MA/HD) $2.50
Kung Fu Panda Collection 1-3 (MA/HD) $12.50
L.A. Confidential (1997) (MA/HD) $5.75
Last Christmas (2019) (MA/HD) $6.50
Last Full Measure (2020) (Vudu/HD) (iTunes/HD) $5.50
Last Night in Soho (2021) (MA/4K) $7 (MA/HD) $5.75
Last Vegas (2013) (MA/HD) $3
Law Abiding Citizen (2009) (Vudu/4K) $7
Lawless (2012) (Vudu/HD) $3.75
Leap! (2017) (Vudu/HD) (iTunes/HD) $3.25
Lee Daniels' The Butler (2013) (Vudu/HD) $2.25
Legend of Hercules (2014) (iTunes/4K) (Vudu/HD) $3.25
Legion of Super Heroes (2023) (MA/HD) $6
Les Miserables (2012) (MA/HD) (iTunes/HD) $2.75
Let Him Go (2020) (MA/HD) $3.75
Let's Be Cops (2014) (iTunes/4K) (MA/HD) $2.50
Life (2017) (MA/HD) $2.50
Light of My Life (2019) (Vudu/HD) $2.50 (iTunes/HD) $2
Lighthouse (2019) (Vudu/HD) $5.25
Lightyear (2022) (MA/4K) $5 (MA/HD) $2.75 (GP/HD) $2
Like a Boss (2020) (iTunes/4K) (Vudu/HD) $2.25
Lion (2016) (Vudu/HD) $4.50
Lion King 1 1/2 (2004) (MA/HD) $6.50
Lion King 2: Simba's Pride (1998) (MA/HD) $6.75 (GP/HD) $5.25
Little Fockers (2010) (MA/HD) $4
Little Mermaid II: Return to the Sea (2000) (MA/HD) $6.75
Little Mermaid III: Ariel’s Beginning (2008) (MA/HD) $6.75
Little Monsters (1989) (Vudu/HD) $5.50
Live Die Repeat: Edge of Tomorrow (2014) (MA/4K) $5
Live Die Repeat: Edge Of Tomorrow (2014) (MA/4K) $6.50
Lodge, The (2019) (MA/HD) $5.75
Logan Lucky (2017) (MA/HD) $1.50 (iTunes/4K) $2.25
London Has Fallen (2016) (iTunes/HD) Ports to MA $3.75
Long Shot (2019) (iTunes/4K) (Vudu/HD) $4
Longest Ride (2015) (iTunes/4K) (MA/HD) $1.50
Lord of War (2005) (Vudu/4K) (iTunes/4K) $5.50
Lords of Salem, The (2012) (Vudu/HD) $4.75
Lost City, The (2022) (Vudu/4K) (iTunes/4K) $6
Love Actually (2003) (MA/HD) $5.50
Love and Monsters (2020) (Vudu/4K) (iTunes/4K) $7
Love, Simon (2018) (MA/HD) $3
Lovebirds (2020) (Vudu/HD) (iTunes/HD) $5.50
Luca (2021) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $3.25
Lucy (2014) (MA/HD) $2
Lyle, Lyle, Crocodile (2022) (MA/HD) $5.50
Ma (2019) (MA/HD) $5.25
Madagascar 3: Europe's Most Wanted (2012) (MA/HD) (iTunes/HD) $2
Maleficent (2014) (MA/4K) $5.75 (iTunes/4K) (MA/HD) $3 (GP/HD) $1.25
Maleficent: Mistress of Evil (2019) (MA/4K) $6 (iTunes/4K) $3.75 (GP/HD) $1.75
Mama (2013) (iTunes/HD) Ports to MA $3.50
Mamma Mia! The Movie (2008) & Here We Go Again (2018) (MA/HD) $6.50 $4.50 Each
Many Adventures of Winnie the Pooh (1977) (MA/HD) $6.25
Marksman, The (2021) (MA/HD) $5.50
Marlowe (2023) (MA/HD) $7.50
Marry Me (2022) (MA/HD) $6.50
Martian - Extended Cut (2015) (MA/4K) $7.75 (MA/HD) $5.25
Martian (Theatrical) (2015) (MA/4K) $7.25 (MA/HD) $3.25
Mary Poppins (1964) (MA/HD) $4.50 (GP/HD) $3
Mary Queen of Scots (2018) (MA/HD) $5.75
Matrix: Resurrections (2021) (MA/4K) $5
Maze Runner: The Death Cure (2018) (MA/HD) $5.75
McFarland, USA (2015) (MA/HD) $6.25 (GP/HD) $4.50
Memory (2022) (MA/HD) $3.50
Men (2022) (Vudu/HD) $3.75
Menu (2022) (MA/HD) $5.50 (GP/HD) $4
Mickey & Minnie 10 Classic Shorts - Volume 1 (2023) (MA/HD) $5.75 (GP/HD) $4
Mickey, Donald, Goofy: The Three Musketeers (2004) (MA/HD) $6.50
Midsommar (2019) (Vudu/HD) $5.75
Mike and Dave Need Wedding Dates (2016) (MA/HD) (iTunes/4K) $4.50
Million Dollar Arm (2014) (MA/HD) $4
Minions (2015) (iTunes/4K) (MA/HD) $2.75
Minions: The Rise of Gru (2022) & Minions (2015) (MA/HD) $8
Minions: The Rise of Gru (2022) (MA/4K) $6.75 (MA/HD) $5.25
Miracles From Heaven (2016) (MA/HD) $4.50
Missing Link (2019) (MA/HD) $4.25
Mission: Impossible Fallout (2018) (Vudu/4K) $2.75 (iTunes/4K) (Vudu/HD) $2.50
Mitchells Vs. The Machines (2021) (MA/HD) $4.50
Money Monster (2016) (MA/HD) $3.25
Monster Hunter (2020) (MA/4K) $6.75 (MA/HD) $4.25
Monster Trucks (2016) (Vudu/HD) $2.25
Monster's Ball (2001) (Vudu/HD) $6.25
Monuments Men (2014) (MA/HD) $2
Moonfall (2022) (Vudu/4K) (iTunes/4K) $5
Morbius (2022) (MA/4K) $5.25 (MA/HD) $3.25 (MA/SD) $2.25
Mortal Instruments: City of Bones (2014) (MA/HD) $3.50
Mortal Kombat Legends: Snow Blind (2022) (MA/HD) $5.50
Mother! (2017) (Vudu/HD) $3.50
Mountain Between Us (2017) (iTunes/4K) (MA/HD) $1.50
Mr Popper's Penguins (2011) (MA/HD) $6
Mr. Holmes (2015) (Vudu/HD) $3.75
Much Ado About Nothing (2013) (Vudu/HD) $4.25
Muppet Movie (1979) (MA/HD) $7.50 (GP/HD) $6
My All American (2015) (MA/HD) (iTunes/HD) $4.25
My Big Fat Greek Wedding 2 (2016) (iTunes/HD) Ports to MA $4
My Dinner with Herve (2018) (Vudu/HD) (iTunes/HD) $4.50 (GP/HD) $3
My Fair Lady (1964) (iTunes/4K) (Vudu/HD) $5.50
National Lampoon's Animal House (1978) (MA/4K) $6.25 (MA/HD) $5.25
Nebraska (2013) (Vudu/HD) (iTunes/HD) $2.25
Neighbors (2014) (iTunes/HD) Ports to MA $2
Never Grow Old (2019) (Vudu/HD) (iTunes/HD) $4.50
Night Before (2015) (MA/HD) $4.75
Night House, The (2021) (MA/HD) $5 (GP/HD) $3
Nightmare Before Christmas (1993) (GP/HD) Ports to MA $3
Ninth Gate, The (1999) (Vudu/HD) $4.50
No Country For Old Men (2007) (Vudu/HD) $5.50
No Time to Die (2021) (iTunes/4K) $3.50
Nobody (2021) (MA/HD) $5.25
Nocturnal Animals (2016) (iTunes/HD) Ports to MA $3.25
Non-Stop (2014) (MA/HD) (iTunes/HD) $2.75
Nope (2022) (MA/4K) $8 (MA/HD) $5.75
Nope (2022), Get Out (2017) & Us (2019) (MA/HD) $10
Norm of the North (2016) (Vudu/HD) (iTunes/HD) $2.75
Northman (2022) (MA/4K) $7.25 (MA/HD) $4.50
Old (2021) (MA/HD) $4.50
Olympus Has Fallen (2013) (MA/HD) $5
On the Basis of Sex (2019) (MA/HD) $4.50
Onward (2020) (MA/4K) $5.50 (MA/HD) $4 (GP/HD) $2.25
Oranges, The (2011) (MA/HD) $4.50
Other Woman (2014) (MA/HD) $2.25
Ouija (2014) & Origin of Evil (2016) (MA/HD) (iTunes/HD) $9
Overboard (2016) (Vudu/HD) (iTunes/HD) $5.75
Pacific Rim (2013) (MA/4K) $6.50
Pacific Rim Uprising (2018) (MA/4K) $7.75 (MA/HD) $4.50
Pain & Gain (2013) (Vudu/HD) (iTunes/HD) $3.25
Paper Towns (2011) (iTunes/4K) (MA/HD) $4.50
ParaNorman (2012) (iTunes/HD) $5
Passengers (2016) (MA/4K) $6.50 (MA/HD) $2.75
Paul (2011) (iTunes/HD) Ports to MA $4.50
Paul Blart: Mall Cop 2 (2015) (MA/HD) $4.25
Paw Patrol: The Movie (2021) (iTunes/4K) (Vudu/HD) $5
Paws of Fury: The Legend of Hank (2022) (iTunes/4K) (Vudu/HD) $6
Pearl (2022) (Vudu/HD) $5.50
Peppermint (2018) (iTunes/HD) $1.75
Percy Jackson: Sea of Monsters (2013) (MA/HD) $2.25
Perks of Being a Wallflower (2012) (Vudu/HD) (iTunes/HD) $1.75
Pet Sematary (2019) (Vudu/4K) $4.25 (iTunes/4K) (Vudu/HD) $2.50
Peter Rabbit (2018) (MA/4K) $5.75 (MA/HD) $4.75
Peter Rabbit 2 (2021) (MA/HD) $4
Phantom Thread (2017) (MA/HD) $3.75
Philomena (2013) (Vudu/HD) $2
Pineapple Express (Unrated Edition) (2008) (MA/HD) $6
Pinocchio (1940) (MA/HD) $5.50 (GP/HD) $3.75
Pirate Fairy (2014) (MA/HD) $3.25
Pirates of the Caribbean: Dead Men Tell No Tales (2017) (MA/HD) $3.25 (GP/HD) $1.75
Pitch Perfect 2 (2015) (MA/HD) $2.75 (iTunes/4K) $3.75
Pixar Short Films Collection, Vol. 3 (2018) (MA/HD) $5.50 (GP/HD) $3.50
Pixels (2015) (MA/4K) $6.50 (MA/HD) $5.50
Plane (2023) (Vudu/4K) (iTunes/4K) $8
Planes (2013) (MA/HD) $2.25 (GP/HD) $1.25
Planes, Trains and Automobiles (1987) (iTunes/HD) $3.75
Planes: Fire & Rescue (2014) (MA/HD) $4 (GP/HD) $2
Playing with Fire (2019) (iTunes/4K) $1.50 (Vudu/HD) $2
Pocahontas (1995) (MA/HD) $6.50 (GP/HD) $5
Pocahontas II: Journey to a New World (1998) (MA/HD) $6 (GP/HD) $3.25
Pompeii (2014) (MA/HD) $3.50
Poms (2019) (iTunes/HD) $2.50
Post, The (2017) (MA/HD) $2.75
Predator (1987) (MA/HD) $3.50
Predator (2018) (MA/4K) $6.25 (MA/HD) $3.50
Premium Rush (2012) (MA/HD) $3.25
Prey for the Devil (2022) (Vudu/4K) (iTunes/4K) $6
Princess and the Frog (2009) (iTunes/4K) $5.50 (GP/HD) $3.25
Prometheus (2012) (MA/HD) $1.75
Protege, The (2021) (Vudu/4K) (iTunes/4K) $5.75
Psycho (1960) (MA/HD) (iTunes/4K) $5
Psycho (1960), Rear Window (1954), The Birds (1963), Vertigo (1958) (MA/4K) $17
Public Enemies (2009) (MA/HD) (iTunes/HD) $6.25
Punisher, The (2004) (Vudu/4K) $5.75 (Vudu/HD) $5.25
Purge, The (2013) (MA/4K) $6.50 (iTunes/4K) (MA/HD) $3
Purge: Election Year (2016) (MA/4K $5.50 (iTunes/4K) (MA/HD) $3
Puss in Boots: The Last Wish (2022) (MA/HD) $7.50
Queen & Slim (2019) (MA/HD) $4.50
R.I.P.D. (2013) (MA/HD) $3.25 (iTunes/HD) $3
Race (2016) (iTunes/HD) Ports to MA $2.75
Rambo Last Blood (Vudu/4K) (iTunes/4K) $2.75
Rambo: First Blood (1982) (Vudu/4K) (iTunes/4K) $6
Rambo: First Blood Part II (1985) (Vudu/4K) $6.75 (iTunes/4K) (Vudu/HD) $5.50
Rango (2011) (Vudu/4K) (iTunes/4K) $6.50
Ratatouille (2007) (iTunes/4K) $8 (GP/HD) $5.50
Raya and the Last Dragon (2021) (MA/4K) $6.25 (MA/HD) $4.50 (GP/HD) $2.50
Red (2010) (Vudu/4K) $6.25
Requiem for a Dream - Director's Cut (2000) (Vudu/4K) (iTunes/4K) $6.25
Rescuers Down Under (1990) (MA/HD) $6.50 (GP/HD) $4
Resident Evil: Retribution (2012) (MA/HD) $2.25
Resident Evil: Welcome to Raccoon City (2021) (MA/4K) $6.50 (MA/HD) $4.50
Respect (2021) (iTunes/4K) $4.75
Richard Jewell (2019) (MA/4K) $6.50
Ricki And The Flash (2015) (MA/HD) $4.50
Riddick - Unrated Director's Cut (2013) (MA/HD) (iTunes/HD) $4
Ride Along 1-2 (MA/HD) (iTunes/HD) $5 $2.75 Each
Rio 2 (2014) (MA/HD) $2.25
Rise of the Planet of the Apes (2010) (iTunes/4K) (MA/HD) $5.75
Risen (2016) (MA/HD) $4.50
Road to El Dorado (2000) (MA/HD) $5.50
Robin Hood (2018) (Vudu/4K) $5 (iTunes/4K) (Vudu/HD) $3.25
Robin Hood (Animated) (1973) (MA/HD) $3.75 (GP/HD) $2.75
RoboCop (1987) (Vudu/HD) $7.25
Robots (2005) (MA/HD) $6.75
Rock Dog (2016) (Vudu/HD) $4.25
Rocketman (2019) (Vudu/4K) $4.75 (iTunes/4K) $2.50 (Vudu/HD) $2.25
Ron's Gone Wrong (2021) (MA/4K) $7 (MA/HD) $5.25 (GP/HD) $3.50
Rumble (2022) (iTunes/4K) (Vudu/HD) $5.75
Run Lola Run (1998) (MA/HD) $6.50
Runner Runner (2013) (MA/HD) $4
Rush (2013) (MA/HD) $2.75 (iTunes/HD) $3.25
Russell Madness (2015) (MA/HD) $4
Safe (2012) (Vudu/HD) (iTunes/HD) $1.75
Safe House (2012) (MA/HD) $4 (iTunes/HD) $2.50
Saint Maud (2020) (Vudu/HD) $6
Santa Clause (1994), 2 (2002), 3 (2006) (iTunes/4K) (MA/HD) $10.50 (GP/HD) $6.50
Saving Mr. Banks (2013) (MA/HD) $4.75 (GP/HD) $2.75
Scream (1996) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $3.75
Scream 5 (2022) (iTunes/4K) (Vudu/HD) $5.50
Scrooged (1988) (iTunes/HD) $4.75
Second Act (2018) (iTunes/HD) $1.50
Second Best Exotic Marigold Hotel (2015) (MA/HD) $4.50
Secret Garden, The (2020) (iTunes/4K) $4.25
Secret Headquarters (2022) (Vudu/HD) (iTunes/4K) $6
Secret Life of Pets 1-2 (MA/HD) $7.50
Secret Life of Pets 2 (2019) (MA/4K) $6.25 (MA/HD) $5
Secret Life of Pets, The (2016) (iTunes/4K) $3.75 (MA/HD) $2.75
Secret Life of Walter Mitty (2013) (MA/HD) $2
Seeking a Friend for the End of the World (2012) (iTunes/HD) Ports to MA $4.50
Seriously Red (2022) (Vudu/HD) $6.75
Sessions, The (2012) (MA/HD) $4.50
Seventh Son (2015) (iTunes/HD) Ports to MA $1.50
Sex Tape (2014) (MA/HD) $3
Shaun of the Dead (2004), Hot Fuzz (2007), World's End (2013) (MA/HD) $10
Shaun the Sheep Movie (2015) (Vudu/HD) $4
Shawshank Redemption (1994) (MA/4K) $6
She's Having a Baby (1988) (Vudu/HD) (iTunes/HD) $4.50
Shooter (2007) (Vudu/HD) $5.75
Sideways (2004) (MA/HD) $5.25
Silent Night, Deadly Night: 3-Film Collection (1989-1991) (Vudu/HD) $6
Silver Linings Playbook (2012) (Vudu/HD) $2
Sin City: A Dame to Kill For (2014) (Vudu/HD) $6.25
Sinbad: Legend of the Seven Seas (2007) (MA/HD) $6.50
Sing 2 (2021) (MA/4K) $6.50 (MA/HD) $3.50
Sing Collection 1-2 (MA/HD) $6
Singin' in the Rain (1952) (MA/4K) $6.50
Sinister (2012) (Vudu/HD) $3 (iTunes/HD) $2.75
Sisters (Unrated) (2015) (MA/HD) $4 (iTunes/HD) $3.25
Sixteen Candles (1984) (MA/HD) $5.25 (iTunes/HD) $4.25
Skeleton Twins (2014) (Vudu/HD) $4.50
Sleepless (2017) (iTunes/HD) Ports to MA $1
Smile (2022) (Vudu/HD) (iTunes/4K) $6.75
Smurfs 2 (2013) (MA/HD) $3.25
Smurfs: The Lost Village (2017) (MA/HD) $3.25
Snake Eyes (2021) (iTunes/4K) (Vudu/HD) $4.25
Snatched (2017) (iTunes/4K) (MA/HD) $1
Snitch (2013) (iTunes/4K) (Vudu/HD) $1.75
Snow White and the Huntsman (Extended) (2012) (iTunes/4K) $3.50 (MA/HD) $2.50
Some Kind of Wonderful (1987) (Vudu/HD) (iTunes/HD) $4.50
Son of God (2014) (MA/HD) $1.25
Sonic the Hedgehog (2020) (Vudu/4K) $6.25 (iTunes/4K) (Vudu/HD) $4.25
Sonic the Hedgehog 2 (2022) (Vudu/4K) $6.50 (iTunes/4K) (Vudu/HD) $4.50
Sound of Music, The (1965) (MA/HD) $5.75
Southpaw (2015) (Vudu/HD) $4.50
Southside With You (2016) (Vudu/HD) $3.50
Space Between Us, The (2017) (iTunes/HD) Ports to MA $5
Space Jam (1996) (MA/4K) $5
Space Jam: A New Legacy (2021) (MA/4K) $5
Spider-Man (2002) (MA/4K) $6.50 (MA/HD) $5.50
Spider-Man 2 (2004) (MA/4K) $6.50 (MA/HD) $5.50
Spider-Man 3 (2007) (MA/4K) $6.50 (MA/HD) $5.50
Spider-Man: Far From Home (2019) (MA/4K) $8 (MA/HD) $4
Spies in Disguise (2019) (MA/HD) $3.50 (GP/HD) $2.50
Spirit: Stallion of the Cimarron (2003) (MA/HD) $5
Spontaneous (2020) (Vudu/HD) (iTunes/HD) $5
Spy (Unrated) (2015) (MA/HD) $2
Spy Game (2001) (iTunes/HD) Ports to MA $5.75
Stand Up Guys (2012) (Vudu/HD) $2.75
Star Trek 1-3 (Vudu/4K) $18 (Vudu/HD) $9.50 (iTunes/4K) $13.50
Star Trek Beyond (2016) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Star Trek Into Darkness (2013) (Vudu/HD) $1.75 (iTunes/4K) $3.25
Starship Troopers (1997) (MA/4K) $6.50
Step Up Revolution (2012) (Vudu/HD) (iTunes/HD) $3.25
Still Alice (2015) (MA/HD) $3
Stillwater (2021) (MA/HD) $5
Straight Outta Compton (Unrated Director’s Cut) (2015) (MA/4K) $7.50 (MA/HD) (iTunes/HD) $2.50
Strange World (2022) (GP/HD) Ports to MA $4.25
Strangers: Prey at Night (2018) (MA/HD) $3.50
Stronger (2017) (Vudu/HD) (iTunes/HD) $4.50
Stuber (2019) (MA/HD) $4.75
Studio 666 (2022) (MA/HD) $6.75
Suicide Squad, The (2021) (MA/4K) $5
Sully (2016) (MA/4K) $6.50
Sum of All Fears, The (2002) (Vudu/4K) (iTunes/4K) $5.75
Super Troopers (2002) (MA/HD) $5.75
SW: A New Hope (1977) (MA/4K) $7 (MA/HD) $6.25 (GP/HD) $3.50
SW: Empire Strikes Back (1980) (MA/4K) $7 (MA/HD) $6.50 (GP/HD) $3.50
SW: Force Awakens (2015) (MA/4K) $5.25 (MA/HD) $3.50 (GP/HD) $1
SW: Last Jedi (2017) (MA/4K) $5.75 (MA/HD) $3.75 (GP/HD) $1
SW: Phantom Menace (1999) (MA/4K) $7.50 (MA/HD) $6.50 (GP/HD) $3.50
SW: Return of the Jedi (1983) (MA/4K) $7.25 (MA/HD) $6.50 (GP/HD) $3.50
SW: Revenge of the Sith (2005) (MA/4K) $7.50 (GP/HD) $3.50
SW: Rise of Skywalker (2019) (MA/4K) $6 (MA/HD) $4.75 (GP/HD) $2.25
SW: Rogue One: A Star Wars Story (2016) (MA/4K) $6.50 (MA/HD) $3.75 (GP/HD) $1.25
SW: Solo: A Star Wars Story (2018) (MA/4K) $7 (MA/HD) $5 (GP/HD) $3.50
Sword in the Stone (1963) (MA/HD) $6.25 (GP/HD) $3.75
Tag (2018) (MA/4K) $6.50
Tarzan (1999) (MA/HD) $6.50 (GP/HD) $5
Ted (2012) (Unrated) (MA/HD) (iTunes/HD) $4
Teen Titans Go! & DC Super Hero Girls: Mayhem in the Multiverse (2022) (MA/HD) $4.75
Terminator (1984) (Vudu/HD) $7
Terminator 2: Judgment Day (1991) (Vudu/4K) (iTunes/4K) $4.25
Terminator 4: Salvation (2009) (MA/4K) $6.50
Terminator: Dark Fate (2019) (Vudu/4K) $6.50 (Vudu/HD) $3 (iTunes/4K) $2.50
Terminator: Genisys (2015) (Vudu/HD) $1.75 (iTunes/4K) $3
The Man from U.N.C.L.E. (2015) (MA/4K) $6.50
Theory Of Everything (2014) (iTunes/HD) Ports to MA $4
Thing, The (2011) (MA/HD) $6.25
This Is 40 (2012) (MA/HD) $3.75 (iTunes/HD) $2.50
Thor (2011) (iTunes/4K) (MA/HD) $7 (GP/HD) $3.50
Thor: Love and Thunder (2022) (MA/4K) $6.75 (MA/HD) $3.25 (GP/HD) $2
Thor: The Dark World (2013) (MA/4K) $7 (iTunes/4K) $4.50 (GP/HD) $2.25
Till (2022) (iTunes/4K) $6.50
Tinker Bell and the Legend of the NeverBeast (2014) (MA/HD) $6.25 (GP/HD) $4.50
Tinker, Tailor, Soldier, Spy (2011) (iTunes/HD) Ports to MA $4.50
Titanic (1997) (Vudu/HD) (iTunes/HD) $4.75
TMNT Out of the Shadows (2016) (iTunes/4K) $4
Tomb Raider: The Cradle of Life (2003) (Vudu/4K) (iTunes/4K) $6.50
Tomorrowland (2015) (MA/HD) $5.50 (GP/HD) $3.50
Top Gun: Maverick (2022) (Vudu/4K) $6 (iTunes/4K) (Vudu/HD) $5.75
Total Recall + Extended (2012) (MA/HD) $5 (Theatrical) $4
Toy Story 1-4 (MA/4K) $23 (iTunes/4K) $21 (GP/HD) $11.50
Toy Story of Terror! (2013) (MA/HD) $4.50 (GP/HD) $3
Trading Places (1983) (Vudu/HD) $4.50
Traffic (2000) (iTunes/HD) Ports to MA $5.75
Training Day (2001) (MA/4K) $6.50
Trainwreck (2015) (iTunes/HD) Ports to MA $1.50
Transformers: Last Knight (2017) (Vudu/4K) $4.75 (iTunes/4K) $2.25 (Vudu/HD) $2
Trauma Center (2019) (iTunes/4K) $3.25
Triple 9 (2016) (iTunes/HD) Ports to MA $2.50
Trolls (2016) (MA/HD) $1.25
Trolls Collection 1-2 (MA/HD) $6
Tully (2018) (MA/HD) $5.75
Turning Red (2022) (MA/4K) $6.25 (MA/HD) $4 (GP/HD) $2.75
Umma (2022) (MA/HD) $4.75
Unbearable Weight of Massive Talent (2022) (Vudu/4K) (iTunes/4K) $6.75
Unbreakable (2000) (MA/4K) $6 (GP/HD) $3.75
Unbroken (2014) (MA/HD) (iTunes/HD) $3
Uncharted (2022) (MA/4K) $5.50 (MA/HD) $3.25
Uncle Drew (2018) (Vudu/4K) $6.25 (Vudu/HD) (iTunes/HD) $3
Under the Skin (2014) (Vudu/HD) $5.25
Unforgiven (1992) (MA/4K) $6.50
Unhinged (2020) (Vudu/HD) $4.75
Up (2009) (iTunes/4K) $7.50 (MA/HD) $6.75
Up in Smoke ‘Cheech and Chong’ (1978) (Vudu/HD) $3.50 (iTunes/HD) $2.75
Upside, The (2017) (iTunes/HD) $2
Usual Suspects, The (1995) (Vudu/HD) $6
Valerian and the City of a Thousand Planets (2017) (Vudu/HD) $3.50
Van Helsing (2004) (MA/4K) $6 (iTunes/4K) (MA/HD) $4.75
Venom: Let There Be Carnage (2021) (MA/4K) $7 (MA/HD) $3.50
Vice (2015) 'Bruce Willis' (Vudu/HD) $2.50
Voyagers (2021) (Vudu/4K) (iTunes/4K) $6.50
Walking Dead: Season 11 (2021) (Vudu/HD) $6.25
WALL-E (2008) (iTunes/4K) $8 (GP/HD) $5.50
War Dogs (2016) (MA/4K) $6.50
War of the Worlds (1953) (Vudu/4K) (iTunes/4K) $6.75
War Of The Worlds (2005) (Vudu/4K) (iTunes/4K) $6.50
Watch, The (2012) (MA/HD) $4.25
Way, Way Back, The (2013) (MA/HD) $5.25
Weird Science (2008) (MA/HD) (iTunes/HD) $6
Welcome to Marwen (2018) (MA/4K) $3.50
What Men Want (2019) (Vudu/HD) $1.75 (iTunes/4K) $1.25
What to Expect When You're Expecting (2012) (Vudu/HD) (iTunes/HD) $2.25
When the Game Stands Tall (2014) (MA/HD) $4.50 (MA/SD) $1.75
Where the Crawdads Sing (2022) (MA/HD) $4.50
Whiplash (2014) (MA/HD) $5.75
White House Down (2013) (MA/HD) $3.50
Whitney Houston: I Wanna Dance With Somebody (2022) (MA/HD) $6
Willy Wonka and the Chocolate Factory (1971) (MA/4K) $5.25
Wind River (2017) (Vudu/HD) (iTunes/HD) $5
Wings (1927) (Vudu/HD) (iTunes/HD) $4
Witch, The (2016) (Vudu/HD) $3.50
Wolf Man (1941) (MA/4K) $6.50
Wolverine (Unrated) (2013) (MA/HD) $3.75
Woman King (2022) (MA/4K) $6.50 (MA/HD) $5.50
Wonder Woman 1984 (2020) (MA/4K) $5
Won't Back Down (2012) (MA/HD) $4
World War Z (2013) (Vudu/HD) $3.25 (iTunes/HD) $1.50
Wreck-It Ralph (2012) (GP/HD) $4.25
X (2022) (Vudu/HD) $6.75
X2: X-Men United (2003) (MA/HD) $6.25
X-Men (2000) (MA/HD) $6.25
X-Men: Apocalypse (2016) (iTunes/4K) (MA/HD) $2.50
xXx: The Return of Xander Cage (2017) (Vudu/4K) $5.50 (iTunes/4K) (Vudu/HD) $1.25
Yesterday (2019) (MA/HD) $4.50
Zathura (2005) (MA/HD) $7
Zero Dark Thirty (2012) (MA/HD) $3
2023.05.31 03:08 Empty_Advice7902 The Dark Rise of One Piece: Anime's Loneliest Creator - The Eiichiro Oda Story!
 | Is One Piece the greatest Story ever told? A full Essay / Video Documentary on Eiichiro Oda and One Piece. To me One Piece is a masterpiece but it took a lot of sacrifices for Oda to become the best selling mangaka of all time. I just hope I did him justice. This is the Rise and Controversies of Anime and Manga's most dedicated Creator. submitted by Empty_Advice7902 to OnePiece [link] [comments] YouTube Documentary: https://youtu.be/obwz7ewVwnY At the time this is bring made is being made Eiichiro Oda has amassed an astonishing 230,000,000 Net Worth and is the creator of the highest selling manga of all time. One Piece has sold so many copies, that not only is Oda in the Guinness book of world records for the most copies ever sold of any manga or comic but it also puts his name in the top 10 highest selling fiction authors in human history. Engraving the name Eiichiro Oda next to William Shakespeare and JK Rowling. Oda is without a doubt one of the greatest and most creative story tellers of all time. https://preview.redd.it/hqtkwxdiu33b1.jpg?width=474&format=pjpg&auto=webp&s=aeb983436a68a455589f2ebc9f71efa2ba42a6d0 But this level us success and talent doesn’t come without sacrifices. Odas road to success is paved with A plethora of health issues both physical and mental, arrest and loneliness. One Piece has brought joy to millions of people and its success is something that Oda has dreamed of since he was 4 years old watching anime and Disney cartoons. Will act as a celebration of oda’s well earned achievements but also the over looked acknowledgment of the sacrfises, a-lot of Artist have to suffer through for our enjoyment, and dark untold truth of the manga industry. A Mangaka who escaped the industry even referred to it as “voluntary enslavement”. with an more infamous example being when kishmoto Creator Naruto and a rival of oda, finally finished his popular long running series, he reached out to oda to brag that he can now finally take a walk with his kid on a sunny day which would send the one piece author into a spiral but also motivated him to keep working so he could take walks with his family too one day. https://preview.redd.it/gpad5gauu33b1.jpg?width=512&format=pjpg&auto=webp&s=e5d3f31a424421779e3d95827d1a0da1a572ce97 Oda was born January 1st, 1975 in Kumamoto City Japan. From an early age he was obsessed with all things animated and cinema. Everything from Anime, Disney cartoons and Hollywood movies. By the age of 4 Oda had already began reading manga and immediately after he found out creating manga was a career! He couldn’t believe such a cool job existed and declared he would become a Mangaka to quote “avoid getting a real job” The manga that contributed the most to this epiphany was a series called “The Monster Kid” by fukiko a fujio. A story about a kid and his companions traveling through realms battling various Monsters. Oda claims that one of the panels from this specific manga was the first that made him want to draw and he would go on to draw endless copies of his favorite panel trying to get his drawings to look as good as Fujio’s. He simultaneously had fallen in love with an anime called “Vicky The Viking” Monster Kid A show that told the adventures of Vicky, a young Viking who would use his Witty and imaginative mind to help his friends out of tight situations. Vicky the Viking Vicky would spark odas life long fascinations with pirates and plant the seed for a idea that would eventually grow into one piece. you can see Vickies influenced sprinkled through out oda’s work. When odas dad found out about his sons newfound ambitions he decided to teach him to paint as he himself was a talented oil painter. oda credited his dad for his creative side and still shows off his dads paintings as the proud son he is. Oda became quite the proficient painter as well. One of his original paintings he did for a school project still hangs in his elementary school to this day When oda got a little older and his manga taste matured He gravitated toward the Weekly shonen Jump. A anthogly of mostly action-based manga that targets an older demographic. Oda also had started junior high around this time but admitted that it was rough for him and that he often didn’t enjoy it. The only time he would really feel happy was when he knew their was a new jump issue coming out the next day. He loved Everything from legendary Gag series Kochikame, to the action comedy Kinnikuman. A popular series in the Anthology called “Capatin Tsubasa” would even inspire oda to join his school soccer team just like the characters in the show. As you can tell he was a very impressionable and remains so to this day many of odas characters and themes are based of various pop culture icons like Jim Carrey, Eminem, the terminator and reservoir dogs to name a few you might know but also various Japanese acting and historical legends. https://preview.redd.it/xacz28kov33b1.jpg?width=474&format=pjpg&auto=webp&s=9c48abe546e097a7abae860fe341bc9bb965e2a6 oda never dropped his love for soccer with his favorite team being Brazil. Oda revealed in a q and a that in the real world luffy would be from Brazil so I can’t help but to think this is influenced by “Capatin Tsubasa” oda would find his biggest influences though when he stubbled apon the series Dragon Ball. He was obsessed Toriyma’s art style and reread it more than any other manga. He loved his character designs and practicing them is why he said he got so good at drawing legendary buff dudes. But the most impactful thing Dragon Ball ever did for oda was show him how impactful manga could be. https://preview.redd.it/xpmlog1mv33b1.jpg?width=474&format=pjpg&auto=webp&s=37f3ee26edad2c2243ed8b382f349117e10957fa When dragon ball was first gaining popularity oda remembers going to school and just seeing how his peers would react to the weekly releases. One day he would see his school get thrown into chaos by a single chapter. “When Krillin died in Dragon Ball, the whole school was thrown into turmoil. I remember someone kept running and shouting in the school, "Krillin died!!" with Jump in his hand." Seeing the influence a great story could have would completely reshaped the way oda looked at manga and reenforce his desires to master the craft himself. This feeling would last with oda and the 2nd year of jr high he would start developing his talent and began drawing sketches for a pirate based manga. Over the next several years oda would continue draw everyday in his free time even at the cost of his sleep and friends. this would be foreshadowing for how obsessive he can be when he puts his mind to something. At the age of 17 he would quit soccer in an attempt to take his mangaka ambitions more seriously. He had learned about a very prestigious manga completion from a company called shueisha. It was called the tezuka award and it was given to the best manga submitted by aspiring creators. During the same time Oda had taken a liking to an Western American Film called Young Guns, this would go on to inspire him to work 4 months on his first full-length Manga titled Wanted! it was an action gag comedy set in a western themed world. https://preview.redd.it/iofbbbd1w33b1.jpg?width=474&format=pjpg&auto=webp&s=1a4861bcd115ef687ada71058e699de7d3fb182d Oda was very proud of this creation and was excited to submit it, but he was also concerned of his parents and teachers disapproving of his decisions to focus all his efforts onto something not school related. to fix this problem would submit his work under the pseudonym Tsuki Himizu Kikondo. Being the unknown prodigy he was he would win 2nd Place and take home a 500,000 Yen cash prize. Winning this award at such a young age would send shock waves through the manga industry. many professionals within the business started keeping their eyes on him. In early 1993, Oda would go on to get several interviews and his Manga would get published in Shueisha's Mezase Mangaka! Around this time he would drop his pseudonym and start going by his real name. Showing that he was growing a lot more confident in his work. His first professional interview would even be published in Oda’s Hometown’s most prominent newspaper. Odas life was changing fast. It was getting harder and harder for even his haters to doubt his talent. Later that year he graduated high school and entered Kyushu Tokai University under the architecture program. although he never used his architectural talents in the actual field, I can’t help but to think in played a massive part in his unique city and island designs in one piece. During university oda would continue submitting more of his work to Shueisha. Not knowing his previous win already qualified him for a spot for a monthly off shoot of the weekly Shonen Jump.This spot is is where oda would release his next manga. “God's Gift for the Future” Gods Gift This manga followed a pickpocket named bran that wanted to change his way of life but couldn’t stop his bad habits. through a series of events he winds up with a magic death note book gifted from god that can not alive anyone by writing the exact date and event in the notebook. look im just gonna say it. Gods gift for the future came out in October 1993 and Death note came out a decade later in 2003. Im not saying Ohba copied teenage odas work but there are alot of similarities and I found some threads that already been disscussing the topic. If you read all of odas work in release order, you can see how each one gets progressively better and more complex. And he defiantly has two things he was good at from the begginning. Character development and world building. Part this is due to oda admitted just loving the characters he creates and he even said cries while drawing emotional or sad scenes they have to go through. But being the near physcoeopathically ambitious machine he was. even at a young age He wasn’t satisfied with only being in a Monthly release magazine so the following year in 1994 he decided to enter a contest named Hop-Step Awards with a Manga named Ikki Yako, Oda won first place with Ikki Yako giving him his first undisputed success as a Mangaka. Ikki Yako With the back back awards and victories, oda was finally believing he had an actual chance at his dream coming to fruition, so the same year in 1994 he would drop out of university to pursue he career as a professional Mangaka. Dropping out of college is a huge deal in Japan. Even if you become a success some people will look down on you as school is seen as a right of passage to many Japanese citizens. Not as a option as it is in some other countries. Japans unique out look on hard work educationally and professionally will contribute to the dark concepts we will explore in the latter part of the video. And if you remember oda specifically didnt like school and often struggled to find enjoyment while being there. With some impressive accolades under his belt and a new found freedom oda would move to Tokyo under the charge of his editor Karou Kushima this was his officially start as as a true Mangaka. Oda had gotten a job at shonen Jump as an assistant as many inspiring mangakas do. He made practically no money but it was a necessary stepping stone all mangaka have to take if they want shot of publishing there own work one day. Some work as assistants for years or even decades with never getting that chance and often break under the extreme exceptions pushed onto them by the industry. Odas first assistant Job was for shinobu kaitani’s midoriyama police gang. It was only for the last few chapters of the series and would last just a month. But Oda claims it was extremely busy month for him and he gained an immense amount of experience about the production of a professional manga. After his manga finished Kaitani would leave Shonen Jump, Oda was sent to another Mangaka assisting creator Masaya Tokuhiro through the final years of their Manga Jungle King Tar-Chan. Tokuhiro was also the creator of the more famous Kappaman. Oda would work for Tokuhiro for a very long time. Tokuhiro was infamous for being very resistant with allowing others to help with the important parts of his work. This was hard for oda because the free time he got after his 12-14 hour shifts he would spend drawing cool ideas for his own stories and ideas he thought might work for tokukiros but his boss would never even entertain one idea, but oda would still learn alot during this time period. specifically improving his skills of background and crowd art. During this time oda would create and submit serval of his own stories to his editor kushima. and pretty much all of them would be immediately dismissed. This would hurt but he would try to not take the harsh criticism to heart. But this would all change when Oda would create and release his next manga Monsters! After throughly rereading it and then going back to all of his old works he began to see many of his inadequacies. This motivated oda to work even harder to fix his mistakes. He started thinking maybe his editor was right telling him he wasn’t ready yet. Oda was now sleeping only 5 hours night and began skipping meals because they took up to much time that he could be using to improve his craft. When Kappaman ended in Mid-1996 his new boss would also move on from shusisha and oda entered his final assistant tenure under the esteemed Nobuhiro Watsuki. Working on the best selling Manga Rurouni Kenshin or Samauri X. This would be huge for oda! Watsuki was one of the most popular mangaka not just in shonen jump but in all of Japan! He also was known to have a way more laid back style then odas previous editors. Watsuki allowed assistants to be involved in his work, speak their mind and would even review their ideas seriously. that doesn’t mean he would improve them but he felt being involved and getting hands experience was the best way to learn not just busy work for hours on in. Oda would thrive in this environment! and one of his ideas would actually pass all the hurtles and he even was credited in the Rurouni Kenshin Manga for coming up with the Character Honjō Kamatari. The great scythe. The was huge for oda and added alot of creditably to his suggestions moving forward. Oda would never forget the faith watuski sensei had in him and unfortunately this would come with some grave consciences later on. Oda was enjoying his time in watsuki studio but he remained troubled by the fact his ideas for Manga drafts continuously got rejected. Oda decided since all his new ideas wasn’t cutting he would revamp his original idea for an anime. In a last resort style effort oda began work on a pirate themed manga. He decided to call it Romance Dawn. Not feeling hopeful oda would submit it to his editor. But to odas surprise Mishima was very impressed by it and would approve for it to go into further development immediately. It would debut in a shonen jump summer special and received much praise from the readers. During the production of romance dawn oda would fall under the supervision of a new editor takanori Asada who would also believe in romance dawn. He would arrange for oda to fill the gap in the weekly shonen jump that was coming up. This was an incredibly rare and unique opportunity. Oda accepted and immediately created a 2nd version of romance dawn! Within 2 weeks it was approved by Asada as well. But a weird thing was happening. The readers Loved the unique Pirate themed story and odas handlers believed in it and saw the potential greatness in oda’s work but the higher ups where very skeptical and doubtful of Oda’s concepts and refused it entirely! Romance Dawn They didn’t wanna try anything new. They wanted more of what worked. Basically dragon ball 2.0s but oda specially set out to make the exact opposite, this was because of 2 of odas earlier influences. Dragon ball, He loved the fights and designs but wished it was more story driven and a much more random influence was the wizard of oz. Oda loved the adventure aspect of it and implemented it into many of his works but he hated the ending of the classic movie. He thought the “The real treasure was the friends we made along the way” troup was stupid. That fans deserve build up and pay off. Oda basically was inventing the slow burn of mangas. That pull you in through world building not just flashy fights. Lucky for Oda asada wasn’t having any of his supervisors nonsense and would wage war on them proclaiming that oda has something great on his hands and he would continue this campaign for months. and in May 1997, One Piece had finally been approved for publishing in Weekly Shonen Jump. If you love one piece make Sure you show resect for asada because it wasn’t for him we might have never been blessed which such a great story. Remember this was odas last ditch effort and who knows what would happen if it had failed. Soon after, Oda resigned from being Watsuki Assistant on good terms, and became a full-fledged professional Mangaka himself at the age of 22. His adventure was about to reach hights and pitfalls that he could have never imagined. And if you wanna follow me own my own adventure to be the pirate king of YouTube. This video was suppose to be saved for my 5000 subscribers special but I was so excited to drop it I couldn’t wait! it would be cool if you could get this reddit thread to 200 upvotes One Piece: This is it Oda’s obsessive nature and hard work has payed off and he wasn’t about to let it go to waste. He would double down his effort once more and from this point forward things would start moving incredible quickly. Oda would take everything’s he learned and created over the years and start immediately drafting the first 8 chapters of One Piece. Asada would lend him a hand and help him refine his ideas and offer some advice he thought could give One Piece a higher chance of success. He gave oda the advice of spicing up the first couple chapters. He thought oda had a great concept but that it wasn’t interesting enough and needed more stakes. Something too hook people and leave them wanting more. This lead to the idea of the Shanks incident in the first chapter. I think this was a great decision and set the tone for the rest of the story. On July 1997 Weekly Shonen Jump #34 had premiered the first chapter of One Piece titled Romance Dawn giving homage to his Romance Dawn Manga that started it all. When they finished they was pretty sure they had something great on their hands but they was so nervous in wouldn’t do well. They couldn’t shake their butterflies and when the 1st Volume released Oda and his editor would hide in a bookstore and watch the customers and when they seen a little boy buying the one piece volume they would shout with pure joy! This is the cutest one piece fact and know and definitely one of my favorites because it shows how much one piece really means to him. His passion would blend onto the pages and pay off. By the end of the 1st year one piece would sell 300,000 copies. Making it a hit. But this is again nothing compared to what would come. only one year later this number would grow to 6 million copies sold with no sign of slowing down. By 1999 one piece had reached over 17,000,000 prints and would receive a full length anime adaption that would be an instant smash across Japan. By 2001 oda was only 26 years old and the world was at his finger tips. He was a best selling mangaka and was getting all the interviews and festival bookings he could handle. But the most life altering appearance would happen at Jump festa 2002. Why watching the performances he would see 22 year old Chiaki Inaba a model, idol, actress, Campaign girl and Race Queen. A artistic genius in her own right. During her show she would perform in a Nami swan cosplay. Showing her love for her favorite anime character that happen to be created by Oda who was in the audience. Her beauty and talent left oda smitten. It was like a romance anime scene. He had no choice but to introduce him self later the same day. They would hit it off and her personality had him hooked. Over the next 2 years they would begin seeing each other, squeezing in dates between her performance and oda busy work schedule. In 2004 they would get married opting to have a private wedding with only their closes friends attending. Around 2004 one piece and shonen jump was more popular then ever. Manga and anime was spreading world wide. but there was an unprecedented surge in anime’s popularity in the west. The catalyst for this weeb take over would be thanks to 3 shonen Anime. One Piece, Naruto and Bleach. That would be deemed the Big 3. A titled bestowed on the 3 most popular anime of the 2000s. 3 series that completely carried shonen jump in this time period. Every anime fan in the world had one of these 3 in their top spot. later this era would be called the “Golden Age” of shonen Jump. The gap in sales of these 3 vs other series was mind blowing. And to this day the consistency of their popularity would never be repeated. All 3 of these mangaka where living their dreams but anyone with their level of ambition wants to be the best not just top 3. The 2 creators with most smoke for each other would be One piece’s Oda and Bleach’s Kubo. They 2 manga titans have had a 20 year beef that have left their fans constantly comparing the 2. The origins of this entanglement actually started because of our previously mention manga award that oda won for romance dawn. Kubo had entered the same competion and felt his win was a sure in and that it would be the launch to his own professional Mangaka adventure! But after bleach was out voted by romance dawn pushing his dreams back years. Bleach wouldn’t be released in jump til 2001! Kubo would holds oda personally responsible. in a 2017 interview when asked how he felt about his rival and he would respond saying “ I hate Oda” and revealed the 2 had a hairy run in in the 1990s. A few years later oda would have a chance to respond in his own interview during a bleach exibxit for its 20th anniversary. He was asked about Kubo and said “ years ago kubo publicly announced he hates me? Do you want to know if I hold a grudge?” “Yes I do” he went on to say he didn’t knew in kubo meant it in a perticaly rude way or in a competitive way. He said kubo has always had a competitive spirt and was a hard worker but that he does have some audacity, to to say that in public. Oda was letting everyone know he is still always down for the smoke. He would draw Kubo’s character ichigo in the one piece art style and submit it to the exhibition. Oda Draws Ichigo I love both anime but their lives sounding like real life anime rivals makes their series even better. It shows how much they both love and belive in their series. Check here down Oda and Naruto creator kishimoto also consider their self rivals but in a very different way. in 2015 oda admitted that Naruto is more popular than one piece world wide. He apricates it but it makes him jealous. https://preview.redd.it/jamhiu2xw33b1.jpg?width=474&format=pjpg&auto=webp&s=de87a209c908f27e9e560edf8d522866129e1c94 In 2016 kishimoto said he wanted to surpass one piece in manga sales but sadly was never able to before Naruto ended. Since then one piece popularity in the rest of the world has exploded so the final results aren’t in yet. But either way The 2 have been the dominate 2 in the world for 2 decades constantly exchanging spots. They’re respect for each other is evident as shown Through out both series easters are hidden shouting out the others manga. https://preview.redd.it/fj09lkzyw33b1.jpg?width=268&format=pjpg&auto=webp&s=ce5d77252b5a3757dc7c4f13b25e987e521f9282 But the most wholesome but scary example happened in 2013. Oda had become notorious for his machine like work ethic. He was only sleeping 3 hours a night and often would sleep at his work desk so he could wake up and be able to get back to work faster. This would cause his health to disintegrate and he would be hospaitalized. Knowing oda doesn’t like to take days off kishimoto would show up to his hospital room to check on his friend and would be shocked to see oda working on a up and coming one piece chapter. Kishimoto understood this level of work ethic better than anyone else could as arguably the other most successful mangaka of all time. Instead of asking him to stop he pulled up a chair and helped oda with his work on which woukld relived to be the legendary Dressrossa arc. A personal favorite arc of mine as you can see my avatar is designs after the arcs antagonist. They wanted this arc to be special as to not let his fans down because of his sickness. As of 2023 One Piece has sold more than 500 million copies. selling more copies than batman and harry potter. Oda is the best selling mangaka of all time and 10th highest selling fiction author in human history. The Anime adaptation of his manga is a smash hit and is growing more popular ever day. Olympians have stuck one piece posses before wining metals. Hollywood celebs have declared their love for one piece like averal lagive who eventual would send oda 2 songs for one of his movies, Jamie lee Curtis who mention robin as her favorite characters on several q and as, marvel director taika waititi rocked a luffy sweater on several occasions. One Piece film’s latest film release Earned over 15 billion yen making in the 6th highest grossing movie in Japanese history. The 4 year old that wanted to be a great manga would be so proud of oda but what has oda sacrificed for this level of success. We touched it own it a little in the kishimoto segment but to really understand or believe the truth that im about to tell you have to understand a terrifying concept in Japan called karoshi. Karoshi as phenom in Japan that translate to “over work death” in Japan the work culture is alot more extreme then most people outside of Asia can even comprehend. Japan has a 0 excuse policy in many companies not all but many. In these environment you are expected to finish all the work you are giving no matter how long it takes you. Even if you do finish your work you are not permeated to leave until anyone who is your senior is finished and you are expected to go help then instead of going home to see your family. In 2012 a documentary film maker by the name of allegra Pacheco visited Japan when she heard about the concept and was shocked to see how common this was. She would follow salavery men from their jobs and would discover dozens of them would pass out on the streets or on bus rides from complete exhaustion unable to even make it home or even move. these extreme hours leads to Japan having a high percent of work related deaths from stress heart attacks and sadly self inflicted. As of 2022, 23 percent of Japanese workers logged more than 80 hours of over time each month. Because this 1 and 5 Japanese workers are at risk of passing away from Karoshi. The Japanese government never even acknowledged this problem. That was until a 24 year old who had logged 105 hours of over time, wrote on social media that she was physically and emotionally shattered and leaped off a tall building to her end. Unfortunately this isn’t uncommon. Bcc said that it is the single highest C.O.D of men aged 20-44 in the country. there is even an infamous unalive your self forest in Japan that is the go to spot to do so. This forest gained world wide acknowledge when controversial youtuber Logan Paul went there for a day of vlogging and filmed a victim of karaoshi while his friends laughed. Understand that this a different culture don’t judge them to harshly. Im not saying this work culture is okay but its a very complicated subject. There is a theory that this was Japan’s way of restoring its economy after world war 2. with a your company is your family and you should give it all to them mindset. I dont think these traits of these phenom are a exactly comparable to oda for one reason. Oda does thing willingly. no one is forcing him to do this with his level of wealth and influence he could easy retire or reallocate the more time consuming work but instead he opts to take on the brunt of the load. This doesn’t make his fans any less concerned. Based on odas own words and interviews with his editors Oda works 21 hours of a day. The few hours he sleeps is often not even concurrent but instead broken up into 30 minute intervals through his workday whenever he gets a chance. That way he doesn’t have to relocate and can get back to work faster. When he does sleep the 3 straight hours he aims for 2am-to 5am. That way he is still the first back at the office. Other mangaka in the industry refere to oda a machine. As even though he is producing a weekly manga his art is on pare with months release manga. as where manga like Vinland saga have entire months to work on releases oda has to come out with a chapter and episode every single week and it still competes with the season series in quality. He does all this with working with the smallest team possible so he can fill more attached to his work. This goes so far that when he has to re tell passed events. He re draws them instead of reusing old art work to save time like most artist. His editors reportedly thinks and talks about one piece 24/7 even when he isn’t working. When his editor Naoki Kawashima joined odas team he said oda told him to “die for One Piece” he went on to insure him. If you destroy your health do to your work ethic. I will forever take care of your family financially. Dont think of this as oda being a bad boss. Just a acknowledge of series they take what they are creating. I watched and read dozen of interviews in peroration for this video and I couldn’t find 1 of his employee that had anything negative to say about him. Everyone who has worked for oda said it it so fun and welcoming environment. That when you see how hard he works it makes you want to work hard to and do your part to contribute to the greatness that is one piece. Oda doesn’t even want fame he just wants to create a great series. In all his interviews he hinds his face or request to have it covered in post edits. Japan loves oda. He can’t walk down the street without be swarmed by fans. In his interview grown man giggle with glee everytime he speaks. Which makes me happy they respect him as much as I do. That being said his unhealthy life leaves them very worried and oda knows his fans are concerned. even after 20 years he work schedule has eased up. In a 2021 tv interview oda opened up about he doesn’t have time to bathe, shave or even eat. He has got so lost in work that his asstaince have to come and ask him to please eat something. He does just forget sometime but other times he doesn’t eat on purpose. in 2012 oda said “The only way I can think of new ideas is to think about it alot without sleeping and eating. Because humans can only come up with truly new ideas when they reach they’re limit. So every time I am done with my manuscript I am completey exhausted.” This statement is beautiful but sad to me. Especially when you factor that oda has got moderate diabetes and goutes as a result of his work schedule and being in his work chair for so many hours at a time. In the same interview he said he always bathes before seeing his family to wash off his work mode. but that he rarely gets a chance to see them. As we mentioned, after Naruto ended kishimoto bragged to oda he can now talk a walk with his son when ever he wanted as a flex to oda about finally finishing his series as a fellow obsessive he knew the kinda pressure oda lives under and the sacfrices he is making. Them have a personal relationship may have been a way of kishmoto pleading for oda to take a break, as they have even been to each others houses. Oda only gets to visit his home once a week as he sleeps in his studio the other 6 days. So his only sees his daughters and wife 4 times a month. One reason is he finds this necessary to keep his weekly deadlines. The 2nd but sadder reason is oda fears if he spends more time with them than that he will want to stop making one piece because he will miss his family to much… one of the only times oda wandered if he should quit one piece was on one of his weekly visits his daughter said “dad you are to busy to spend time with me” Oda is currently Bringing in 30 million dollars a year from one piece royalties alone. He is currently the richest mangaka to ever live. So he is dedication to his craft is completly by choice as he has long since passed the threadsold of retirement wealth. Oda keeps going to make all of his fans and people who believe in him proud. In a marizine interview in 2017 oda said “My fans are worried about my short sleep but sleep is just a waste of time I prefer collecting information for manga. I want to become a robot that doesn’t need sleep. Even when I go on trips with my family I dont sleep much” This level of obligation for his fans is endearing but it was his loyalty to his formal sensei that would cause the most damaging controversy in oda’s entire career. In November of 2017 Tokyo Metropolitan Police lead a a raid on a residents house they had been investigating on suspicion of the sell of CP. During the analysis of the purps computer they found the evidence they needed but also a link that lead them Shockingly to the one and only Nobuhiro Watsuki. Yes the creator of rurouni kenshin and Sensei to our own Eichhiro Oda. Shortly after watsuki house and studio was raided. The investigators suspicions where unfortunately confirmed and over a 100 dvd was confiscated as evidence. With some of the victims of the tapes being as young as 10 years old. He was arrested and during the interrogation he immediately confessed and went into a unnecessary amount of detail to the investigators “I like girls in the higher grades of elementary school to the second grade of junior High” After he was charged shuisha put his series on indefinite hiatus. This sent shock ways through Japan as up to this point he was one of best selling and most respected mangakas ever and lots of new rising talent came from his tutor-edge. His reputation was tarnished but he controversially received the lightest sentence legally possible. A fine of only 1800 $ and never served a single day in jail. People where understandably out raged when it became public. Which is how oda stumbled into the cross hairs of this PR disaster. It all started with a tweet from shonen jump stating oda and watauski will be doing a joint interview on April 24th 2020. During the q and a Oda was asked what it was like working for watsuki and oda said “ I worked for him just under 4 months. Which Maybe the happiest moment in my entire life." The fanbase was instantly split down the middle. With one side declaring that even remebering fondly about someone who did what watsuki was charged was blasphemy and that it was in away supporting him. This side even share a short lived “Cancel Oda” hash tag. The other side felt like since oda has never done anything of the sort him self and didn’t know anything about it, he shouldn’t be forced to rewrite his history that lead him to where he is now. Even Watuski wife didn’t know what he was up to. Oda has only have good things said about him from his employees and from what i can tell is a great kind person who has donated lots of money to charities and his hometown. even though i am bias as a one piece super fan. I think the truth as always lies somewhere in the middle. Oda is without a doubt though one of the greatest and most successful writers in human history but let me know what you think of Oda Sensei in the comments. Video: https://youtu.be/obwz7ewVwnY 📷ReplyForward |
2023.05.31 01:45 Moronibot 📰📅 Daily Latter-day Saint Scoop: 2023-05-30 🙌 Small Moments of Faith, Biblical Context, and Remembering Memorial Day 🎙️📖
Hello, fellow Latter-day Saints! 🌞 As your friendly neighborhood intro-bot, I come bearing good tidings of great joy 🎺 and a newsletter packed with faith-inspiring nuggets! So, buckle up and put on your scripture goggles 👓 because we're diving headfirst into a treasure trove of insights, stories, and, dare I say, some occasional humor? 😇 Happy reading, friends! And remember, even us AI bots appreciate a bit of spiritual nourishment now and then! 🤖🙏
Scot and Maurine Proctor explore how small moments of faith and courage can anchor our lives in the latest episode of the How I Know podcast, featuring guest Heather Osmond. Read more here.
Data Over Dogma posts Episode 8 (May 29, 2023), "Contextual Healing" with Aaron Higashi, in which the guest discusses the importance of theological context, the fact that each individual has their own perspective in relation to their beliefs and biblical scholarship. read more here.
Ski Ingram reflects on Memorial Day and the sacrifices made by those who served in the military, including ten men he served with in Vietnam who did not come home, and emphasizes the importance of remembering those who gave their lives for their country and repaying them by being the best citizens possible. Read more here.
FAIR offers insights into the sacrament and how it is viewed in different religious traditions, as part of their series on Come, Follow Me readings and addressing common questions that Evangelicals ask about LDS beliefs. read more here.
In his blog post "O Man! Pay attention!", Dan Peterson reflects on the importance of being alert and attentive, drawing on his experience of flying and reading during his travels. He notes that paying attention to the world around us can help us discover truths and insights that we would otherwise miss. read more here.
The Scriptures Are Real presents a shortcast explaining the story of the woman who married seven brothers and the cultural context of Levirate Marriage, which helps us understand the question posed to Jesus and his answer. Listen to the shortcast here.
Faith Matters shares a podcast conversation with Brooke Romney, who discusses creating connections with all people around us, including our children, and not being afraid to live from our values and receive feedback. Read more here.
Kurt Manwaring shares insights from Latter-day Saint and secular scholars about the Old Testament in his post The Old Testament and Latter-day Saints. read more here.
Kristen Walker Smith explores the similarities between Jesus' sleeping disciples and ourselves during sacrament meetings. She encourages listeners to spend the hour partaking of the sacrament with intention. Read more here.
Ryan Sharp discusses the significance of the Last Supper, the sacrament, and covenants with Kerry Muhlestein on the Scriptures Are Real podcast. The conversation highlights how these concepts can have an impact in our daily lives. Listen to the podcast here.
Data Over Dogma features an interview with biblical scholar Aaron Higashi, discussing the importance of contextual interpretation and the challenges of public biblical scholarship. Listeners can find Dr. Higashi on TikTok, Instagram, and YouTube, and can support Data Over Dogma on Patreon. Watch the episode on YouTube.
Scot and Maurine Proctor have released a podcast episode on Meridian Magazine titled "How I Know Podcast: The Small Things in Life Become the Big Things," in which they discuss the importance of small acts of kindness and the impact they can have on others. Read more here.
The Dialogue Journal has released their 88th Episode of the Gospel Study, featuring artist Kwani Povi Winder, where Winder discusses her interpretation of the parables in the New Testament. Read more here.
In the Big Picture episode of One Minute Scripture Study, Cali Black quickly provides context for this week’s reading: Matthew 26; Mark 14; John 13. Listeners can also grab her scripture study guide or a physical copy, along with a New Testament daily devotional book or a simplified New Testament outline. Read more here.
Duane Boyce, in his article "The Folly of Trying to Understand Prophetic Vision in Terms of Worldly Wisdom," shares the story of Dallin Oaks' handling of criticism of a Supreme Court decision and how it taught him the lesson of not trying to understand prophetic vision in terms of worldly wisdom. Boyce argues that we should trust in our leaders, even when we don't understand the reasons behind their decisions. Read more at the Meridian Magazine.
Ski Ingram writes about the origins and significance of Memorial Day, providing a brief history lesson and sharing his personal experience of losing ten men during the Vietnam War and remembering one special soldier on his birthday every year. He encourages Americans to take time on Memorial Day to remember and revere those who sacrificed their lives to keep the citizens of the United States safe. Read more here.
A tragic bus accident in Brazil claimed the life of 20-year-old Elder Izaak Orion Card, a full-time missionary of The Church of Jesus Christ of Latter-day Saints, on Friday, May 26, 2023; our thoughts and prayers go out to his family and friends and the missionaries and members in the Brazil Curitiba Mission. Read more here.
The Flameless Fireside Podcast features Heather Smith to discuss "Excommunication: The Gift of Starting Over," recognizing that life is full of challenging choices and struggles that can lead to a bumpy road; finding the desire and strength to believe in the Savior's grace and ask for help is the first step back into His presence. Join the podcast on Wednesday, May 31st, 2023, at 9pm Central/8pm Mtn. Watch the podcast here.
In his article “O Man! Pay Attention!” on the Sic et Non Blog, Dan Peterson reflects on the importance of paying attention to the world around us and learning from our experiences, both good and bad. He shares personal anecdotes and quotes from scripture to emphasize the value of paying attention to life’s lessons. read more here.
The Latter-Day Lights podcast shares the touching story of Meredith Wahlquist's journey as she battled with the loss of her husband to cancer and the faith and strength she found to carry on. Listen to the podcast here.
In this episode of FAIR's Come, Follow Me series, Jennifer Roach discusses the sacrament and how LDS members might talk to Evangelicals about it. She explains how various denominations, such as Evangelicals and Catholics, understand the sacrament differently and explores common criticisms leveled against the LDS Church's practice of the ordinance. Ultimately, Roach emphasizes that the sacrament's true focus should be on personal revelation. Read more from the original post here.
In a blog post by Jennifer Roach, a licensed mental health counselor, Catholics and Evangelicals, who refer to the sacrament as the Eucharist, communion, the Lord's Table, or the Lord's Supper, respectively, are examined. In discussing the sacrament, Roach touches on the importance of compassion, acceptance, grace, humility, thoughts on cannibalism, and ultimately charity.
Ashly Stone shares Jaxon's story of struggling with aspects of the Church as a youth, but finding the value and power of repentance through his mission. The experience brought him closer to Jesus Christ and serves as the foundation for everything he has done in the Church since. Read more here.
Rich Watson shares his experience of how one prompting led him and his wife to start studying conference talks in depth and how that led to the creation of the "General Conference Challenge" Facebook group, which has grown to over 10,000 followers around the world, and how this continual study has impacted their continual conversion. Read more on Leading Saints.
Mark J. Stoddard shares a story about his father and other Prisoners of War (POWs) in Ofuna, Japan, during World War II to commemorate Memorial Day. His father, a POW in the camp, witnessed compassion from the Japanese villagers, even when brutal guards often beat them for their kindness. Stoddard also remembers a lady at a nearby Buddhist Temple who brought them food, risking punishment, and two soldiers who perished in the camp but received no recognition until recently. Stoddard notes that Memorial Day is a time to remember the families of those who died for our blessings of liberty, and he honors his father and friends as well. read more here.
The Dialogue Gospel Study Episode 88 features artist Kwani Povi Winder, who discusses her art and how it relates to the parables in the New Testament. Read more here.
The Scriptures Are Real shares a shortcast explaining the question of a woman who married seven brothers and how understanding the cultural elements of a Levirate Marriage helps us see what the Savior's answer was. Read more here.
The Latter-Day Lights podcast features an interview with Meredith Wahlquist about her husband's battle with cancer and the faith and strength that got her through. Listen or watch here.
Jonn Claybaugh provides study aids for the 24th lesson of the Come, Follow Me curriculum, focusing on John 14 and the teachings of Jesus regarding the Comforter. Read more here.
Kristen Walker Smith discusses the similarities between ourselves and Jesus's sleeping disciples during the sacrament hour and how we can be more present during this sacred time. Read more here.
Scot and Maurine Proctor host an inspiring episode of How I Know Podcast where Heather Osmond shares how a single moment of bravery and spirituality from her mother became the anchor in her life. Read more here.
Faith Matters speaks with Brooke Romney about the broader applications of parenting, focusing on how to create meaningful connections with people, including our children, in order to live from our values and improve, in a delightful conversation that is relevant beyond the subject of parenting. Read more here.
The Scriptures Are Real shares a video discussing the Savior's institution of the Sacrament at the Last Supper, focusing on covenants, God's willingness to work with us, and the practical application of the Sacrament in everyday life. Watch the video here.
Ski Ingram reflects on the true meaning and origins of Memorial Day, and why it's important to remember and honor those who have given their lives in service of their country, citing stories of personal loss and sacrifice. Read more here.
Duane Boyce writes about Dallin Oaks’ respectful approach to prophetic counsel and how it led to Oaks learning valuable lessons and respecting a prophet’s vision instead of worldly wisdom. Read more here.
The Flameless Fireside Podcast brings Heather Smith to discuss "Excommunication: The Gift of Starting Over," emphasizing the importance of finding strength to ask for help and the Savior's ability to seek out the lost. Join the live podcast on May 31st, 2023, at 9 pm Central/8 pm Mtn on Youtube Live or Facebook Live. Post link is here.
In this week's Big Picture Monday episode, Cali Black provides context for the readings in Matthew 26, Mark 14, and John 13. She also offers a discount on her Come Follow Me study guide and a free copy of Kristen Walker Smith's simplified New Testament outline. Read more here.
Jennifer Roach addresses common Evangelical questions about the Sacrament in the latest installment of Come Follow Me with FAIR and offers insights from both historical Christian practice and LDS doctrine. Read more here.
Dan Peterson's blog post titled "O Man! Pay Attention!" recounts his experience flying on an airplane and his observation of passengers' lack of awareness of their surroundings, drawing parallels to a similar lack of spiritual awareness in daily life. He encourages readers to live in the moment and pay attention to the world around them in order to find greater happiness and fulfillment. Read More Here
The Church Newsroom reports that a young missionary, Elder Izaak Orion Card, has died in a bus accident in Brazil while serving in the Brazil Curitiba Mission. Four missionaries were traveling on a bus when it was hit by a semitruck, and the other missionaries did not sustain serious injury. The Church expresses love and sympathy for Elder Card's family, friends, and all affected by his loss. Read more here.
In a podcast episode on the Ashly Stone show, Jaxon shares his struggles with the Church as a youth, but eventually found the value of repentance through his mission, where he felt closer to Jesus Christ. read more here.
In a FAIR blog post, Jennifer Roach discusses the sacrament and how it is viewed by different faiths, including Evangelical and Catholic. She offers insight into how Latter-day Saint beliefs align with and differ from those of other faiths. Roach also provides suggestions for better dialogue with Evangelical friends and family. read more here.
Data Over Dogma interviews Dr. Aaron Higashi, a scholar and TikToker, about the importance of theological context and turning biblical scholarship out to the public. Dr. Higashi discusses the idea that every believer is coming from a particular perspective and the perils and rewards of sharing scholarship with a wider audience. Visit Dr. Higashi's work on TikTok, Instagram, and YouTube. Support Data Over Dogma's work by becoming a monthly patron and follow them on Facebook and Twitter. Watch the episode on YouTube.
In a blog post on Leading Saints, Rich Watson shares his experience of joining the Church and the impact of General Conference on his life, highlighting a Facebook group he created called "General Conference Challenge" in which 10,000 followers in countries around the globe listen to and have discussions about a talk from each session of General Conference. He reflects on several April 2023 Conference talks, drawing insights and applications for empowerment, responsibility, and continual conversion. Join the General Conference Challenge group on Facebook to participate and check it out for yourself. read more here.
Mark J. Stoddard shares a remarkable true story of World War II prisoners of war (POWs) held in the same camp with Olympian Louis Zamperini at the Ofuna Japanese POW camp. The author's father, a former POW, and some of the prisoners' families saved the lives of several Japanese people in the Ofuna region after the war, despite their brutal treatment during their captivity. This heartwarming, little-known story is a tribute to the enduring power of the human spirit to forgive and love. Read more here.
Pam Peebles asks readers to reflect on their own identity and shares how one man, @bro.kylereedsmith, identifies himself as a child of God, disciple of Jesus Christ, and follower of the Church of Jesus Christ of Latter-day Saints. Read more on the Third Hour blog.
The Interpreter Radio Show hosts Terry Hutchinson, John Gee, and Kevin Christensen discuss New Testament lesson 24, “Continue Ye in My Love” covering John 14–17, in the May 14 Come, Follow Me segment. Read more here.
The Interpreter Radio Show presents their hosts Terry Hutchinson, John Gee, and Kevin Christensen discussing the New Testament lesson 24, "Continue Ye in My Love" covering John 14-17 in their May 14 Come, Follow Me segment. Read more here.
submitted by Moronibot to Mormonism [link] [comments]
Scot and Maurine Proctor explore how small moments of faith and courage can anchor our lives in the latest episode of the How I Know podcast, featuring guest Heather Osmond. Read more here.
Data Over Dogma posts Episode 8 (May 29, 2023), "Contextual Healing" with Aaron Higashi, in which the guest discusses the importance of theological context, the fact that each individual has their own perspective in relation to their beliefs and biblical scholarship. read more here.
Ski Ingram reflects on Memorial Day and the sacrifices made by those who served in the military, including ten men he served with in Vietnam who did not come home, and emphasizes the importance of remembering those who gave their lives for their country and repaying them by being the best citizens possible. Read more here.
FAIR offers insights into the sacrament and how it is viewed in different religious traditions, as part of their series on Come, Follow Me readings and addressing common questions that Evangelicals ask about LDS beliefs. read more here.
In his blog post "O Man! Pay attention!", Dan Peterson reflects on the importance of being alert and attentive, drawing on his experience of flying and reading during his travels. He notes that paying attention to the world around us can help us discover truths and insights that we would otherwise miss. read more here.
The Scriptures Are Real presents a shortcast explaining the story of the woman who married seven brothers and the cultural context of Levirate Marriage, which helps us understand the question posed to Jesus and his answer. Listen to the shortcast here.
Faith Matters shares a podcast conversation with Brooke Romney, who discusses creating connections with all people around us, including our children, and not being afraid to live from our values and receive feedback. Read more here.
Kurt Manwaring shares insights from Latter-day Saint and secular scholars about the Old Testament in his post The Old Testament and Latter-day Saints. read more here.
Kristen Walker Smith explores the similarities between Jesus' sleeping disciples and ourselves during sacrament meetings. She encourages listeners to spend the hour partaking of the sacrament with intention. Read more here.
Ryan Sharp discusses the significance of the Last Supper, the sacrament, and covenants with Kerry Muhlestein on the Scriptures Are Real podcast. The conversation highlights how these concepts can have an impact in our daily lives. Listen to the podcast here.
Data Over Dogma features an interview with biblical scholar Aaron Higashi, discussing the importance of contextual interpretation and the challenges of public biblical scholarship. Listeners can find Dr. Higashi on TikTok, Instagram, and YouTube, and can support Data Over Dogma on Patreon. Watch the episode on YouTube.
Scot and Maurine Proctor have released a podcast episode on Meridian Magazine titled "How I Know Podcast: The Small Things in Life Become the Big Things," in which they discuss the importance of small acts of kindness and the impact they can have on others. Read more here.
The Dialogue Journal has released their 88th Episode of the Gospel Study, featuring artist Kwani Povi Winder, where Winder discusses her interpretation of the parables in the New Testament. Read more here.
In the Big Picture episode of One Minute Scripture Study, Cali Black quickly provides context for this week’s reading: Matthew 26; Mark 14; John 13. Listeners can also grab her scripture study guide or a physical copy, along with a New Testament daily devotional book or a simplified New Testament outline. Read more here.
Duane Boyce, in his article "The Folly of Trying to Understand Prophetic Vision in Terms of Worldly Wisdom," shares the story of Dallin Oaks' handling of criticism of a Supreme Court decision and how it taught him the lesson of not trying to understand prophetic vision in terms of worldly wisdom. Boyce argues that we should trust in our leaders, even when we don't understand the reasons behind their decisions. Read more at the Meridian Magazine.
Ski Ingram writes about the origins and significance of Memorial Day, providing a brief history lesson and sharing his personal experience of losing ten men during the Vietnam War and remembering one special soldier on his birthday every year. He encourages Americans to take time on Memorial Day to remember and revere those who sacrificed their lives to keep the citizens of the United States safe. Read more here.
A tragic bus accident in Brazil claimed the life of 20-year-old Elder Izaak Orion Card, a full-time missionary of The Church of Jesus Christ of Latter-day Saints, on Friday, May 26, 2023; our thoughts and prayers go out to his family and friends and the missionaries and members in the Brazil Curitiba Mission. Read more here.
The Flameless Fireside Podcast features Heather Smith to discuss "Excommunication: The Gift of Starting Over," recognizing that life is full of challenging choices and struggles that can lead to a bumpy road; finding the desire and strength to believe in the Savior's grace and ask for help is the first step back into His presence. Join the podcast on Wednesday, May 31st, 2023, at 9pm Central/8pm Mtn. Watch the podcast here.
In his article “O Man! Pay Attention!” on the Sic et Non Blog, Dan Peterson reflects on the importance of paying attention to the world around us and learning from our experiences, both good and bad. He shares personal anecdotes and quotes from scripture to emphasize the value of paying attention to life’s lessons. read more here.
The Latter-Day Lights podcast shares the touching story of Meredith Wahlquist's journey as she battled with the loss of her husband to cancer and the faith and strength she found to carry on. Listen to the podcast here.
In this episode of FAIR's Come, Follow Me series, Jennifer Roach discusses the sacrament and how LDS members might talk to Evangelicals about it. She explains how various denominations, such as Evangelicals and Catholics, understand the sacrament differently and explores common criticisms leveled against the LDS Church's practice of the ordinance. Ultimately, Roach emphasizes that the sacrament's true focus should be on personal revelation. Read more from the original post here.
In a blog post by Jennifer Roach, a licensed mental health counselor, Catholics and Evangelicals, who refer to the sacrament as the Eucharist, communion, the Lord's Table, or the Lord's Supper, respectively, are examined. In discussing the sacrament, Roach touches on the importance of compassion, acceptance, grace, humility, thoughts on cannibalism, and ultimately charity.
Ashly Stone shares Jaxon's story of struggling with aspects of the Church as a youth, but finding the value and power of repentance through his mission. The experience brought him closer to Jesus Christ and serves as the foundation for everything he has done in the Church since. Read more here.
Rich Watson shares his experience of how one prompting led him and his wife to start studying conference talks in depth and how that led to the creation of the "General Conference Challenge" Facebook group, which has grown to over 10,000 followers around the world, and how this continual study has impacted their continual conversion. Read more on Leading Saints.
Mark J. Stoddard shares a story about his father and other Prisoners of War (POWs) in Ofuna, Japan, during World War II to commemorate Memorial Day. His father, a POW in the camp, witnessed compassion from the Japanese villagers, even when brutal guards often beat them for their kindness. Stoddard also remembers a lady at a nearby Buddhist Temple who brought them food, risking punishment, and two soldiers who perished in the camp but received no recognition until recently. Stoddard notes that Memorial Day is a time to remember the families of those who died for our blessings of liberty, and he honors his father and friends as well. read more here.
The Dialogue Gospel Study Episode 88 features artist Kwani Povi Winder, who discusses her art and how it relates to the parables in the New Testament. Read more here.
The Scriptures Are Real shares a shortcast explaining the question of a woman who married seven brothers and how understanding the cultural elements of a Levirate Marriage helps us see what the Savior's answer was. Read more here.
The Latter-Day Lights podcast features an interview with Meredith Wahlquist about her husband's battle with cancer and the faith and strength that got her through. Listen or watch here.
Jonn Claybaugh provides study aids for the 24th lesson of the Come, Follow Me curriculum, focusing on John 14 and the teachings of Jesus regarding the Comforter. Read more here.
Kristen Walker Smith discusses the similarities between ourselves and Jesus's sleeping disciples during the sacrament hour and how we can be more present during this sacred time. Read more here.
Scot and Maurine Proctor host an inspiring episode of How I Know Podcast where Heather Osmond shares how a single moment of bravery and spirituality from her mother became the anchor in her life. Read more here.
Faith Matters speaks with Brooke Romney about the broader applications of parenting, focusing on how to create meaningful connections with people, including our children, in order to live from our values and improve, in a delightful conversation that is relevant beyond the subject of parenting. Read more here.
The Scriptures Are Real shares a video discussing the Savior's institution of the Sacrament at the Last Supper, focusing on covenants, God's willingness to work with us, and the practical application of the Sacrament in everyday life. Watch the video here.
Ski Ingram reflects on the true meaning and origins of Memorial Day, and why it's important to remember and honor those who have given their lives in service of their country, citing stories of personal loss and sacrifice. Read more here.
Duane Boyce writes about Dallin Oaks’ respectful approach to prophetic counsel and how it led to Oaks learning valuable lessons and respecting a prophet’s vision instead of worldly wisdom. Read more here.
The Flameless Fireside Podcast brings Heather Smith to discuss "Excommunication: The Gift of Starting Over," emphasizing the importance of finding strength to ask for help and the Savior's ability to seek out the lost. Join the live podcast on May 31st, 2023, at 9 pm Central/8 pm Mtn on Youtube Live or Facebook Live. Post link is here.
In this week's Big Picture Monday episode, Cali Black provides context for the readings in Matthew 26, Mark 14, and John 13. She also offers a discount on her Come Follow Me study guide and a free copy of Kristen Walker Smith's simplified New Testament outline. Read more here.
Jennifer Roach addresses common Evangelical questions about the Sacrament in the latest installment of Come Follow Me with FAIR and offers insights from both historical Christian practice and LDS doctrine. Read more here.
Dan Peterson's blog post titled "O Man! Pay Attention!" recounts his experience flying on an airplane and his observation of passengers' lack of awareness of their surroundings, drawing parallels to a similar lack of spiritual awareness in daily life. He encourages readers to live in the moment and pay attention to the world around them in order to find greater happiness and fulfillment. Read More Here
The Church Newsroom reports that a young missionary, Elder Izaak Orion Card, has died in a bus accident in Brazil while serving in the Brazil Curitiba Mission. Four missionaries were traveling on a bus when it was hit by a semitruck, and the other missionaries did not sustain serious injury. The Church expresses love and sympathy for Elder Card's family, friends, and all affected by his loss. Read more here.
In a podcast episode on the Ashly Stone show, Jaxon shares his struggles with the Church as a youth, but eventually found the value of repentance through his mission, where he felt closer to Jesus Christ. read more here.
In a FAIR blog post, Jennifer Roach discusses the sacrament and how it is viewed by different faiths, including Evangelical and Catholic. She offers insight into how Latter-day Saint beliefs align with and differ from those of other faiths. Roach also provides suggestions for better dialogue with Evangelical friends and family. read more here.
Data Over Dogma interviews Dr. Aaron Higashi, a scholar and TikToker, about the importance of theological context and turning biblical scholarship out to the public. Dr. Higashi discusses the idea that every believer is coming from a particular perspective and the perils and rewards of sharing scholarship with a wider audience. Visit Dr. Higashi's work on TikTok, Instagram, and YouTube. Support Data Over Dogma's work by becoming a monthly patron and follow them on Facebook and Twitter. Watch the episode on YouTube.
In a blog post on Leading Saints, Rich Watson shares his experience of joining the Church and the impact of General Conference on his life, highlighting a Facebook group he created called "General Conference Challenge" in which 10,000 followers in countries around the globe listen to and have discussions about a talk from each session of General Conference. He reflects on several April 2023 Conference talks, drawing insights and applications for empowerment, responsibility, and continual conversion. Join the General Conference Challenge group on Facebook to participate and check it out for yourself. read more here.
Mark J. Stoddard shares a remarkable true story of World War II prisoners of war (POWs) held in the same camp with Olympian Louis Zamperini at the Ofuna Japanese POW camp. The author's father, a former POW, and some of the prisoners' families saved the lives of several Japanese people in the Ofuna region after the war, despite their brutal treatment during their captivity. This heartwarming, little-known story is a tribute to the enduring power of the human spirit to forgive and love. Read more here.
Pam Peebles asks readers to reflect on their own identity and shares how one man, @bro.kylereedsmith, identifies himself as a child of God, disciple of Jesus Christ, and follower of the Church of Jesus Christ of Latter-day Saints. Read more on the Third Hour blog.
The Interpreter Radio Show hosts Terry Hutchinson, John Gee, and Kevin Christensen discuss New Testament lesson 24, “Continue Ye in My Love” covering John 14–17, in the May 14 Come, Follow Me segment. Read more here.
The Interpreter Radio Show presents their hosts Terry Hutchinson, John Gee, and Kevin Christensen discussing the New Testament lesson 24, "Continue Ye in My Love" covering John 14-17 in their May 14 Come, Follow Me segment. Read more here.
2023.05.31 01:32 The_Alloquist [A Lord of Death] - Chapter 49
[←Chapter 48] [Cover Art] [My Links] [Index] [Discord] [Subreddit] [Chapter 50→]
As soon as he placed the tip of the blade against the stone, a crawling dread swept over. He held it there for a moment, trying to tabulate the functions of the tool, but nothing but raw guesswork remained to him. He heard the footsteps of the children and their minders vanishing up the stairs.
“You ready?” he asked Innie.
“No. But don't let that stop you,” she said, wide amber eyes fixed on the door.
There was nothing for it - Efrain steadied his hand and pressed the black blade into the stone. It was a relatively simple application of magic, almost instinctual, to activate the tool. He projected down into the chisel end, where stiff filaments would pierce the wall and sink deep within. This defeated the function of the chisel, but he already suspected that some of the features were more ornamental.
The next part was slightly more complicated, angling the blade up and down until he’d pressed the furled tips to the smooth surface. They sank in as well, leaving him holding the blade spine nearly parallel to the wall. Slowly, taking painstaking care not to twist the metal, he drew it down.
The stone split apart and drew back, guided through the furls and out, revealing a thin line in the stone. There was a silent thrill that fought against the dread as the hairline crack grew larger and larger. Finally, he reached the floor, and drew the knife out of the stone with minimal resistance.
With one last look at his partner, he placed both hands on the door and began to push.
There was a grinding squeal as the heavy stones slid open and out. Past, there was a thick darkness that blotted out most of the detail, even with the magelight active. Efrain took two steps and raised it high, its luminosity increasing as it rose. Even so, it flickered as the smothering cold poured out of the chamber, casting wavering shadows on the surrounding stone walls.
A moment of grim satisfaction availed him - he had surmised correctly about the room being some sort of important tomb. Large alcoves with carved-relief tombs marched off into the dark, twinned pillars marking each and every one. A vaulted ceiling spanned the passage, faded mosaics depicting unknown scenes of times past.
In fact, it would’ve been a place that Efrain could easily see himself working in. Painstakingly brushing off the faded paint and chipped stone, recreating the designs in book after book. Days and nights of note taking, trying to piece together the story of what this place was and why it was here. Unfortunately, the beauty of that vision was marred by the hostile darkness that wrapped around the vault.
He and Innie cautiously crept forward, the light above his head pushing back the heavy shadows. Her fur stood on end, amber eyes inspecting every little pittance, every corner past where something might hide. Efrain was much the same way, expecting something to detach itself from the stone and give chase.
Yet, there was nothing, no movement, no sudden gleam of hostile eyes. Just the stone, and the ever deepening cold.
Finally, they reached the depths of the tomb, a handful of steps that lead down into a wider room. In the muddy light he cast, he saw something large and round, sitting slumped over what looked to be an altar of some kind. There was no aggression that he could feel, no stirring of the thing in response to their presence, just the cold that poured off it.
As he entered through the arched steps, he realised that the thing was making sounds. A wet, gurgling noise, that was rather uncomfortably reminiscent of the creatures from the fog. The sound of a throat that had been crushed and twisted by the weight of its deformities. Still, it lacked the rage that came with the things that had crashed on the church roof or swarmed its outer wall.
Efrain took another few steps and stood before the round mass, slightly taller than he was, peering closely as its features came into relief. When he realised what it was, he felt a stomach that no longer existed turn over on itself. There were pale bumps and ridges where there might’ve been anatomical landmarks at one point. Various malformed limbs jutted out and merged back into the structure, some recognizable, some alien. The flesh shuddered and writhed as he neared it, groans and gurgles exiting various gashes and holes in its surface.
What was far, far worse, however, was what he discovered when he looked within.
Innie must’ve discovered it at the same time, issuing a violent wail of disgust and grief. Efrain staggered away, trying to steady himself on one of the pillars as his vision swam. The self-hatred, the sorrow, the unbelievable nauseating pain that issued from the thing was enough to make him wish he never came here. Its magic was even worse - an indescribable warped abomination that should’ve never been borne into existence.
It took a herculean effort to remain standing, fighting the physically impossible urge to sink to his knees and vomit. Innie was slamming herself into a pillar in a mad horror, and his gaze slid to the knife in his hand. The terrible revelation was like an explosion in his mind.
He could almost see the priest raising the knife, almost seeing the gears of thought turning in his head. If it could join and separate stone, what else could it pull asunder? A terrible demon, removed from a child, think of the praise, think of the tithes, think of the reaffirmation of the faith!
Innie lay on the ground, curled and shivering, her wails fallen into a grim silence, punctuated only by quiet sobs. Efrain stood there, feeling the knife slip to clatter on the ground. The thing twitched and issued another moan as it undulated from its base to top.
Somewhere in the corners of his mind he wondered if somewhere in the mass the priest was still alive. It would be a ghastly fate, and a deserved one, to be trapped in this fleshy prison. But what had happened to the wisp matriarch’s power? Why was there a ghost appearing to Aya and granting her access to the flames?
Shrinking back into himself, he huddled by the wall - more than anything, he wanted to be away from here. He wanted to be in his isolated little castle in a far-away mountain. He wanted a cup of tea, and a good book, and to forget such horrible things could exist in this world.
But alas, he was here, he had made the choice to come here, and it made the choice to open the door.
It’s not fair, he thought, numbly, why must it be me?
Innie had stopped sobbing, merely lying there in a terrible stillness. Not dead, nor was she injured beyond superficiality, rather trapped in the depths of paralytic grief. But it would soon fade, Efrain knew for it was happening to him. All that stupefaction, swept away by rage.
There were footsteps, far behind him, a set of them, hurrying down the tomb corridor. Distant faces, barely distinguishable from the darkness, emerged past the arches, still some distance away. Their eyes were straining, faces scrunched up as they tried to pierce the gloom, not yet realising the dire horror that awaited them.
Maybe it was in a spirit of mercy that Efrain rose, and turned toward the cat. More likely, it was the rage that was boiling just under the surface, only held by the thinnest membrane of numbness. The stones under Innie were beginning to be cast in a red light as her fur began to glow, despite the damping of her magic.
“What is that?” called one of the paladins from down the hall.
Efrain said nothing as he faced the horrible fusion of the priest and girl, twitching and moaning. He didn’t need to.
Flames rose into the air, exhaustion no longer a barrier as Innie rose to her height. The cat was melting, dribbling down on the floor as the true form of the wisp mother bled through in a pillar of yellow-red light. The temperature of the room shot up from icy to lukewarm in an instant as flames began to crawl across the stone and reached for the abomination.
The paladins had reached the threshold, thrusting their charges behind them as they gazed upon the scene. They were reaching for their swords, even as the flames grew in heat and intensity. The mass did not attempt to lash rather bellowed as the fire licked, shuddering so violently Efrain thought it might come apart. It coiled and twitched as the flames rose up its side, the smell of burning flesh filling the room.
Efrain didn’t even look at it, merely fixing his stare on the church insignia, emblazoned on the plate of the paladins. The screams rose to a fever pitch, met by a furious roaring and crackling of the ever-growing blaze. There was one last desperate burst of coldness that rolled over him, dimming the firelight for a moment, and turning the paladin’s pale.
Then, as if a floodgate was opened, his magic was no longer suppressed, and the fires roared to new heights. The thing had been submerged in a pillar of red and yellow flames, leaping up almost to the tall ceiling of the room. In the back of Efrain’s mind, he realised it wasn’t wise that the fire would eat the air up so deep in the earth. He did nothing.
He simply stood there, staring at the paladins without a word.
“Efrain,” croaked Innie.
He turned to see the charred remains slumping to the floor. In its centre, no longer bound, floated a thin ring of yellow blue flame. The fragment shed little bright rivulets like downy feathers, soft sparks fading into Innie’s blaze.
The rage drove Efrain forward, knowing what was about to happen and what he was about to do. No rational impulse was going to stop him now. Innie was in lockstep with him as he knelt down before the remains, the flames parting as he reached in. The paladins were screaming something as he closed his hand around the ring, and felt his world come to life.
The fire was no longer just fire, it was light itself, so blindingly bright and hot that stones around them began to glow. Efrain felt something immense move into him, a wall of molten power moving enough momentum to sweep him away. The traces of the wisp matriarch entered the man and the cat, and in that moment they were its avatar.
He rose, and the blue-yellow blaze rose with him, fanning over the whole room. At some point, the paladins had grabbed their charges and ran for dear life. Efrain was almost beyond thought as he began to make for the stairs. Every step was a burden, his body rattling uncontrollably with each footfall.
Step-by-step, the pair made their way through the corridor, leaving a sea of flame in their wake. The stone glowed with the rage of their passing, murals utterly destroyed, features beginning to run like wax on the carven reliefs. The only thing untouched by the flames was the black doors, a constant wall in the flames.
As he made his way into the crypts, leaving glass footprints in the sand, he became dimly aware that his robes were beginning to smoke. The magic coursing through him was not meant for him to wield - memory, knowledge, consciousness, all seemed to fall away at its burning touch.
He was being consumed, he and Innie both as they channelled the might of the matriarch, fraction as it was. The burst of magic on the roof was nothing compared to what they now held within themselves. This was a primal power, far grander than anything they’d seen in their long lives.
The passage was beginning to groan and warp, the stone beginning to run as he found his way to the spiral stair. Step-by-step, gripping the walls for purchase, he managed to drag himself up. Every rise was harder than the one that came before it, and soon he was climbing mountains with each step. The stones trembled at his touch, his hands leaving glowing impressions. Soon they too fell into the wall of conflagration that rose behind him.
Still, onward and upward he climbed, higher and higher, past the entrance to the church and to the roof. Night had finally fallen, the sounds of battle beginning as the monsters moved for the final assault. The posted guards screamed warnings of ‘fire!’ ‘fire!’ and shouted prayers as Efrain crawled his way onto the roof. They must’ve thought this some terrible new monster, something immune to their burning brands.
“Leave. Now,” Efrain said, the words slurring as he forced them into the air.
The men were quick to take his advice, but stopped at the tower stairs, staring in horror at the dripping stone. Some looked to the edge, preparing to leap to avoid the frame.
In the midst of the tumult, some bare fraction of Efrain remained to recognize the arbitrary cruelty of their position. He reached out, not to the men but beyond them, and plucked the heat from the stones. With a gust of warm air, they cooled rapidly from molten red to survivable grey. Somewhere, the scholar in Efrain screamed at the indignity of this impossible action.
But this was a magic of fundamentals. It did not stoop to petty things like ‘rules’.
The men, seeing their chance, hurled themselves down the stairs. With their absence, there was nothing left to restrain the power. The flames poured out like water, spilling over the walls of the church, roaring into the sky. Efrain didn’t think about the memory, intent, or emotion, nor any mechanical aspect of the magic - where he wanted, the world burned.
What little left of his mind felt memories of times and places foreign to him roar through his mind. The chaos of his mind lent him very little clarity, sights were smells, sounds were feelings, a cacophony of sensations raced through him faster and faster. In that blurring conundrum, he could see a single, core memory, one that drove all others.
A sunlit place, far away near a golden sea, a funeral, a birth, both at the same time, a tall figure, singing of purpose.
With a final effort, he called the magic to him, hoping to gain some vestige of control. The flames coiled and twisted and condensed, collapsing into an ever-tighter sphere as nature did its work. Heat itself lifted off the melting slates of the roof, absorbed into the mass at his fingertips, leaving a bright ball no bigger than his fist.
The world hung in that moment, the sounds of battle far away, screams of human and monster distant memories. In that moment of brief lucidity, Efrain held a star in his hand.
Then with a tremendous expansion of sound and rage and fire, a blast of hot wind ripped the fog away from the hill and scattered it across the highlands. Men and monsters were sent sprawling, the creatures flying on the icy mist spiralling and falling to earth.
Now the true force of the enemy was revealed - hundreds, perhaps as many as a thousand on the hill beyond. It was only a matter of time before they would rise over the wall, dismantle the barricades, and slaughter the defenders. Men, women, even children who’d worked so hard to defend their homes and lives. All rended to pieces because a little girl had gone for a little hike.
Chains were wrapping around Efrain, white hot and heavy, pulling him to the roof, disintegrating the spells that held him together. He was smoking in truth now and might catch flame at any moment. At his back, felt rather than seen, was an immense twisting whirlwind. It reached up and out into the night, its sudden light blotting out the stars. At its very centre, a consciousness took form within the power, something that wished for nothing more than to reduce all to ash. Efrain turned to the creatures that squirmed and charged below, heedless of the peril above.
He barely even perceived what happened next.
There was one final roar, louder and more violent than anything he’d ever heard of, conceived of, and would likely ever hear again. Branches extended down from the fire, great scouring fingers that swept across the earth, tearing down fruit trees, barely missing the barricades, and spilling down the hill.
The creatures came to meet it, not even turning aside as the heat and light submerged them. Perhaps they couldn’t even understand death anymore, so far gone was their nature. In a heartbeat, they faltered in the tide of flame, falling to the ground as they burned to ash. Dozens of them went in an instant as the power of Wisp Matriarch did its terrible work.
The fingers swept down past the outer wall, two tendrils splitting and crashing back together in a fountain of fire. The great bulk of the monsters were burnt into mere shadows on the cobbles. Efrain’s vision began to darken as his last vestiges of consciousness began to fail. He felt a draining sensation, the last of the magic of the matriarch flowing out into the night.
The heat that ate away at his very being was gone now, leaving behind a scorched emptiness. He fell to the ground, his limbs barely weak enough to prop himself up against the church roof. Innie, once more a cat, dragged herself over to him, curling on his lap as her eyes closed.
Too late, he remembered the curse upon the mask. That must’ve been the draining sensation, now that he’d let so much magic flow through it, it was sucking him dry. He tried vainly for some way to stem the flow, but he was so tired, so weak. Looking down, he noted that the church, although singed, was still more-or-less intact. There was a strange mix of regret and relief at the observation.
His voice, now a drab, thin thing, echoed out, remembering the conversation he’d had with Innie about her future plans of arson.
“Sorry, old friend,” he said, “I think I missed.”
Then Efrain Belacore, Baron of the Frozen Vale, and self-titled ‘Lord of Death’, was no more.
[←Chapter 48] [Cover Art] [My Links] [Index] [Discord] [Subreddit] [Chapter 50→]
submitted by The_Alloquist to redditserials [link] [comments]
As soon as he placed the tip of the blade against the stone, a crawling dread swept over. He held it there for a moment, trying to tabulate the functions of the tool, but nothing but raw guesswork remained to him. He heard the footsteps of the children and their minders vanishing up the stairs.
“You ready?” he asked Innie.
“No. But don't let that stop you,” she said, wide amber eyes fixed on the door.
There was nothing for it - Efrain steadied his hand and pressed the black blade into the stone. It was a relatively simple application of magic, almost instinctual, to activate the tool. He projected down into the chisel end, where stiff filaments would pierce the wall and sink deep within. This defeated the function of the chisel, but he already suspected that some of the features were more ornamental.
The next part was slightly more complicated, angling the blade up and down until he’d pressed the furled tips to the smooth surface. They sank in as well, leaving him holding the blade spine nearly parallel to the wall. Slowly, taking painstaking care not to twist the metal, he drew it down.
The stone split apart and drew back, guided through the furls and out, revealing a thin line in the stone. There was a silent thrill that fought against the dread as the hairline crack grew larger and larger. Finally, he reached the floor, and drew the knife out of the stone with minimal resistance.
With one last look at his partner, he placed both hands on the door and began to push.
There was a grinding squeal as the heavy stones slid open and out. Past, there was a thick darkness that blotted out most of the detail, even with the magelight active. Efrain took two steps and raised it high, its luminosity increasing as it rose. Even so, it flickered as the smothering cold poured out of the chamber, casting wavering shadows on the surrounding stone walls.
A moment of grim satisfaction availed him - he had surmised correctly about the room being some sort of important tomb. Large alcoves with carved-relief tombs marched off into the dark, twinned pillars marking each and every one. A vaulted ceiling spanned the passage, faded mosaics depicting unknown scenes of times past.
In fact, it would’ve been a place that Efrain could easily see himself working in. Painstakingly brushing off the faded paint and chipped stone, recreating the designs in book after book. Days and nights of note taking, trying to piece together the story of what this place was and why it was here. Unfortunately, the beauty of that vision was marred by the hostile darkness that wrapped around the vault.
He and Innie cautiously crept forward, the light above his head pushing back the heavy shadows. Her fur stood on end, amber eyes inspecting every little pittance, every corner past where something might hide. Efrain was much the same way, expecting something to detach itself from the stone and give chase.
Yet, there was nothing, no movement, no sudden gleam of hostile eyes. Just the stone, and the ever deepening cold.
Finally, they reached the depths of the tomb, a handful of steps that lead down into a wider room. In the muddy light he cast, he saw something large and round, sitting slumped over what looked to be an altar of some kind. There was no aggression that he could feel, no stirring of the thing in response to their presence, just the cold that poured off it.
As he entered through the arched steps, he realised that the thing was making sounds. A wet, gurgling noise, that was rather uncomfortably reminiscent of the creatures from the fog. The sound of a throat that had been crushed and twisted by the weight of its deformities. Still, it lacked the rage that came with the things that had crashed on the church roof or swarmed its outer wall.
Efrain took another few steps and stood before the round mass, slightly taller than he was, peering closely as its features came into relief. When he realised what it was, he felt a stomach that no longer existed turn over on itself. There were pale bumps and ridges where there might’ve been anatomical landmarks at one point. Various malformed limbs jutted out and merged back into the structure, some recognizable, some alien. The flesh shuddered and writhed as he neared it, groans and gurgles exiting various gashes and holes in its surface.
What was far, far worse, however, was what he discovered when he looked within.
Innie must’ve discovered it at the same time, issuing a violent wail of disgust and grief. Efrain staggered away, trying to steady himself on one of the pillars as his vision swam. The self-hatred, the sorrow, the unbelievable nauseating pain that issued from the thing was enough to make him wish he never came here. Its magic was even worse - an indescribable warped abomination that should’ve never been borne into existence.
It took a herculean effort to remain standing, fighting the physically impossible urge to sink to his knees and vomit. Innie was slamming herself into a pillar in a mad horror, and his gaze slid to the knife in his hand. The terrible revelation was like an explosion in his mind.
He could almost see the priest raising the knife, almost seeing the gears of thought turning in his head. If it could join and separate stone, what else could it pull asunder? A terrible demon, removed from a child, think of the praise, think of the tithes, think of the reaffirmation of the faith!
Innie lay on the ground, curled and shivering, her wails fallen into a grim silence, punctuated only by quiet sobs. Efrain stood there, feeling the knife slip to clatter on the ground. The thing twitched and issued another moan as it undulated from its base to top.
Somewhere in the corners of his mind he wondered if somewhere in the mass the priest was still alive. It would be a ghastly fate, and a deserved one, to be trapped in this fleshy prison. But what had happened to the wisp matriarch’s power? Why was there a ghost appearing to Aya and granting her access to the flames?
Shrinking back into himself, he huddled by the wall - more than anything, he wanted to be away from here. He wanted to be in his isolated little castle in a far-away mountain. He wanted a cup of tea, and a good book, and to forget such horrible things could exist in this world.
But alas, he was here, he had made the choice to come here, and it made the choice to open the door.
It’s not fair, he thought, numbly, why must it be me?
Innie had stopped sobbing, merely lying there in a terrible stillness. Not dead, nor was she injured beyond superficiality, rather trapped in the depths of paralytic grief. But it would soon fade, Efrain knew for it was happening to him. All that stupefaction, swept away by rage.
There were footsteps, far behind him, a set of them, hurrying down the tomb corridor. Distant faces, barely distinguishable from the darkness, emerged past the arches, still some distance away. Their eyes were straining, faces scrunched up as they tried to pierce the gloom, not yet realising the dire horror that awaited them.
Maybe it was in a spirit of mercy that Efrain rose, and turned toward the cat. More likely, it was the rage that was boiling just under the surface, only held by the thinnest membrane of numbness. The stones under Innie were beginning to be cast in a red light as her fur began to glow, despite the damping of her magic.
“What is that?” called one of the paladins from down the hall.
Efrain said nothing as he faced the horrible fusion of the priest and girl, twitching and moaning. He didn’t need to.
Flames rose into the air, exhaustion no longer a barrier as Innie rose to her height. The cat was melting, dribbling down on the floor as the true form of the wisp mother bled through in a pillar of yellow-red light. The temperature of the room shot up from icy to lukewarm in an instant as flames began to crawl across the stone and reached for the abomination.
The paladins had reached the threshold, thrusting their charges behind them as they gazed upon the scene. They were reaching for their swords, even as the flames grew in heat and intensity. The mass did not attempt to lash rather bellowed as the fire licked, shuddering so violently Efrain thought it might come apart. It coiled and twitched as the flames rose up its side, the smell of burning flesh filling the room.
Efrain didn’t even look at it, merely fixing his stare on the church insignia, emblazoned on the plate of the paladins. The screams rose to a fever pitch, met by a furious roaring and crackling of the ever-growing blaze. There was one last desperate burst of coldness that rolled over him, dimming the firelight for a moment, and turning the paladin’s pale.
Then, as if a floodgate was opened, his magic was no longer suppressed, and the fires roared to new heights. The thing had been submerged in a pillar of red and yellow flames, leaping up almost to the tall ceiling of the room. In the back of Efrain’s mind, he realised it wasn’t wise that the fire would eat the air up so deep in the earth. He did nothing.
He simply stood there, staring at the paladins without a word.
“Efrain,” croaked Innie.
He turned to see the charred remains slumping to the floor. In its centre, no longer bound, floated a thin ring of yellow blue flame. The fragment shed little bright rivulets like downy feathers, soft sparks fading into Innie’s blaze.
The rage drove Efrain forward, knowing what was about to happen and what he was about to do. No rational impulse was going to stop him now. Innie was in lockstep with him as he knelt down before the remains, the flames parting as he reached in. The paladins were screaming something as he closed his hand around the ring, and felt his world come to life.
The fire was no longer just fire, it was light itself, so blindingly bright and hot that stones around them began to glow. Efrain felt something immense move into him, a wall of molten power moving enough momentum to sweep him away. The traces of the wisp matriarch entered the man and the cat, and in that moment they were its avatar.
He rose, and the blue-yellow blaze rose with him, fanning over the whole room. At some point, the paladins had grabbed their charges and ran for dear life. Efrain was almost beyond thought as he began to make for the stairs. Every step was a burden, his body rattling uncontrollably with each footfall.
Step-by-step, the pair made their way through the corridor, leaving a sea of flame in their wake. The stone glowed with the rage of their passing, murals utterly destroyed, features beginning to run like wax on the carven reliefs. The only thing untouched by the flames was the black doors, a constant wall in the flames.
As he made his way into the crypts, leaving glass footprints in the sand, he became dimly aware that his robes were beginning to smoke. The magic coursing through him was not meant for him to wield - memory, knowledge, consciousness, all seemed to fall away at its burning touch.
He was being consumed, he and Innie both as they channelled the might of the matriarch, fraction as it was. The burst of magic on the roof was nothing compared to what they now held within themselves. This was a primal power, far grander than anything they’d seen in their long lives.
The passage was beginning to groan and warp, the stone beginning to run as he found his way to the spiral stair. Step-by-step, gripping the walls for purchase, he managed to drag himself up. Every rise was harder than the one that came before it, and soon he was climbing mountains with each step. The stones trembled at his touch, his hands leaving glowing impressions. Soon they too fell into the wall of conflagration that rose behind him.
Still, onward and upward he climbed, higher and higher, past the entrance to the church and to the roof. Night had finally fallen, the sounds of battle beginning as the monsters moved for the final assault. The posted guards screamed warnings of ‘fire!’ ‘fire!’ and shouted prayers as Efrain crawled his way onto the roof. They must’ve thought this some terrible new monster, something immune to their burning brands.
“Leave. Now,” Efrain said, the words slurring as he forced them into the air.
The men were quick to take his advice, but stopped at the tower stairs, staring in horror at the dripping stone. Some looked to the edge, preparing to leap to avoid the frame.
In the midst of the tumult, some bare fraction of Efrain remained to recognize the arbitrary cruelty of their position. He reached out, not to the men but beyond them, and plucked the heat from the stones. With a gust of warm air, they cooled rapidly from molten red to survivable grey. Somewhere, the scholar in Efrain screamed at the indignity of this impossible action.
But this was a magic of fundamentals. It did not stoop to petty things like ‘rules’.
The men, seeing their chance, hurled themselves down the stairs. With their absence, there was nothing left to restrain the power. The flames poured out like water, spilling over the walls of the church, roaring into the sky. Efrain didn’t think about the memory, intent, or emotion, nor any mechanical aspect of the magic - where he wanted, the world burned.
What little left of his mind felt memories of times and places foreign to him roar through his mind. The chaos of his mind lent him very little clarity, sights were smells, sounds were feelings, a cacophony of sensations raced through him faster and faster. In that blurring conundrum, he could see a single, core memory, one that drove all others.
A sunlit place, far away near a golden sea, a funeral, a birth, both at the same time, a tall figure, singing of purpose.
With a final effort, he called the magic to him, hoping to gain some vestige of control. The flames coiled and twisted and condensed, collapsing into an ever-tighter sphere as nature did its work. Heat itself lifted off the melting slates of the roof, absorbed into the mass at his fingertips, leaving a bright ball no bigger than his fist.
The world hung in that moment, the sounds of battle far away, screams of human and monster distant memories. In that moment of brief lucidity, Efrain held a star in his hand.
Then with a tremendous expansion of sound and rage and fire, a blast of hot wind ripped the fog away from the hill and scattered it across the highlands. Men and monsters were sent sprawling, the creatures flying on the icy mist spiralling and falling to earth.
Now the true force of the enemy was revealed - hundreds, perhaps as many as a thousand on the hill beyond. It was only a matter of time before they would rise over the wall, dismantle the barricades, and slaughter the defenders. Men, women, even children who’d worked so hard to defend their homes and lives. All rended to pieces because a little girl had gone for a little hike.
Chains were wrapping around Efrain, white hot and heavy, pulling him to the roof, disintegrating the spells that held him together. He was smoking in truth now and might catch flame at any moment. At his back, felt rather than seen, was an immense twisting whirlwind. It reached up and out into the night, its sudden light blotting out the stars. At its very centre, a consciousness took form within the power, something that wished for nothing more than to reduce all to ash. Efrain turned to the creatures that squirmed and charged below, heedless of the peril above.
He barely even perceived what happened next.
There was one final roar, louder and more violent than anything he’d ever heard of, conceived of, and would likely ever hear again. Branches extended down from the fire, great scouring fingers that swept across the earth, tearing down fruit trees, barely missing the barricades, and spilling down the hill.
The creatures came to meet it, not even turning aside as the heat and light submerged them. Perhaps they couldn’t even understand death anymore, so far gone was their nature. In a heartbeat, they faltered in the tide of flame, falling to the ground as they burned to ash. Dozens of them went in an instant as the power of Wisp Matriarch did its terrible work.
The fingers swept down past the outer wall, two tendrils splitting and crashing back together in a fountain of fire. The great bulk of the monsters were burnt into mere shadows on the cobbles. Efrain’s vision began to darken as his last vestiges of consciousness began to fail. He felt a draining sensation, the last of the magic of the matriarch flowing out into the night.
The heat that ate away at his very being was gone now, leaving behind a scorched emptiness. He fell to the ground, his limbs barely weak enough to prop himself up against the church roof. Innie, once more a cat, dragged herself over to him, curling on his lap as her eyes closed.
Too late, he remembered the curse upon the mask. That must’ve been the draining sensation, now that he’d let so much magic flow through it, it was sucking him dry. He tried vainly for some way to stem the flow, but he was so tired, so weak. Looking down, he noted that the church, although singed, was still more-or-less intact. There was a strange mix of regret and relief at the observation.
His voice, now a drab, thin thing, echoed out, remembering the conversation he’d had with Innie about her future plans of arson.
“Sorry, old friend,” he said, “I think I missed.”
Then Efrain Belacore, Baron of the Frozen Vale, and self-titled ‘Lord of Death’, was no more.
[←Chapter 48] [Cover Art] [My Links] [Index] [Discord] [Subreddit] [Chapter 50→]
2023.05.31 01:24 vegabassoonseacake Black Friday Hyperoptic B2B Deals
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submitted by vegabassoonseacake to DiscountGleesome [link] [comments]
2023.05.31 01:23 Pulelehua ~ Island wide community events for the month of June ~
Aloha everyone!
It’s been awhile since we put together a list of events. With so many things happening in the month of June and throughout the summer time, I thought it’d be nice to have a monthly community calendar again.
If there’s anything exciting that you know of happening in June ~ feel free to share it in the comments!
The festival is a culturally based experience for both local residents and visitors. It is organized as a combined multi generational effort including members of the community from all spheres of influence - providing them with a platform to showcase the gifts and talents of those cultures present in Hawaii. Presentations of cultural dance expression, culturally based education programs, food, music, fashion and art will be held throughout the three day event.
https://www.hikuauli.com
Adorned in the flowers and colors of the Hawaiian Islands, regal pāʻū riders on horseback will represent each of the eight islands, led by their respective princesses and the pāʻū queen. The floral parade will also feature hula hālau, equestrian units, marching bands, a horse-drawn carriage and more.
After the parade, enjoy a ho‘olaule‘a (music and art festival) at Hulihe‘e Palace, including a free concert featuring top Hawaiian recording artists. Then take time to visit the many shops, galleries and historic landmarks of Historic Kailua Village.
https://konaparade.org
All proceeds from the Day go towards the historic preservation, maintenance and operations of the Palace and grounds.
https://daughtersofhawaii.org/events/hoolaulea/
Ka‘ahumanu Place will be closed on Saturday for the annual Kamehameha Day canoe regatta craft fair with exciting vendors, a food booth and more.
https://bigislandnow.com/2023/05/16/50th-annual-kamehameha-day-canoe-regatta-coming-to-kailua-pie
Although North Kohala is a small community, each year on June 11th it puts forth a large grassroots effort to present a full day of celebration and tribute to King Kamehameha I. Visitors are welcomed to the North Kohala towns of Hawi and Kapa'au on Sunday, June 11, 2023 to take part in this unique local event. All events are free.
https://hawaiilgbtlegacyfoundation.com/events/hawaiʻi-island-lgbtq-pride/
All events are free, but entrance fees may apply. Some programs are sponsored by Friends of Hawai‘i Volcanoes National Park and Hawai‘i Pacific Parks Association. Programs are subject to change or cancellation without notice. Check the park calendar for more information.
submitted by Pulelehua to BigIsland [link] [comments]
It’s been awhile since we put together a list of events. With so many things happening in the month of June and throughout the summer time, I thought it’d be nice to have a monthly community calendar again.
If there’s anything exciting that you know of happening in June ~ feel free to share it in the comments!
- Hawaiʻi Kuauli Pacific & Asia Cultural Festival ~ June 9-11th ~
The festival is a culturally based experience for both local residents and visitors. It is organized as a combined multi generational effort including members of the community from all spheres of influence - providing them with a platform to showcase the gifts and talents of those cultures present in Hawaii. Presentations of cultural dance expression, culturally based education programs, food, music, fashion and art will be held throughout the three day event.
https://www.hikuauli.com
- King Kamehameha Day Celebration Parade in Historic Kailua Village ~ June 10th ~
Adorned in the flowers and colors of the Hawaiian Islands, regal pāʻū riders on horseback will represent each of the eight islands, led by their respective princesses and the pāʻū queen. The floral parade will also feature hula hālau, equestrian units, marching bands, a horse-drawn carriage and more.
After the parade, enjoy a ho‘olaule‘a (music and art festival) at Hulihe‘e Palace, including a free concert featuring top Hawaiian recording artists. Then take time to visit the many shops, galleries and historic landmarks of Historic Kailua Village.
https://konaparade.org
- King Kamehameha Day Celebration Ho‘olaule‘a at the Hulihe‘e Palace ~ June 10th ~
All proceeds from the Day go towards the historic preservation, maintenance and operations of the Palace and grounds.
https://daughtersofhawaii.org/events/hoolaulea/
- 50th annual Kamehameha Day canoe regatta at the Kailua Pier ~ June 10th ~
Ka‘ahumanu Place will be closed on Saturday for the annual Kamehameha Day canoe regatta craft fair with exciting vendors, a food booth and more.
https://bigislandnow.com/2023/05/16/50th-annual-kamehameha-day-canoe-regatta-coming-to-kailua-pie
- North Kohala Kamehameha Day Celebration ~ June 11th ~
Although North Kohala is a small community, each year on June 11th it puts forth a large grassroots effort to present a full day of celebration and tribute to King Kamehameha I. Visitors are welcomed to the North Kohala towns of Hawi and Kapa'au on Sunday, June 11, 2023 to take part in this unique local event. All events are free.
- Procession of Royal Societies 8:00 AM - 9:00 AM. There are four Royal Societies: The Royal Order of Kamehameha, ʻAhahui Kaʻahumanu, Hale o Nā Aliʻi and Māmakakaua (Daughters and Sons of Hawaiian Warriors). The four Royal Societies will lead, followed by the Daughters of Hawaiʻi, the ʻAhahui Kaʻiulani and Hawaiian Civic Clubs.
- Lei Draping Ceremony and Tradition Paʻu Parade 9:00 AM - 10:30 AM: See the original statue of King Kamehameha I in all its holiday glory. The statue in Kapa'au is decorated with many 20-foot-long floral lei created in tribute to the King. Watch a traditional pa'u parade with horses and riders adorned in flowers and colors to represent each Hawaiian Island. At 9:00 AM the road closes while Honorees and Pa'u riders make their way from Kohala High and Elementary School to the statue and Kamehameha Park in Kapa'au. Parade to begin promptly at 9:00 AM.
- Hana Noeʻau 11:00 AM - 2:00 PM: Enjoy "hands-on"education exhibits that ends the dayʻs festivities at the statue.
- ʻAha 12:00 PM - 1:00 PM: Join us as we celebrate the Kohala Festivities and the ceremonial release of KŪKULU, A Tribute to the Pillars of Mauna a Wākea, a compilation CD acknowledging, recognizing and honoring all who stand for Mauna Kea and places everywhere around the world.
- Hawaiʻi Island LGBTQ Pride ~ June 24th ~
https://hawaiilgbtlegacyfoundation.com/events/hawaiʻi-island-lgbtq-pride/
- June Events at Hawai‘i Volcanoes National Park ~
All events are free, but entrance fees may apply. Some programs are sponsored by Friends of Hawai‘i Volcanoes National Park and Hawai‘i Pacific Parks Association. Programs are subject to change or cancellation without notice. Check the park calendar for more information.
- Battle of Midway: A Japanese Perspective – The Battle of Midway, June 4 – 7, 1942, marked a turning point in World War II. The U.S. Navy and the Imperial Japanese Navy would stand toe-to-toe battling for control of the Pacific. From the first decoded messages to the strategic decisions that would alter the course of history, Ben Hayes, historian and program manager for the park’s Interpretation & Education team, takes us through this epic conflict from a different perspective. Part of Hawai‘i Volcanoes’ ongoing After Dark in the Park programs and sponsored by the Friends of Hawaiʻi Volcanoes National Park. Free, but park entrance fees apply.
- When: June 6 at 7 p.m. Doors open at 6:30 p.m.
- Where: Kīlauea Visitor Center auditorium
- Ulana Lau Hala Demonstration – Learn to weave lau hala with practitioners from ʻAha Pūhala o Puna. Hawaiians have used hala (pandanus) tree to create many useful and beautiful items for centuries. Learn to weave lau hala and take home your own small piece of lau hala art. Part of Hawaiʻi Volcanoes National Park’s ongoing ‘Ike Hana Noʻeau (Experience the Skillful Work) Hawaiian cultural programs, and co-sponsored by Hawai‘i Pacific Parks Association and the Friends of Hawai‘i Volcanoes National Park. Free, but park entrance fees apply.
- When: June 14 from 10 a.m. to noon
- Where: ʻŌhiʻa Wing (across Crater Rim Drive from Kīlauea Visitor Center)
- Saving Wahi Pana (Storied Places) in Kaʻū – Discover how the County of Hawaiʻi Public Access, Open Space, Natural and Cultural Resource Commission (PONC) program and your tax dollars are preserving public access, open space, and natural and cultural resources in Kaʻū. Presented by Alexandra Kelepolo and Jodie Rosam. Part of Hawaiʻi Volcanoes’ ongoing Kahuku Coffee Talk programs and sponsored by Hawaiʻi Pacific Parks Association. Free admission, and Kaʻū coffee will be available for sale.
- When: June 17 at 9:30 a.m.
- Where: Kahuku Visitor Contact Station
- Bert Naihe in Concert – Come be entertained by the Hawaiian music of Bert Naihe. Born and raised in Hilo, Bert enjoys the art of Hawaiian music and performs with Hālau o ka Ua Kanilehua and Kumu Hula Johnny Lum Ho. Bert’s first CD, “You’re the One,” was released in 2014 and features his own catchy versions of longtime favorites. Part of Hawaiʻi Volcanoes National Park’s ongoing Nā Leo Manu Hawaiian cultural programs, and co-sponsored by Hawai‘i Pacific Parks Association and the Friends of Hawaiʻi Volcanoes National Park. Free, but park entrance fees apply.
- When: June 21 from 7 p.m. to 8 p.m.
- Where: Kīlauea Visitor Center Auditorium
- Uēkahuna, Thomas A. Jaggar Museum, and the Hawaiian Volcano Observatory – For decades, the Thomas A. Jaggar Museum has welcomed people from all over the world, sharing volcano science and Hawaiian culture adjacent to the awe-inspiring view that is Kīlauea volcano. The earthquakes of the 2018 eruption and summit collapse damaged the foundations of the historic buildings beyond repair. Join Jadelyn Moniz-Nakamura, Ph.D., as she takes us on a journey through the past of this sacred place known as Uēkahuna. The evolution of the area will be shared on the eve of the park’s efforts to restore a more natural landscape and provide a dramatic viewing area and rest stop for locals and visitors alike. Part of Hawai‘i Volcanoes’ ongoing After Dark in the Park programs and sponsored by the Friends of Hawaiʻi Volcanoes National Park. Free, but park entrance fees apply.
- When: June 20 at 7 p.m.
- Where: Kīlauea Visitor Center auditorium
- Artist-in-Residence Comics Journalist Andy Warner Returns – Join the park in welcoming back New York Times bestselling comics journalist, author and artist Andy Warner as the artist in residence for June. Come meet Andy as he presents the creative mind behind the art. Part of Hawai‘i Volcanoes’ ongoing After Dark in the Park programs and sponsored by the Friends of Hawaiʻi Volcanoes National Park and the National Parks Arts Foundation. Free, but park entrance fees apply.
- When: June 27 at 7 p.m.
- Where: Kīlauea Visitor Center auditorium
- Explore Kahuku – The Kahuku Unit, one of Hawai‘i Volcanoes National Park’s best-kept secrets, is open Thursday through Sunday from 8 a.m. to 4 p.m., and it’s free! Guided ranger programs and talks are offered on the weekends, check the park calendar for more info. Sturdy footwear, water, rain gear, sun protection and a snack are recommended for all hikes.
- When: Thursday through Sunday, 8 a.m. to 4 p.m.
- Where: Kahuku is located in Ka‘ū, about a 50-minute drive south of the park’s main entrance. Enter Kahuku on the mauka (inland) side of Highway 11 near mile marker 70.5
- A Walk into the Past with Dr. Thomas A. Jaggar – Walk back to 1939 and talk with the founder of the Hawaiian Volcano Observatory, Dr. Thomas A. Jaggar, at the edge of Kīlauea volcano. Dressed in period costume, actor Dick Hershberger brings the renowned geologist to life. You’ll learn what motivated Dr. Jaggar to dedicate his life to the study of Hawaiian volcanoes, and how his work helps save lives today. Space is limited; pick up a free ticket at the Kīlauea Visitor Center lānai the day of the program. This program is subject to cancellation during inclement weather. Supported by Kīlauea Drama Entertainment Network.
- When: Fridays, June 2, 9, 16, 23 and 30 at 9:30 a.m. and 11:30 a.m. Each performance is about an hour
- Where: Meet at Kīlauea Visitor Center
- Stewardship at the Summit Rainforest Restoration – Volunteer to help remove invasive, non-native plant species that prevent native plants from growing in Hawai‘i Volcanoes National Park. Wear sturdy hiking shoes and long pants. Bring a hat, rain gear, day pack, snacks and water. Gloves and tools are provided. Under 18? Parental or guardian accompaniment with written consent is required. Visit the park website for details.
- When: June 2, 10, 16, 24 & 30. Meet at 8:45 a.m.
- Where: Meet project leaders Paul and Jane Field at Kīlauea Visitor Center on any of the above dates
- Explore the Summit and Other Ranger-Led Walks – Discover Kīlauea volcano on an easy one-hour, ranger-led walk offered daily. Other ranger-led programs may be offered; check with rangers at Kīlauea Visitor Center for additional programs.
- When: Explore the Summit is offered daily at 11 a.m. and 2 p.m.
- Where: Meet at Kīlauea Visitor Center lānai
2023.05.31 01:15 Dan_Stainberg [Econ][Retro] Canada's Federal Budget 2024 Unpacked
SUMMARY
When analysing the new federal budget, there seems to be a nearly universal agreement on the politics that shaped the spending plan. Namely, this budget is big on spending, big on corporate tax reform. Having previously relied on the New Democratic Party to maintain an absolute majority, the Trudeau Government has opted for appeasing their parljlnenatry partners, aiming to buy more time for the this government before the next general election has to be called.Politically, the Budget can be divided into there main lines. Namely, the Liberals trying to follow through with their promises from the last Federal Election, such as introducing the Canada Disability Benefit, a brand-new advanced research agency, as well as over-delivering on expanded supports for lower-income workers. Economically, introducing a tax-free CDB combined with noticeably more generous and broadly available Canada Workers Benefit also aims to boost Canada's labour force participation, to partially offset traditionally low per capital productivity of Canadian workers.
Then, the issue of the supply and confidence agreement with New Democrats comes into play, finally implementing a national dental care plan being finally brought into the budget, followed by a national prescription drug insurance scheme.
As on the greatest surprises comes in the form of what the Government framed as a "business assistance review" and corporate reform, that is set to be a structural response to US's Inflation Reduction Act, namely by brining programmes as IRAP to a one-stop shop, under an arm-length agency outside of the federal industrial strategy ministry. The Government is also following Europe's lead on development Canadian equity markets, that while incremental, may be a first step to less debt-dependent corporate Canada, while nurturing Canadian innovation, since tech companies tend to be much more reliant on equity financing, rather than traditional bank lending.
Politically, the Liberals continue to emphasise fiscal prudence of the budget, citing stable debt-to-GDP ratios, as well as the fact the budget actually contains a structural surplus, when excusing debt service payments from federal expenditure. Ottawa is also trying to hedge against future attacks when it comes to public subsidies, through introducing an independent oversight body, as well as providing full operational autonomy to a new umbrella organisation, to operate business investment programmes and other agencies.
Notably, however, the Liberals seem to be willing to further undermine their reputation as credible fiscal managers, rather the cause a new election by breaking their agreement with NDP, as the LPC continues to struggle in federal polling.
Strengthening Canada's Safety Net
Canada Workers Benefit (CWB) is set to be radically boosted, aiming to boost labour force participation while easing inflationary pressures for the most vulnerable workers. The budget drastically expands both the generosity and eligibility for the CWB by lowering the income threshold from $3000 of annual earnings to just $1, including income from self-employment. The Government of Canada also expands eligibility for the benefit, by more closely aligning it with Québec's Solidarity Tax Credit, making full- and part-time students eligible to claim CWB. The benefit is also enhanced through expansion of both the maximum amount payable and the introduction of a benefit floor - $3000 per annum for the floor and up to $4000 for maximum benefit - per family.Additionally, the Canada Revenue Agency - as well as Revenu Québec, following a short negotiation with the province - are now required to administer both the CWB and the STC in real time, delivering automatic bi-weekly payments to all eligible individuals, so long they've filled their tax return for the previous year. Ottawa is also set to strengthen the programme by introducing the so-called "benefit shield provision" that protects benefit recipients from prohibiting benefit clawbacks in their income increases unexpectedly. Thus, annual CWB entitlement is set to be calculated on the basis on average reported earnings in the last 5 years, paid every 2 weeks. Sudden increases in incomes shall also be excused from the current year's calculation of benefit amounts, applied evenly over the next 5-year calculation period.
Same policy is set to be applied to all other federal benefits and credits, including the Canada Child Benefit - an income-based subsidy for parents - as well as the GST/HST Tax Credit, and the Climate Action Incentive Payment - a rebate paid to households to compensate for the cost of federal price on carbon where one applies.As an interim measure, Ottawa is also set to introduced the "marginal earnings shield" policy that allows the Canada Revenue Agency to issue bi-weekly CWB payments to individuals facing prohibitively high marginal rates of personal taxation, whenever the effective rate exceeds 45 per cent. This includes benefit clawbacks from provincial programmes, as well as increased payroll deductions, such as Employment Insurance Premiums, Canada/Québec Pension Plan Contributions, as well as income tax, union dues, or any other payroll deduction from the CRA or Revenu Quebec. Notably, the earnings shield only applied to income bellow the median AFNI for the given province or territory.
Canada Disability Benefit (CDB) is to beintroduced to supplement provincial social assistance measures for people with special needs. CDB aims to top-up existing provincial disability support programmes, providing simultaneous supplementation of payment to eligible individuals. The benefit is set to be fully aligned with provincial requirements, but also provide equivalent support to those receiving provincial Workers' Compensation Payments, and CPP/QPP Disability benefits, to bring disable Canadians closer to the national poverty thresholds, with CDB maximum capped at $1000 monthly - that is however subject to inflation indexing.
Expanding Canada's Healthcare
Canadian Dental Care Plan (CDCP) previously announced in the last year's budget is finally being rolled out across the country, following almost a year of bilateral talks with the provinces and territories. The Plan remains open to anyone with a communed household income of bellow $120.000 as well as those without an insurance plan that provides free-at-use dental coverage. In case their income exceeds the eligibility threshold, they'd have to pay an increased premium collected by the CRA as a payroll deduction. Anyone is also free to obtain private dental care insurance, so long they don't have a public one, so long it provides continuous coverage, a fully covers all services provided within a medical facility.However, even those with private insurance will still have to face the limitations of the Canada Health Act, namely being barred from any preferential treatment for services covered under the CDCP. To further maintain its universality, the Canada Health Act is amended to require every Canadian resident to maintain a valid dental care insurance coverage at all times, with on obligation on both Ottawa and the Provinces to provide access to that coverage to everyone. Private insurance is still allowed, so long it remains equivalent to the public plan, unless covering supplementary services. The respective assessment of a private plan's equivalence and universal coverage is carried out by Heath Canada, through referring the data that every employer is oblige dot provide, linked to each individual's Social Insurance Number.
Notably, the CDCP is administered - as promised - by a neutral agency, comprised of representatives from Health Canada and provincial, as well as territorial heads of ministries of health -- the Canadian Dental Benefit Administrators (CDBA). CDBA is in turn operates under a two-track system, where the CDCP Council within the CDBA, comprised of provincial representation, and Health Canada, sets up broader general standards of care, coverage, and premiums, while CDBA provincial offices administer the plan within the framework of general provincial health plans. Principal batches of CDBA are free to diverge from national guidelines on coverage and pricing, so long it doesn't change increase expenditure, and preserves free-at-use coverage without significant reduction in quality of care measured in waiting times or increased pressure on the staff, lower efficacy rates.
Funding through the plan altho provided through general taxation, is calculated as a flat income-based insurance premiums, deducted from CDCP's recipient paycheque as part of their Income Tax, with additional levies for those making above the eligibility threshold and choosing to enrol into the Plan. While co-pays are absent for lower income earners completely, everyone enrolled into the Plan is protected an annual limit for out-of-pocket dental care expenditures, capping spending as a share of one's income, that is also revised annually, in line with instigated payroll premiums.
Canadian Pharmaceutical Insurance Plan (CPIP) finally brings a long-awaited universal Pharmacare to Canada, especially territories and provinces other than Quebec. While previously Canada's public health insurance plans would only cover in-hospital medical services, leaving prescription drugs largely to the private market, CPIP is set to change that. The Plan provides compressive coverage for multiple prescription drugs defined in a "national formulary" administrated by the Canada Drug Agency at no cost to every member of the plan, that is tasked with evaluating and authorising the use of new pharmaceuticals to be sold in Canada.
However, CPIP's administration, namely negotiating prices for prescription drugs, is delegated to the Pan-Canadian Pharmaceutical Alliance (pCPA). Originally created as a strictly provincial initiative to join forcing in procuring pharmaceuticals for public drug plans, pCPA is set to be drastically expanded to negotiate prices for prescriptions on behalf of Canada as a whole. Thus, no drug that is deemed by the CDA or Health Canada to require a prescription can be sold, until a procurement deal has been reached with the pCPA.
When conducting negotiations, pCPA largely relies on already existing framework, with the Canada Drug Agency carrying out impact assessment and drug reviews -- a function previously reserved exclusively to Health Canada. pCPA retains it current institutional design, transitioning to completely independent organisation, only contained by appointments from federal, provincial, and territorial governments, with the final procurement deal requiring consent of Health Canada, CDA, federal and provincial ministries of health.
Trying to resist further increases in drug expenditure, pCPA is authorised to conduct joint funding with the Canada Drug Agency for new drugs, especially biologics and generic medications. Most significantly, however, is the "cost-benefit analysis" framework approach when negotiating drug prices or operating joint investment ventures. The assent is mainly focused on estimating long-term savings to the overall healthcare system, as well as possible impact of patients' ability to re-join the labour force. Thus, procurement expenditures are effetely weighted over long-term savings in the healthcare sector as well as future increase in premiums.For its end the Government of Canada is set absorb absorb initial cost of running both Pharamacare and the national dental care, while avoiding reductions to federal healthcare transfers, with further increases managed through the Canada Health Transfer and bilateral negotiations with the privies. To avoid further deterioration of Canada's long-term fiscal position Ottawa is offsetting increased spending through phasing out all employer tax credits for health expenditures, as well as tightening eligibility for individual medical tax credits, while closing the readings gap through the CDCP and CPIP payroll premiums.
Canada's Quiet Corporate Reform
Canadian Equity & Debt Recovery Allowance (CEDRA) is set to largely emulate European proposals for the Debt-Equity Bias Reduction Allowance (DEBRA)733678) to align tax treatment for equity and debit across the tax system. CEDRA provides for a limited deduction of costs associated with issuing new corporate equity, namely stocks and bonds on Canadian stock exchanges.The allowance is calculated using the year-on-year difference between total corporate equity multiplied by risk-free return on equity, equal to the rate for 10-year Government of Canada bonds. Notably, the deception is fully refundable, up to a maximum for any given year and can be carried forward indefinitely.Just like its European equivalent, CEDRA provides for higher risk-free rate of return for smaller companies, as opposed to larger players. Higher rate is set to be the sum of the basic rate or return and the spread between interest rates for smaller and large businesses, calculated every year - CEDRA SMEs. However, unlike DEBRA, the Canadian allowance also provides for even more generous allowance for newer companies, regardless of their size, that is directly proportion to the rate spread between for companies operating for as long as or less 5 years, as opposed to existing incumbents, put on top of the 10-year federal government bonds rate - CEDRA Trailblazers.
b Notably, companies that qualify for both small and new entry rate deductions are allowed to combined both when calculating their entitlement for any given year.
The Government of Canada also brings a "green spin" the to the deduction, with a designated rate calculation for green businesses - CEDRA Net Zero. Thus, the gap in interest rates for low- and zero-emission borrowed and fossil fuel companies is set be compounded with the federal 10-year bonds, and then multiplied by the new year-on-year equity increase. Companies are also allowed to combine the "green rate" deduction with the new entry and small company rates so long the applicant is eligible for each of those individually. Companies operating in mining and processing of critical minerals, battery production, as well production of clean energy equipment and more energy-intensive solutions, including software.
CEDRA provides for special treatment of losses, including those cause by sudden dips in stock prices as a result of monetary tightening or short-selling. While falling short of full refundability, the Government of Canada allows to use deductible equity losses to offset both income and payroll taxes, as well as GST/HST payable for any given year, including carry-back provisions of up to 1 year.
As an additional measure, Canada is limiting debt interest deductibility for all companies operating in the country. Just like DEBRA, the Canadian allowance caps deductibility of net-interest debt payments - interest spent minus interest received - at the level of 85 per cent, with a maximum of $4 million. In line with European proposals, interest deductibility is additionally limited at 30 per cent of the borrower's earnings before interest, taxes, depreciation and amortisation. Companies would only be able to deduct the lowest amount in a tax year, but would be able to carry the difference forward or back, without indexing to inflation.
As an additional measure, the Budget also reforms the deferral dividend tax credit, including the one for Canadian-Controlled Private Corporations. Now, DTC is available to claim for any dividend payments received from a company incorporated in Canada, that has been operational for 5 years or less - DTC Trailblazers - or is actively contributing to the the green economy - DTC Net Zero, including mining and processing of critical minerals, battery production, as well as manufacturing of zero-emission vehicles, suitable materials and clean energy machinery & equipment.
Capital Cost Allowance Green Deduction - allows for full expensing of both machinery & equipment as well business property, for M&E for companies in "green industries", as well as investing in greater energy efficiency of existing industrial structures and equipment, including the cost of full replacement for everyone else. The increased rate also applies to non-mining - with accelerated appreciation maintained for critical minerals - companies of up to 5 years of age.
Canada's New Net Zero Industrial Policy
Investment & Innovation Canada aims to bering several federal crown corporations and business assistance programmes under one roof, operating as a one-stop shop for Canadian businesses. Notably, all entities brought under IIC have their mandrel explicitly promoting competition, namely considering either new market participants or SMEs first, for their investment considerations. Additionally, all participating agencies are set to aim at fulfilling Canada's Net Zero commitment, thrust greater coordination and a more cohesive instrument mix. The agency also aims to provide end-to-end support for Canadian companies across the board, including both setting up, and the scaling up new and existing players, aiming to promote competitive export-oriented companies in critical industries.Additionally, Investment & Innovation Canada introduces significant restructuring business assistance and subsidy institutions themselves. This mainly involves putting maximum emphasis on the "place economy" aiming to decentralise every member institution to the greater possible extent, tailoring their operations to the needs of a local markets. To avoid further confusion, IIC focuses on setting up highly autonomous local branches, to be combined in one-stop-shop for local businesses, by merging the their branches with Canada's Regional Development Agencies, and providing them with full operational autonomy, including agencies that were previously managed directly by the Government of Canada.
IIC is set to coordinate and facilitate operations between following crown corporations:
Business Development Canada (BDC) - a crown corporation tasked with providing capital for Canadian small & medium sized companies, including lending directly to investors to allocate capital to promising companies. Notably, BDC has the scope of their mandate extended, being allowed to provide direct funding to promising companies, as well as new entrants in highly concentrated markets, such as telecommunications, transportation, and banking. Just like EDC, Business Development Canada prioritises support to export-oriented companies.
Export Development Canada (EDC) provides a wide range of export support services and financing, such as risk insurance and direct business guidance, as well access to adorable capital to conduct export operations outside of Canada. Notably, however, under its renewed mandate, EDC is set to also encourage intraprovinical exports to an extent comparable with the support provided to those seeking to enter foreign markets. Equally, EDC has their competences extended to also facilitate overall trade-intensity of Canadian industries, including through increased exposure to imports, both between the provinces and foreign markets. While previously focusing exclusively on promoting overseas sales, the bank of set to roll out equal access to its services to those willing to export into Canada, especially when it comes to components, unfinished products, and intangibles.
Canadian Infrastructure Development Corporation (CIDC) is set to bring together the Canada Infrastructure Bank, the housing accelerator and developments funds, and other related projects, facilitating the supply of funding to national and local infrastructure projects, including affordable housing and public transit, signifying the first time housing is being considered part of Canada's infrastructure. CIDC also brings the Canada Housing & Mortgage Corporation to the table, as an independent body within the CIDC, largely focused on monitoring the market and providing independent impact assessment. Notably, CIDC is set to be allowed to fund projects that are yet to obtain private commitment, giving a first move advantage, so long the project has received an approved for respective regulatory authorities and indigenous groups affected, or if a project aims at reducing carbon emissions.
Labour Development Canada (LDC) is focused on creating more coherent space for federal labour market policy and workforce development, being tasked with development and screening of both businesses and applications in need additional training, as well as matching businesses struggling to recruit with those seeking a job. LDC is also responsible for administrating the Canadian Job Bank, as well as developing the curriculum and training standards for designated sectors. Notably, the Bank also being grated an explicit rights to enter into commercial agreements with provinces, municipalities, and legal entities providing funding for the private sector to re- and up-skill the local workforce, as well as integrate as many people as possible into the labour market.
As its unique feature, each LDC branch is legally required to maintain employee and business representation, with the need for unanimous consent when developing and implementing new measures. Notably, this includes local unions, business associations, and advocacy organisations in the region.
Initial funding the bank is set to be maintained under the Labour Market Development Agreements as well Workforce Development Agreements between Ottawa and the provinces, however the LDC is expected run a "structural surplus" for its existing programmes through employee and employer payroll deductions negotiated under each programme respectively. Therefore only using discretionary federal and provincial spending when operating federal or provincial programmes and launching new initiatives.
Labour Development Canada is also allowed to compete directly with employment agencies and directly administer federal programmes such as the Canada Summer Jobs, while pursuing it mandate: to maximise labour force participation and increase Canada's labour productivity, while increasing access to suitable permanent jobs above the federal poverty line.
Advanced Research & Innovation Canada (ARIC) provides all-in-support for research and development projects aiming at achieving a Net Zero Economy. ARIC brings together the Canadian Foundation for Innovation, and the National Research Council, and the Canada Research Chambers and Canada Growth Fund itself to provide end-to-end support for new green technology. While the Canada Foundation for Innovation provides funding for university research, the Canada Research Chairs brings the human expertise to ARIC, with the National Research Council supporting industrial and company-based business R&D. The Canada Growth Fund, on the other hand aims to provide funding for scale-ups in the green space and innovative sectors, mainly through comprehensive risk sharing and direct lending to existing projects. Unlike other agencies, CGF also has an explicit mandate to support funding for Net Zero and facilitate the acquisition of intellectual property by Canadian enterprises as well as support the creation of new IP by Canadians and in Canada. However, CGF is also being allowed to directly fund industrial research and development to expand accessibility of existing green technology, even where private sector funding has not yet been committed.
Aerospace Development Canada (ADC) delivers direct funding, for R&D and skills in the aerospace sector, as well as providing assistance with training, talent attraction, retention, and initial funding for the aerospace industry. ADC is allowed to also directly fund university research and eduction for those working in the aerospace industry.
Automation & Robotics Canada (ARC) focuses on supporting wider use of automaton and robotics across the Canadian economy. ARC specifically allows companies to obtain a rebate for their M&E expenses, as well as receive a loan or a grant to modernise existing equipment, or replace, expand existing industrial assets. SMEs can recuperate up to 110 per cent of their M&E expenses with ARC, and over 125 per cent when it comes to automating their processes and installing newer software. Notably, ARC is set to operate in parallel with the Canada Digital Adoption Program.
Agri-Foods Canada (AFC) administers programs when it comes to agricultural and foods production, focusing on providing funding for agricultural research, and development of new products, chemicals, processing methods, and crops that utilise that are more environmentally suitable.
While major business assistance programmes remain within the realm of the federal ISED, IIC is allowed to administer those directly and change their structure, so long associate costs are borne by the IIC institutions themselves. Programmes immediately transferred under the responsibility of IIC include the Canada Digital Adoption Program (CDAP), the Industrial Research Assistance Program (IRAP). Notably, however, IIC uses several other finical instruments to carry out its mandate:
- Income-Contingent Grants - grants funded directly by the CIB, with a subsequent return of funds. Unlike standard loans, ISGs are paid by the borrower as a share of their future income, until the debt is fully repaid - or written off by mutual agreement of both parties.
- Investment Supplementary Funding - provides financing provided by an IIC institution in proportion to investments from the private sector. Thus, for every $2 of private investment in a particular project or company, ISF guarantees at least $1 of investment from the CIB, subject to an appropriate agreement with the recipient company.
- Comprehensive Liabilities Guarantee - allow IIC to insure the assets of external investors - and the company itself - in a specific project or company in exchange for risk premiums from potential recipients. So, if the project will lead to losses for investors, IIC will return the funds spent.
- Outcome-Oriented Financing is the broadest possible definition of bank financial guarantees, which are fulfilled when certain conditions are met by the recipient. OOF may involve the direct financing, creation, write-off or investment, deferment, freezing - and so on - of the financial obligations of the borrower, in exchange for the achievement of certain indicators. First of all, we are talking about achieving predetermined growth rates of productivity - both labor and multifactorial - or such indicators as reducing the levels of debt burden, higher capital and science intensity, as well as interaction with external markets.
- Bridging Finance - bridge financing provided either in crisis situations or at an early stage of the project, when existing agreements with investors already exist, it is not possible to access short-term financing or funds necessary for the implementation of the initial stage of the project.
- Pooled Securitisation - financing of joint projects carried out by several small companies at once, with the accompanying distribution of risks. PS also covers the placement of assets on public markets.
As on overriding set of criteria, the Office is set to evaluate how existing government programmes measure against increasing competition in a marketplace - being required to prioritise companies of 5 years of younger, as well as SMES - and foster finically independent enterprise - defined a profitability over the 5 year period excusing government assistance -, as well as help to achieve the Net Zero goal.The Office is set to also maidan regional representation, aimed at scrutinising Regional Development Agencies, each branched aimed at a respective RDA, with a representative from CBAO and a respective provincial or territorial legislative assembly.
To further strengthen the accountability regime, the Budget amends respective acts relating to the Business Development Canada, Export Development Canada, National Research Council, Regional Development Agencies, and the Canada Infrastructure Development Canada's constituent units, as well as an additional overarching mandate for the Investment & Innovation Canada.
Thus, all the parties affected now have to comply with a "dual" mandate oversseen by the CBAO. Apart from fulfilling their original duty, such as infrastructure development, export promotion, or investment in green tech, all the agencies ought to remain finically profitable indecent of public support, defined all persistent surplus over the 5-year horizon.
In turn, the agencies are allowed to earn income through repayable grants, equity stakes, as well as acquisition of assets, such as intellectual property, and issuance of Canada Development & Innovation Bonds. CDIBs are set to be equated to the Government of Canada bills, with Ottawa directly guaranteeing the ability of an issuer to service their debts. Notably, each issuance has to be authorised by the IIC, before a respective institution can act on its own.
Additional Readings
https://taxpolicy.crawford.anu.edu.au/sites/default/files/publication/taxstudies_crawford_anu_edu_au/2022-03/complete_ace_wp_2022.pdfhttps://mowatcentre.munkschool.utoronto.ca/wp-content/uploads/publications/88_corporate_tax_reform.pdf
https://taxfoundation.org/benefits-of-full-immediate-expensing/
https://irpp.org/research-studies/cracking-canadas-productivity-conundrum/
https://irpp.org/wp-content/uploads/2018/10/Facing-the-Facts-Reconsidering-Business-Innovation-Policy-in-Canada.pdf
https://politics.utoronto.ca/publication/innovation-in-real-places-strategies-for-prosperity-in-an-unforgiving-world/
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC6246044/
https://www.linkedin.com/pulse/case-national-investment-authority-henry-kopesky
https://maytree.com/wp-content/uploads/canada-working-age-supplement-report.pdf
https://capx.co/subsidies-are-no-way-to-support-business-but-there-is-a-better-alternative/
https://www.politico.com/news/2023/03/29/canada-u-s-clean-energy-ira-00089284
https://civitas.org.uk/pdf/SavingsBanks2010.pdf
https://maytree.com/wp-content/uploads/canada-working-age-supplement-report.pdf
https://www.economist.com/finance-and-economics/2022/01/22/why-the-bias-for-debt-over-equity-is-hard-to-dislodge
2023.05.31 00:52 KonnectKing The Rosary for Everybody who doesn't know what it is. (psssst.... it's Scriptural!!)
If you are curious or Catholic, you can go here everyday and pray the Rosary with others online at the same time. https://www.comepraytherosary.org/
Here's a history [ https://www.newadvent.org/cathen/13184b.htm ]of using strings of knots or beads as an aid to meditation and prayer in both Apostolic Rites - Roman and Eastern Orthodox. I like this: "Our everyday name of beads for it is simply the Old Saxon word bede (a prayer)"
Classically, the Rosary is a certain form of praying where we recall successively in the mystery of the Incarnation and our Redemption. The prayers are all Scripturally based and appealing to Mary to pray for us is, too. (See the wedding at Cana).
NOW - you don't have to pray the classic prayers. I often pray the Divine Mercy Chaplet, essentially:
On a large beads:
(Mary is chosen to be the mother of Jesus.)
The Visitation of Mary to Elizabeth
Elizabeth recognizes Mary as the mother of our Lord.
The Nativity of our Lord Jesus Christ
Jesus is born and laid in a manger.
The Presentation of our Lord
Jesus is presented in the Temple of Jerusalem.
Finding Jesus in the Temple at age 12
Jesus is found discussing God's laws in the temple.
Jesus prays when confronted with the sins of the world.
The Scourging at the Pillar
Jesus is whipped before His execution.
Jesus is Crowned with Thorns
Jesus is mocked with a painful crown of thorns.
Jesus Carried the Cross
Jesus carries the weight of our sins to His crucifixion.
The Crucifixion of our Lord
Jesus Christ dies to save all mankind.
Jesus rises triumphant over death.
The Ascension of Jesus to Heaven
As Jesus ascends, He gives us a special task.
The Descent of the Holy Ghost
At Pentecost the Church is born.
The Assumption of Mary into Heaven
The Virgin Mary is gloriously assumed into heaven.
Mary is Crowned as Queen of Heaven and Earth
Mary is honored above all creatures.
God proclaims Jesus is His Son.
The Wedding at Cana
Jesus performs a surprising miracle at a wedding.
The Proclamation of the Kingdom
Jesus calls us to do something important.
The Transfiguration
Jesus is gloriously transformed.
The Institution of the Eucharist
Jesus shares His Body and Blood for our salvation.
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Now the Big One!!! What we pray to Mary on the smaller beads:
Hail Mary full of Grace, the Lord is with thee. Blessed are you among women and blessed is the fruit of your womb Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our deaths.
Anyone can pray the Rosary. Add your own prayers. The point is, you devote a certain time every day to devotion to God and Jesus Christ. You think of Him and your relationship to Him and His love and sacrifice for you every day.
Lastly: the Orthodox use prayer knotted ropes differently and I hope one of the Orthodox will post a thread about that and the prayers they say. I would very much like to have a prayer rope. I don't think Jesus would mind.
submitted by KonnectKing to Christianity [link] [comments]
Here's a history [ https://www.newadvent.org/cathen/13184b.htm ]of using strings of knots or beads as an aid to meditation and prayer in both Apostolic Rites - Roman and Eastern Orthodox. I like this: "Our everyday name of beads for it is simply the Old Saxon word bede (a prayer)"
Classically, the Rosary is a certain form of praying where we recall successively in the mystery of the Incarnation and our Redemption. The prayers are all Scripturally based and appealing to Mary to pray for us is, too. (See the wedding at Cana).
NOW - you don't have to pray the classic prayers. I often pray the Divine Mercy Chaplet, essentially:
On a large beads:
Eternal Father, I offer You the Body and Blood, Soul and Divinity of Your dearly beloved Son, our Lord Jesus Christ, in atonement for our sins and those of the whole world.There are opening and closing prayers and such. Catholics often add between the sets of 10 beads,
On the ten smaller beads For the sake of His sorrowful Passion, have mercy on us and on the whole world.
"Oh my Jesus, forgive us our sins, save us from the fires of hell, lead all souls to heaven, especially those who are in most need of Your mercy."Or the Prayer to Saint Michael the Archangel at the end:
"Saint Michael the Archangel, defend us in battle. Be our protection against the wickedness and snares of the devil; May God rebuke him, we humbly pray; And do thou, O Prince of the Heavenly Host, by the power of God, thrust into hell Satan and all evil spirits who wander through the world for the ruin of souls. Amen."Here are the Mysteries. Originally, the Rosary was popularized by those who could not read, afford Bibles if they could, or get to a church more than once or twice a year to remember and worship Jesus Christ every single day.
Joyful Mystery of the Rosary Monday & SaturdayThe Annunciation of the Lord to Mary
(Mary is chosen to be the mother of Jesus.)
The Visitation of Mary to Elizabeth
Elizabeth recognizes Mary as the mother of our Lord.
The Nativity of our Lord Jesus Christ
Jesus is born and laid in a manger.
The Presentation of our Lord
Jesus is presented in the Temple of Jerusalem.
Finding Jesus in the Temple at age 12
Jesus is found discussing God's laws in the temple.
Sorrowful Mystery of the Rosary Tuesday & FridayThe Agony of Jesus in the Garden
Jesus prays when confronted with the sins of the world.
The Scourging at the Pillar
Jesus is whipped before His execution.
Jesus is Crowned with Thorns
Jesus is mocked with a painful crown of thorns.
Jesus Carried the Cross
Jesus carries the weight of our sins to His crucifixion.
The Crucifixion of our Lord
Jesus Christ dies to save all mankind.
Glorious Mystery of the Rosary Wednesday & SundayThe Resurrection of Jesus Christ
Jesus rises triumphant over death.
The Ascension of Jesus to Heaven
As Jesus ascends, He gives us a special task.
The Descent of the Holy Ghost
At Pentecost the Church is born.
The Assumption of Mary into Heaven
The Virgin Mary is gloriously assumed into heaven.
Mary is Crowned as Queen of Heaven and Earth
Mary is honored above all creatures.
Luminous Mystery of the Rosary ThursdayThe Baptism in the Jordan
God proclaims Jesus is His Son.
The Wedding at Cana
Jesus performs a surprising miracle at a wedding.
The Proclamation of the Kingdom
Jesus calls us to do something important.
The Transfiguration
Jesus is gloriously transformed.
The Institution of the Eucharist
Jesus shares His Body and Blood for our salvation.
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Now the Big One!!! What we pray to Mary on the smaller beads:
Hail Mary full of Grace, the Lord is with thee. Blessed are you among women and blessed is the fruit of your womb Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our deaths.
Anyone can pray the Rosary. Add your own prayers. The point is, you devote a certain time every day to devotion to God and Jesus Christ. You think of Him and your relationship to Him and His love and sacrifice for you every day.
Lastly: the Orthodox use prayer knotted ropes differently and I hope one of the Orthodox will post a thread about that and the prayers they say. I would very much like to have a prayer rope. I don't think Jesus would mind.
2023.05.31 00:47 mang0Jelly still trying to figure out what's going on
 | so i posted a post about my Jeep a bit ago. they're still working on my Jeep trying to figure out why it keeps saying "cabin is heating or cooling, start stop not ready". (the first pic was for "replacing" the camera) i asked what the $360 is actually is about, asked 3 times and got 3 different answers. so the first time, literally as they were swiping my card, they told me they only removed/unplugged my camera and the $360 is the diagnose too. but when i got home, i asked my cousin to call and ask, we got told it was just the labor fees. they told me now that the camera is unplugged, it should be on warranty and if the start stop continues to not working again, they'll issue a reimbursement for the hours. a few days after that, the start stop wasn't working again. they told me they replaced the battery and told me that the start stop should work now. when i asked what about the camera, this is when they told me they rewired it and replaced the wire. but that still didn't fix the problem. i brought it in and asked but now they told me it was normal for it to turn off, due to several reasons (in the pic). but it was still because of my camera but it also could be the reasons from the list. i'm just frustrated because of the poor communication. had anyone else ever had this problem? can someone please explain to me? i'm really confused. submitted by mang0Jelly to Jeep [link] [comments] |